{"title":"Used \u0026 Vintage Latest Arrivals","description":null,"products":[{"product_id":"neumann-u-87-ai-large-diaphragm-condenser-microphone-84126-used","title":"Neumann U 87 Ai Large Diaphragm Condenser Microphone #84126 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eNeumann U 87 Ai\u003c\/strong\u003e is the gold standard of microphones in modern audio recording. For over 50 years, the U 87 Ai has been used in recording studios all over the world to capture award-winning performances. Adored for its smooth, refined sound, this classic large diaphragm condenser mic will instantly bring any instrument to life.\u003c\/p\u003e \u003ch3\u003eTHE LEGENDARY U 87\u003c\/h3\u003e \u003cp\u003eIntroduced in 1967, Neumann’s U 87 has shaped the sound of hundreds of hit records over the last 50 years. To this day, no professional recording studio is complete without a Neumann U 87 Ai. The U 87 Ai is the quintessential large diaphragm condenser microphone. The iconic design and musical sonic character have become the gold standard by which other microphones are measured.\u003c\/p\u003e \u003cp\u003eFeaturing a balanced frequency response with a unique midrange presence, the U 87 Ai offers a unique, yet instantly recognizable tone. Equipped with selectable omni, cardioid, and figure-8 polar patterns, the U 87 Ai is a versatile studio workhorse that will shine in any situation: from acoustic guitar to drum overheads.\u003c\/p\u003e \u003ch3\u003eCLASSIC NEUMANN ENGINEERING\u003c\/h3\u003e \u003cp\u003eThe U 87 was originally created as a solid state version of the legendary U 67 tube condenser microphone from the 1960s. U 87 Ai combines the same K67 dual diaphragm condenser capsule as its tube-based predecessor with innovative FET 80 technology to deliver unparalleled clarity.\u003c\/p\u003e \u003cp\u003eThe built-in switchable low cut filter makes it easy to combat low frequency build up caused by the proximity effect. The on-board pad and remarkably low self-noise mean you can record even louder performances without any unwanted distortion.\u003c\/p\u003e \u003cp\u003eDue to its solid bass response and excellent midrange detail, the U 87 Ai sounds great on bass and guitar cabinets, while the extended top-end makes it he ultimate vocal microphone. Perfect for any genre from pop and jazz to classical music, the U 87 Ai is the world’s most famous studio microphone for a reason.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44540153888871,"sku":"514800","price":2749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-u-87-ai-large-diaphragm-condenser-microphone-84126-used_514800_1_05071ab4-8297-4b60-a74e-254b3ae792b1.jpg?v=1790175463"},{"product_id":"atc-loudspeakers-scm25a-pro-mk2-compact-active-3-way-monitor-pair-8460-8461-used","title":"ATC Loudspeakers SCM25A PRO Mk2 Compact Active 3-Way Monitor - Pair #8460\/8461 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eATC SCM25A PRO Mk2\u003c\/strong\u003e has been upgraded with ATC’s hand made proprietary SH25-76S Dual Suspension Tweeter, extending the high-frequency response with a reduction in distortion. Like the original SCM25A, the upgraded Mk2 is a compact 3-way high-performance active studio monitor loudspeaker, based around the hand made proprietary ATC 3\"\/75mm soft mid-dome driver and 6.5\"\/164mm bass driver loaded in a 25-liter vented cabinet. The monitor’s combination of exceptional mid-range clarity, high-output, extended bass response and modest size make it ideal for nearfield monitoring across a wide range of critical applications.\u003c\/p\u003e  \u003cp\u003eThese 3-way monitor features drive units designed and manufactured by ATC, and are only available in ATC Loudspeakers.\u003c\/p\u003e  \u003cp\u003eThe SCM25A Pro Mk2 is actively driven by a 3-way class A\/B amp pack mounted in the rear of the cabinet. Each drive unit has its own dedicated power amplifier. Audio input is via a rear panel mounted 3-pin female XLR and power via an IEC mains power inlet. There are user controls for input sensitivity and bass ‘boost’. Crossovers are 4th order Linkwitz-Riley and all-pass filters are included to optimize the phase response through the crossover regions, improving the tonal accuracy, imaging, on and off-axis frequency response. FET peak limiters are included to reduce amplifier ‘hard-clipping’. Power ‘on’ and limiter ‘active’ is indicated by a front panel mounted bi-color LED.\u003c\/p\u003e","brand":"ATC Loudspeakers","offers":[{"title":"Default Title","offer_id":44654855061607,"sku":"511557","price":8495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/atc-loudspeakers-scm25a-pro-mk2-compact-active-3-way-monitor-pair-8460-8461-used_511557_1_9654c9fa-aa92-4f60-8d8d-898d4c4df491.jpg?v=1789740314"},{"product_id":"rupert-neve-designs-portico-5032-microphone-preamp-eq-horizontal-32e0250-used","title":"Rupert Neve Designs Portico 5032 Microphone Preamp\/EQ - Horizontal #32E0250 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 5032\u003c\/strong\u003e is a single channel Mic Pre\/EQ having an independent transformer coupled Line level input for the EQ section. It includes a full-featured mic preamp identical to the 5012 with the addition of a flexible 3 band equalizer in the Mr. Rupert Neve tradition. The 5032 is equipped with high and low frequency shelving curves and a Parametric Mid Band covering 80 Hz - 8 kHz in two ranges.\u003c\/p\u003e\u003cp\u003eThe RND 5032 module is a half rack width, 1U module in the now well-known Portico style. The 5032 is ideal for both tracking and mixing applications with selectable mic or line inputs. Both paths have full access to the EQ, phase, silk and mute making it the ideal choice for either standalone operation, or forming the core of a larger mixing system. As with the entire Portico range, the construction is a heavy and robust steel shell that provides total magnetic screening and exceptional mechanical stability. The front panel is machined from a solid 1\/8-inch aluminum plate with a steel sub panel behind it.\u003c\/p\u003e\u003cp\u003eThe output stage is identical with that of the Portico 5012, using single-sided circuitry, driving a carefully configured output transformer that can deliver a full +25 dBu from the balanced and ground-free secondary winding.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":50313536372839,"sku":"503211","price":1129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-portico-5032-microphone-preamp-eq-horizontal-32e0250-used_503211_1_6d20e4a4-d01e-4e4f-b9de-106e18bb7a89.jpg?v=1790175464"},{"product_id":"universal-audio-apollo-x16-16x18-thunderbolt-3-audio-interface-22112020100419-used","title":"Universal Audio Apollo x16 16x18 Thunderbolt 3 Audio Interface #22112020100419 (Used)","description":"\u003cp\u003eThe Apollo X series from Universal Audio sees the brand pushing their flagship audio interface further forward than ever before. With the \u003cstrong\u003eUniversal Audio Apollo x16\u003c\/strong\u003e, recording engineers and producers will have more connectivity, unparalleled processing power, improved conversion and expanded monitoring features for their studio rig.\u003c\/p\u003e  \u003cp\u003eApollo x16 will find a perfect fit in professional recording studios, as it enables audio creators to track and mix through a 16x18 (16x18 analog I\/O) interface with new HEXA core processing. With six SHARC DSP processors, the Apollo X series now allows for 50% more DSP for running UAD plug-ins when working on audio tracks on Mac or PC.\u003c\/p\u003e  \u003cp\u003eThe Apollo x16's sleek rack mount unit features Thunderbolt 3 connectivity and also has new improvements in conversion and monitoring. Universal Audio engineers have updated their converters for more natural sounding recordings and now offers up to 7.1 surround sound monitoring*, an integrated monitor controller and built-in talkback mic.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eIMPROVED CONVERSION FOR THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eUniversal Audio has improved the Apollo interfaces conversion capabilities for the launch of the Apollo X line. For the Apollo x16, the engineering team at Universal Audio paired together 24-bit\/192 kHz converters with new analog circuitry to offer best-in-class conversion with 133 dB dynamic range and THD+N of -129 dB\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eADDING MORE POWER TO THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eThe Apollo x16 offers more power than ever before with HEXA Core processing that utilizes six DSP chips. With 50% more DSP than previous generations of the interface, you'll be able to take advantage of Universal Audio's extensive UAD library and have a higher plug-in count when recording and mixing with the Apollo x16.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eA SEAMLESS FIT IN ANY STUDIO\u003c\/h3\u003e  \u003cp\u003eUsing Apollo interfaces in a professional recording studio has never been easier. The Apollo x16 features up to 7.1 surround monitoring for engineers, producers and musicians working in any type of studio setting. There is also a selectable +24 dBU option for working outside of the box and using the Apollo x16 in conjunction with recording consoles and analog outboard gear.