{"product_id":"waves-eddie-kramer-artist-signature-collection-native","title":"Waves Eddie Kramer Artist Signature Collection - Electronic Delivery","description":"When The Beatles recorded \"All You Need Is Love\", the man behind the board was Eddie Kramer.\u003cbr\u003e \u003cbr\u003e When Jimi Hendrix recorded \"Purple Haze\", the man behind the board was Eddie Kramer.\u003cbr\u003e \u003cbr\u003e When Led Zeppelin recorded \"Whole Lotta Love\", the man behind the board was Eddie Kramer.\u003cbr\u003e \u003cbr\u003e When you’re ready to make some music history of your own, get Eddie Kramer behind the board.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeaturing\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eComplete all-in-one processing chains\u003c\/li\u003e\n\u003cli\u003eMono-to-stereo and stereo components\u003c\/li\u003e\n\u003cli\u003eOptimized control ranges\u003c\/li\u003e\n\u003cli\u003e24bit\/96kHz resolution\u003c\/li\u003e\n\u003cli\u003eSupports RTAS, Audio Suite, VST, AU\u003c\/li\u003e\n\u003cli\u003ePC and Mac compatible\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWaves Eddie Kramer Collection Plugins\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eKramer Vocal Channel\u003c\/li\u003e\n\u003cli\u003eKramer Bass Channel\u003c\/li\u003e\n\u003cli\u003eKramer Drum Channel\u003c\/li\u003e\n\u003cli\u003eKramer Guitar Channel\u003c\/li\u003e\n\u003cli\u003eKramer Effects Channel\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eEddie Kramer on the Vocal Channel\u003c\/span\u003e\u003cbr\u003e \"When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other. When we designed the Vocal Channel plug-in, we did it in such a way that the user can position the vocals within the mix, and then blend it back into the track, without it popping out, in such a way that it retains all its original clarity and presence.\"\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eVocal Channel features 2 flavors:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eVocals 1\u003c\/span\u003e, designed for classic rock vocals with a lot of dynamic range and intensity.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eVocals 2\u003c\/span\u003e, for gentler vocal performances that stay at smoother, steadier levels.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eControls\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eType toggles between the 2 vocal types: Vocal 1, Vocal 2\u003c\/li\u003e\n\u003cli\u003eSensitivity controls input levels.\u003c\/li\u003e\n\u003cli\u003eSensitivity LED indicates the presence of proper levels.\u003c\/li\u003e\n\u003cli\u003eBass controls low frequencies.\u003c\/li\u003e\n\u003cli\u003eTreble controls high frequencies.\u003c\/li\u003e\n\u003cli\u003eCompress controls amount of compression applied to the signal.\u003c\/li\u003e\n\u003cli\u003eOutput controls the output level.\u003c\/li\u003e\n\u003cli\u003eFX controls the amount of signal sent to the effect.\u003c\/li\u003e\n\u003cli\u003eDly sets the delay time. (Vocal 1 only)\u003c\/li\u003e\n\u003cli\u003eDly Mix controls the amount of audible delay. (Vocal 1 only)\u003c\/li\u003e\n\u003cli\u003eVerb Mix controls the relative level of the reverb.\u003c\/li\u003e\n\u003cli\u003eMeter Switch toggles meter monitoring between input and output modes.\u003c\/li\u003e\n\u003cli\u003eMeter displays input or output.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eEddie Kramer on the Bass Channel\u003c\/span\u003e\u003cbr\u003e \"The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes. That way, you can always hear it clearly, even at low volumes on small speakers. The Bass Channel comes in two flavors: Bass1, which is less compressed, for a more dynamic sound that has room to breathe, and Bass2, a more aggressive sound with increased compression.\" \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eControls\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eType toggles between the 2 bass types: Bass1, Bass2.\u003c\/li\u003e\n\u003cli\u003eSensitivity controls input levels.\u003c\/li\u003e\n\u003cli\u003eSensitivity LED indicates the presence of proper levels.\u003c\/li\u003e\n\u003cli\u003eBass controls low frequencies.\u003c\/li\u003e\n\u003cli\u003eTreble controls high frequencies.\u003c\/li\u003e\n\u003cli\u003eCompress controls the compressor intensity.\u003c\/li\u003e\n\u003cli\u003eOutput controls the output level.\u003c\/li\u003e\n\u003cli\u003eMeter Switch toggles meter monitoring between input and output modes.\u003c\/li\u003e\n\u003cli\u003eMeter displays input or output.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eEddie Kramer on the Drum Channel\u003c\/span\u003e\u003cbr\u003e \"The Drum Channel plug-in really captures the essence of my drum sounds. Whether you’re trying to achieve a huge Zep-like sound with loads of atmosphere, or are going for something more dry and down-to-earth like the Stones, or need a heavily-compressed, squashed, Hendrix-type sound, this is the plug-in that will get you there, quickly and easily. Since there are individual modes for bass drums, snares, and so on, you can really mix things up by creating your own hybrid drum kits, using your favorite elements from each.