{"title":"Tegeler Audio","description":null,"products":[{"product_id":"tegeler-audio-vtc-vari-tube-compressor","title":"Tegeler Audio VTC Vari Tube Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTC Vari Tube Compressor\u003c\/strong\u003e is built after the Vari-Mu principle which has a particularly distinct sound which sounds very musical and already adds the finishing touch to a lot of mixes. It does this the old way: an all-tube Vari-Mu signal path, the same principle behind the legendary Fairchild 670. But where vintage units can feel temperamental, the VTC is built to be effortless. Use the VTC to compress your mix and glue it together, clear up the bass and low midrange and give it definition, or add a golden finish to your sound.\u003c\/p\u003e\n\u003cp\u003eEven at high compression, the liveliness and micro-dynamics are preserved. The VTC matches your music. With its 'gilded' tube sound and beautifully soft compression, it merges a mix into a homogeneous whole. The VTC suits the mix bus, solo instruments and subgroups. For the accurate reproduction of all settings, every control is equipped with 42 steps. By default the VTC runs as a linked stereo pair. Switch the link off and the two channels work independently – for two separate mono signals.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eWHY THE SOUNDS GEL TOGETHER SO WELL\u003c\/h3\u003e\n\u003cp\u003eBuilt on the Vari-Mu principle – the same used in the Fairchild 670 – the VTC has a distinct, musical character that already puts the finishing touch on many mixes. Many hours of fitting, listening and testing went into the VTC. It starts compressing very gently and only tightens its grip as you push it harder. A high-pass filter in the analysis circuit reduces the influence of low frequencies on the compression. Together with the right attack and release settings, this lets the VTC compress a full mix without audible pumping – even at up to 6 dB of gain reduction.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eWHAT DOES \"VARI-MU\" ACTUALLY MEAN?\u003c\/h3\u003e\n\u003cp\u003eMu (µ) is the symbol engineers use for a tube's amplification factor. In a Vari-Mu compressor, the audio passes through a control tube whose amplification varies with the signal level: the louder the input, the further the tube turns its own gain down. So there is no hard threshold where compression suddenly kicks in. The curve stays continuous, which is why this design starts working so gently. It is the principle that has carried studio classics like the Fairchild 670 for decades, and it is the heart of the VTC.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHAT GOLDEN FINISH\u003c\/h3\u003e\n\u003cp\u003ePer channel, the signal passes through 3 transformers and 4 triode tubes. Why does that matter? Tubes – especially triodes – add overtones the ear perceives as pleasant, and help the individual sound sources stand out more clearly. Instruments gain presence. Transformers convert current into a magnetic field and back again, and their gentle non-linearity adds a pleasing saturation before the signal ever reaches the compression stage. The bass becomes tidier and more defined; the treble is pleasantly rounded off.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eMORE ONBOARD FEATURES\u003c\/h3\u003e\n\u003cp\u003eThe low-cut sits in the sidechain only – it changes how the compressor reacts, not your sound. It keeps low frequencies from driving the compression, so heavy bass no longer pushes the whole mix into pumping. Switch to Color and compression steps aside entirely – the signal is shaped purely by the transformers and tubes. Use the input control to set how hard you drive them into overdrive. The separate Bypass switch takes the unit completely out of the signal path.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450511913063,"sku":"130493","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtc_130493_1.jpg?v=1793368726"},{"product_id":"tegeler-audio-vrtc-vari-tube-recording-channel","title":"Tegeler Audio VTRC Vari Tube Recording Channel","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTRC\u003c\/strong\u003e Vari Tube Recording Channel gives your recordings a high-end boutique sound while at the same time perfect integrated into your mix. Due to the variable nature of the preamp, you can decide on color of the sound of your recording varying from clean direct to vintage fat. With the passive equalizer built after the Pultec principle, you can add silky soft highs to your recording, give your voice more volume or filter out disruptive frequencies within the area of keynotes. The combined operation of vari-mu and optical compression of the VTC is a unique worldwide feature that extends your sound spectrum with a fantastically sounding compressor tone.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eFROM CLEAN TO FAT, SILKY HIGHS AND GENTLE CUTS\u003c\/h3\u003e\n\u003cp\u003eEvery take starts at the preamp, and this one shapes the sound as much as the level. Its two controls, Input and Gain, set the character of the recording: keep the Gain low and the tube stage stays clean and direct; raise it and the sound gets fat and saturated, with the warmth of the tubes staying in it the whole way. The microphone input comes with a transformer, true 48 V phantom power and a phase switch, and there is a high-impedance instrument input as well. The EQ is passive, built on the Pultec principle. Add silky highs all the way up to the 24 kHz air band, give a voice more body in the range of its fundamentals, and gently filter out the frequencies that get in the way, with the mid cut and the low cut.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eOPTO AND VARI-MU COMPRESSION IN THE SAME SIGNAL CHAIN\u003c\/h3\u003e\n\u003cp\u003eHere is the part no other channel strip offers: an opto compressor and a Vari-Mu tube compressor in one signal chain, usable alone or at the same time. With the opto, an LED shines on a light-sensitive resistor and regulates the gain with the level. The memory effect of the resistor additionally supports the automatic timing control. The result is an open, airy and soft compression that holds the level nicely steady while hardly touching the microdynamics of the signal. The amplification of a control tube is adjusted directly in the Vari-Tube section. The result is a sound with the presence to hold its place even in a dense mix, without ever losing its warmth. Both compressors are soft-knee designs with program-adaptive attack and release, and the compressor timing is switchable on top.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eROUTING AND DE-ESSING\u003c\/h3\u003e\n\u003cp\u003eThe routing is switchable: run the EQ before or after the compressors, or switch it into the sidechain of the compressors. In the sidechain the EQ no longer shapes the sound itself; it tells the compressors which frequencies to react to. That gives you frequency-dependent compression and de-essing without an extra device. A recording that has not been through the VTRC yet can be refined afterwards. The line input has its own transformer, developed for line level, so the signal does not pass through the microphone input transformer. All functions of the VTRC, from preamp to EQ to compressor, are available for line-level signals as well. And for stereo sources, two VTRC units can be linked.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450511945831,"sku":"130492","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtrc_130492_1.jpg?v=1793369670"},{"product_id":"tegeler-audio-schwerkraftmaschine-compressor","title":"Tegeler Audio Schwerkraftmaschine Compressor","description":"\u003cp\u003eIn the \u003cstrong\u003eTegeler Audio Schwerkraftmaschine\u003c\/strong\u003e the signal passes through a total of three transformers and four triode tubes per channel. Why does this matter? Tubes, and especially triodes, add harmonic overtones to the signal that the human ear finds pleasing, while improving the perception of individual sounds.