{"product_id":"sonnox-oxford-elite-bundle-native","title":"Sonnox Oxford Elite Bundle - Native","description":"\u003cspan style=\"font-weight: bold;\"\u003eThe Ultimate Oxford Plugins Collection\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eWant the best sounding plug-ins available at the best possible price? Don’t waste time and money collecting them one by one – save a massive 40% off the individual prices when buying the Sonnox Elite Collection. \u003cbr\u003e\u003cbr\u003eAll seven world renowned Oxford Plug-ins in a single bundle.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eContains: \u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eOxford EQ\u003c\/li\u003e\n\u003cli\u003eOxford Dynamics\u003c\/li\u003e\n\u003cli\u003eOxford Inflator\u003c\/li\u003e\n\u003cli\u003eOxford Transient Modulator\u003c\/li\u003e\n\u003cli\u003eOxford Reverb†\u003c\/li\u003e\n\u003cli\u003eOxford Limiter\u003c\/li\u003e\n\u003cli\u003eOxford SuprEsser\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eEQ \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Oxford EQ\u003c\/span\u003e plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e\u003cul\u003e \u003cli\u003eFive band parametric design \u003c\/li\u003e\n\u003cli\u003eLF and HF Filters providing up to 36dB\/Octave \u003c\/li\u003e\n\u003cli\u003eFour different EQ types \u003c\/li\u003e\n\u003cli\u003eFully decramped HF response \u003c\/li\u003e\n\u003cli\u003eSupport for sample rates up to and including 192kHz \u003c\/li\u003e\n\u003cli\u003eFully automatable (inc. separate automation for A and B settings) \u003c\/li\u003e\n\u003cli\u003eIncludes six plug-ins in total for optimal DSP usage (Mono and Stereo versions of EQ, Filters, and EQ and Filters)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eDynamics\u003c\/span\u003e\u003cbr\u003eThe Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe dynamics section from Sony OXF-R3 console\u003c\/li\u003e\n\u003cli\u003eSeparate sections for Compressor, Gate, Expander, Limiter\u003c\/li\u003e\n\u003cli\u003e2-Band side chain EQ (with audition function)\u003c\/li\u003e\n\u003cli\u003eWarmth control for extra presence and tube-like warmth\u003c\/li\u003e\n\u003cli\u003eThree different compressor types (linear and exponential curves)\u003c\/li\u003e\n\u003cli\u003eVariable soft knee compressor\u003c\/li\u003e\n\u003cli\u003eSeparate 5.1 bus compressor (where supported)\u003c\/li\u003e\n\u003cli\u003eUltra low noise and distortion\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eInflator \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Inflator\u003c\/span\u003e is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. \u003cbr\u003e\u003cbr\u003eNo matter how limited, compressed and crushed your programme may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.\u003cbr\u003e\u003cbr\u003eUse the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTransient Modulator \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Transient Modulator\u003c\/span\u003e is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.\u003cbr\u003e\u003cbr\u003eThe application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the programme so that the overall long-term programme level is minimally affected and sensitivity to control parameters is drastically reduced.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e \u003cul\u003e \u003cli\u003eRadically changes the dynamics of instruments.\u003c\/li\u003e\n\u003cli\u003eAccentuates or flattens attacks and transients.\u003c\/li\u003e\n\u003cli\u003eBrings sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eIncreases or reduces the effects of ambience.\u003c\/li\u003e\n\u003cli\u003eProduces rounded and dynamic percussive effects. \u003c\/li\u003e\n\u003cli\u003eHardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. \u003c\/li\u003e\n\u003cli\u003eVariable harmonic enhancement for extra loudness, presence and 'punch'. \u003c\/li\u003e\n\u003cli\u003eIncreases overall modulation potential by the reduction of very short peaks. \u003c\/li\u003e\n\u003c\/ul\u003eThe functions of the Transient Modulator are adaptive and totally dependent upon dynamic level changes within the signal. In other words, it will have no effect on a steady state signal, such as a continuous tone which does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGain,Threshold \u0026amp; Deadband\u003c\/span\u003e\u003cbr\u003eWhen the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set positively, significantly larger peak levels can be produced, with potential to increase them up to 24dB greater than the original signal. Conversely, negative ratio values can reduce the overall levels significantly, therefore the \u003cspan style=\"font-weight: bold;\"\u003eGain\u003c\/span\u003e fader has been designed to operate over a considerable range.\u003cbr\u003e\u003cbr\u003eUnlike the rest of the processing in the Transient Modulator, the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob sets an absolute value. Other processing is tracking changes in the waveform and is not related to any absolute setting. In this case, only signals above the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob setting will be processed. The greater the signal level above the threshold, the greater the effect, the Transient Modulator will have.