Zoom H6 All Black 6-Track Portable Handy Recorder

Zoom H6 All Black 6-Track Portable Handy Recorder

$249.99
$249.99
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Zoom H6 All Black 6-Track Portable Handy Recorder
  • Zoom H6 All Black 6-Track Portable Handy Recorder
  • Zoom H6 All Black 6-Track Portable Handy Recorder
  • Zoom H6 All Black 6-Track Portable Handy Recorder
  • Zoom H6 All Black 6-Track Portable Handy Recorder
  • Zoom H6 All Black 6-Track Portable Handy Recorder
  • Zoom H6 All Black 6-Track Portable Handy Recorder
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Zoom H6 All Black 6-Track Portable Handy Recorder

MFR# ZH6AB

96 kHz/24-bit, 6-in/2-out modular field recording system and USB audio interface with four XLR/TRS combo inputs, four mic preamps, and included XY capsule attachment

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Product Description

The Zoom H6 All Black is the ultimate portable recorder. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality. From podcasting to music to filmmaking and more, the H6 is your go-to recorder.

Featuring optional interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

The H6 offers four XLR/TRS combo jacks with dedicated pad switches and gain control for distortion-free recording. The H6 also features two 1/8” outputs, a stereo line out as well as a headphone out with dedicated volume control. The H6’s USB port enables it to serve as a stereo or multi-channel audio interface for your computer or iPad.

Recording Time an File Formats

Record continuously for over 20 hours with just four AA batteries or extend your recording time indefinitely with the optional AD-17 adapter.

The H6 records individual WAV files in any of the following formats:

  • 44.1 kHz/16-bit
  • 44.1 kHz/24-bit
  • 48 kHz/16-bit
  • 48 kHz/24-bit
  • 96 kHz/16-bit
  • 96 kHz/24-bit

XYH-6 X/Y capsule

The XYH-6 X/Y capsule comes standard with the H6 and adds two matched high-quality unidirectional microphones. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern.

Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.

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