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eBUILDING A NETWORKED STUDIO WITH THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eIf you're looking to build out a networked studio, the Apollo x16 is the perfect option for a centerpiece. The interface offers 16x18 inputs\/outputs (16x16 analog I\/O) and two built-in Thunderbolt 3 ports. These Thunderbolt 3 ports can be used to combine Thunderbolt-compatible Apollo Twins or other rack mount Apollos with your Apollo x16 and increase I\/O and DSP. In total, it's possible to combine up to four Apollos and six total UAD-2 devices with the Apollo x16.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":50313536405607,"sku":"516915","price":2489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/universal-audio-apollo-x16-16x18-thunderbolt-3-audio-interface-22112020100419-used_516915_1_7d3d8e6b-488d-4639-863a-321593a731b8.jpg?v=1790175463"},{"product_id":"barefoot-sound-micromain26-4-way-active-studio-monitor-pair-260971-972-used","title":"Barefoot Sound MicroMain26 4-Way Active Studio Monitor - Pair #260971\/972 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eBarefoot Sound MicroMain 26\u003c\/strong\u003e is a 4-way active system with 6 drive units housed in sealed enclosures spanning 30Hz to 45kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The 2.5” aluminum cone midrange is housed in a cutting edge 3D printed waveguide enclosure. The 5.25″ woofers feature a phalanx of advanced technology, yielding upper bass and lower midrange detail that rivals any driver on the planet. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage used in every Barefoot monitor. Melding the system together is a groundbreaking new DSP crossover that took Thomas Barefoot more than 4 years to develop. With beautifully designed high end converters and cutting edge proprietary filtering techniques the MM26 sound stage is seamlessly coherent and deeply revealing.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMEME TECHNOLOGY:\u003c\/h3\u003e  \u003cp\u003eDespite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM26 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain 26′s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM26 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. If you know how to work on these speakers you will feel very comfortable working on the new MM26′s emulation settings.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTECHNICAL SPECIFICATIONS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eControls: Analog\/AES3 input select, AES3 L\/R channels select, Input level stepped attenuator, Subwoofer level, Emulation voice select\u003c\/li\u003e \u003cli\u003eInput Impedance: 50k Ohm\u003c\/li\u003e \u003cli\u003eFrequency Response: 30 Hz – 45 kHz (±3 dB) 40 Hz – 40 kHz (±1 dB)\u003c\/li\u003e \u003cli\u003eBass Response: -3 dB @ 30Hz, Q = 0.707\u003c\/li\u003e \u003cli\u003eSlope = 12 dB\/octave\u003c\/li\u003e \u003cli\u003eCabinet: 32 liters total internal volume, Sealed subwoofer, woofer and mid enclosures, Machined aluminum baffle plate, Aluminum subwoofer frames function as lateral cabinet bracing, Long fiber wool acoustic damping throughout\u003c\/li\u003e \u003cli\u003eCrossover Frequencies: 100 \/ 800 \/ 4000 Hz\u003c\/li\u003e \u003cli\u003eTweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003c\/li\u003e \u003cli\u003eAmplifier: 180W Hypex\u003c\/li\u003e \u003cli\u003eMidranges: 2.5″ aluminum cone, Advanced geometry motor, +\/- 2 mm linear excursion\u003c\/li\u003e \u003cli\u003eAmplifier: 180W Hypex\u003c\/li\u003e \u003cli\u003eWoofers: 2 x 5.25″ poly\/paper cone, Advanced geometry neodymium motor, +\/- 5 mm linear excursion\u003c\/li\u003e \u003cli\u003eAmplifier: 250W Hypex\u003c\/li\u003e \u003cli\u003eSubwoofers: 2 x 10″ aluminum cone with high linearity motor, +\/- 13 mm linear excursion\u003c\/li\u003e \u003cli\u003eAmplifier: 500W Hypex\u003c\/li\u003e \u003cli\u003eAC Power Input: Nominal 115 VAC or 230 VAC selectable\u003c\/li\u003e \u003cli\u003ePower Consumption: Idle: 30 W, Maximum: 650 W\u003c\/li\u003e \u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"Default Title","offer_id":50313536438375,"sku":"519160","price":10395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/barefoot-sound-micromain26-4-way-active-studio-monitor-pair-260971-972-used_519160_1_5337691a-d73a-4b2d-8f0f-b8e46af7a215.jpg?v=1790175463"},{"product_id":"neve-8026-mkii-24-channel-console-a4131-vintage","title":"Neve 8026 MKII 24 Channel Console #A4131 (Vintage)","description":"\u003cp\u003eAn incredible opportunity to acquire a rare, unique \u003cstrong\u003eNeve 8026 MKII\u003c\/strong\u003e Class A recording console in great condition!\u003c\/p\u003e\n\u003cp\u003eThe 8026 comes from Rupert Neve's classic 1970s period, the same era and design philosophy that produced the 1073 and 1084. Discrete Class A, transformer-coupled circuitry gives it the thick, weighty low end, smooth top, and forward midrange that define the vintage Neve sound. This example is a 24-channel, 8-group frame loaded with a mix of original Neve and reissue 1066, 1079, 1084, and 1073-family channel amplifiers. Its routing modules and the full signal path through to the transformer-balanced direct outs are original Class A Neve design.\u003c\/p\u003e\n\u003cp\u003eAs a custom order, serial no. A4131 carries several factory features not found on standard 8026 consoles. These include quad panning on the channels, reverb returns, and monitor section; PFL and stereo solo-in-place; buffered main outputs with 4-track, 2-track, and mono foldown; and transformer-balanced pre- and post-fader group inserts at the patch bay. Cosmetically, the console presents very well for its age. The original silkscreening is intact with minimal wear, all knobs are present, and nearly all switchcaps are original. The integral Mosses \u0026amp; Mitchell longframe patch bay is unmodified and in very good condition.\u003c\/p\u003e\n\u003cp\u003eThe console is complete and nearly all original. To bring the console to optimal performance, it needs a full cleaning of controls and switches, a recap of the frame, monitor panel, routing modules, and line amps, rebuilds of the phantom and lamp\/relay supplies, fault repair, and a full calibration. Restoration and servicing are available through Vintage King. A full professional tech report is available upon request.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCONSOLE CONFIGURATION SUMMARY:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFRAME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24-channel, 8-group frame (24x8x16x4)\u003c\/li\u003e\n\u003cli\u003e4 reverb sends, 4 cue sends\u003c\/li\u003e\n\u003cli\u003e107\" W x 43\" D x 22\" H (without stand)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL AMPLIFIERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2x Shep SN8 4 band EQ version\u003c\/li\u003e\n\u003cli\u003e1x BAE reissue 1066\u003c\/li\u003e\n\u003cli\u003e4x Original Neve 1066\u003c\/li\u003e\n\u003cli\u003e2x Original Neve 1079 modules – BBC spec single input modules\u003c\/li\u003e\n\u003cli\u003e7x BAE reissue 1084\u003c\/li\u003e\n\u003cli\u003e1x Early AMS-Neve reissue 1084\u003c\/li\u003e\n\u003cli\u003e2x Later AMS-Neve reissue 1084\u003c\/li\u003e\n\u003cli\u003e6x BAE reissue 1073\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eROUTING AND CENTER SECTION (ORIGINAL VINTAGE NEVE)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeve 1995\/A Channel and Group Routing Modules\u003c\/li\u003e\n\u003cli\u003eNeve 1994 Reverb Return Modules\u003c\/li\u003e\n\u003cli\u003eNeve 3415 and 3416 Line Amplifiers\u003c\/li\u003e\n\u003cli\u003eNeve 1466 Oscillator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMETERING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGroup\/tape return meters with alternate meter mode\u003c\/li\u003e\n\u003cli\u003eOutput VU meters with Neve BA286 buffer cards\u003c\/li\u003e\n\u003cli\u003ePeak LED meters on channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcopian audio power supply\u003c\/li\u003e\n\u003cli\u003eOriginal Coutant lamp\/relay power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINCLUDED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in phantom power via Neve 3601 and 33601 modules\u003c\/li\u003e\n\u003cli\u003eOriginal integral Mosses \u0026amp; Mitchell longframe patch bay\u003c\/li\u003e\n\u003cli\u003eOriginal Neve technical manual (incomplete; missing the original large blueprints)\u003c\/li\u003e\n\u003cli\u003eOriginal Neve factory test report dated March 21, 1977\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50360003362919,"sku":"508157","price":246995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_508157_1.jpg?v=1790876257"},{"product_id":"neve-genesys-black-g64-32-channel-analog-recording-console-with-daw-control-03112-01-23-used","title":"Neve Genesys G64 32-Channel Analog Recording Console with DAW Control #03112\/01\/23 (Used)","description":"\u003cp\u003eNeve's Engineers created the \u003cstrong\u003eNeve Genesys\u003c\/strong\u003e console from the ground up as the ideal creative mixing tool for recording and mixing music today. With the Genesys, add the DAW of your choice and your microphones, monitors and music, and you’ve got a fully-fledged, world-class Neve studio at your command.