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDeadband\u003c\/span\u003e knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower level signals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRatio \u0026amp; Overshoot\u003c\/span\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader sets the amount of instantaneous change, positive or negative, to the signal. As an example, if the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set to +1.00, and a signal peak 10dB above the average occurs, the Transient Modulator could increase that to a 20dB peak.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eOvershoot\u003c\/span\u003e fader sets the period over which dynamics changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more affect on the later portions of signal changes. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eReverb \u003c\/span\u003e\u003cbr\u003e The \u003cb\u003eSonnox Oxford Reverb\u003c\/b\u003e plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e \u003cul\u003e \u003cli\u003eExtremely flexible reverberation generator. \u003c\/li\u003e\n\u003cli\u003eDetailed control over early reflections. \u003c\/li\u003e\n\u003cli\u003eBring sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eHigh quality Sonnox Oxford sound. \u003c\/li\u003e\n\u003cli\u003eIncorporated 5-band parametric EQ. \u003c\/li\u003e\n\u003cli\u003eOver 100 realistic, useful presets for music \u0026amp; post-production. \u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eLimiter \u003c\/span\u003e\u003cbr\u003e The \u003cb\u003eSonnox Oxford Limiter \u003c\/b\u003ehas been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximization or heavily applied artistic sound effects. \u003cbr\u003e\u003cbr\u003e Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions. \u003cbr\u003e\u003cbr\u003e Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks'). \u003cbr\u003e\u003cbr\u003e A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting. \u003cbr\u003e\u003cbr\u003e Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes.\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e \u003cul\u003e \u003cli\u003eUnique Enhance section - provides sample value limiting and enhances perceived loudness \u003c\/li\u003e\n\u003cli\u003eAbility to add harmonic distortion, where artistic style requires \u003c\/li\u003e\n\u003cli\u003eVariable soft knee control \u003c\/li\u003e\n\u003cli\u003eAttack and Release controls \u003c\/li\u003e\n\u003cli\u003eReconstruction Meter shows 'actual' signal rather than sampled signal \u003c\/li\u003e\n\u003cli\u003eAuto compensate feature - corrects recon errors without losing overall programme loudness \u003c\/li\u003e\n\u003cli\u003e16 and 24 bit dithering with 5 selectable types \u003c\/li\u003e\n\u003cli\u003eUser has control over variable depth noise shaping \u003c\/li\u003e\n\u003cli\u003e16 presets - some quite extreme!\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eSuprEsser \u003c\/span\u003e\u003cbr\u003e A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. With the \u003cb\u003eOxford SuprEsser\u003c\/b\u003e you can take out unwanted frequency peaks as and when they occur - unlike applying a fixed EQ to the whole channel. \u003cbr\u003e\u003cbr\u003eAs a De-Esser, the Oxford SuprEsser is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. However, it can equally be applied to removing low-end 'plosives' and thuds from over-close vocal work, without affecting components nearby in the frequency spectrum, keeping the low-end in tact. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone! \u003cbr\u003e\u003cbr\u003eDetailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy. \u003cbr\u003e\u003cbr\u003eAt the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters to make the compressor react only to the defined frequency band. These linear phase filters are modelled on the filters from the Oxford EQ, making the SuprEsser useful for precise mastering work as well as mixing work. \u003cbr\u003e\u003cbr\u003eThree listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside'). \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cul\u003e \u003cli\u003eHighly featured professional De-Esser \u003c\/li\u003e\n\u003cli\u003eLinear Phase Dynamic EQ \u003c\/li\u003e\n\u003cli\u003eTransparently controls aggressive frequencies \u003c\/li\u003e\n\u003cli\u003eAutomatic Level Tracking follows energy levels (no need to automate threshold) \u003c\/li\u003e\n\u003cli\u003eLarge intuitive graphic display makes finding frequencies very easy \u003c\/li\u003e\n\u003cli\u003eFull Spectrum Operation (20Hz -20KHz) \u003c\/li\u003e\n\u003cli\u003eThree different 'Listen' modes \u003c\/li\u003e\n\u003cli\u003eVery easy to use \u003c\/li\u003e\n\u003cli\u003eAdvanced Mode for ultimate control of the Dynamic EQ \u003c\/li\u003e\n\u003cli\u003eMany creative as well as corrective uses \u003c\/li\u003e\n\u003cli\u003ePresets giving good starting points \u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003e Platforms Supported\u003c\/span\u003e\u003cbr\u003e Pro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), PowerCore, AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449389969511,"sku":"11428","price":203.03,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_elite_bundle_2.jpg?v=1787088820","url":"https:\/\/vintageking.mom\/products\/sonnox-oxford-elite-bundle-native","provider":"Vintage King","version":"1.0","type":"link"}