{"product_id":"schoeps-stereo-set-121","title":"Schoeps CMC 121 Wide Cardioid Condenser Microphone Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 121 Microphone Stereo Set\u003c\/strong\u003e is a complete wide cardioid condenser microphone set including a two CMC 1 amplifiers with MK 21 wide cardioid capsules, pop screens, clamps and wooden box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 1 AMPLIFIER\u003c\/h3\u003e  \u003cp\u003eThe CMC 1 is Schoeps' small Colette microphone amplifier, about one-third the size and 40% lighter than the CMC 6. It is compatible with all components of the Colette system and can be used in place of the CMC 6 without compromise, for all applications in which the size and weight of the microphone play a role.\u003c\/p\u003e  \u003cp\u003eAt SCHOEPS, “uncompromising miniaturization” means that the electrical characteristics of the CMC 1 are equal to, or even better than, those of the CMC 6.\u003c\/p\u003e    \u003ch3 id=\"toc_1\"\u003eMK 21 CAPSULE\u003c\/h3\u003e  \u003cp\u003eThe directivity of the wide cardioid lies between the omni and the cardioid. The idea behind their development is to combine the advantages of these two patterns. The low-frequency behaviour of the MK 21 is better than that of the cardioid, and proximity effect is less pronounced. The wide cardioid polar pattern is extremely consistent across the frequency range. Laterally-arriving direct sound and reflections are picked up without added coloration. The MK 21 is a very well-liked capsule. It is preferred when a slight directional effect and a warm, natural sound image are desired. Over the years it has become an integral part of the audio engineer's toolkit.\u003c\/p\u003e  \u003cp\u003eWhen used as a spot microphone, the distance from the sound source should be slightly smaller than when using a cardioid due to lower directivity index.\u003c\/p\u003e  \u003cp\u003eThe low directivity of this capsule type prevents it from generating large enough level differences for X\/Y use, though MS and near-coincident spacings are often successful.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWide cardioid\u003c\/li\u003e \u003cli\u003ePreferred uses: as a soloist microphone or main microphone\u003c\/li\u003e \u003cli\u003eExtremely consistent polar response leads to a very natural sound\u003c\/li\u003e \u003cli\u003eCombines the advantages of the omni (warm sound) and the cardioid (directivity)\u003c\/li\u003e \u003cli\u003ePopular as a main microphone pair e.g. at a spacing of 30 cm, angle ±45°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44450681323623,"sku":"154185","price":4432.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-121-stereo_154185_1_7acb6056-4da0-4602-8fcd-baa1f6b3ebe8.jpg?v=1787094078","url":"https:\/\/vintageking.mom\/products\/schoeps-stereo-set-121","provider":"Vintage King","version":"1.0","type":"link"}