\u003c\/p\u003e  \u003cp\u003eThe individual instruments are given additional presence through the tubes. Through the conversion of electricity into magnetic fields and back to electricity, the transformers and their non-linearities increase the density of the sound before it is compressed. The bass becomes cleaner and more defined. The high frequencies are pleasantly rounded.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eThe compression modes\u003c\/h3\u003e  \u003cp\u003eWhether it is about softly compressing the sound, a more harder effect, or responding to complex situations... There is a program for everything.\u003c\/p\u003e  \u003cp\u003eGenerating a digital control signal offers flexibility that simply cannot be found in analogue equipment. This makes it possible to emulate the behavior of any existing compressor.\u003c\/p\u003e  \u003cp\u003eWhen you need the Schwerkraftmaschine to work like an Optical Compressor, including the memory effect? But with the Attack and Release still being adjustable? It’s a piece of cake!\u003c\/p\u003e  \u003cp\u003eOr you need it soft like a Vari-Mu? Or preferably just like a VCA?\u003c\/p\u003e  \u003cp\u003eTasks like this are simple for the Schwerkraftmaschine. Tegeler have created completely unique programs that have previously never existed in any compressor, which generates the control signal based on complex rules. They have created and optimized this equipment through countless listening sessions. Just choose the right program for the each song.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eThe side-chain filter\u003c\/h3\u003e  \u003cp\u003eThe side-chain filter determines which frequency range the compressor responds to. Prevent pumps using the low-cut filter. Add weight to the high or low frequencies using the pitch filter\/tilt EQ.\u003c\/p\u003e  \u003cp\u003eThe sidechain filter works separately to the built-in compression mode filters.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe motor control\u003c\/h3\u003e  \u003cp\u003eEvery control is fitted with a servomotor which can set the pots into any position. You can make adjustments whenever you want – a slip clutch combined with software always gives your direct control the priority.\u003c\/p\u003e  \u003cp\u003eDo you need all these modern network based tools? No, not at all! The Schwerkraftmaschine can be completely controlled from the front panel, where it behaves like any other piece of hardware.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eThe network connection\u003c\/h3\u003e  \u003cp\u003eConnect the Schwerkraftmaschine to your network. It acquires the settings it needs automatically via DCHP. You can control the Schwerkraftmaschine from anywhere in the world – be that Sydney, L.A., or even Berlin.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eThe Plug-In\u003c\/h3\u003e  \u003cp\u003eDownload the plug-in to your favorite DAW and control the Schwerkraftmaschine via the plug-in. The motorized pots follows every movement.\u003c\/p\u003e  \u003cp\u003eOr directly on the device itself. Both settings are synchronized.\u003c\/p\u003e  \u003cp\u003eWhen you save your song with the plug-in, the settings are automatically saved in the Schwerkraftmaschine, too. When you reload the song, all your settings are back. All the controls are exactly as they were before.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450511978599,"sku":"130494","price":3199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-schwerkraftmaschine_130494_1_1bd4ff87-8837-4c60-865d-aa3b7be8f2fa.jpg?v=1787093360"},{"product_id":"tegeler-audio-raumzeitmaschine-tube-reverb","title":"Tegeler Audio Raumzeitmaschine Tube Reverb with Remote Control","description":"\u003cp\u003eNatural rooms you only hear when they're gone. The \u003cstrong\u003eTegeler Audio Raumzeitmaschine\u003c\/strong\u003e gives your music a room to sit in. It adds real depth, the kind you stop noticing until you switch it off and the mix suddenly feels flat. The surprising thing is how natural it stays even when you push it somewhere that could not exist. A small storeroom with three seconds of decay should sound like an obvious effect, and instead it still sounds like a place you could walk into. That comes from the way it is built. A processor works out the space, and the sound then passes through real tubes and transformers. That analog path gives the room its body, and it is exactly what software on its own cannot reproduce.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eYES, TUBES AND TRANSFORMERS!\u003c\/h3\u003e\n\u003cp\u003eThis is also why the Raumzeitmaschine does not sound like a typical digital reverb. Real tubes and real transformers sit in the signal path: two double triodes per channel, an input transformer and an output transformer. That is also why it only has analog inputs and outputs. A digital connection would leave out exactly the parts that give the sound its character. The tubes and transformers are also your color control. The input stage is built so that the converter behind it can never clip. Drive it with a hotter signal and the transformers and the tube stage respond instead: first they gently squeeze the peaks together, then they add even more harmonics than they already do, and at some point they move into honest analog distortion. All of it stays musical. Hard digital clipping simply never happens.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHREE CONTROLS, NO MENUS\u003c\/h3\u003e\n\u003cp\u003eShaping the room takes three controls: room size, density and decay time. You reach over, turn and listen, the way you would play an instrument, and the sound follows right away. Input, mix and pre-delay sit next to them as helpers, so nobody has to climb through hundreds of parameters, and the room is usually set before the idea behind it has a chance to get lost.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTOTAL RECALL, FULLY ANALOG\u003c\/h3\u003e\n\u003cp\u003eEvery control sits on a servo motor. You can work on the front panel, on the device's own web page, or in the Raumzeitmaschine plug-in inside your DAW (VST, AU, AAX). The plug-in carries no audio and computes nothing. It only moves the knobs, which means your session recalls a fully analog tube reverb as easily as it recalls any plug-in setting. Turn a knob on the hardware and the plug-in follows, and when you open last week's mix, the motors quietly turn everything back to where it was. Preset management lives in your DAW or in the plug-in, and we left it off the device on purpose. If you remember programming the timer on a VCR, you know why. The connection runs over Ethernet. There is no cable-length limit as with USB, and wireless over your router works too.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eREAL ROOMS, AND IMPOSSIBLE ONES\u003c\/h3\u003e\n\u003cp\u003eThe natural rooms are the starting point, and you are not fenced into them. Turn the decay far past what the room size would ever allow in the real world and the result gets unusual, yet it still behaves like a place instead of collapsing into an obvious effect. Sometimes that impossible room is exactly what a mix needs, and finding out costs you about a second.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450512011367,"sku":"130488","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-raumzeitmaschine_130488_1.jpg?v=1793370091"},{"product_id":"tegeler-audio-creme-bus-compressor-and-mastering-equalizer","title":"Tegeler Audio Creme Bus Compressor and Mastering Equalizer","description":"\u003cp\u003eYour mix is balanced. Every part sits where it should. And still, it sounds like a mix, not a record. The engineers behind the records you love close that gap in the same place: the master bus. A little EQ to open the top and firm up the lows, a few dB of compression to pull everything together. The same move that lets you hear, while you’re still mixing, how the track will sit once it’s mastered. The \u003cstrong\u003eTegeler Audio Creme\u003c\/strong\u003e is built for exactly that moment: a passive Pultec-style EQ and a high-end bus compressor in one device. But where compression usually dulls the top end, the Creme keeps it silky and brilliant. The mix gains shine and glue at once, and your tracks stop sounding worked-on. They start sounding finished.