{"title":"Stage Boxes","description":null,"products":[{"product_id":"presonus-nsb8-8-avb-networked-stage-box","title":"Presonus NSB8.8 AVB Networked Stage Box","description":"\u003cp\u003eDesigned to work seamlessly with PreSonus StudioLive Series III console\/recorders, the \u003cstrong\u003ePreSonus NSB 8.8\u003c\/strong\u003e is an 8-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network. With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 8.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA stage box is all about analog connectivity, and the NSB 8.8 gives you plenty. You get eight locking combo mic\/line inputs equipped with Presonus' famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So Presonus built the NSB 8.8 into a rugged steel chassis designed to survive the rigors of the road, and equipped it with sturdy handles. Its classic stage box form factor allows the NSB 8.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 8.8 also is compatible with stage pockets from Ace Backstage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"StudioLive\" doesn’t just mean \"digital mixers\". StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.\u003c\/p\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450233090151,"sku":"97756","price":699.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-nsb8-8_97756_1_f5df92df-b68e-4db3-9d83-06e5b4b52891.jpg?v=1787092241"},{"product_id":"presonus-ns16-8-avb-networked-stage-box","title":"Presonus NS16.8 AVB Networked Stage Box","description":"\u003cp\u003eDesigned to work seamlessly with PreSonus StudioLive Series III console\/recorders, the \u003cstrong\u003ePreSonus NSB 16.8\u003c\/strong\u003e is an 16-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network. With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 16.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA stage box is all about analog connectivity, and the NSB 16.8 gives you plenty. You get 16 locking combo mic\/line inputs equipped with Presonus' famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So Presonus built the NSB 8.8 into a rugged steel chassis designed to survive the rigors of the road, and equipped it with sturdy handles. Its classic stage box form factor allows the NSB 8.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 8.8 also is compatible with stage pockets from Ace Backstage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"StudioLive\" doesn’t just mean \"digital mixers\". StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.\u003c\/p\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450233155687,"sku":"97757","price":799.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-nsb16-8_97757_1_56e088dc-47d4-4d8b-bb8c-be5d022f4015.jpg?v=1787092241"},{"product_id":"presonus-nsb-16-8-avb-stage-box","title":"Presonus NSB 16.8 AVB Stage Box","description":"\u003ch3\u003eA perfect partner for StudioLive Series III consoles\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned to work seamlessly with PreSonus StudioLive Series III console\/recorders the \u003cstrong\u003ePresonus NSB 16.8 AVB Stage Box\u003c\/strong\u003e is an 16-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network. With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 16.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMaking connections—lots of them\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA stage box is all about analog connectivity, and the NSB 16.8 gives you all the I\/O you need and then some. You get 16 locking combo mic\/line inputs equipped with PreSonus's famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWhat is an AVB network?\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAudio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTough enough for the most demanding tours\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEven if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So PreSonus built the NSB 16.8 into a rugged steel chassis designed to survive the rigors of the road, and equipped it with sturdy handles. Its classic stage box form factor allows the NSB 16.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 16.8 also is compatible with stage pockets from Ace Backstage.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEverything you need... and then some\u003c\/h3\u003e\r\n\r\n\u003cp\u003e“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eStay in the Pocket\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOne PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I\/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor.