{"product_id":"schoeps-mikrofone-cmc621-set","title":"Schoeps CMC 621 Wide Cardioid Condenser Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 621 Microphone Set\u003c\/strong\u003e is a complete wide cardioid condenser microphone set including amplifier, capsule, popscreen, clamp and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 21 Capsule\u003c\/h3\u003e  \u003cp\u003eThe directivity of the wide cardioid lies between the omni and the cardioid. The idea behind their development is to combine the advantages of these two patterns. The low-frequency behavior of the Schoeps MK 21 is better than that of the cardioid, and proximity effect is less pronounced. The wide cardioid polar pattern is extremely consistent across the frequency range. Laterally-arriving direct sound and reflections are picked up without added coloration. The MK 21 is a very well-liked capsule. It is preferred when a slight directional effect and a warm, natural sound image are desired. Over the years it has become an integral part of the audio engineer's toolkit.\u003c\/p\u003e  \u003cp\u003eWhen used as a spot microphone, the distance from the sound source should be slightly smaller than when using a cardioid due to lower directivity index.\u003c\/p\u003e  \u003cp\u003eThe low directivity of this capsule type prevents it from generating large enough level differences for X\/Y use, though MS and near-coincident spacings are often successful.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWide cardioid polar pattern\u003c\/li\u003e \u003cli\u003ePreferred uses: as a soloist microphone or main microphone\u003c\/li\u003e \u003cli\u003eExtremely consistent polar response leads to a very natural sound\u003c\/li\u003e \u003cli\u003eCombines the advantages of the omni (warm sound) and the cardioid (directivity)\u003c\/li\u003e \u003cli\u003ePopular as a main microphone pair e.g. at a spacing of 30 cm, angle ±45°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232126055,"sku":"12019","price":2142.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-621-set_12019_1.jpg?v=1787088237","url":"https:\/\/vintageking.mom\/products\/schoeps-mikrofone-cmc621-set","provider":"Vintage King","version":"1.0","type":"link"}