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary Neve 1073 mic preamps with Marinair transformers and digital control\u003c\/li\u003e\n\u003cli\u003eInstant Reset and Total Recall for rapid session changes\u003c\/li\u003e\n\u003cli\u003eSwitchable motorized faders for extended DAW control\u003c\/li\u003e\n\u003cli\u003eGenesysControl plug-in - control and automate analog console features from within the DAW\u003c\/li\u003e\n\u003cli\u003eSame mix bus architecture as the incredible Neve 88RS large-fromat recording\/mixing console\u003c\/li\u003e\n\u003cli\u003eNeve 88R-style 4-band EQ with Neve VCA Dynamics on channels 1-8\u003c\/li\u003e\n\u003cli\u003eInline architecture - 2 inputs and 1 direct output per channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_0\"\u003eLEGENDARY ANALOG SOUND\u003c\/h3\u003e\n\u003cp\u003eEach analog channel strip features digitally-controlled 1073 preamps with exclusive Marinair transformers. Two EQs for modern or vintage Neve flavor – Genesys consoles are the only studio consoles to feature digitally controlled, pure analog EQ processing. The VCA dynamics card, evolved from the 88RS console channel dynamics provides a digitally controlled Compressor\/Gate\/Expander for every channel strip.\u003c\/p\u003e\n\u003cp\u003eCustomize your analog signal flow with the drag-and-drop processing order feature. Reorder real analog processing as if it was a software plug-in – EQ, Dynamics, and dual Inserts. Eight aux sends and eight group busses with soft switching and digital routing matrix control speed up studio workflow, automatically handling all routing for every session. The dual input in-line channel strip doubles the channel count when mixing large sessions, with motorized faders providing total dual-layer control of all signal paths.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eNEVE FLAGSHIP MONITORING\u003c\/h3\u003e\n\u003cp\u003eWith a bandwidth that surpasses high sample rate digital audio quality, the Genesys’ high headroom mix bus, derived from the 88R console, is enhanced with powerful digital control elements. Two stereo and two surround loudspeaker outputs, mirrored with stereo and surround external inputs, deliver unparalleled monitoring options for any studio.\u003c\/p\u003e\n\u003cp\u003eThe consoles PPM\/VU scale 48-segment LED meters use 88R ballistics to deliver total accuracy for channel, groups, and mix signals. With a digital routing matrix, LCR panning system, 20 bussing paths and multiple outputs, the Genesys can mix in stereo, and 5.1 surround simultaneously.\u003c\/p\u003e\n\u003cp\u003eEight mono groups, each with insert, routing, bussing and analog\/digital direct output, are perfect for stem mixing, and the 2T bus is ideal for creating dual-stereo mixes from the same console pass. Four digitally-controlled stereo reverb returns are ideal for easily connecting multiple external FX units, and two dedicated cue mixers are perfect for meeting performer demands.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eSTANDALONE AND DAW AUTOMATION\u003c\/h3\u003e\n\u003cp\u003eEvery Setting on the Genesys can be recalled in a matter of minutes. The 1073s, EQ, Dynamics, soft switches, and routing and motorized faders are automatically recalled at the push of a button. The Genesys console utilises Neve’s standalone flying fader automation system, based upon the automation system from the groundbreaking 88R Console.\u003c\/p\u003e\n\u003cp\u003eMDAC Technology assigns the faders to control multiple layers of the console audio. Faders can flip to control channel levels or monitor levels when mixing larger sessions. In DAW mode, the console faders control the DAW of your choice, including cuts, solos, transport and automation controls – total control at the push of a button.\u003c\/p\u003e\n\u003cp\u003eGenesys’ AD\/DA cards handle all conversion internally, connecting via multi-mode MADI optical. With this option installed, all signal paths flow into a single USB cable, allowing ultimate plug-and-play for visiting engineer’s laptops.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eHYBRID WORKFLOW\u003c\/h3\u003e\n\u003cp\u003eControl and automate the console from the DAW with the one-of-a-kind automation plug-in. Harness the power and speed of in-the-box workflow while reaping all the benefits of the Neve analog console sound. Channel strip soft switches can be controlled from within the DAW; aux sends, processing activation, and hardware insert activation can now be automated from the linear DAW timeline.\u003c\/p\u003e\n\u003cp\u003eThe consoles 88R EQ and complete dynamics section controls appear within a fully interactive GUI plug-in window, allowing for ultimate control, automatic recall, and automation from your DAW of choice. Channels can be stereo linked at the push of a button, including channel EQ, dynamics, soft switches and faders. The console scribble strips can be edited from within the DAW plug-in, perfectly matching console settings to the DAW session.\u003c\/p\u003e\n\u003cp\u003eThe GenesysControl plug-in enables a powerful feature – automation of the small fader or monitor return. With the plug-in installed, the console dual-channel count is enhanced with total control and automation of all mix signals.\u003c\/p\u003e\n\u003cp\u003eNot only can every channel strip be controlled and automated from within the DAW, but the GenesysControl Plug-in Master GUI also enables complete control of the 8T Group channels, fader, stereo master fader, stereo mix inserts and reverb return levels.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50446706442343,"sku":"500076","price":69995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-genesys-black-g64-32-channel-analog-recording-console-with-daw-control-03112-01-23-used_500076_1_68cd1a90-a676-417f-ad99-c557b54e8e70.jpg?v=1791920972"},{"product_id":"ssl-origin-32-channel-16-bus-all-analog-console-0275-used","title":"SSL Origin 32 Channel 16-Bus All Analog Console #0275 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eSSL Origin\u003c\/strong\u003e is an inline, 32-channel analog console with two independent signal paths per channel, 16 buses with centralized bus switching, and advanced communications controls in a compact, ergonomic design. Origin combines classic Solid State Logic components like the legendary E Series EQ circuits and Bus Compressor with innovative new features like a fully customizable center section and an all-new transistor-based PURE DRIVE preamp design to deliver unparalleled sound quality and versatility.\u003c\/p\u003e\n\u003ch3\u003eNEW PURE DRIVE PREAMPS\u003c\/h3\u003e\n\u003cp\u003eEquipped with an all-new PURE DRIVE preamp design, SSL Origin delivers pristine sound and astonishingly low noise. Inspired by the iconic E and G Series consoles, PURE DRIVE preamps utilize a fully discrete transistor-based design and modern FET components for a classic analog sound. The built-in Drive circuit is perfect for warming up sterile digital signals with musical-sounding harmonics.\u003c\/p\u003e\n\u003ch3\u003eE SERIES-INSPIRED EQ\u003c\/h3\u003e\n\u003cp\u003eEngineers all over the world still rely on their trusty E Series EQs to this day. That’s why Origin is equipped with a versatile four-band EQ adapted from the original 424 “Black Knob” circuit of the E series signature channel. This renowned EQ circuit is full of growl and crunch and packs a powerful bottom-end, making it versatile enough to use in almost any situation.\u003c\/p\u003e\n\u003cp\u003eThe new sweepable high-pass filter offers fully variable frequency selection from 10 to 400 Hz. Those who have worked on a 4K console will instantly recognize the familiar controls. The high and low filters can be switched from bell to shelf, while the two mid bands are fully parametric. Both the high-pass filter and EQ circuit can be independently inserted into the channel and\/or monitor paths as needed.\u003c\/p\u003e\n\u003ch3\u003eINTUITIVE ROUTING\u003c\/h3\u003e\n\u003cp\u003eOrigin offers two independent signal paths and two faders per channel strip for true old-school inline tracking. However, unlike traditional console which features a massive matrix of routing switches, Origin uses an innovative new centralized bussing technique to speed up your workflow and minimize fragile moving parts. Simply hold the route button on the channel and press the route button on one of the 16 dedicated busses for quick and easy routing.\u003c\/p\u003e\n\u003cp\u003eIn addition to robust routing options, Origin also offers a plethora of mix options. Two dedicated Cue Sends make it easy to create quick mixes, while four Aux Sends can be used for effects sends or additional headphone mixes.\u003c\/p\u003e\n\u003ch3\u003eCONFIGURABLE CENTER SECTION\u003c\/h3\u003e\n\u003cp\u003eEvery studio is unique; that’s why Origin features a fully configurable Center section. The Center panel houses everything you need to take control of your session including controls for 16 busses, four stereo returns cue mixes, external inputs, talkback and listen mics, a robust communications and output select panel—and of course, the legendary SSL bus compressor.\u003c\/p\u003e\n\u003cp\u003eThe two additional rack spaces in the center section can be configured to suit your specific needs. 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The 33609\/J variant offers the legendary Neve sound but with enhanced internal and external I\/O switching compared to the originals. The 33609\/J uses similar circuits to the vintage 33609\/C.\u003c\/p\u003e\n\u003ch3\u003eSMOOTH AND MUSICAL COMPRESSION\u003c\/h3\u003e\n\u003cp\u003eThe hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining transparent. The 33609’s combination of transformers and gain reduction element produces a sound quality which is unique amongst compressor limiters. Coupled with the unit’s unparalleled ease of use, this sound quality has made the 33609 a studio standard. Multiple units may be linked for multi-channel operation.