\u003c\/p\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450358362215,"sku":"110591","price":799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-nsb-16-8_110591_1_78f00583-0a2f-477e-a6e8-1dec17081ba7.jpg?v=1787092731"},{"product_id":"midas-dl32","title":"Midas DL32 32-Input\/16-Output Stage Box","description":"\u003cp\u003eDigital mixing has revolutionized virtually everything in the live-entertainment production workflow. The \u003cstrong\u003eMidas DL32\u003c\/strong\u003e is the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the I\/O packed and highly affordable DL32 digital stage box. The DL32 provides 32 MIDAS PRO Series remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end – and all it takes is a single Cat 5e cable (up to 100 m \/ 328'). While KLARK TEKNIK, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMassive Connectivity\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen used as part of a complete M32 system, two DL32 Stage Boxes can be cascaded via the built-in AES50 ports, providing connectivity for up to 64 mic\/line inputs, 32 balanced outputs and the ULTRANET port allows direct connection to TURBOSOND iQ Series loudspeakers and the BEHRINGER POWERPLAY P-16 Personal Monitoring System – which can feed up to 48 individual monitor mixers. DL32 also includes 2 optical ADAT sockets and AES-3 (AES\/EBU) for connecting to outboard devices, a convenient USB port for system updates via your PC – plus MIDI I\/O for lighting systems and sound module control.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEcosystem and Beyond\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe DL32 was initially designed with the M32 Digital Mixing Console in mind, but any mixingboard with AES50 networking capability can still tap directly into the DL32’s powerful feature set. For instance, a DL32 and M32C could be jointly utilised to create a remote controlled digital mixing system in only 4U. Another prime application might include the M32C providing independent monitor mix duties, while also relaying and sharing all I\/O with the main console – an M32, or another digital mixer that supports MADI, Dante, ADAT or AES50 I\/O. Reasonably priced option cards to replace the standard 32 x 32 channel USB interface are separately available for that exact purpose.You can even mix the complete show from the onstage M32C via dedicated remote control apps. And since the DL32 and M32C communicate via AES50, they can be separated by up to 100 m (328')of CAT5 cabling, should that be more convenient for the venue.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eULTRANET – Seamless Integration\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe world-renowned engineers at KLARK TEKNIK, MIDAS, TURBOSOUND and BEHRINGER have all come together to create something truly innovative that will change your live and studio workflow forever – welcome to ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices – including mixers, I\/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods include: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated, and ease of use translates directly into a significant amount of time saved during show setup or installation. ULTRANET effectuates a powerful digital eco-system, called “Acoustic Integration”, providing unparalleled control over every element of your audio production environment from one convenient location.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eKLARK TEKNIK AES50\u003c\/h3\u003e\r\n\r\n\u003cp\u003eKLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the DL32 its high-capacity, ultra-low latency digital interconnectivity, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with MIDAS to ensure the DL32 meets, or exceeds, the requirements of live entertainers and their professional audio engineers. Some of the outstanding features are:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e48 bidirectional audio channels over Cat 5e cable (48 kHz)\u003c\/li\u003e\r\n\u003cli\u003eSingle cable duplex interconnection for audio and sample clocks\u003c\/li\u003e\r\n\u003cli\u003eEthernet physical layer audio data transmission\u003c\/li\u003e\r\n\u003cli\u003eHigh channel count and ultra-low deterministic latency\u003c\/li\u003e\r\n\u003cli\u003eAccurate phase-aligned clock distribution.\u003c\/li\u003e\r\n\u003cli\u003eComprehensive error detection and management\u003c\/li\u003e\r\n\u003cli\u003eProvision for redundant networking\u003c\/li\u003e\r\n\u003cli\u003eMinimal configuration – total ease of deployment and use\u003c\/li\u003e\r\n\u003cli\u003eEthernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/li\u003e\r\n\u003cli\u003eRoyalty-free implementations available as Xilinx FPGA cores\u003c\/li\u003e\r\n\u003cli\u003eOEM modules available from developer partners\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eExtraordinary Value\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs you can see, the DL32 is an extremely versatile 32 x 16 digital stage box solution with the remote-controllable mic preamplifiers, KLARK TEKNIK’s AES50 connectivity and a wealth of other professional-grade features – all at a price anyone can afford. Built tough enough to withstand the rigors of the road, the DL32 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can have the missing link between the stage and FOH at a fraction of the cost of competing systems – backed up with a comprehensive warranty program.