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO LEGENDS, ONE BOX\u003c\/h3\u003e\n\u003cp\u003eOn their own, a Pultec-style passive EQ and an SSL-style bus compressor are two separate boxes, a classic finishing pair. The Creme puts both in one. EQ before the compressor, or compressor before the EQ: the placement is switchable, so you decide what shapes what. Built for the mix bus, the Creme is just as suited to mastering.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE GLUE OF AN SSL-STYLE BUS COMP\u003c\/h3\u003e\n\u003cp\u003eOn the mix bus, the Creme’s VCA compressor does what made the SSL-style bus compressor a standard: it pulls the separate parts into one cohesive whole. Its characteristic, powerful sound can take every mix to the next level. Where compression usually costs you the high end, the Creme doesn’t. The often lamentable loss of high notes simply doesn’t happen here. Instead, the signal sounds as if it had already been fed through an exciter.\u003c\/p\u003e\n\u003cp\u003eThe compressor can work hard and still give your mix a more open, brilliant sound. The compression is harmonic in nature. The sound always stays transparent, and every instrument keeps its own place in the mix. The basses come together as a unified whole, tightened with lean dynamics. And the switchable low-cut filter in the side chain ensures that even heavy bass doesn’t lead to pumping when you don’t want it. Want it inaudible? At 1.5:1, the Creme gives you the gentlest, most transparent leveling. Want character? Open up the ratio and the timing, and it gives the track a rhythmic signature of its own.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SHINE OF A PULTEC\u003c\/h3\u003e\n\u003cp\u003ePassive equalizers, with their elaborate circuits of coils and capacitors, are still among the most popular sound shapers for mastering. Tegeler took the filter circuitry of the original Pultec, the same that made the Classic Equalizer a high-performance sound machine, and carefully reworked it for the mix bus. No other type of EQ sounds this good across almost any setting.\u003c\/p\u003e\n\u003cp\u003eSoft, silky highs that deserve the name. The air a mix needs to sound finished, with a boost that reaches all the way up to 24 kHz. A bass boost that gives the mix a solid foundation and real thrust, without squashing everything into an indistinct nothingness. Tegeler have replaced unnecessary controls with fixed values and every potentiometer with a rotary switch. Limiting the settings to the values that actually matter makes each adjustment more precise, and gives the Creme accurate stereo tracking and perfect recall.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450512044135,"sku":"130491","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme_130491_1.jpg?v=1793370857"},{"product_id":"tegeler-audio-magnetismus-2-vca-compressor","title":"Tegeler Audio Magnetismus 2 VCA Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Magnetismus 2 VCA Compressor\u003c\/strong\u003e was developed for the processing of drums and other transient rich signals such as acoustic guitars. It combines a modern flexible VCA compressor with a downstream Transient Shaper. The result is a fat sound, which is similar to a tape recording, but integrates better into the mix due to the highly developed analog circuitry.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMagnetismus 2 can also be used as a creative sound design tool when a ‘targeted destruction’ is desired for your audio signals.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBecause the compressor can be used separately, the Magnetismus 2 is also well suited to mix individual signals or to be used as a bus compressor.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450513322087,"sku":"130512","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-magnetismus-2_130512_1.jpg?v=1787093366"},{"product_id":"tegeler-audio-tube-summing-mixer","title":"Tegeler Audio Tube Summing Mixer","description":"\u003cp\u003eMany grieve the sound of analog mixing consoles but don’t want to waive the conveniences that modern consoles provide. The \u003cstrong\u003eTegeler Audio Tube Summing Mixer\u003c\/strong\u003e gives you the opportunity to bring the sound of analog mixing with the benefits of a digital workflow to the comfort of your own studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe analog signal path, tubes, and matching transformers are responsible for processing the signals. The result is a typical analog sound: open \u0026amp; defined, yet warm. The mix is not trapped in the box but opens up the whole room.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith 2 × 20 channels, there are enough inputs available to glue together the most demanding mixes. If 40 inputs aren’t enough for you, several Tube Summing Mixers can be cascaded to increase the input count. As you can use more than one Tube Summing Mixer together, nothing stands in the way of your surround mixes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo ensure the exact reproducibility of a mix, the Tube Summing Mixer is equipped with a stepped output switch instead of a potentiometer. This allows a practical reduction at -3 dB increments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you wish to insert mono signals into the mix, just insert the signal into the lower TRS jack. The mono signal is then automatically distributed to both channels simultaneously making it appear in the phantom center of the mix.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450513584231,"sku":"130531","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-tube-summing-mixer_130531_1.jpg?v=1787093367"},{"product_id":"tegeler-audio-konnektor-analog-mastering-matrix","title":"Tegeler Audio Konnektor Analog Mastering Matrix","description":"\u003cp\u003eIntegrate all your hardware for sum processing in your favorite order with the \u003cstrong\u003eTegeler Audio Konnektor Analog Mastering Matrix\u003c\/strong\u003e. A full analog signal path allows you to connect up to 8 analog stereo units, then arrange your signal path by dragging and dropping within your DAW. Enjoy total recall with the included DAW plug-in, then save your settings with the plug-in in each song.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCreate Presets of Your Favorite Combinations\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDo you always start your mastering with the same devices? With presets, you’re ready to go! Test different order settings by stepping the presets. What sounds better, the EQ in front of the compressor or the other way around? It only takes a second to find it out.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eBuild in LR-\u0026gt;MS- and MS-\u0026gt;LR-Matrix\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Konnektor additionally offers two analog hardware plug-ins for LR-\u0026gt;MS and MS-\u0026gt;LR-encoding. Do you like to make the bass mono-compatible with the hardware EQ? No problem at all. Drag the LR-\u0026gt;MS plug-in before the EQ in your signal path and the MS-\u0026gt;LR plug-in after the EQ. Now turn the bass down in the right channel of the EQ. Done.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow, do you like to compress the mid and the side signal? Insert your compressor before the MS-\u0026gt;LR plug-in. Do you like the EQ after the compressor? Just move the compressor up one slot. The rest adapts automatically.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eUpload Images of Your Hardware\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUpload images of all your hardware into the Konnektor for intuitive routing within your DAW. Now your virtual rack looks like your studio. Images of every Tegeler Audio product come pre-installed.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450513649767,"sku":"130533","price":2246.