{"product_id":"emi-redd-17-tube-console-vintage","title":"EMI REDD 17 Tube Console (Vintage)","description":"\u003cp\u003eRare REDD 17 tube console built for, and used exclusively by EMI\/Abbey Road, in the pre-Beatles era.\u003c\/p\u003e\u003cp\u003eThe acronym R.E.D.D. stands for the in-house engineering division of EMI, known as the Record Engineering Development Department. One of the many tasks of this dept. was to create a custom recording console for use at EMI\/Abbey Road studios. Only a handful of these all-tube consoles were built in the late 1950s, and were installed in all of the control rooms at Abbey Road. Since they were built in a modular fashion, they were also used as portable recording consoles for location tracking. The heart of the desk was the Telefunken V72s tube mic preamplifier.\u003c\/p\u003e\u003cp\u003eBY the late 1950s, four track tape recorders were becoming available, and this required an upgrade to the REDD.17 desks, which were more suitable for two-track recording. Thus the REDD.37 console was designed, and this became the desk used on the first Beatles' album, as well as many of their subsequent recordings. This version of the console also used the Telefunken V72s mic pre.\u003c\/p\u003e\u003cp\u003eThe final improvement in the series was the REDD.51, which was used on the vast majority of Beatles' records. For this version, the Telefunken mic pre was replaced by the in-house designed REDD 47 mic pre.\u003c\/p\u003e\u003cp\u003eGeoff Emerick, the Beatles engineer, has stated in his autobiography that he disliked the later transistor-based TG12345 console, which replaced the REDD desks at Abbey Road. According to Geoff, the solid state desk \"lacked the aggressive edge of the valve consoles\". The TG12345 desk appeared near the end of their reign, and the Beatles only used it on their final album, Abbey Road; all other albums were done on a REDD desk.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eREDD.17 Features:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e12 inputs, 2 busses \u003c\/li\u003e\n\u003cli\u003eUses V72s modules (only used in REDD consoles)\u003c\/li\u003e\n\u003cli\u003e8 main channels with 2 band fixed freq. Eq.\u003c\/li\u003e\n\u003cli\u003e2 aux Inputs with no Eq. ( \"4A\" and \"5A\" )\u003c\/li\u003e\n\u003cli\u003e2 channels that used to be \"SPARE\" and \"TEST amplifiers\". These are now Input 11 and input 12. No eq.\u003c\/li\u003e\n\u003cli\u003eTotal of 12 input channels, 8 with EQ, and 10 with echo send.\u003c\/li\u003e\n\u003cli\u003eAll Inputs are mic Inputs with fixed 30 dB of gain, with pad\/attenuators allowing one to reduce line level to mic level to avoid overloading mic pre\u003c\/li\u003e\n\u003cli\u003eOld style 3 pin I\/O connectors\u003c\/li\u003e\n\u003cli\u003eInternal Cross-patch\/Test patchbay built-in to the right side amp module (connectors not included to make cables for this)\u003c\/li\u003e\n\u003cli\u003eSome normaling jumpers are installed\u003c\/li\u003e\n\u003cli\u003e220 VAC; designed for 50Hz, but will work on 60Hz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDesk has 3 modes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\"DUO\" = This is pretty much MONO mode for use with dual track recorders. It is just a redundant feed to the 2nd track.\u003c\/li\u003e\n\u003cli\u003e\"STEREO\"= This would best be called \"Dual Track\" as there are No PAN pots at all on the desk.\u003c\/li\u003e\n\u003cli\u003eThis is called \"STEREO\" because there are 2 dedicated sets, of 2 channels, (1 and 2, and 7 and 8) that have a \"Spreader\" available, when recording with Stereo Mic's, and the fact that the desk has 2 busses , LEFT, and RIGHT. \u003c\/li\u003e\n\u003cli\u003e\"MONO\" = This just sums the left and right to MONO.\u003c\/li\u003e\n\u003cli\u003eThe 2 outputs for tracking that would have the Painton Level faders, and EQ's in line. \"Main Left\" and \"Main Right\".\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eYou could patch from the output of each of the V72s Mic pre's, but these are fixed at 30dB of gain, your only level adjust would be via the switchable input pads, and there would be no EQ.\u003cbr\u003e\u003cbr\u003eThere is one aux send. ECHO. It is on 10 of the channels post EQ, post the Painton level faders.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e2 MONO \/ (1 STEREO) playback channels. \"PB 1\" and \"PB2\"\u003c\/p\u003e\u003cp\u003eThe signal path flows from the BOTTOM of the channel to the TOP of the channel. The mic input jack ICON is at the bottom of the panel, closest to the engineer\u003c\/p\u003e\u003cp\u003e\"RED\" Engraving = \"LEFT\". \"GREEN\" Engraving = \"RIGHT\". \"BLACK\" engraving on left wing gets summed to \"LEFT\". \"BLACK\" engraving on right wing gets summed to \"RIGHT\".\u003cbr\u003e\u003cbr\u003eOn the center section the \"Spreaders\" on\/above channels 1 and 2, and channels 7 and 8 just do phase \"correction\" for stereo Mic angles, ( L-R \/ R-L ), for proper \"Width\".\u003cbr\u003e\u003cbr\u003eOn the center section The 2 switches under the plastic labels [ 3 1 2 ] and [2 1 4] just make routing the LEFT and RIGHT dedicated outputs to the input of a 4 track machine easier. No re-patching.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449478148199,"sku":"29744","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/redd_17_zoom_a1ee9b89-23b2-48ba-9386-0d1d82fe8362.jpg?v=1787089110","url":"https:\/\/vintageking.mom\/products\/emi-redd-17-tube-console-vintage","provider":"Vintage King","version":"1.0","type":"link"}