\u003c\/p\u003e\n\u003ch3\u003eDESERT ISLAND COMPRESSOR\u003c\/h3\u003e\n\u003cp\u003eThe limiter\/compressor is a 2U rack-mounting unit with a clear, uncluttered panel layout. There are independent side chains for the compressor and limiter sections with independent threshold, recovery and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. Overall gain reduction is indicated on a moving coil meter. Much like the classic 1073 and 1081 microphone preamplifiers, the 33609 Stereo Compressor is often cited as a “desert island” compressor—one which a healthy sampling of the world’s top engineers and producers would choose above all others.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50446706507879,"sku":"508989","price":3250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-33609-j-stereo-compressor-limiter-20273-c-used_508989_1_a7d0e157-6c7b-4097-b8e1-5df6fdd57a8e.jpg?v=1791920972"},{"product_id":"a-designs-audio-ventura-microphone-preamp-eq-001118-used","title":"A-Designs Audio Ventura Microphone Preamp\/EQ #001118 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eA-Designs Ventura\u003c\/strong\u003e is inspired by the great Quad Eight consoles. Run at optimal levels, its signal is clear and ultra transparent, with all the dimensionality, air, and extended bass you expect from high-quality analog. Push it a little harder and the Ventura’s custom-wound, ear-tested transformer responds with a more aggressive sound while still retaining the utmost clarity. To add its own special mojo, it features a 3-band EQ reminiscent of console EQs from the golden age of recording. And even if you’re one of those engineers who religiously avoid using equalization while tracking, you’ll find yourself looking for excuses to use this EQ - especially if you need midrange punch without harshness on guitars or snare. Plus, the Ventura’s EQ can be accessed via its own insert for sweetening tracks during mixdown. The Ventura also has a high-impedance instrument DI built to enhance the performance guitar and bass pickups.\u003c\/p\u003e  \u003ch3\u003eTHE C12X DISCRETE TRANSISTOR OP AMP\u003c\/h3\u003e  \u003cp\u003eThe heart of the Ventura and source of its ultra transparent audio is the C12X, a discrete transistor operational amplifier designed by Carl Johnson. Operating on ±30 VDC rails, the C12X is a high-gain, fast-slew, stable audio block with virtually no DC offset over the audio spectrum. Plus, it’s capable of driving a 50 ohm load at 50 Hz with very little current draw. It’s used in the microphone preamp, instrument input amp, and main output\/EQ output stages. The mic preamp itself is a single-stage, transformer-coupled design with balanced I\/O. It includes phase reverse, -20 dB pad, +48V phantom power with LED indicator, and conductive plastic gain control pot. The preamp section feeds both the EQ section and a preamp output mult simultaneously.\u003c\/p\u003e  \u003ch3\u003eTRUE THREE-BAND PARAMETRIC EQ\u003c\/h3\u003e  \u003cp\u003eThe Ventura’s three-band parametric equalizer is also a unique design featuring 33 frequencies with three bands of overlapping ranges from 50 Hz to 15 kHz. Both the frequency selection and the ±12 dB boost\/cut controls are stepped for precise, repeatable settings. Each band has a Q switch with three fixed positions: Sharp, Wide, and Narrow. The low and high bands are peak\/dip, but flipping the shelf switch changes their characteristic to shelf type. The shelving switch disables the Q feature on high and low bands only. When in the up position, the high\/low filters insert the fixed 12 dB\/octave high- and low-cut filters, which work whether the EQ is in or out. And finally, the equalizer’s input\/insert return provides direct input to the EQ, bypassing both the mic pre and instrument input.\u003c\/p\u003e  \u003ch3\u003eGUITAR\/BASS PICKUP-FRIENDLY DI\u003c\/h3\u003e  \u003cp\u003eSeparate from the mic pre, the instrument DI is a single-stage, single-ended, high-impedance preamp that also benefits from the C12X. Designed specifically to counteract the negative effects of guitar\/bass-pickup loading, it includes a front-panel 1\/4\" jack and gain pot. This section also feeds the EQ and preamp output mult simultaneously. Combining transparency and sonic versatility with the ability to use its three sections independently, the A-Designs Audio Ventura gives you a \"desert island\" preamp that will serve any and all recording applications: studio or live sound, rock band or orchestral ensemble.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":50446706540647,"sku":"518444","price":1749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a-designs-audio-ventura-microphone-preamp-eq-001118-used_518444_1_f9728a50-8ff5-47a7-bb0d-d65348447ae5.jpg?v=1791920973"},{"product_id":"retro-instruments-doublewide-500-series-tube-compressor-00082-used","title":"Retro Instruments DOUBLEWIDE 500 Series Tube Compressor #00082 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRetro Instruments DOUBLEWIDE\u003c\/strong\u003e is a mono tube compressor unit designed from the ground up for the 500 Series format. It’s authentic tube compression in a go-anywhere package! So now, whether you’re in the studio, on location, or on the road, you can enjoy classic Retro compression without compromise.\u003c\/p\u003e  \u003cp\u003eThe Retro instruments DOUBLEWIDE takes its cue from the legendary Sta-Level compressor but is ultimately its own design. Under the hood there are four NOS 6BJ6 variable-mu tubes doing the actual compression work configured in a fully complementary push-pull design, delivering the sonic characteristics typical of a full-sized Retro compressor.\u003c\/p\u003e  \u003cp\u003eThe Retro instruments DOUBLEWIDE tubes are arranged in two gain stages, working in delicate combination alongside two high-quality Cinemag transformers. Input and output are fully floating and transformer balanced for use with line level signals, while a hard-wire bypass switch allows for quick evaluation of the compression signature. Compression attack and recovery times are continuously variable.\u003c\/p\u003e  \u003cp\u003eThe DOUBLEWIDE is a small tube compressor with a big sound. It excels at processing all manner of sources like bass, vocals, even whole mixes (but for that you’ll probably need two!), adding a luxurious compression signature to your audio that’s unmistakably analog. Like the Sta-Level and 176 before it, the DOUBLEWIDE has two timing modes; Single and Double. ‘Single’ is slower: perfect for taming things like harsh vocals and unruly bass; while ‘Double’ provides a dynamic program-controlled attack and recovery timing that’s arguably better for drums and other fast transients. Between these two modes you won’t want for anything else.\u003c\/p\u003e  \u003cp\u003eThe DOUBLEWIDE is designed to provide the user with years of reliable service. Special circuitry eliminates excess current inrush and component stress when power is applied. Power required is 180 milliamps (6 W), which is well within a two-slot power allowance. The tubes are self-biased and balanced without the need for user adjustments and there are no internal controls. A meter-zero adjustment is accessible from the side of the unit to compensate for tube variations. Tube replacement is straightforward and the tubes are readily available.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":50446706573415,"sku":"521226","price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/retro-instruments-doublewide-500-series-tube-compressor-00082-used_521226_1_43036123-501e-46f8-80b2-0a7d1a0a16e3.jpg?v=1791920972"},{"product_id":"retro-instruments-doublewide-ii-500-series-tube-compressor-379-used","title":"Retro Instruments DOUBLEWIDE II 500 Series Tube Compressor #379 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRetro Instruments Doublewide II\u003c\/strong\u003e is the long-awaited successor to the original 500 Series Doublewide tube compressor from Retro Instruments. 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Ideal for bringing vocals to life, fattening up bass guitars, and crushing drum tracks with extreme parallel compression, the Doublewide II is your new go-to compressor.\u003c\/p\u003e  \u003cp\u003ePair two Doublewide II’s together and uses the new stereo linking feature to add classic Retro tone to your drum overheads, pianos, stereo pads, backing vocals and more.\u003c\/p\u003e  \u003ch3\u003ePREFERRED BY THE PROS\u003c\/h3\u003e  \u003cp\u003eThe Doublewide II combines the best tube technology from the 50s with modern and convenient features to deliver iconic tone. 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Very simple to use.\u003c\/p\u003e  \u003cp\u003eThe Solid 4000 Mix Bus is designed to be used mostly as an insert on the mix bus, but can also be used to enhance instrument group busses. We suggest to insert it before you start mixing and then mix through it. 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Outputs are identical to the LM-A4 module.\u003c\/p\u003e  \u003ch3\u003eLM-DIG AES I\/O MODULE\u003c\/h3\u003e  \u003cp\u003eThe Lynx Studio Technology LM-DIG AES I\/O Module provides 16 channels AES\/EBU I\/O connectivity for the Aurora(n). Not only does it bring digital connectivity to the new Aurora, but the LM-DIG Digital I\/O module allows the Aurora(n) to now be configured to be a direct replacement for any classic, silver Aurora. Now every Classic Aurora customer can configure an Aurora(n) as a drop-in replacement for their Classic Aurora.