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Product Description
For studio, broadcast, theatre and live productions, the REMIC Mics P6000 Stereo Mic for Grand Piano delivers an extraordinary sound response and continues the unique and striking craftsmanship of REMIC MICROPHONES.
Based on a match pair of high definition condenser microphones, the P6000 delivers a natural and open sound, with an extreme accuracy and fast transient response, that captures even the finest and most delicate overtones of the instrument.
PLACEMENT and INSTALLATION
The P6000 is placed on top of the soundboard beneath the strings, pointing towards the hammers (E4/F4) and can be moved around on the soundboard to achieve the desired tone (timbre).
The placement of the P6000, allows the microphone to capture the very first movements of air molecules, set in motion by the soundboard and strings, before the sound signal is “polluted” or “distorted” by odd reflections that often causes phase problems when two or more conventional microphones are used to capture the sound of this huge instrument.
THE AESTHETIC ADVANTAGE
Finally, there is an obvious, purely aesthetic advantage to utilizing an instrument microphone from REMIC MICROPHONES, as they are not mounted with a clumsy microphone stand or clip. The sheer size and design of the REMICs, enables the instrument to present itself with its natural elegance.
Features
Specifications
| Frequency Range | |
|---|---|
| Number of Microphones | |
| Sensitivity | |
| Transducer Type | Condenser |
| Tube or Solid State |