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-konnektor-analog-mastering-matrix_130533_1_d9bf4a30-0e01-47c2-8a28-60e4cc80821f.jpg?v=1787093367"},{"product_id":"tegeler-audio-classic-equalizer-eqp-1","title":"Tegeler Audio Classic Equalizer EQP-1 2-Channel Dual Mono Tube EQ","description":"\u003cp\u003eEven after all the advances in digital technology over the past years, good sounding equalizers are still the domain of analog devices. And those who have heard the Classic Equalizer once know why: voices sound silky, instruments step out of the mix and are clearly locatable without one turning them up. Deep frequency instruments like bass and bass drums get the necessary boost without sounding boomy. If you raise the treble, it doesn't sound like lifted highs, everything simply sounds fresher. The \u003cstrong\u003eTegeler Audio Classic Equalizer EQP-1 \u003c\/strong\u003ewas built after the model of the classic Pultec-style vintage equalizers, with passive components (capacitors and coils) in the EQ section, which accounts for its special sound.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTHE PULTEC SOUND FOR YOUR MIX\u003c\/h3\u003e\n\u003cp\u003eThe EQP-1 consists of three parts: Bass Boost and Cut, Treble Boost with adjustable bandwidth and a High Frequency Cut. Using Bass boost and cut at the same time is the famous Pultec trick. In an analog mastering chain the EQP-1 sits in front of the compressor The EQP-1 is a dual channel equalizer: two identical filter sections in one housing, each with its own bypass switch. Run it as a stereo EQ over a full mix or in mastering, or treat two mono sources independently. No second unit needed.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eDENSITY BEFORE YOU TOUCH A KNOB\u003c\/h3\u003e\n\u003cp\u003eThe Classic Equalizer is equipped with a tube stage and high quality input and output transformers. Beside the open and airy sound of the equalizer the signal will get more density and additional presence by the tube and the transformers. The low end becomes more transparent and defined. The highs will sound more rounded and pleasant to the ears. This effect will already take place as soon as the device is in the signal path and even if the equalizer is not used.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450513682535,"sku":"130532","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-classic-equalizer-eqp-1_130532_1.jpg?v=1793372178"},{"product_id":"tegeler-audio-creme-rc-bus-compressor-mastering-equalizer","title":"Tegeler Audio Creme RC Bus Compressor\/Mastering Equalizer with Remote Control","description":"\u003cp\u003eYour mix is balanced. Every part sits where it should. And still, it sounds like a mix, not a record. The engineers behind the records you love close that gap in the same place: the master bus. A little EQ to open the top and firm up the lows, a few dB of compression to pull everything together. The same move that lets you hear, while you’re still mixing, how the track will sit once it’s mastered. The \u003cstrong\u003eTegeler Audio Creme RC\u003c\/strong\u003e is built for exactly that moment: a passive Pultec-style EQ and a high-end bus compressor in one device. But where compression usually dulls the top end, the Creme keeps it silky and brilliant. The mix gains shine and glue at once, and your tracks stop sounding worked-on. They start sounding finished. The RC version is remote controllable by a DAW plug-in.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO LEGENDS, ONE BOX\u003c\/h3\u003e\n\u003cp\u003eOn their own, a Pultec-style passive EQ and an SSL-style bus compressor are two separate boxes, a classic finishing pair. The Creme puts both in one. EQ before the compressor, or compressor before the EQ: the placement is switchable, so you decide what shapes what. Built for the mix bus, the Creme is just as suited to mastering.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE GLUE OF AN SSL-STYLE BUS COMP\u003c\/h3\u003e\n\u003cp\u003eOn the mix bus, the Creme’s VCA compressor does what made the SSL-style bus compressor a standard: it pulls the separate parts into one cohesive whole. Its characteristic, powerful sound can take every mix to the next level. Where compression usually costs you the high end, the Creme doesn’t. The often lamentable loss of high notes simply doesn’t happen here. Instead, the signal sounds as if it had already been fed through an exciter.\u003c\/p\u003e\n\u003cp\u003eThe compressor can work hard and still give your mix a more open, brilliant sound. The compression is harmonic in nature. The sound always stays transparent, and every instrument keeps its own place in the mix. The basses come together as a unified whole, tightened with lean dynamics. And the switchable low-cut filter in the side chain ensures that even heavy bass doesn’t lead to pumping when you don’t want it. Want it inaudible? At 1.5:1, the Creme gives you the gentlest, most transparent leveling. Want character? Open up the ratio and the timing, and it gives the track a rhythmic signature of its own.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SHINE OF A PULTEC\u003c\/h3\u003e\n\u003cp\u003ePassive equalizers, with their elaborate circuits of coils and capacitors, are still among the most popular sound shapers for mastering. Tegeler took the filter circuitry of the original Pultec, the same that made the Classic Equalizer a high-performance sound machine, and carefully reworked it for the mix bus. No other type of EQ sounds this good across almost any setting.\u003c\/p\u003e\n\u003cp\u003eSoft, silky highs that deserve the name. The air a mix needs to sound finished, with a boost that reaches all the way up to 24 kHz. A bass boost that gives the mix a solid foundation and real thrust, without squashing everything into an indistinct nothingness. Tegeler have replaced unnecessary controls with fixed values and every potentiometer with a rotary switch. Limiting the settings to the values that actually matter makes each adjustment more precise, and gives the Creme accurate stereo tracking and perfect recall.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eREMOTE-CONTROLLED\u003c\/h3\u003e\n\u003cp\u003eEvery control on the Creme RC sits on a servomotor. The signal path stays fully analog, exactly as the Creme has always been. What changes is everything around it. Open your project, and the Creme RC plugin turns every knob back to where you left it. No front-panel photos, no scribbled notes, no rebuilding a setting by ear. The analog chain that finished your mix is simply there again. Ride a parameter across the arrangement, draw it in, let it move with the song. The Creme RC takes automation the way any plugin would, while the audio stays on real analog circuitry. Reach for the front panel, open the built-in web server in any browser, or run the DAW plugin (AU, AAX, VST). Whatever fits your workflow. The Creme RC talks to your computer over Ethernet, so cable length is no longer the limit it is with USB. Prefer it wireless? Through your router, that works too.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450530033767,"sku":"131731","price":2299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-rc_131731_1.jpg?v=1793371289"},{"product_id":"tegeler-audio-schwerkraftmaschine-compressor-demo-deal","title":"Tegeler Audio Schwerkraftmaschine Compressor (Demo Deal)","description":"\u003cp\u003eIn the \u003cstrong\u003eTegeler Audio Schwerkraftmaschine\u003c\/strong\u003e the signal passes through a total of three transformers and four triode tubes per channel. Why does this matter? Tubes, and especially triodes, add harmonic overtones to the signal that the human ear finds pleasing, while improving the perception of individual sounds.\u003c\/p\u003e  \u003cp\u003eThe individual instruments are given additional presence through the tubes. Through the conversion of electricity into magnetic fields and back to electricity, the transformers and their non-linearities increase the density of the sound before it is compressed. The bass becomes cleaner and more defined. The high frequencies are pleasantly rounded.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eThe compression modes\u003c\/h3\u003e  \u003cp\u003eWhether it is about softly compressing the sound, a more harder effect, or responding to complex situations... There is a program for everything.\u003c\/p\u003e  \u003cp\u003eGenerating a digital control signal offers flexibility that simply cannot be found in analogue equipment. This makes it possible to emulate the behavior of any existing compressor.