Schoeps Flexi Set CMC 6 with MK 4 and MK 2 Capsules

Product Description

For a limited time, Schoeps Flexi Sets are available at a discount. That means you receive the CMC 6 microphone amplifier body with the MK 4 cardioid capsule and the MK 2 omnidirectional capsule at half price. The set also includes the SG 20 carrying case.

CMC 6 MICROPHONE AMPLIFIER

The Schoeps CMC 6U is a condenser microphone amplifier designed for standard 48 and 12 volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.

The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.

FEATURES:

• Flat frequency response
• Extremely low noise and distortion
• Balanced, very low-impedance output
• Can be used with very long cables
• Well-protected against RFI
• For use with 12 or 48 volt phantom powering

MK 4 CARDIOID CAPSULE

The MK 4 has been a reference microphone for years in a wide variety of recording situations.

Due to its transparent sound character and excellent attenuation of rear-incident sound, it reproduces sound sources very naturally. This has given the MK 4 a reputation as a universal "problem solver" even in difficult recording situations.

Its flat frequency response, and the constancy of its directional pattern for all frequencies, are the basis of the MK4’s sound quality. Even in the diffuse sound field its frequency response is flat, with a slight increase at 10 kHz compensating for high-frequency losses in the room.

Thus the sound image is transparent for direct-arriving sound, for sound arriving from the side, and for diffuse sound in the room (reverberation).

The MK 4 is a classic small-diaphragm microphone with all the advantages of this microphone type. Its frequency response and the consistency of its polar diagram from low to high frequencies are exemplary.

Like all Schoeps capsules, the MK 4 achieves its flat frequency response solely by its mechanical architecture, without any electronic filtering.

As a pressure gradient transducer, the MK 4 has a single diaphragm that is exposed to the sound from both the front and rear. The side sound inlets must therefore never be covered.

The “reach” (distance factor) of a classic cardioid such as the MK 4 is about 1.7 times that of an omnidirectional microphone. Thus even at greater distances from the sound source, direct sound can be obtained. The advantages of the MK 4 are shown especially when mixing several microphone signals - pickup of sound from the side is reduced in level but not subject to coloration.

At 90° the attenuation of the MK 4 is 6 dB, and at 180°, some 20 to 30 dB. Diffuse-incident sound is picked up 4.8 dB lower in level than front-arriving sound.

FEATURES:

• Cardioid pattern
• The best-selling Schoeps capsule
• Directivity is highly independent of frequency
• Universally applicable; preferred use as spot microphone, for acoustic instruments, and in conference recording
• Often used in the main microphone pair for XY, ORTF and MS stereo recordings

MK 2 Omnidirectional Capsule

The linear frequency response of the MK 2 with respect to frontally incident sound waves results in a very natural sound for near-field recordings (i.e. in close proximity to the sound source).

This capsule can be set up very close to the sound source without sounding too brilliant or harsh.

FEATURES:

• Linear frequency response at 0° (free-field equalized)
• For placement in close proximity to sound source
• Preferred usage: close-miking instruments