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":44450490417255,"sku":"59284","price":1749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/midas-dl32_59284_1_969d486a-fa78-4f7c-9b3a-2c7cdfc8a904.jpg?v=1787093272"},{"product_id":"midas-dl151-pro-series-mic-line-input-stage-box","title":"Midas DL151 PRO SERIES Mic\/Line Input Stage Box","description":"\u003cp\u003e\u003cstrong\u003eMidas DL151 PRO SERIES Mic\/Line Input Stage Box\u003c\/strong\u003e is a 2U 19\" fixed-configuration rack I\/O unit with 24 mic\/line level inputs and delivers legendary MIDAS sound quality utilizing time-tested and road-proven technologies. Featuring award-winning MIDAS microphone preamplifiers with 2.5 dB analog gain steps and two AES50 network ports providing dual redundancy, the DL151 is the ideal partner to all MIDAS PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eAward-Winning MIDAS Microphone Preamplifier\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSince pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL151 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOver the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDigital Audio Networking\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring\u003c\/p\u003e\r\n\r\n\u003cp\u003eDL151 is compatible with all MIDAS digital consoles and audio system engines, as well as with any other AES50-equipped devices.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eRemote Console or Front Panel Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll configuration settings for DL151 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL151 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eBuilt for the Road\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFeaturing a rugged steel 2U rack-mount enclosure, the DL151 is designed for the rigors of live concert touring. Premium Neutrik connectors are used for reliable audio and network connections, night after night.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":44450497265767,"sku":"129442","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/midas-dl151_129442_1_6a2a2c80-c778-428a-b4e4-1f401ed13952.jpg?v=1787093302"},{"product_id":"yamaha-tio1608-d-digital-stage-box-with-dante","title":"Yamaha Tio1608-D Digital Stage Box with Dante","description":"\u003cp\u003eThe \u003cstrong\u003eYamaha Tio1608-D\u003c\/strong\u003e is a Dante-equipped I\/O rack with 16 microphone\/ line inputs and 8 line outputs. Tio racks feature the same recallable D-PRE microphone preamplifiers as the TF series delivering extraordinarily natural and musical sound. In combination with TF series consoles, Tio racks can be connected using up to three units with a fast and easy setup. Optional NY64-D Card is required.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eFlexible system expansion via Dante\u003c\/h3\u003e\r\n\u003cp\u003eDante Network Audio Protocol has been adopted, not only in TF, but also in other Yamaha digital mixing consoles such as CL\/QL. Combining these I\/O racks and the various consoles can significantly increase the flexibility of system designs. Patching can be enabled via “Dante Controller” while Remote HA can be controlled by “R Remote” software. Audio patching and Remote HA can be controlled not only from TF but also from CL\/QL.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDigital Stagebox System with a Maximum of 3 units\u003c\/h3\u003e\r\n\u003cp\u003eUsers wishing to expand on the TF's already extensive input\/output capability can easily add up to 3 units with the optional NY64-D expansion card and Tio1608-D I\/O racks. Daisy-chaining the main console offstage and Tio1608-D I\/O racks on stage using lightweight CAT5e Ethernet cables allows low-latency, high-quality sound transmission without the time-consuming transport and setup of bulky analog snakes.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eDante High Reliability Network Audio Protocol\u003c\/h3\u003e\r\n\u003cp\u003eDante has been adopted by the leading manufacturers and professionals in the sound reinforcement industry for its low jitter, low latency, and high sampling accuracy. Using the Tio1608-D you can easily configure a high-performance Dante stagebox system with little or no IT networking knowledge. Thanks to the flexibility of the Dante network protocol, TF Series consoles can be connected to an extensive range of Dante-enabled equipment such as R Series I\/O racks.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eFast and Easy QUICK CONFIG Mode\u003c\/h3\u003e\r\n\u003cp\u003eBy enabling the QUICK CONFIG mode on the Tio1608-D, all the connection settings such as network settings and audio patching are set automatically making system configuration easy. After confirming QUICK CONFIG mode is activated on the TF console and Tio racks, simply set a UNIT ID for each Tio1608-D, then daisy chain the TF console and the Tio racks. Turn on the power and you're ready to go!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eSimple and Flexible Input Selection\u003c\/h3\u003e\r\n\u003cp\u003eOnce the basic configuration is completed you can easily assign inputs to best suit your system setup. By using the ALL INPUT function, users can assign all inputs to the Tio racks, the TF console or a PC\/Mac device instantly. Users can also change each input to receive signal from multiple locations so that users can effectively use all inputs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eRecallable D-PRE preamplifiers\u003c\/h3\u003e\r\n\u003cp\u003eThe Tio1608-D inherits the natural, musical sensibility that we pursued in the development of the TF Series. Mechanical construction, circuit board layout, power supply, grounding, and parts selection have all been executed with meticulous attention to detail and quality, combined with exhaustive performance and listening tests at each stage of development. The Tio1608-D features the same recallable D-PRE microphone preamplifiers as the TF Series to provide a consistent, natural, musical sound throughout the entire system.