XLN Audio Addictive Keys: Mark One - Electronic Delivery

XLN Audio Addictive Keys: Mark One - Electronic Delivery

$98.00
Sale price  $98.00 Regular price  $0.00
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XLN Audio Addictive Keys: Mark One - Electronic Delivery
XLN Audio

XLN Audio Addictive Keys: Mark One - Electronic Delivery

MFR# 1096-37

Emulation of the Fender Rhodes Mk. 1 stage piano - classic and intimate sound featuring 7 different recording perspectives

Price $98.00
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This product is delivered by download. Once your order is complete, you will receive a license code via email within minutes. Note: Software is not returnable, so please call if you need advice about compatibility or version.

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Product Description

The XLN Audio Addictive Keys: Mark One is based on the Fender Rhodes Mk. 1 electric piano. This king of electric pianos is played through a vintage tube combo amp and captured by rare vintage mics for a sublime sound. The tone can go from a smooth enthralling caress to a searing, crunchy sound that cuts through the densest mix.

THE INSTRUMENT AND ITS PRESETS

XLN's Mark One instrument is based on a Fender Rhodes Mk. 1 electric piano. The Rhodes Mk. 1 has been the most popular electric piano for more than four decades and is heard on countless hit records. Rhodes pianos can vary in sound, and this particular instrument was selected for its unmistakable warmth and intimacy.

While the instrument's line output can be recorded "direct," it is often played through an amplifier to add some crunch and character. For this recording, we used a MusicMan 112 RD Fifty 1x12". Different recording setups can be mixed and matched to give you endless sound design options!

With the tube combo set up in a large recording room, vintage microphones was positioned at both close and far away perspective capturing the amp close-up and with natural ambience. To add variety, three mics were positioned next up to the speaker; a dynamic, a tube condenser and a ribbon microphone. One floor and one room microphone setup were used for the option of adding depth and ambience to the recordings.

In addition to the acoustical recordings, two line signals were also recorded: One "direct" through high-voltage DI box and another through the classic Roland Dimension D analog stereo chorus.