\u003c\/p\u003e  \u003cp\u003eWhen you need the Schwerkraftmaschine to work like an Optical Compressor, including the memory effect? But with the Attack and Release still being adjustable? It’s a piece of cake!\u003c\/p\u003e  \u003cp\u003eOr you need it soft like a Vari-Mu? Or preferably just like a VCA?\u003c\/p\u003e  \u003cp\u003eTasks like this are simple for the Schwerkraftmaschine. Tegeler have created completely unique programs that have previously never existed in any compressor, which generates the control signal based on complex rules. They have created and optimized this equipment through countless listening sessions. Just choose the right program for the each song.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eThe side-chain filter\u003c\/h3\u003e  \u003cp\u003eThe side-chain filter determines which frequency range the compressor responds to. Prevent pumps using the low-cut filter. Add weight to the high or low frequencies using the pitch filter\/tilt EQ.\u003c\/p\u003e  \u003cp\u003eThe sidechain filter works separately to the built-in compression mode filters.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe motor control\u003c\/h3\u003e  \u003cp\u003eEvery control is fitted with a servomotor which can set the pots into any position. You can make adjustments whenever you want – a slip clutch combined with software always gives your direct control the priority.\u003c\/p\u003e  \u003cp\u003eDo you need all these modern network based tools? No, not at all! The Schwerkraftmaschine can be completely controlled from the front panel, where it behaves like any other piece of hardware.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eThe network connection\u003c\/h3\u003e  \u003cp\u003eConnect the Schwerkraftmaschine to your network. It acquires the settings it needs automatically via DCHP. You can control the Schwerkraftmaschine from anywhere in the world – be that Sydney, L.A., or even Berlin.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eThe Plug-In\u003c\/h3\u003e  \u003cp\u003eDownload the plug-in to your favorite DAW and control the Schwerkraftmaschine via the plug-in. The motorized pots follows every movement.\u003c\/p\u003e  \u003cp\u003eOr directly on the device itself. Both settings are synchronized.\u003c\/p\u003e  \u003cp\u003eWhen you save your song with the plug-in, the settings are automatically saved in the Schwerkraftmaschine, too. When you reload the song, all your settings are back. All the controls are exactly as they were before.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450537242727,"sku":"134416","price":2089.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-schwerkraftmaschine_130494_1_1_5776854f-dee2-4abc-864c-5383e3498774.jpg?v=1787093468"},{"product_id":"tegeler-audio-magnetismus-2-vca-compressor-demo-deal","title":"Tegeler Audio Magnetismus 2 VCA Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Magnetismus 2 VCA Compressor\u003c\/strong\u003e was developed for the processing of drums and other transient rich signals such as acoustic guitars. It combines a modern flexible VCA compressor with a downstream Transient Shaper. The result is a fat sound, which is similar to a tape recording, but integrates better into the mix due to the highly developed analog circuitry.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMagnetismus 2 can also be used as a creative sound design tool when a ‘targeted destruction’ is desired for your audio signals.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBecause the compressor can be used separately, the Magnetismus 2 is also well suited to mix individual signals or to be used as a bus compressor.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450543632487,"sku":"135070","price":1339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-magnetismus-2_130512_1_1_9f3dc335-71eb-4c6a-a6fc-b3a8645dcf5b.jpg?v=1787093492"},{"product_id":"tegeler-audio-vtc-vari-tube-compressor-demo-deal","title":"Tegeler Audio VTC Vari Tube Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTC Vari Tube Compressor\u003c\/strong\u003e is built after the Vari-Mu principle which has a particularly distinct sound which sounds very musical and already adds the finishing touch to a lot of mixes. It does this the old way: an all-tube Vari-Mu signal path, the same principle behind the legendary Fairchild 670. But where vintage units can feel temperamental, the VTC is built to be effortless. Use the VTC to compress your mix and glue it together, clear up the bass and low midrange and give it definition, or add a golden finish to your sound.\u003c\/p\u003e\n\u003cp\u003eEven at high compression, the liveliness and micro-dynamics are preserved. The VTC matches your music. With its 'gilded' tube sound and beautifully soft compression, it merges a mix into a homogeneous whole. The VTC suits the mix bus, solo instruments and subgroups. For the accurate reproduction of all settings, every control is equipped with 42 steps. By default the VTC runs as a linked stereo pair. Switch the link off and the two channels work independently – for two separate mono signals.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eWHY THE SOUNDS GEL TOGETHER SO WELL\u003c\/h3\u003e\n\u003cp\u003eBuilt on the Vari-Mu principle – the same used in the Fairchild 670 – the VTC has a distinct, musical character that already puts the finishing touch on many mixes. Many hours of fitting, listening and testing went into the VTC. It starts compressing very gently and only tightens its grip as you push it harder. A high-pass filter in the analysis circuit reduces the influence of low frequencies on the compression. Together with the right attack and release settings, this lets the VTC compress a full mix without audible pumping – even at up to 6 dB of gain reduction.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eWHAT DOES \"VARI-MU\" ACTUALLY MEAN?\u003c\/h3\u003e\n\u003cp\u003eMu (µ) is the symbol engineers use for a tube's amplification factor. In a Vari-Mu compressor, the audio passes through a control tube whose amplification varies with the signal level: the louder the input, the further the tube turns its own gain down. So there is no hard threshold where compression suddenly kicks in. The curve stays continuous, which is why this design starts working so gently. It is the principle that has carried studio classics like the Fairchild 670 for decades, and it is the heart of the VTC.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHAT GOLDEN FINISH\u003c\/h3\u003e\n\u003cp\u003ePer channel, the signal passes through 3 transformers and 4 triode tubes. Why does that matter? Tubes – especially triodes – add overtones the ear perceives as pleasant, and help the individual sound sources stand out more clearly. Instruments gain presence. Transformers convert current into a magnetic field and back again, and their gentle non-linearity adds a pleasing saturation before the signal ever reaches the compression stage. The bass becomes tidier and more defined; the treble is pleasantly rounded off.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eMORE ONBOARD FEATURES\u003c\/h3\u003e\n\u003cp\u003eThe low-cut sits in the sidechain only – it changes how the compressor reacts, not your sound. It keeps low frequencies from driving the compression, so heavy bass no longer pushes the whole mix into pumping. Switch to Color and compression steps aside entirely – the signal is shaped purely by the transformers and tubes. Use the input control to set how hard you drive them into overdrive. The separate Bypass switch takes the unit completely out of the signal path.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450546679911,"sku":"135558","price":1429.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtc_130493_1.jpg?v=1793368726"},{"product_id":"tegeler-audio-vtrc-vari-tube-recording-channel-demo-deal","title":"Tegeler Audio VTRC Vari Tube Recording Channel (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTRC\u003c\/strong\u003e Vari Tube Recording Channel gives your recordings a high-end boutique sound while at the same time perfect integrated into your mix. Due to the variable nature of the preamp, you can decide on color of the sound of your recording varying from clean direct to vintage fat. With the passive equalizer built after the Pultec principle, you can add silky soft highs to your recording, give your voice more volume or filter out disruptive frequencies within the area of keynotes. The combined operation of vari-mu and optical compression of the VTC is a unique worldwide feature that extends your sound spectrum with a fantastically sounding compressor tone.