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eSystem expansion with Tio1608-D\u003c\/h3\u003e\r\n\u003cp\u003eTio1608-D allows you to easily expand a TF digital mixer system up to 40ch inputs\/24ch outputs. System setup uses a Plug In \u0026amp; Play method. Simply connect Cat5e cable, select the device IDs and the system is ready. Remote HA control is available via Cat5e. StageMix App allows wireless remote control of the console from the arena, the stage or the audience etc.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44450665201767,"sku":"91970","price":1249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha-tio1608-d_91970_1_1efc2c10-84fd-48d7-89df-2fbf00c59c4d.jpg?v=1787093977"},{"product_id":"midas-dl16-16-input-8-output-stage-box","title":"Midas DL16 16-Input\/8-Output Stage Box","description":"\u003cp\u003eDigital mixing has revolutionized virtually everything in the live entertainment production work flow, and now that same cutting-edge technology brings live production signal distribution into the modern age. The \u003cstrong\u003eMidas DL16 Stage Box\u003c\/strong\u003e provides 16 award-winning microphone preamplifiers with switchable +48 V phantom power; 8 balanced analog XLR returns at the stage end; an integrated ULTRANET output for connecting to BEHRINGER P16-M personal monitor mixers; plus connectivity for your ADAT-compatible outboard equipment.\u003c\/p\u003e  \u003cp\u003eIf your application calls for more inputs, or just want to keep your cable runs short and tidy, putting a DL16 at stage front and another behind the drum riser provides an additional 16 inputs for drum and guitar\/bass amp miking. The best part – all it takes is a single CAT5 cable per stage box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMIDAS - The Legend in Sound Quality\u003c\/h3\u003e  \u003cp\u003eEver since their formation in the 1970s, Midas have had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, the XL4 and Heritage H3000 consoles quickly became industry standards.\u003c\/p\u003e  \u003cp\u003eMidas have built an impeccable reputation for their no-compromise approach to audio and build quality, and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the DL16 features 16 of the very same preamplifiers that are used in the highly-acclaimed PRO Series consoles.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eULTRANET – Seamless Integration\u003c\/h3\u003e  \u003cp\u003eThe world-renowned engineers at Klark Teknik, Midas, Turbosound and Behringer have all come together to create something truly innovative that will change live and studio workflow forever – ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices – including mixers, I\/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated; and ease of setup translates directly into significant time saved during installation. ULTRANET effectuates a powerful digital eco-system that gives you unparalleled control over every element of your audio production environment from one convenient location.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADAT-Ready\u003c\/h3\u003e  \u003cp\u003eMany manufacturers have adopted the ADAT digital interface as a means of transferring digital data between certain types of audio devices, such as mixers, synthesizers, lighting rigs and effect processors. The DL16’s onboard ADAT Outputs enable splitting the high-quality Midas Pro Series preamp signals to outboard devices – including recording systems. When more channels are required, these optical sockets can alternately be used to connect ADAT-equipped D\/A converters (such as the Behringer ADA8200) for up to 16 additional analog outputs.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eDual AES50 Ports for Massive Connectivity\u003c\/h3\u003e  \u003cp\u003eConnecting over a single shielded (STP) CAT5 cable, up to three DL16s can be daisy-chained to deliver 48 channels in and 24 out to the stage. KLARK TEKNIK’s AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e48 bidirectional audio channels @48 kHz over Neutrik etherCON-terminated shielded (STP) CAT5 cable (max. length 100 meters\/328 feet)\u003c\/li\u003e \u003cli\u003eSingle cable duplex interconnection for audio and sample clocks\u003c\/li\u003e \u003cli\u003eEthernet physical layer audio data transmission\u003c\/li\u003e \u003cli\u003eHigh channel count and ultra-low deterministic latency (2x3 samples = 1⁄8 ms per node)\u003c\/li\u003e \u003cli\u003eAccurate phase-aligned clock distribution\u003c\/li\u003e \u003cli\u003eComprehensive error detection and management\u003c\/li\u003e \u003cli\u003eProvision for redundant networking - Minimal configuration – total ease of deployment and use - Ethernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/li\u003e \u003cli\u003eRoyalty-free implementations available as Xilinx FPGA cores\u003c\/li\u003e \u003cli\u003eOEM modules available from developer partners\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_4\"\u003eRemotely Controllable Preamps Make Setup a Breeze\u003c\/h3\u003e  \u003cp\u003eDL16’s ingenious monitoring\/head amp control section allows you to select any of the 16 inputs, 8 bus outputs or P-16 output streams for immediate line checks. In addition to signal metering at the stage box, you can also set individual input channel Gain, apply +48 V phantom power – and listen directly to the input signal via headphones and much more. Once set, all configuration settings can be locked at the console for total system security.