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Product Description
Novation Peak sounds warm and rich with filthy, biting overdrive. It’s an eight-voice desktop polyphonic synthesizer with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analog signal chain.
PEAK FIRMWARE UPDATE V2.0
In Novation’s biggest update for Peak, firmware update v2.0 brings a multitude of features across stereo controls, modulation and unpredictability, and effects, that give you powerful tools to shape your sound.
Create more intricately textured soundscapes with updated stereo controls. Experiment with expansive sound design with modulation and unpredictability. A range of effects improvements bring new tonalities with the addition of Chorus Modes, Flanger, Phlanger, new effects modulation destinations and Lo-Fi delay.
STEREO
New spread modes, panning per voice, and panning in the mod matrix give additional control and allows for sound design in the stereo field. Now you can create bigger, wider, and more intricately textured soundscapes.
MODULATION AND UNPREDICTABILITY
Create deeper and more experimental sounds with new mod destinations, noise as a mod source, and additional LFO 3 and 4 parameters. Animate Envelopes and Arpeggiator Chance open more creative performance possibilities.
EFFECTS
New effects, including Chorus Modes, Flanger, and Phlanger add new tonalities. Additional effects modulation destinations open up more experimental sound design. A new Lo-Fi delay mode enables a more vintage style sound.
BUG FIXES
The firmware update v2.0 includes a number of bug fixes. The full details can be found in the release notes.
Summit and Peak firmware v2.0 is the last addition to the legacy of Chris Huggett’s innovative synth design work with Novation. Having shaped the sound of Novation’s iconic synths – including Bass Station, Supernova, Bass Station II, Peak and Summit, Chris has left an indelible imprint on Novation’s heritage, and we will always be grateful for his influence and inspiration.
ANALOG WHERE IT MATTERS – DIGITAL WHERE IT COUNTS
Peak’s design consultant was none other than Chris Huggett, the man behind Bass Station, Supernova, OSCar and many more legendary synths. Peak has its origin in the Bass Station II analog monosynth, and Peak’s oscillators sound completely analog by being high-quality NCOs (Numerically-Controlled Oscillators), but gain the flexibility of the digital domain with 17 digital wavetables.
BUILD AND REFINE NEW SOUNDS FROM SCRATCH
Broaden out your electronic music, draw in new influences and take artistic risks. The modulation system puts the most frequently used assignments right at your fingertips in the main controls. More elaborate movements and secondary ‘via’ assignments are made just a few menu button presses away.
CONNECT TO JUST ABOUT ANYTHING
You can plug Peak into your Mac or PC via USB and start playing. It also has MIDI I/O on five-pin DIN ports, so you can connect your other MIDI gear. Oh, and did we mention it connects to modular systems via a CV modulation input?
WAVETABLE EDITOR
The Wavetable Editor unleashes the power of the wavetable oscillators. It features drawing tools and a Live Edit mode, so you can draw your own oscillator shapes and preview them in real time. Audio import lets you load in your own audio to be used as the oscillator waveform. Included is a curated selection of space-themed audio from the NASA sound library, plus exclusive content from production giants Noisia.
Features
Specifications
| Width | |
|---|---|
| Depth | |
| Height | |
| Aftertouch | No |
| Analog or Digital | |
| Arpeggiator | No |
| Effects | |
| Envelope | |
| Filters | |
| LFO | |
| MIDI Connections | |
| Oscillators | |
| Polyphony | |
| Sound Engine | |
| Synthesizer Format | |
| Velocity Sensitive | No |
| Waveforms | |
| Device interface | USB |