\u003c\/p\u003e  \u003ch3\u003eDB-ADAT DAUGHTER BOARD\u003c\/h3\u003e  \u003cp\u003eContinuing in the tradition of non-obsolescence design, the Lynx Aurora (n) DB-ADAT Daughter Board brings ADAT and S\/PIDF connectivity when paired with an LM-DIG Aurora(n) module. Now the industry-leading Aurora(n) interface can be configured to connect directly with other audio devices that support ADAT and\/or S\/PIDF protocol. With its 300,000:1 jitter reduction capability, Aurora’s Syn- chroLock 2 technology provides immunity to high levels of jit- ter which is typical in optical signals. The DB-ADAT also allows Aurora to function as a bi-directional format converter, converting ADAT to AES\/EBU and analog and back to ADAT.\u003c\/p\u003e  \u003ch3\u003eTRANSPARENCY\u003c\/h3\u003e  \u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color.\u003c\/p\u003e  \u003cp\u003eFor audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e  \u003ch3\u003eDISCRETE CONVERTER ARRAY\u003c\/h3\u003e  \u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. 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Coupled with Rupert’s famous custom audio transformers and Silk Red \u0026amp; Blue circuitry for variable harmonic saturation, the Orbit launches sterile in-the-box mixes to new heights of tone, depth and clarity – without compromising the recallable convenience and repeatability of your DAW-based workflow.\u003c\/p\u003e \u003ch3\u003eBORN TO DRIVE\u003c\/h3\u003e \u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen you push a mix bus and output transformers towards saturation, the non-linear, musical harmonics that occur are what truly glue a recording together and bring it to life. Rather than using an external summing converter that offers little more than an ultra-clean representation of the in-the-box experience, the RND Orbit Summing Mixer provides the extraordinary richness, harmonic complexity and depth that only a Rupert Neve console can bring to your pro audio mixes.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003eThe RND Orbit utilizes a highly custom output transformer configuration originally developed for the acclaimed Shelford Channel, which provides both a Main Output and a -6dB Output – the latter of which enables you to fully drive the Orbit to achieve more transformer harmonics without clipping the next device in the chain. This unique transformer drive is a hallmark of the sound of Rupert Neve throughout the years – and the sound of countless classic hit records.\u003c\/p\u003e \u003ch3\u003eCLASSIC SOUNDS ON DEMAND\u003c\/h3\u003e \u003cp\u003eEvery mix demands its own treatment. In addition to the choice of outputs, the continuously variable Texture control with Silk Red and Silk Blue modes gives you complete control over the harmonic density and tonality of your mix – or lets you keep it utterly pristine and uncolored. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” \u003cspan style=\"font-weight: 400;\"\u003eprocessors and mixes\u003c\/span\u003e. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e \u003cp\u003eDrive the mix bus hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. The choice is yours.\u003c\/p\u003e \u003ch3\u003eBUILD YOUR DREAM\u003c\/h3\u003e \u003cp\u003eWhile the Orbit is an extremely effective tool on its own, multiple units can be combined through the Buss Link for a higher channel count. The 5057 \u003cspan style=\"font-weight: 400;\"\u003eSumming Mixer \u003c\/span\u003ecan also be used as a building block in an expandable summing system utilizing the 5059 Satellite for flexible summing \u0026amp; routing, and the 5060 Centerpiece for additional mixing and monitoring features. These units create the core of a world-Class Analogue modular console system rivaling any traditional large-scale studio setup.\u003c\/p\u003e \u003ch3\u003eCHANNEL SEPARATION AND ACCURACY\u003c\/h3\u003e \u003cp\u003eWith precisely fixed channel levels and accurate mix bus attenuation via high-quality stepped switching, the Orbit’s purist signal path has vanishingly low crosstalk, and channels matched to within ±0.1 dB. This provides your mixes with the widest and most accurate stereo image, the greatest depth, and the most direct signal path, allowing you to hear every single detail of your mixes.\u003c\/p\u003e \u003ch3\u003eDAW Based Recall without Compromise\u003c\/h3\u003e \u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrequent recalls can be a challenge for modern mix engineers. The Orbit’s elegant simplicity and fixed level accuracy provides rapid, repeatable DAW-based recall from mix to mix, while adding the rich, unrivaled sound quality of Mr. Neve’s Class A transformer-coupled mix bus channel summing mixer.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003eThere are other summing solutions in the world – but only the 5057 Orbit, 5059 Satellite, and 5060 Centerpiece give you the legendary sound of Rupert Neve \u003cspan style=\"font-weight: 400;\"\u003eSumming Mixers\u003c\/span\u003e.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":50446706770023,"sku":"516437","price":1349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-5057-orbit-16x2-summing-mixer-5057-00267-used_516437_1_526283b9-9d49-4caa-a925-b59907ae68e9.jpg?v=1791920972"},{"product_id":"retro-instruments-500pre-500-series-tube-microphone-preamp-19424-used","title":"Retro Instruments 500PRE 500 Series Tube Microphone Preamp #19424 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRetro Instruments 500PRE\u003c\/strong\u003e is a vintage-inspired 500 Series microphone preamplifier that combines the circuit topology of the legendary Sta-Level tube compressor with class-leading distortion, noise and frequency response characteristics in a compact package. Equipped with three powerful 12AT7 tubes, the 500PRE delivers thick, rich analog tone with gentle limiting characteristics—making it the perfect tool for tracking and mixing.\u003c\/p\u003e  \u003ch3\u003eUNPARALLELED PERFORMANCE\u003c\/h3\u003e  \u003cp\u003eThe Retro Instruments 500PRE packs the massive tone of the Sta-Level compressor into a compact 500 Series module. This thick, rich-sounding preamp offers the same depth, detail and musicality of your favorite tube compressors from yesteryear. With minimal distortion, vanishingly low noise, and a balanced, neutral frequency response, the 500PRE delivers world-class tone that never sounds plastic and brittle like solid-state amplifiers.\u003c\/p\u003e  \u003ch3\u003eHEAVY-DUTY CONTROLS\u003c\/h3\u003e  \u003cp\u003eThe Retro Instruments 500PRE features an inviting interface with rugged, heavy-duty knobs and a durable steel chassis. A large input knob at the top lets you dial up an impressive 75 dB of amplification.\u003c\/p\u003e  \u003cp\u003eBelow the input knob are three hefty switches for Gain Select, Phantom Power and Polarity. The Gain Select switch toggles between two input modes. Low Gain mode uses a classic two-stage amplifier and can sustain +10 dBu input levels without overload, while High Gain mode uses a high gain, three stage topology.\u003c\/p\u003e  \u003cp\u003eBelow the Gain Select switch is the Phantom Power switch, which is used to provide 48 V for recording with condenser microphones. The Polarity switch lets you invert the polarity of the incoming signal—a useful feature when recording in stereo.\u003c\/p\u003e  \u003ch3\u003eTUBE LIMITING\u003c\/h3\u003e  \u003cp\u003eEquipped with three new-production TAD 12AT7 tubes and soft-start circuitry that minimizes stress to the tubes and power supply, the 500PRE is built to last. Unlike old-school tube gear which can take what seems like an eternity to heat up, the 500PRE is warm and ready to go in less than 60 seconds. And for those who prefer the original, the 500PRE is also compatible with vintage and new-old-stock tubes.\u003c\/p\u003e  \u003cp\u003eIn addition to giving your recordings a rich, warm tone, 500PRE gracefully limits input signals at +18 dBu, without destroying the details of your transients. The perfect limiter for both tracking and mixing, 500PRE is ideal for fattening up tracks with thick, rich harmonics that never sound plastic or brittle like solid-state amplifiers, even when overdriven.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":50446706835559,"sku":"521466","price":779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/retro-instruments-500pre-500-series-tube-microphone-preamp-19424-used_521466_1_662aed3d-3549-42f3-adfb-d7986c5099e3.jpg?v=1791920972"},{"product_id":"retro-instruments-500pre-500-series-tube-microphone-preamp-19445-used","title":"Retro Instruments 500PRE 500 Series Tube Microphone Preamp #19445 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRetro Instruments 500PRE\u003c\/strong\u003e is a vintage-inspired 500 Series microphone preamplifier that combines the circuit topology of the legendary Sta-Level tube compressor with class-leading distortion, noise and frequency response characteristics in a compact package. Equipped with three powerful 12AT7 tubes, the 500PRE delivers thick, rich analog tone with gentle limiting characteristics—making it the perfect tool for tracking and mixing.