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eFROM CLEAN TO FAT, SILKY HIGHS AND GENTLE CUTS\u003c\/h3\u003e\n\u003cp\u003eEvery take starts at the preamp, and this one shapes the sound as much as the level. Its two controls, Input and Gain, set the character of the recording: keep the Gain low and the tube stage stays clean and direct; raise it and the sound gets fat and saturated, with the warmth of the tubes staying in it the whole way. The microphone input comes with a transformer, true 48 V phantom power and a phase switch, and there is a high-impedance instrument input as well. The EQ is passive, built on the Pultec principle. Add silky highs all the way up to the 24 kHz air band, give a voice more body in the range of its fundamentals, and gently filter out the frequencies that get in the way, with the mid cut and the low cut.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eOPTO AND VARI-MU COMPRESSION IN THE SAME SIGNAL CHAIN\u003c\/h3\u003e\n\u003cp\u003eHere is the part no other channel strip offers: an opto compressor and a Vari-Mu tube compressor in one signal chain, usable alone or at the same time. With the opto, an LED shines on a light-sensitive resistor and regulates the gain with the level. The memory effect of the resistor additionally supports the automatic timing control. The result is an open, airy and soft compression that holds the level nicely steady while hardly touching the microdynamics of the signal. The amplification of a control tube is adjusted directly in the Vari-Tube section. The result is a sound with the presence to hold its place even in a dense mix, without ever losing its warmth. Both compressors are soft-knee designs with program-adaptive attack and release, and the compressor timing is switchable on top.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eROUTING AND DE-ESSING\u003c\/h3\u003e\n\u003cp\u003eThe routing is switchable: run the EQ before or after the compressors, or switch it into the sidechain of the compressors. In the sidechain the EQ no longer shapes the sound itself; it tells the compressors which frequencies to react to. That gives you frequency-dependent compression and de-essing without an extra device. A recording that has not been through the VTRC yet can be refined afterwards. The line input has its own transformer, developed for line level, so the signal does not pass through the microphone input transformer. All functions of the VTRC, from preamp to EQ to compressor, are available for line-level signals as well. And for stereo sources, two VTRC units can be linked.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450594816103,"sku":"141223","price":1689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtrc_130492_1.jpg?v=1793369670"},{"product_id":"tegeler-audio-raumzeitmaschine-tube-reverb-tam0304398-used","title":"Tegeler Audio Raumzeitmaschine Tube Reverb #TAM0304398 (Used)","description":"\u003cp\u003eThe Tegeler Auido Raumzeitmaschine creates a spatial tone that sounds very natural, transparent and clear on the one hand, but on the other hand it has a nice sound on its very own. This is achieved through the unique combination of digital and analog components. There is of course a processor that calculates the reverb. This is enriched by the typical analog sound of our devices.\u003c\/p\u003e\u003ch3 id=\"toc_0\" style=\"margin: 1em 0px; padding: 0px;\"\u003eUnique operating concept\u003c\/h3\u003e\u003cp\u003eThe Raumzeitmaschine offers the most direct access to the right sound with only three parameters. Instead of plodding through hundreds of parameters (90 percent as non-programmers, not knowing what they're doing), now you can tune the sound to the way your mix needs it. An operating approach as with a real musical instrument.\u003c\/p\u003e\u003ch3 id=\"toc_1\" style=\"margin: 1em 0px; padding: 0px;\"\u003ePresets in simple\u003c\/h3\u003e\u003cp\u003eTegeler have omitted the complicated preset management directly on the device. If you remember programming the timer on a VCR, then you know why. The Raumzeitmaschine is equipped with servomotors and thus controllable remotely by the DAW. Conversely, direct changes to the device also land immediately in the Raumzeitmaschine plug-in. Use the preset management of your DAW or the Raumzeitmaschine plug-in.\u003c\/p\u003e\u003cp\u003eIt's as simple as that!\u003c\/p\u003e\u003ch3 id=\"toc_2\" style=\"margin: 1em 0px; padding: 0px;\"\u003eRemote-controlled\u003c\/h3\u003e\u003cp\u003eAll controls of the Raumzeitmaschine are equipped with servomotors. You can control it directly on the frontpanel, by the internal webserver or by the DAW plug-in (AU, AAX, VST). Because the Raumzeitmaschine connects to your computer via Ethernet, there is no limit on cable length like using USB. Wireless via your router is also no problem.\u003c\/p\u003e\u003ch3 id=\"toc_3\" style=\"margin: 1em 0px; padding: 0px;\"\u003eTubes\u003c\/h3\u003e\u003cp\u003eThe Raumzeitmaschine has two double triodes per channel as well as input and output transformers. That's why there are only analog inputs and outputs, not digital ones. An important sound component would otherwise be missing without it. If you like it fatter, you can even try to override the tube from the input stage.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450599993447,"sku":"139887","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-raumzeitmaschine-tube-reverb-tam0304398-used_139887_1_19bc4860-ea3a-4a9e-b78f-c1a25a366202.jpg?v=1787093707"},{"product_id":"tegeler-audio-creme-bus-compressor-and-mastering-equalizer-demo-deal","title":"Tegeler Audio Creme Bus Compressor and Mastering Equalizer (Demo Deal)","description":"\u003cp\u003eYour mix is balanced. Every part sits where it should. And still, it sounds like a mix, not a record. The engineers behind the records you love close that gap in the same place: the master bus. A little EQ to open the top and firm up the lows, a few dB of compression to pull everything together. The same move that lets you hear, while you’re still mixing, how the track will sit once it’s mastered. The \u003cstrong\u003eTegeler Audio Creme\u003c\/strong\u003e is built for exactly that moment: a passive Pultec-style EQ and a high-end bus compressor in one device. But where compression usually dulls the top end, the Creme keeps it silky and brilliant. The mix gains shine and glue at once, and your tracks stop sounding worked-on. They start sounding finished.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO LEGENDS, ONE BOX\u003c\/h3\u003e\n\u003cp\u003eOn their own, a Pultec-style passive EQ and an SSL-style bus compressor are two separate boxes, a classic finishing pair. The Creme puts both in one. EQ before the compressor, or compressor before the EQ: the placement is switchable, so you decide what shapes what. Built for the mix bus, the Creme is just as suited to mastering.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE GLUE OF AN SSL-STYLE BUS COMP\u003c\/h3\u003e\n\u003cp\u003eOn the mix bus, the Creme’s VCA compressor does what made the SSL-style bus compressor a standard: it pulls the separate parts into one cohesive whole. Its characteristic, powerful sound can take every mix to the next level. Where compression usually costs you the high end, the Creme doesn’t. The often lamentable loss of high notes simply doesn’t happen here. Instead, the signal sounds as if it had already been fed through an exciter.\u003c\/p\u003e\n\u003cp\u003eThe compressor can work hard and still give your mix a more open, brilliant sound. The compression is harmonic in nature. The sound always stays transparent, and every instrument keeps its own place in the mix. The basses come together as a unified whole, tightened with lean dynamics. And the switchable low-cut filter in the side chain ensures that even heavy bass doesn’t lead to pumping when you don’t want it. Want it inaudible? At 1.5:1, the Creme gives you the gentlest, most transparent leveling. Want character? Open up the ratio and the timing, and it gives the track a rhythmic signature of its own.