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Product Description
Using the newly developed 4” HexaCone™-midrange and 9” HexaCone™-woofer combined together with the X-ART tweeter creates the unique Adam S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long-time, non-fatiguing listening sessions.
Optional digital input
All SX-models (except the S1X) can be optionally retrofitted with a 24 bit/192 kHz D/A converter featuring an AES/EBU (XLR) and a SPDIF (RCA) inputs as well as a R/L/Mono switch.
The front panel
Six controls can be found on the new front panel. Input sensitivity is handled by two controls. One control allows for coarse settings (-20dB to +8dB), while the second is used for fine tuning in 0.5dB steps, ranging from -1.5dB to 2dB.
There are two controls for the lower frequencies. One is an equalizer at 80 Hz that boosts bass response sometimes desirable in popular music. The second is a shelf filter that allows the engineer to alter the frequencies below 150 Hz.
High frequencies can also be adjusted by two different controls. The first alters the high frequency volume (-2dB to +2dB), while the second is a shelf filter for frequencies above 6 kHz. Both the high and low shelf filters can raise or lower ±4 dB progressively within their frequency band.
Specifications
| Width | |
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| Length | |
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| Impedance | |
| Input Connectors | Analog XLR |
| Monitor Application | Mid-Field, Near-Field |
| Number of Speakers | |
| Speaker Configuration | |
| Maximum SPL |