\u003c\/p\u003e  \u003ch3\u003eUNPARALLELED PERFORMANCE\u003c\/h3\u003e  \u003cp\u003eThe Retro Instruments 500PRE packs the massive tone of the Sta-Level compressor into a compact 500 Series module. This thick, rich-sounding preamp offers the same depth, detail and musicality of your favorite tube compressors from yesteryear. With minimal distortion, vanishingly low noise, and a balanced, neutral frequency response, the 500PRE delivers world-class tone that never sounds plastic and brittle like solid-state amplifiers.\u003c\/p\u003e  \u003ch3\u003eHEAVY-DUTY CONTROLS\u003c\/h3\u003e  \u003cp\u003eThe Retro Instruments 500PRE features an inviting interface with rugged, heavy-duty knobs and a durable steel chassis. A large input knob at the top lets you dial up an impressive 75 dB of amplification.\u003c\/p\u003e  \u003cp\u003eBelow the input knob are three hefty switches for Gain Select, Phantom Power and Polarity. The Gain Select switch toggles between two input modes. Low Gain mode uses a classic two-stage amplifier and can sustain +10 dBu input levels without overload, while High Gain mode uses a high gain, three stage topology.\u003c\/p\u003e  \u003cp\u003eBelow the Gain Select switch is the Phantom Power switch, which is used to provide 48 V for recording with condenser microphones. The Polarity switch lets you invert the polarity of the incoming signal—a useful feature when recording in stereo.\u003c\/p\u003e  \u003ch3\u003eTUBE LIMITING\u003c\/h3\u003e  \u003cp\u003eEquipped with three new-production TAD 12AT7 tubes and soft-start circuitry that minimizes stress to the tubes and power supply, the 500PRE is built to last. Unlike old-school tube gear which can take what seems like an eternity to heat up, the 500PRE is warm and ready to go in less than 60 seconds. And for those who prefer the original, the 500PRE is also compatible with vintage and new-old-stock tubes.\u003c\/p\u003e  \u003cp\u003eIn addition to giving your recordings a rich, warm tone, 500PRE gracefully limits input signals at +18 dBu, without destroying the details of your transients. The perfect limiter for both tracking and mixing, 500PRE is ideal for fattening up tracks with thick, rich harmonics that never sound plastic or brittle like solid-state amplifiers, even when overdriven.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":50446706802791,"sku":"521467","price":779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/retro-instruments-500pre-500-series-tube-microphone-preamp-19445-used_521467_1_c710c1c4-c1c0-4a07-841f-49f23f7e6271.jpg?v=1791920972"},{"product_id":"chandler-limited-rs124-compressor-standard-544-used","title":"Chandler Limited RS124 Compressor - Standard #544 (Used)","description":"\u003cp\u003eThe sound and personalities of the legendary EMI\/Abbey Road RS124 compressor can now be at your fingertips with the \u003cstrong\u003eChandler Limited RS124 Compressor\u003c\/strong\u003e. In addition to all of the features of the original, the RS124 Compressor also includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/p\u003e  \u003cp\u003eFirst designed in 1960 by Abbey Road Head of Techncial Bill Livey, Deputy Head Len Page and seasoned EMI Audio Designer Mike Batchelor, the Abbey Road RS124 compressor is one of the most coveted pieces of recording gear ever developed. Born out of the inadequate Altec 436Bs acquired by EMI in the late 1950s for Abbey Road Studios, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey Road Studios. Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003c\/p\u003e  \u003cp\u003eThe RS124's undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They were so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/p\u003e  \u003cp\u003eThe RS124 compressor circuit, was built for use at Abbey Road Studios, and was never commercially available. Through the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing theelusive Abbey Road RS124 in all its glory.\u003c\/p\u003e  \u003cp\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003c\/p\u003e  \u003cp\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003c\/p\u003e  \u003cp\u003eThe Chandler Ltd. RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. 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The LCD-X puts you inside renowned studios, letting you mix consistently and efficiently from anywhere.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eACCURACY, TRANSPARENCY, AND EFFICIENCY\u003c\/h3\u003e\n\u003cp\u003eLCD-X leverages patented Audeze technologies, including Ultra-Thin Uniforce™ diaphragms, Fazor waveguides, and powerful neodymium magnets to deliver extremely accurate and detailed sound. The sophisticated planar magnetic drivers achieve a high efficiency with low impedance, such that LCD-X can deliver great sound from nearly any device with a headphone output. Together, these innovations enable audio professionals to efficiently get their mix done right in a variety of settings.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eDESIGNED FOR COMFORT\u003c\/h3\u003e\n\u003cp\u003eAudeze has improved the LCD-X over the years, lowering the weight and increasing comfort. It features a suspension headband for even weight distribution, and highly-cushioned premium earpads for support. The neutral tuning and low distortion prevent listening fatigue, so those late-night sessions never have to end.\u003c\/p\u003e","brand":"Audeze","offers":[{"title":"Default Title","offer_id":50446706901095,"sku":"500258","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audeze-lcd-xc-creator-package-with-leather-earpads-and-economy-case-na-used_500258_1_032b5db7-c4ce-4f0b-9704-1379e53ad042.jpg?v=1791920972"},{"product_id":"dangerous-music-2-bus-16-channel-analog-summing-mixer-1119-used","title":"Dangerous Music 2-BUS+ 16-Channel Analog Summing Mixer #1119 (Used)","description":"\u003cp\u003eDangerous Music invented the stand-alone analog summing mixer with the ground-breaking 2-BUS back in 1999, and now they've redefined mixing yet again with the \u003cstrong\u003eDangerous Music 2-BUS+\u003c\/strong\u003e. With a redesigned analog summing circuit that exceeds previous specifications, the 2-BUS+ delivers unsurpassed imaging, dimensionality, punch and headroom. While the 2-BUS+ active summing sounds incredible on its own, it now includes three innovative custom color circuits that provide a vast array of flexibly routed tonal options. Harmonics is a euphoric odd- and even-order distortion generator; Paralimit is a hard-hitting FET-style limiter; and X-Former is a pair of Cinemag output transformers with an exclusive core-overdrive circuit. With it’s elegantly straightforward buttons and knobs, the 2-BUS+ puts endless combinations of robust analog sound at your fingertips. Meticulously developed by our hands-on team and brilliantly designed by the legendary Chris Muth, the 2-BUS+ embodies our dedication to sacrificing nothing in order to deliver the very best analog products available.\u003c\/p\u003e \u003ch3\u003eUNVEIL YOUR SOUND WITH ACTIVE ANALOG SUMMING\u003c\/h3\u003e \u003cp\u003eAnalog summing is a vastly misunderstood topic, but it doesn’t need to be. First, when multiple converters share the workload of getting your sounds from digital into analog, you’ll hear improved articulation and clarity across your mix. Once in the analog realm, these individual channels are electronically summed together with what’s called an “active analog summing circuit.” Unlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS+ result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. The 2-BUS+ unveils all the details that bring your creations to life.\u003c\/p\u003e \u003ch3\u003eEMULATION IMPOSSIBLE\u003c\/h3\u003e \u003cp\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. And despite promising ad campaigns, analog mix bus emulation plugins just add distortion to the master fader, actually making problems worse. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS+, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver.\u003c\/p\u003e \u003ch3\u003eTHREE REAL ANALOG TONE CIRCUITS\u003c\/h3\u003e \u003cp\u003eWhen it comes to adding analog color to your mixes, the design team at Dangerous has developed three totally original all-analog circuits: Harmonics, Paralimit and X-Former. Because these circuits are physically built into the 2-BUS+, you get a versatile selection of analog colors while never leaving the lush, open analog mixing environment.\u003c\/p\u003e \u003cp\u003eHarmonics – Add the euphoric sound of an analog circuit on the edge of distortion to your whole mix, or to individual channel pairs. Carefully tuned to generate the perfect mixture of odd- and even-order harmonics, this effect runs parallel with the unprocessed signal so you can dial in just the right amount of tone. The top end subtly simmers, the bass gently growls, and the whole sonic image warms up in ways that only a real analog circuit can offer.\u003c\/p\u003e \u003cp\u003eParalimit – This is a FET Limiter set to stun. An original Chris Muth design inspired by the famous 1176 Limiting Amplifier “all buttons in” trick, you get an infinite ratio setting flooded with analog top-end. With its blend knob and assignment buttons, Paralimit gives you instant parallel compression, in stereo, in the analog domain, on the full mix or on a stereo stem – a flexible set-up that otherwise requires complex patching, careful level matching and significant amounts of analog outboard gear.\u003c\/p\u003e \u003cp\u003eX-former – Last in line are a pair of customized Cinemag transformers with Chris Muth’s totally unique approach to driving the core. Switch them in for the solid, punchy sound that makes older analog consoles so loved, then turn up the X-Former knob to drive the core of the transformer in a way that’s totally unique to the 2-BUS+. 