\"\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eControls\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eType toggles between the 6 drum types: BD, SNR, HH, Toms, OH, Room.\u003c\/li\u003e\n\u003cli\u003eSensitivity controls input levels.\u003c\/li\u003e\n\u003cli\u003eSensitivity LED indicates the presence of proper levels.\u003c\/li\u003e\n\u003cli\u003eCompress controls dynamics.\u003c\/li\u003e\n\u003cli\u003eGate controls the gate threshold (available in BD only).\u003c\/li\u003e\n\u003cli\u003eTreble controls high frequencies.\u003c\/li\u003e\n\u003cli\u003eBass controls low frequencies.\u003c\/li\u003e\n\u003cli\u003eFX controls the effects send gain.\u003c\/li\u003e\n\u003cli\u003eOutput controls the output level.\u003c\/li\u003e\n\u003cli\u003eMeter Switch toggles meter monitoring between input and output modes.\u003c\/li\u003e\n\u003cli\u003eMeter displays input or output.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eEddie Kramer on the Guitar Channel\u003c\/span\u003e\u003cbr\u003e \"The Guitar Channel plug-in features settings for lead guitars and two types of rhythm guitars.\u003cbr\u003e \u003cbr\u003e When it comes to lead guitar, I want it to become a living, breathing organism, creating a palpable sense of excitement within in the mix. By combining the right amounts of EQ, compression, delay, reverb, and a touch of flange, these 5 elements, working together, make it come alive.\u003cbr\u003e \u003cbr\u003e For rhythm guitar, I try to get it “in your face” as much as possible, without over-processing the sound with EQ. By adjusting the amount of compression, and not overdoing the amount of space, I make sure that the guitar stays up front, where it belongs.\"\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eControls\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eGuitar TypeType toggles between the 3 guitar types: Rhythm 1, Rhythm 2, Lead\u003c\/li\u003e\n\u003cli\u003eSensitivity controls input levels.\u003c\/li\u003e\n\u003cli\u003eSensitivity LED indicates the presence of proper levels.\u003c\/li\u003e\n\u003cli\u003eCompress controls guitar dynamics.\u003c\/li\u003e\n\u003cli\u003eTreble controls high frequency range.\u003c\/li\u003e\n\u003cli\u003eMid controls midrange frequencies.\u003c\/li\u003e\n\u003cli\u003eOutput controls the output level.\u003c\/li\u003e\n\u003cli\u003eFX controls the effects send gain.\u003c\/li\u003e\n\u003cli\u003eDepth controls the flange effect depth.\u003c\/li\u003e\n\u003cli\u003eFlange Mix controls flange effect mix. (Lead only)\u003c\/li\u003e\n\u003cli\u003eVerb Mix controls the relative level of the reverb.\u003c\/li\u003e\n\u003cli\u003eDly sets the delay time.\u003c\/li\u003e\n\u003cli\u003eDly Mix controls the amount of audible delay.\u003c\/li\u003e\n\u003cli\u003eMeter Switch toggles meter monitoring between input and output modes.\u003c\/li\u003e\n\u003cli\u003eMeter displays input or output.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eEddie Kramer on the Effects Channel\u003cbr\u003e \u003c\/span\u003e\"For the Effects Channel plug-in, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture. Over the years, these elements have evolved to suit a variety of sources and styles, from whispering vocals to screaming guitars and beyond.\u003cbr\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eH-Slap\u003c\/span\u003e is a shorter delay that emulates tape at 15 inches per second, with some EMT plate reverb at a medium setting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eZ-Slap\u003c\/span\u003e is a longer delay (7 ½ inches per second) with a bit of feedback and a longer setting on the EMT plate.\u003c\/li\u003e\n\u003c\/ul\u003e Between the two, you’ll easily find the ideal setting for almost anything you can throw at it.\"\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eControls\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eType toggles between the 2 effect types: H-Slap, Z-Slap.\u003c\/li\u003e\n\u003cli\u003eSensitivity controls input levels.\u003c\/li\u003e\n\u003cli\u003eSensitivity LED indicates the presence of proper levels.\u003c\/li\u003e\n\u003cli\u003eDly controls the time of the slap delay.\u003c\/li\u003e\n\u003cli\u003eDly Mix controls the mix or direct send to the slap delay.\u003c\/li\u003e\n\u003cli\u003eSize controls the size and time of the reverb effect.\u003c\/li\u003e\n\u003cli\u003eBrightness controls the High Frequency range of the reverb effect.\u003c\/li\u003e\n\u003cli\u003eVerb Mix controls the amount of reverb mixed with the signal.\u003c\/li\u003e\n\u003cli\u003eOutput controls the output level.\u003c\/li\u003e\n\u003cli\u003eMeter Switch toggles meter monitoring between input and output modes.\u003c\/li\u003e\n\u003cli\u003eMeter displays input or output.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Waves Audio","offers":[{"title":"Default Title","offer_id":44449393868903,"sku":"12529","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/waves_eddie__kramer__collection.jpg?v=1787088829","url":"https:\/\/vintageking.mom\/products\/waves-eddie-kramer-artist-signature-collection-native","provider":"Vintage King","version":"1.0","type":"link"}