FabFilter Pro-C 3 Compressor Plug-in - Electronic Delivery

Product Description

FabFilter Pro-C 3 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 3 gets the job done with style.

EVERYTHING YOU NEED

Pro-C 3 offers 14 different, program-dependent compression styles and various character modes to introduce smooth saturation, vintage color and analog drift. But there's more! You also get full immersive / Dolby Atmos functionality (up to 9.1.6), up to 32x oversampling, unique auto-threshold, intelligent auto-gain and auto-release, a variable knee and hold, smooth lookahead external side-chain and host tempo sync triggering, variable stereo linking and mid/side processing, all packed in a beautifully designed user interface.

BEAUTIFUL INTERFACE AND OPTIMIZED WORKFLOW

The fully redesigned interface in FabFilter Pro-C 3 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like.

FABFILTER GOODIES

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, a modern preset browser to easily navigate the carefully designed factory presets, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more.

THE PRO-Q 4 MODULAR CHANNEL STRIP

With Pro-Q 4, you can now control all Pro-Q 4, Pro-C 3, Pro-DS and Pro-G (more to follow) instances in your session, from a single plug-in interface. This is a huge time-saver, making it much easier to set up an initial mix when starting a session. It's like having a modular FabFilter channel strip plug-in! Within your DAW you can set up the preferred order of your channel strip elements. Either start with the same plug-ins on every track or just add them while you are working. The instance list will match the order of the inserts in your DAW. Use the zoom slider or pinch movement on your trackpad to zoom out and get an overview where you can tweak the essentials settings per plug-in. Then zoom in to focus on a track and get full control.

DRIVE YOUR SOUND

The new character panel brings Pro-C 3 to life through carefully designed analog saturation, coloring and drift, including customizable drive and pre/post-compression routing settings. Pro-C 3's style and character options let you combine a wide range of compressor flavors with different types of analog coloring. With Pro-C 3, you don't just get one compressor, you get dozens!

IN-DEPTH SIDE CHAINING

Add up to 6 EQ bands with all shapes from Pro-Q 4, including all-pass and brickwall filters. Optionally, bands can only target the mid- or side signal. You can also choose to let the compressor trigger on the external side chain signal, MIDI or to a host-tempo-synched pulse. Last but not least, Pro-C 3 offers variable channel linking, including M/S processing.

FABFILTER PRO-C 3 FEATURES:

• Fourteen different compression styles, of which six are new in version 3: Versatile, Smooth, Vari-Mu, El-Op, Upward and TTM (To The Max)
• Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering
• Character modes: carefully designed analog saturation, coloring and drift bring Pro-C 3 to life with customizable Drive and Pre/Post-compression routing settings
• Full Screen mode, offering a large level display and side-chain EQ controller
• Introducing host tempo triggering, with customizable sync, offset and pulse length settings
• Auto Threshold: Make the threshold knob level-independent — very useful for dialog processing
• new Pro-C 3 instances can now be controlled via the Instance List in Pro-Q 4, together with Pro-G and Pro-DS
• Full immersive / Dolby Atmos functionality (up to 9.1.6), with customizable channel/stereo linking
• Mix setting, which scales the gain change from 0% to 200%
• improved Side-chain EQ section: add or remove up to 6 bands of any shapes, including brickwall or all-pass filters, and mid- or side-only EQ'ing per band
• New-style preset browser, with easy search, tags and meta data
• Accurate, large level and gain change meters, with peak and loudness level visualization (complying with the Momentary mode of the EBU R128 / ITU-R 1770 standards)
• Up to 32x oversampling
• Program-dependent attack and release curves
• Smooth lookahead (optional, up to 20 ms), now with a customizable maximum between 0 and 20 ms, to finetune latency versus needed lookahead
• Retina support on macOS and High DPI support on Windows
• Intelligent Auto Gain
• External side chain triggering
• Hold (up to 500 ms)
• GPU-powered graphics acceleration
• Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)
• Auto Release
• Optional MIDI triggering
• Super-fast attack times
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Variable stereo linking and mid/side processing, with mid-only, side-only, Mid-to-side and Side-to-Mid processing
• Range setting, which limits the maximum applied gain change
• Undo/redo and A/B comparison
• Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 3 is triggering and how much compression is taking place
• Smart Parameter Interpolation
• Multiple interface sizes: Compact, Small, Medium and Large
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints

SYSTEM REQUIREMENTS:

Windows

• Windows 11, 10, 8, 7 or Vista
• 64-bit or 32-bit
• VST 2/3 or CLAP host, or Pro Tools

macOS

• macOS 10.13 or higher (64-bit only)
• AU, VST 2/3 or CLAP host, or Pro Tools
• Apple Silicon or Intel processor