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Whether you choose to run it pure and clean, blend in just a hint of delicious analog flavor, or push it into the red-zone, Dangerous have put the choice back in your hands when mixing.\u003c\/p\u003e \u003ch3\u003eMAKING THE ANALOG INVESTMENT\u003c\/h3\u003e \u003cp\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It wont need an expensive upgrade, become incompatible with your computer or DAW, or start crashing. 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The new rotatable HPS waveguides make positioning these monitors even more versatile, enabling you to place them vertically or horizontally while still retaining crystal-clear highs up to 42 kHz.\u003c\/p\u003e  \u003ch3\u003eBI-AMPLIFIED FOR IMPROVED PERFORMANCE\u003c\/h3\u003e  \u003cp\u003eFeaturing both analog and digital amplifiers, A Series studio monitors offer the best of both worlds. In the A7V, the woofers are driven by a powerful 110W Class D amplifier, which is extremely efficient and helps reduce distortion. A 20W Class AB amp powers the tweeter, delivering a smooth, natural top-end.\u003c\/p\u003e  \u003ch3\u003eCUSTOM CALIBRATED FOR REVEALING SOUND\u003c\/h3\u003e  \u003cp\u003eThe A7V features other thoughtful updates, too. Less port noise allows for quieter, more accurate low-end playback, and the room adaptation adjustment options on the back further help users to sculpt the sound of their monitors. Onboard DSP works to adapt the monitors to the user’s space, allowing for even more accurate playback. Four bands of equalization offer more than 100 unique tuning options to help compensate for the typical acoustic problems that arise from speaker placement.  And with A Control software, you can even create a custom 6-band EQ setting and calibrate each of your ADAM Audio speakers remotely. Ideal for anyone who is unable to acoustically treat their workspace, the A Series studio monitors offer automated calibration through the A Control software, thanks to a collaboration with industry leader Sonarworks.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":50446706999399,"sku":"500242","price":1049.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/adam-audio-a7v-7-2-way-active-studio-monitor-pair-0264-0905-used_500242_1_cdd55fc3-b68f-4371-8814-67d1071d530e.jpg?v=1791920972"},{"product_id":"neve-genesys-black-g48-24-channel-40-fader-analog-console-with-daw-control-0298b-11-18-used","title":"Neve Genesys Black G48 24-Channel 40-Fader Analog Console with DAW Control #0298B\/11\/18 (Used)","description":"\u003cp\u003e24-channel Neve Genesys Black console from 2018. Functionally and cosmetically in terrifc shape!\u003c\/p\u003e\u003chr\u003e\n\u003cp\u003eArmed with the sonic firepower of a classic Neve console and decked out with both touchscreen DAW control and cutting-edge integration, the \u003cstrong\u003eNeve Genesys Black Recording Console\u003c\/strong\u003e puts everything you need, right at your fingertips. While sitting at command central, you'll have quick access to 1073-loaded channel strips, each controllable by faders on the left side. From there, you can reach out and direct core DAW functions using the central touchscreen and the sixteen faders below it. Then, on the right, you'll find eight more faders under the Genesys Black's dedicated 5.1-ready monitor section, giving you analog control of eight aux buses.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlexible I\/O to meet a wide range of workflows\u003c\/li\u003e\n\u003cli\u003eSteer your DAW with OSX and Windows-ready touchscreen\u003c\/li\u003e\n\u003cli\u003e40 motorized faders provide a flexible workflow\u003c\/li\u003e\n\u003cli\u003ePremium monitor section drawn directly from the 88RS\u003c\/li\u003e\n\u003cli\u003e24 channel strips, 48 mix inputs of classic Neve sound and processing\u003c\/li\u003e\n\u003cli\u003eDigital I\/O at 192 kHz with Neve-quality converters\u003c\/li\u003e\n\u003cli\u003eUpgradable and expandable to meet your evolving needs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_0\"\u003eFLEXIBLE I\/O TO MEET A WIDE RANGE OF WORKFLOWS\u003c\/h3\u003e\n\u003cp\u003eIf you could use just one word to describe the Neve Genesys Black, it would be versatile. Neve went to work adapting their renowned Genesys console to perfectly meet the ever-evolving needs of today's project studios. With Neve channel strips, anchored by popular 1073 pres, the Genesys Black gives you the Neve sound when you want it, while offering plenty of room to tie in your own outboard gear should you need additional processing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL STRIP I\/O\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic input (XLR)\u003c\/li\u003e\n\u003cli\u003eLine input (TRS)\u003c\/li\u003e\n\u003cli\u003eDAW input (D-Type)\u003c\/li\u003e\n\u003cli\u003e2x tape return (D-Type)\u003c\/li\u003e\n\u003cli\u003eDirect output (D-Type)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_1\"\u003eSTEER YOUR DAW WITH OSX AND WINDOWS-READY TOUCHSCREEN\u003c\/h3\u003e\n\u003cp\u003eThe Neve Genesys Black takes visual and tactile control to a new level by incorporating a touchscreen into the center of your workflow. Plug-and-play compatible with your OSX and Windows DAWs, the Neve Genesys Black touchscreen allows you to intuitively take control of your session for a decidedly more modern, convenient, elegant approach than outdated click-and-drag mouse workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW CONTROL SECTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-DAW support (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n\u003cli\u003e16 channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW faders, cuts, solos, and track arm switches\u003c\/li\u003e\n\u003cli\u003e23\" Multitouch enabled display\u003c\/li\u003e\n\u003cli\u003eStereo DAW metering\u003c\/li\u003e\n\u003cli\u003eExpanded DAW transport control section\u003c\/li\u003e\n\u003cli\u003eExpanded DAW automation controls\u003c\/li\u003e\n\u003cli\u003eDAW fader flip mode for larger mix sessions\u003c\/li\u003e\n\u003cli\u003eVPOT control for DAW plugins, pans and aux sends\u003c\/li\u003e\n\u003cli\u003eDAW fader channel and bank navigation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_2\"\u003eFADERS PROVIDE A FLEXIBLE WORKFLOW\u003c\/h3\u003e\n\u003cp\u003eThe motorized faders featured on the Neve Genesys Black are ready to work the way you need it to. When you're tracking, you can use the eight faders on the left to control your inputs, the sixteen in the middle to make DAW adjustments, and the eight on the right for all your aux duties. Then, when you're ready to get your hands on your mix, you can switch the Neve Genesys Black into DAW mode, spreading each channel across the faders that, yes, are fully DAW-automated.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003ePREMIUM MONITOR SECTION DRAWN DIRECTLY FROM THE 88RS\u003c\/h3\u003e\n\u003cp\u003eUnderstanding that monitoring flexibility can be as key as I\/O, Neve drew from the 88RS in designing the Neve Genesys Black. What you get are two sets each of mono, stereo, and 5.1, readying the Neve Genesys Black for a wide variety of monitoring workflows. You can even bring in a 5.1 external source into the monitoring section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMETERING AND MONITORING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual 5.1 loudspeaker outputs\u003c\/li\u003e\n\u003cli\u003eDual Stereo loudspeaker outputs\u003c\/li\u003e\n\u003cli\u003e48-segment LED metering for channel, DAW, 8T, 2T and monitoring\u003c\/li\u003e\n\u003cli\u003ePPM\/VU scale metering\u003c\/li\u003e\n\u003cli\u003e6 Auxes (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups, 2 main outs\u003c\/li\u003e\n\u003cli\u003e4 stereo effects returns\u003c\/li\u003e\n\u003cli\u003e5.1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 dedicated cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback\/ return talkback capability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_4\"\u003eCLASSIC NEVE SOUND AND PROCESSING\u003c\/h3\u003e\n\u003cp\u003eAlthough the Neve Genesys Black certainly knows modern, it's schooled in classic, too. Genesys Black channel strips are anchored by the heralded 1073 preamps. As for the EQ, it's a 4-band VCA design with a filter taken straight from the Neve 88RS console, and you can even opt to fit genuine Neve 1084 Classic EQ. The optional dynamics are traditional Neve VCA and all EQ\/Dynamics parameters can be easily saved and instantly recalled later. The net result? Just enough of the iconic Neve sound onboard and always at the ready, with the I\/O flexibility to incorporate the other tones, flavors, and characteristics your projects call for.\u003c\/p\u003e\n\u003ch3 id=\"toc_5\"\u003eDIGITAL I\/O AT 192K WITH NEVE-QUALITY CONVERTERS\u003c\/h3\u003e\n\u003cp\u003eOn the Neve Genesys Black, digital I\/O comes in the form of Firewire, AES, and MADI. Notably, there are three possible D\/A I\/O paths within each channel strip: two inputs and a direct output. These three paths can be sent to and from the A\/D converters. Speaking of converters, they sport the same circuit as the Neve DPD, offering up 192 kHz performance at the kind of precision and quality you'd expect from Neve.