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SHINE OF A PULTEC\u003c\/h3\u003e\n\u003cp\u003ePassive equalizers, with their elaborate circuits of coils and capacitors, are still among the most popular sound shapers for mastering. Tegeler took the filter circuitry of the original Pultec, the same that made the Classic Equalizer a high-performance sound machine, and carefully reworked it for the mix bus. No other type of EQ sounds this good across almost any setting.\u003c\/p\u003e\n\u003cp\u003eSoft, silky highs that deserve the name. The air a mix needs to sound finished, with a boost that reaches all the way up to 24 kHz. A bass boost that gives the mix a solid foundation and real thrust, without squashing everything into an indistinct nothingness. Tegeler have replaced unnecessary controls with fixed values and every potentiometer with a rotary switch. Limiting the settings to the values that actually matter makes each adjustment more precise, and gives the Creme accurate stereo tracking and perfect recall.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450607562855,"sku":"143528","price":1769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme_130491_1.jpg?v=1793370857"},{"product_id":"tegeler-audio-creme-rc-bus-compressor-mastering-equalizer-demo-deal","title":"Tegeler Audio Creme RC Bus Compressor\/Mastering Equalizer with Remote Control (Demo Deal)","description":"\u003cp\u003eYour mix is balanced. Every part sits where it should. And still, it sounds like a mix, not a record. The engineers behind the records you love close that gap in the same place: the master bus. A little EQ to open the top and firm up the lows, a few dB of compression to pull everything together. The same move that lets you hear, while you’re still mixing, how the track will sit once it’s mastered. The \u003cstrong\u003eTegeler Audio Creme RC\u003c\/strong\u003e is built for exactly that moment: a passive Pultec-style EQ and a high-end bus compressor in one device. But where compression usually dulls the top end, the Creme keeps it silky and brilliant. The mix gains shine and glue at once, and your tracks stop sounding worked-on. They start sounding finished. The RC version is remote controllable by a DAW plug-in.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO LEGENDS, ONE BOX\u003c\/h3\u003e\n\u003cp\u003eOn their own, a Pultec-style passive EQ and an SSL-style bus compressor are two separate boxes, a classic finishing pair. The Creme puts both in one. EQ before the compressor, or compressor before the EQ: the placement is switchable, so you decide what shapes what. Built for the mix bus, the Creme is just as suited to mastering.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE GLUE OF AN SSL-STYLE BUS COMP\u003c\/h3\u003e\n\u003cp\u003eOn the mix bus, the Creme’s VCA compressor does what made the SSL-style bus compressor a standard: it pulls the separate parts into one cohesive whole. Its characteristic, powerful sound can take every mix to the next level. Where compression usually costs you the high end, the Creme doesn’t. The often lamentable loss of high notes simply doesn’t happen here. Instead, the signal sounds as if it had already been fed through an exciter.\u003c\/p\u003e\n\u003cp\u003eThe compressor can work hard and still give your mix a more open, brilliant sound. The compression is harmonic in nature. The sound always stays transparent, and every instrument keeps its own place in the mix. The basses come together as a unified whole, tightened with lean dynamics. And the switchable low-cut filter in the side chain ensures that even heavy bass doesn’t lead to pumping when you don’t want it. Want it inaudible? At 1.5:1, the Creme gives you the gentlest, most transparent leveling. Want character? Open up the ratio and the timing, and it gives the track a rhythmic signature of its own.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SHINE OF A PULTEC\u003c\/h3\u003e\n\u003cp\u003ePassive equalizers, with their elaborate circuits of coils and capacitors, are still among the most popular sound shapers for mastering. Tegeler took the filter circuitry of the original Pultec, the same that made the Classic Equalizer a high-performance sound machine, and carefully reworked it for the mix bus. No other type of EQ sounds this good across almost any setting.\u003c\/p\u003e\n\u003cp\u003eSoft, silky highs that deserve the name. The air a mix needs to sound finished, with a boost that reaches all the way up to 24 kHz. A bass boost that gives the mix a solid foundation and real thrust, without squashing everything into an indistinct nothingness. Tegeler have replaced unnecessary controls with fixed values and every potentiometer with a rotary switch. Limiting the settings to the values that actually matter makes each adjustment more precise, and gives the Creme accurate stereo tracking and perfect recall.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eREMOTE-CONTROLLED\u003c\/h3\u003e\n\u003cp\u003eEvery control on the Creme RC sits on a servomotor. The signal path stays fully analog, exactly as the Creme has always been. What changes is everything around it. Open your project, and the Creme RC plugin turns every knob back to where you left it. No front-panel photos, no scribbled notes, no rebuilding a setting by ear. The analog chain that finished your mix is simply there again. Ride a parameter across the arrangement, draw it in, let it move with the song. The Creme RC takes automation the way any plugin would, while the audio stays on real analog circuitry. Reach for the front panel, open the built-in web server in any browser, or run the DAW plugin (AU, AAX, VST). Whatever fits your workflow. The Creme RC talks to your computer over Ethernet, so cable length is no longer the limit it is with USB. Prefer it wireless? Through your router, that works too.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450609365095,"sku":"143414","price":2059.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-rc_131731_1.jpg?v=1793371289"},{"product_id":"tegeler-audio-tube-summing-mixer-demo-deal","title":"Tegeler Audio Tube Summing Mixer (Demo Deal)","description":"\u003cp\u003eMany grieve the sound of analog mixing consoles but don’t want to waive the conveniences that modern consoles provide. The \u003cstrong\u003eTegeler Audio Tube Summing Mixer\u003c\/strong\u003e gives you the opportunity to bring the sound of analog mixing with the benefits of a digital workflow to the comfort of your own studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe analog signal path, tubes, and matching transformers are responsible for processing the signals. The result is a typical analog sound: open \u0026amp; defined, yet warm. The mix is not trapped in the box but opens up the whole room.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith 2 × 20 channels, there are enough inputs available to glue together the most demanding mixes. If 40 inputs aren’t enough for you, several Tube Summing Mixers can be cascaded to increase the input count. As you can use more than one Tube Summing Mixer together, nothing stands in the way of your surround mixes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo ensure the exact reproducibility of a mix, the Tube Summing Mixer is equipped with a stepped output switch instead of a potentiometer. This allows a practical reduction at -3 dB increments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you wish to insert mono signals into the mix, just insert the signal into the lower TRS jack. The mono signal is then automatically distributed to both channels simultaneously making it appear in the phantom center of the mix.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450635055207,"sku":"146278","price":1309.