After Later Audio Rainier Mutable Instruments Peaks Clone Module

After Later Audio Rainier Mutable Instruments Peaks Clone Module

$199.00
Sale price  $199.00 Regular price 
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After Later Audio Rainier Mutable Instruments Peaks Clone Module

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After Later Audio

After Later Audio Rainier Mutable Instruments Peaks Clone Module

MFR# Rainier

Smaller and extended version of Mutable Instruments Peaks with CV inputs and input and output attenuverters

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Please note: This item requires a Eurorack/Modular Synth Case for operation. Shop Eurorack Cases.

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Product Description

The After Later Audio Rainier is a smaller and extended version of Mutable Instruments Peaks with CV inputs and input & output attenuverters. It can be an ADSR-style envelope generator, an LFO and a drum emulator. By default we will load the Dead Man’s Catch (DMC) firmware which adds the Alt ENV, ALT LFO, ALT Tap, Alt Drum modes below. We are happy to load the stock firmware as well. Just send us a message with your order.

The module is calibrated, comes with a power cable, and a one year warranty.

Basic (original modes):

  • Envelope
  • LFO
  • Tap LFO
  • Bass/Snare Drums

Additional Dead Man’s Catch firmware modes:

  • Alternative ENV: Double attack envelope, Repeating attack envelope, Looping envelope, Randomized AD envelope, Bouncing ball envelope
  • Alternative LFO: Frequency-modulated LFO (folded sine FM), Frequency-modulated LFO (random FM), Varying wave shape LFO ( folded sine WS mod), Varying wave shape LFO ( random WS mod), Phase-locked loop oscillator
  • Alternative TAP Mini-sequencer: ModSequencer, Pulse Shaper, Pulse Randomizer, Turing Machine, Bytebeats
  • Alternative DRUM: FM drum Generators, Randomized bass and snare drum generators, Randomized high hat

The Mutable Instruments Peaks provides 4 different functions in a small 8-HP package: ADSR, LFO / Tap tempo LFO, and drum synth. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.

Peaks is a dual-channel module – making it very useful for duophonic patches or for controlling/synthesizing the kick/snare rhythmic backbone of a patch.