{"product_id":"schoeps-microphones-universal-omni-s-st","title":"Schoeps CMC 62S Omnidirectional Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 62S Microphone Stereo Set\u003c\/strong\u003e is a complete omnidirectional condenser microphone stereo set including two CMC amplifiers, two MK 2S omnidirectional capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 2S Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field. This frequency response characteristic falls between that of the MK 2 and the MK 2XS, making the capsule suitable for a wide range of applications.\u003c\/p\u003e  \u003cp\u003eThe MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. \u003c\/p\u003e  \u003cp\u003eIts somewhat brighter sound (compared to the MK 2 and MK 2H) makes it ideal for use as a main microphone or room microphone, especially in larger rooms.\u003c\/p\u003e  \u003cp\u003eIt features a moderate high-frequency response elevation at 0°, which compensates high frequency losses caused by the increased diffuse field amount when used near the reverberation radius.\u003c\/p\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232486503,"sku":"15874","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-62s-stereo-set_15874_1.jpg?v=1787088239","url":"https:\/\/vintageking.mom\/products\/schoeps-microphones-universal-omni-s-st","provider":"Vintage King","version":"1.0","type":"link"}