AKG C12 #1290 (Vintage)

Product Description

Specifications

• Frequency Range: 20 to 20,000 cps
• Directional Characteristics (nine different positions): omni-directional.
• Cardioid: better than 20 dB front-to-back ratio at 180° sound incidence,
• bi-directional: 20 dB front-to-back ratio
• Sensitivity: 1.0 mV/µbar (–60 dB re 1 V/dyne/cm2), unloaded (200 ohms)
• Equivalent Noise Level: less than 20 dB
• Impedance: 50/200 ohms (change solder lugs)
• Tube Complement: 1 x 6072, 6.3 volts DC filament voltage,
• 120 volts DC plate voltage
• Stand Connector: 3⁄8", ½", 5⁄8"-27 with micro phone cable MK 12
• Dimensions: 10" (255 mm) with connector, 11⁄16" diameter (43 mm)

History

The AKG C12 is a justifiable legend in the world of microphones. Now enshrined in the Technology Hall of Fame, it has spawned a number of imitators and vintage re-issues. The originals were only made for ten years, (1953-1963), with approximately 2,500 microphones manufactured.

Known for its unparalleled clarity and unique sound, with rich low end and natural top end, the combination of the CK12 capsule and the 6072 tube achieves what many consider the pinnacle of the microphone designer's art.

The C12 was frequently used for recording Paul McCartney's bass on Beatles tracks from Sgt. Pepper onwards, and also saw use recording the grand piano, strings, and the famous orchestral section of A Day in the Life.

The great versatility of the C12 was proven in the sessions produced by Quincy Jones for "We Are The World". With a dazzling array of the best singers in the business, Quincy tried several mics before choosig the AKG C12 as the one mic that could do justic to all of their voices. The result was one of the most famous collaborations ever recorded with multiple singers, all of them using the equally famous C12.