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eAssignable Headphones Output for On-Stage Monitoring\u003c\/h3\u003e  \u003cp\u003eFor easy set up and signal routing verification, a headphones jack is conveniently located on the front of the DL16, giving you the option of listening directly to any of the 16 inputs. Simply select the signal you need to monitor by scrolling through the 16 channels whilst adjusting the gain and selecting the operating mode – all via a single robust rotary control.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eMIDI In\/Out\u003c\/h3\u003e  \u003cp\u003eUsing scene automation has never been simpler or more convenient. The automation scenes allow MIDI events to be incorporated, so that external MIDI-compatible devices can be controlled as part of a scene change via your console’s MIDI output. Additionally, console events can be triggered from an external MIDI source via your console’s MIDI input. You can also control the gain and phantom power settings remotely using the MIDI communication functionality.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eUnparalleled Performance\u003c\/h3\u003e  \u003cp\u003eAs you can see, the DL16 digital stage box is the ideal 16 x 8 signal distribution solution thanks to Midas's legendary remote controllable mic preamps, Klark Teknik’s AES50 connectivity and a wealth of other professional-grade features. Built tough enough to withstand the rigors of the road, the DL16 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems – all backed up with a comprehensive warranty program.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":44450702819431,"sku":"47509","price":779.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/midas-dl16_47509_1_be145faf-2e80-42ce-9f5b-910b25208e72.jpg?v=1787094161"},{"product_id":"presonus-nsb32-16-32-channel-avb-networked-stage-box","title":"Presonus NSB 32.16 32-Channel AVB Networked Stage Box","description":"\u003cp\u003eDesigned to work seamlessly with PreSonus StudioLive Series III mixers, the \u003cstrong\u003ePreSonus NSB 32.16\u003c\/strong\u003e stage box offers 32 locking combo mic\/line inputs with remote-controlled XMAX preamps that include gain compensation for shared input scenarios. All inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All sixteen outputs employ locking XLR jacks. A built-in 2-port AVB switch lets you daisy-chain multiple units. A rugged steel chassis with multi-position rack ears allows I\/O to be available from the front or the rear of the rack and flushed or recessed for flexible installation. As a standard 3U 19-inch rack unit, the NSB 32.16 is compatible with most racks and universal stage pockets.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eGAIN COMPENSATION MEANS INDIVIDUAL CONTROL\u003c\/h3\u003e\r\n\u003cp\u003eWith some networked systems, every mixer on the network must share the same preamp level. Not so with the StudioLive Series III ecosystem: NSB-series stage boxes have onboard DSP that provides gain compensation on every input that allows every mixer on the network to make gain adjustments relative to the level set on the master mixer. In this way, every mixer can adjust the preamp level locally for optimal gain staging.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eRUGGED STAGE BOX, FLEXIBLE INSTALLATION\u003c\/h3\u003e\r\n\u003cp\u003ePreSonus built the NSB stage boxes with rugged steel chassis designed to survive the rigors of the most demanding tours. The NSB 32.16 features adjustable rack ears, so you can choose between flush or recessed as well as front or rear I\/O installation to best fit your rack. Thanks to the standard 3U 19-inch design, the NSB 32.16 is also compatible with most universal stage pockets for permanent installations. Both the NSB 16.8 and 8.8 feature sturdy in a traditional stage box form factor but these models are also install-friendly: Just remove the handles and attach the optional rack-mount kit, and they are ready to be racked in your studio or backstage\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eA COMPLETE NETWORKED SOLUTION\u003c\/h3\u003e\r\n\u003cp\u003eStudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The NSB stage boxes can be used alone or with many other NSB-series stage boxes to add remote audio to one StudioLive Series III digital mixer or to multiple mixers on the same network. For StudioLive Series III mixers that have limited onboard analog I\/O, NSB-series stage boxes provide a simple expansion to a full 32- or 64-channel mixing system.\u003c\/p\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450865512551,"sku":"180011","price":1199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-nsb-3216_180011_1_aafa2c29-5226-416b-b5a7-2f7028f64973.jpg?v=1787094863"}],"url":"https:\/\/vintageking.mom\/collections\/tools-accessories-live-sound-tools-stage-boxes.oembed","provider":"Vintage King","version":"1.0","type":"link"}