\u003c\/p\u003e\n\u003ch3 id=\"toc_6\"\u003eUPGRADABLE AND EXPANDABLE TO MEET YOUR GROWING NEEDS\u003c\/h3\u003e\n\u003cp\u003eUnderstanding that your needs are unique and might change over time, Neve offers a variety of upgrades and options for the Genesys Black. Whether you seek full-fledged A\/D\/DA on all the monitor outputs, or seek to make changes to your EQ or dynamics options, Neve has made sure the the Genesys Black can adapt to a range of environments and workflows.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 id=\"toc_8\"\u003eWE'VE BEEN BUYING, SELLING AND RESTORING THE WORLD’S BEST CONSOLES SINCE 1993\u003c\/h3\u003e\n\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\n\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\n\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\n\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50474601316455,"sku":"526128","price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_526128_1.jpg?v=1792093788"},{"product_id":"empirical-labs-distressor-el8x-30068-used","title":"Empirical Labs Distressor EL8X #30068 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eEmpirical Labs Distressor EL8X\u003c\/strong\u003e is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications.  Basically, it electronically controls the volume of just about any source in a very pleasing, and \"musical\" manner - adding fullness, intelligibility, and especially in the Distressor's case - excitement.  This type of device is often called a \"limiter\" or \"compressor\" by audio industry people.  Its most probable uses will be in recording studios, live sound situations, movie sound production, and radio broadcast production. \u003c\/p\u003e  \u003cp\u003eUnlike most analog compressor\/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out.  Years of beta testing and redesign went into the Distressor as will be the case with all Empirical Labs products. \u003c\/p\u003e  \u003cp\u003eBesides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit.  This \"warmth\" or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften \"harsh\" sounds nor emphasize the bass frequencies in music sources.  Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers.  However, many people have now realized that this coloring can be extremely pleasant and \"musical.\"  The current digital technology is often referred to as \"cold\" and \"brittle\" among other terms, although we prefer the term \"unforgiving\" to describe the negative side of the \"linearity.\"  The Distressor offers several modes that color the signal, even without compression (or gain control).  These extended modes were designed to allow emulation of some very old and some very expensive vintage gain control units (compressors \u0026amp; limiters) and deliver a classic \"knee\" sound all its own.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":50691502178407,"sku":"520750","price":1549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empirical-labs-distressor-el8x-30068-used_520750_1_f53196a9-828c-42b6-86e0-03f8381a5d97.jpg?v=1793125576"},{"product_id":"adam-audio-s3h-3-way-active-horizontal-monitor-pair-s-000652-s-000662-used","title":"ADAM Audio S3H 3-Way Active Horizontal Monitor - Pair #S-000652\/S-000662 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eADAM Audio S3H\u003c\/strong\u003e builds on the successes of ADAM Audio’s most popular studio monitors, the S3A and S3X-H, and, like its predecessors, sets new standards in terms of technical innovation and design.\u003c\/p\u003e  \u003ch3\u003eDUAL 7-INCH WOOFERS\u003c\/h3\u003e  \u003cp\u003eThe dual 7-inch bass drivers, each powered by separate 500 W Class D amplifiers, offer flawless reproduction of frequencies all the way down to 32 Hz. ADAM Audio’s newly developed DCH, a 4-inch hybrid dome\/cone mid-range driver, is powered by a 300 W Class D amplifier and handles audio above 250 Hz and below 3 kHz, its leading-edge hybrid design offering the sonic advantages of both cone and soft-dome drivers in a single, one-piece unit. Frequencies above 3 kHz are routed to the innovative combination of the S-ART treble driver (each handmade at ADAM Audio’s Berlin factory), the new precision HPS waveguide, and a 50 W Class A\/B amplifier. The result of all this innovation is a beautifully transparent three-dimensional soundscape, with an extensive sweet spot.\u003c\/p\u003e  \u003ch3\u003eCUSTOM-DESIGNED DSP\u003c\/h3\u003e  \u003cp\u003eThe S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning\/voicing functions. A unique feature of the S3H’s DSP options is a built-in factory EQ preset that emulates the response of ADAM Audio’s legendary S3A monitor. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.\u003c\/p\u003e  \u003ch3\u003eEXCEPTIONAL MIDFIELD MONITORING\u003c\/h3\u003e  \u003cp\u003eWith its massively powerful amplification and three-way design (optimally configured for use horizontally), the S3H was conceived as a midfield monitor, but can be employed equally well in more compact listening environments. As with all ADAM Audio designs, the sound is punchy but musical, with crystal-clear reproduction of the all-important mid-range.\u003c\/p\u003e  \u003ch3\u003eFULL FREQUENCY RESPONSE AND MASSIVE HEADROOM\u003c\/h3\u003e  \u003cp\u003eThe S3H’s wide-ranging frequency response, its power amps’ instantly available, plentiful headroom, and the lack of need for additional subwoofers should appeal to any audio professional looking for a stand-alone, full-frequency active solution for their recording studio, one which provides equally detailed audio information at any volume setting, loud or quiet. Whatever your preferred output level, the S3H’s vibrant authenticity is a spur to creativity for producers, engineers and musicians everywhere, and its sound remains remarkably unfatiguing, even when working uninterrupted for extended periods.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":50691502211175,"sku":"456886","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/adam-audio-s3h-3-way-active-horizontal-monitor-pair-s-000652-s-000662-used_456886_1_60ea5cc5-5cc7-41b2-aa99-b7bdaee9057c.jpg?v=1793125577"},{"product_id":"manley-voxbox-tube-channel-strip-mvbs4765-used","title":"Manley VOXBOX Tube Channel Strip #MVBS4765 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eManley Labs VOXBOX\u003c\/strong\u003e is an all-tube channel strip that may well be your \"last stop\" voice processor, but it's also set to make the most out of virtually any source you throw its way. The VOXBOX shares its fully-featured microphone preamplifier design with Manley's acclaimed Mono Microphone Preamplifier, offering a whole lot of headroom and Class A vacuum tube tone. What's more, the smooth compressor section is a perfect blend of Manley's best-selling Variable MU and the opto-design of their ELOP. All of these features, in addition to a flexible Pultec-style mid-frequency equalizer, de-esser\/limiter section, and stereo link function, make the VOXBOX a true sonic studio workhorse.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":50691502243943,"sku":"521479","price":3149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-voxbox-tube-channel-strip-mvbs4765-used_521479_1_e4c7178e-271c-4045-9f80-dfb24b01a461.jpg?v=1793125576"},{"product_id":"genelec-glm-2-0-sam-loudspeaker-management-system-221596-used","title":"Genelec GLM 2.0 SAM Loudspeaker Management System #221596 (Used)","description":"\u003cp\u003eThe brain of every Smart monitoring system is Genelec Loudspeaker Manager (GLM), and \u003cstrong\u003eGenelec GLM 2.0 SAM Loudspeaker Management System\u003c\/strong\u003e is the Smartest version yet. With an expanded feature set but the same intuitive ease of operation, the software is already creating the world’s Smartest SAM Systems.\u003c\/p\u003e  \u003cp\u003eWith GLM 2, the benefits of Smart monitoring are yours to use on both Windows and Mac. Designed for simple and intuitive operation yet rich with features, GLM 2 first gives you the tools you need to optimize your SAM system, then guides you through the process of making the most of your environment. Best of all, when your system is perfectly calibrated to your requirements, the settings are saved in both system setup files and each individual Smart monitor and subwoofer – even if your GLM 2 network needs to be disconnected, your system stays Smart.\u003c\/p\u003e  \u003ch3\u003eAUTOCAL\u003c\/h3\u003e  \u003cp\u003eA world’s first technology that changed how monitoring systems are created, AutoCal takes on the hard work of system optimization so you don’t have to. 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Praised by top studios and engineers around the world, the Neumann U 67 became a go-to mic for vocals, acoustic instruments, and more. Even as solid-state successors began to replace tube mics, the U 67’s reputation endured, and engineers continued to value its warmth and unmatched sound quality. Neumann’s 2018 reissue returned the U 67 to production with original specifications and updated manufacturing, continuing the legacy and making this classic tube condenser microphone accessible to modern studios.\u003c\/p\u003e  \u003ch3\u003eLEGENDARY K 67 CAPSULE\u003c\/h3\u003e  \u003cp\u003eA large part of the U 67’s signature sound is the K 67 capsule: a large-diaphragm pressure-gradient transducer tuned to provide a pleasing midrange and smooth, controlled high-end. 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