{"product_id":"millennia-hv-3r-multichannel-mic-preamp-r-212-used","title":"Millennia HV-3R Multichannel Mic Preamp #R-212 (Used)","description":"\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"bglttext\" style=\"font-size: 8pt; background-color: rgb(255, 255, 255);\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eMillennia HV-3R\u003c\/strong\u003e is an 8-channel version of the very successful and popular HV-3C stereo preamp. The HV-3R integrates advanced computer and network technology with Millennia's renowned HV-3 Series analog circuitry, via high performance 4th generation relays rated for 50 million operations. Each input is captured with unrestricted dynamic range and effortless musicality. The HV-3R has a plug 'n play Pro Tools interface via MIDI. Using Ethernet, and a Remote PC or Mac application, you can manage a complex system from anywhere, be it around the corner or around the world. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOpen, Transparent Sound\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eMic preamplifiers magnify the input as much as 1000:1. There's no \"Undo\" after this point. Coloration or distortion become part of the signal. Lost information can never be recovered. Digital plug-ins can't \"uncolor\" sound or restore lost upper harmonic partials. Data compression algorithms (MPG, AC3, DTS etc.) are unable to distinguish signal from noise, so preserving signal clarity and integrity throughout the recording and production process is critical to communicating the artist's intention and individuality. No matter how subtle or attractive, a colored \"signature\" sound destroys options at every link in the chain. The HV-3 Series' open, transparent signal path has defined \"high definition\" since its introduction. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePerfect for Location Recording\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eLocation recording is a high-wire act, with only one chance to capture the living moment of performance in its original ambience. The HV-3 Series is designed to transmit microphone signals to recording devices unaltered and has proven its ability to drive extremely long cable runs. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePristine Audio Path\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThere's no such thing as a straight wire with gain. But the HV-3 Series' transformerless input, balanced audio path, minimal amplifier design has brought us closer than any other to our goal of absolute accuracy and uncompromised sonic realism. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eControl up to 792 channels (99 units) at once via Ethernet: TCP\/IP addressing allows control via the Internet\u003c\/li\u003e\n\u003cli\u003ePlug 'n play Pro Tools interface via MIDI\u003c\/li\u003e\n\u003cli\u003eAE-logic Windows\/OS X software offers total control\u003c\/li\u003e\n\u003cli\u003eHi-definition meters, unlimited groups, scene management, voltage\/temperature monitoring\u003c\/li\u003e\n\u003cli\u003eGain control via ultra-quiet gold contact relays\u003c\/li\u003e\n\u003cli\u003eTransformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no \"pads\" needed\u003c\/li\u003e\n\u003cli\u003eEntirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)\u003c\/li\u003e\n\u003cli\u003eEffortless, vividly realistic musical performance\u003c\/li\u003e\n\u003cli\u003eLaser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease\u003c\/li\u003e\n\u003cli\u003eGain controls (1 dB per step) are stereo-matched to .08 dB\u003c\/li\u003e\n\u003cli\u003eUltra-clean toroid power supply\u003c\/li\u003e\n\u003cli\u003eMogami Neglex OFC audio wiring\u003c\/li\u003e\n\u003cli\u003eAluminum 16 gauge rack chassis\u003c\/li\u003e\n\u003cli\u003eMinimum Gain - 8.5 dB\u003c\/li\u003e\n\u003cli\u003eMaximum Gain - (1 dB per step, 65 steps)\u003c\/li\u003e\n\u003cli\u003e(1 dB per step, 65 steps)\u003c\/li\u003e\n\u003cli\u003eFrequency Response (+0 \/ -3 dB) - sub 3 Hz to beyond 300 kHz\u003c\/li\u003e\n\u003cli\u003eNoise (60 dB Gain, 10 Hz - 30 kHz, Inputs common) - 133 dB EIN\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion + Noise (35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out) - \u0026lt; .001%, Typ. \u0026lt; .0005% (\u0026lt; 5 ppm)\u003c\/li\u003e\n\u003cli\u003eIntermodulation Distortion ((50 Hz \u0026amp; 7 kHz) 35 dB Gain, +27 dBu Out) - \u0026lt; .0009%\u003c\/li\u003e\n\u003cli\u003ePhase Response (35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out) - \u0026lt; 2 degrees deviation\u003c\/li\u003e\n\u003cli\u003eCommon Mode Rejection Ratio (35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.) - \u0026gt; 65 dB, Typ \u0026gt; 85 dB\u003c\/li\u003e\n\u003cli\u003eSlew Rate (35 dB Gain, +27 dBu Out) - \u0026gt; 25 Volts per microsecond\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (20 Hz - 40 kHz) +23 dBu (no attenuator pads required)\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level (20 Hz - 40 kHz) - +32 dBu\u003c\/li\u003e\n\u003cli\u003ePhantom Input Impedance (1 kHz) - 6,750 ohms\u003c\/li\u003e\n\u003cli\u003eOutput Impedance - 24.3 Ohms (x2)\u003c\/li\u003e\n\u003cli\u003ePhantom Powering - +48 V dc, +\/- 2 V dc\u003c\/li\u003e\n\u003cli\u003ePower Requirements - Selectable: 100-120, 200-240 V ac, 50\/60 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003cul\u003e \u003c\/ul\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":44450027012199,"sku":"62835","price":3995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/millennia-hv-3r-stereo-mic-preamp-r-212-used-6748966_769d98ad-1e2b-4908-8427-0fedb82aa0c8.jpg?v=1787091384","url":"https:\/\/vintageking.mom\/products\/millennia-hv-3r-multichannel-mic-preamp-r-212-used","provider":"Vintage King","version":"1.0","type":"link"}