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-tube-summing-mixer_130531_1_1_8185711a-6256-4255-8e41-a05d410d4149.jpg?v=1787093849"},{"product_id":"tegeler-audio-vocal-leveler-500-series-opto-compressor","title":"Tegeler Audio Vocal Leveler 500 Series Opto Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Vocal Leveler\u003c\/strong\u003e is a 500 series classic Opto compressor with a no-frills design. With just two knobs for gain reduction and output volume, you have exactly the parameters at hand that you really need to achieve fast and convincing results. Thanks to the link function and stepped potentiometers, nothing stands in the way of processing stereo signals and recalling your settings easily. You can also control the reaction times of the compressor via a toggle switch and are thus prepared for a wide variety of recording or mixing situations.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eMore than just for your voice\u003c\/h3\u003e\r\n\u003cp\u003eThe musical compression behavior typical of Opto compressors makes the Vocal Leveler a flexible dynamics tool that is not only suitable for voices. Signals such as bass, acoustic guitars, etc. also get along very well with its soft, inconspicuous compression. The Vocal Leveler remains transparent and subtle, even when it’s hit a little hotter, and thus also serves as optimal protection against overloading signal peaks during recording without destroying the micro-dynamics or the character of your audio signal.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450647179367,"sku":"147789","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-vocal-leveler_147789_1.jpg?v=1787093901"},{"product_id":"tegeler-audio-classic-equalizer-eqp-1-demo-deal","title":"Tegeler Audio Classic Equalizer EQP-1 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Classic Equalizer EQP-1\u003c\/strong\u003e was modeled after classic vintage equalizers with passive components (condenser and inductor) in the EQ section, which accounts for its special sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EQP-1 consists of three parts: Bass Boost and Cut, Treble Boost with adjustable bandwidth and a High-Frequency Cut. Voices sound silky, instruments step out of the mix and are clearly locatable without one turning them up. Deep frequency instruments like bass and bass drums get the necessary boost without sounding boomy. If you raise up the treble, it doesn't sound like lifted highs, but everything simply sounds fresher.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EQP-1 is equipped with a tube stage and high-quality input and output transformers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBesides the open and airy sound of the equalizer, the signal will get more density and additional presence from the tube and the transformers. The low end becomes more transparent and defined. The highs become more rounded and pleasant to the ears. This effect will already take place as soon as the device is in the signal path and even if the equalizer is not used.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450685681767,"sku":"154462","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-classic-equalizer-eqp1_130532_1_1_6fa23683-b797-4364-b554-d2eaa810bf6c.jpg?v=1787094095"},{"product_id":"tegeler-audio-vocal-leveler-500-series-opto-compressor-demo-deal","title":"Tegeler Audio Vocal Leveler 500 Series Opto Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Vocal Leveler\u003c\/strong\u003e is a 500 series classic Opto compressor with a no-frills design. With just two knobs for gain reduction and output volume, you have exactly the parameters at hand that you really need to achieve fast and convincing results. Thanks to the link function and stepped potentiometers, nothing stands in the way of processing stereo signals and recalling your settings easily. You can also control the reaction times of the compressor via a toggle switch and are thus prepared for a wide variety of recording or mixing situations.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eMore than just for your voice\u003c\/h3\u003e\r\n\u003cp\u003eThe musical compression behavior typical of Opto compressors makes the Vocal Leveler a flexible dynamics tool that is not only suitable for voices. Signals such as bass, acoustic guitars, etc. also get along very well with its soft, inconspicuous compression. The Vocal Leveler remains transparent and subtle, even when it’s hit a little hotter, and thus also serves as optimal protection against overloading signal peaks during recording without destroying the micro-dynamics or the character of your audio signal.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450718875751,"sku":"158277","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-vocal-leveler_147789_1_1_95419a69-ffb3-4967-ae77-ef47fa115d8c.jpg?v=1787094234"},{"product_id":"tegeler-audio-raumzeitmaschine-tube-reverb-demo-deal","title":"Tegeler Audio Raumzeitmaschine Tube Reverb with Remote Control (Demo Deal)","description":"\u003cp\u003eNatural rooms you only hear when they're gone. The \u003cstrong\u003eTegeler Audio Raumzeitmaschine\u003c\/strong\u003e gives your music a room to sit in. It adds real depth, the kind you stop noticing until you switch it off and the mix suddenly feels flat. The surprising thing is how natural it stays even when you push it somewhere that could not exist. A small storeroom with three seconds of decay should sound like an obvious effect, and instead it still sounds like a place you could walk into. That comes from the way it is built. A processor works out the space, and the sound then passes through real tubes and transformers. That analog path gives the room its body, and it is exactly what software on its own cannot reproduce.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eYES, TUBES AND TRANSFORMERS!\u003c\/h3\u003e\n\u003cp\u003eThis is also why the Raumzeitmaschine does not sound like a typical digital reverb. Real tubes and real transformers sit in the signal path: two double triodes per channel, an input transformer and an output transformer. That is also why it only has analog inputs and outputs. A digital connection would leave out exactly the parts that give the sound its character. The tubes and transformers are also your color control. The input stage is built so that the converter behind it can never clip. Drive it with a hotter signal and the transformers and the tube stage respond instead: first they gently squeeze the peaks together, then they add even more harmonics than they already do, and at some point they move into honest analog distortion. All of it stays musical. Hard digital clipping simply never happens.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHREE CONTROLS, NO MENUS\u003c\/h3\u003e\n\u003cp\u003eShaping the room takes three controls: room size, density and decay time. You reach over, turn and listen, the way you would play an instrument, and the sound follows right away. Input, mix and pre-delay sit next to them as helpers, so nobody has to climb through hundreds of parameters, and the room is usually set before the idea behind it has a chance to get lost.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTOTAL RECALL, FULLY ANALOG\u003c\/h3\u003e\n\u003cp\u003eEvery control sits on a servo motor. You can work on the front panel, on the device's own web page, or in the Raumzeitmaschine plug-in inside your DAW (VST, AU, AAX). The plug-in carries no audio and computes nothing. It only moves the knobs, which means your session recalls a fully analog tube reverb as easily as it recalls any plug-in setting. Turn a knob on the hardware and the plug-in follows, and when you open last week's mix, the motors quietly turn everything back to where it was. Preset management lives in your DAW or in the plug-in, and we left it off the device on purpose. If you remember programming the timer on a VCR, you know why. The connection runs over Ethernet. There is no cable-length limit as with USB, and wireless over your router works too.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eREAL ROOMS, AND IMPOSSIBLE ONES\u003c\/h3\u003e\n\u003cp\u003eThe natural rooms are the starting point, and you are not fenced into them. Turn the decay far past what the room size would ever allow in the real world and the result gets unusual, yet it still behaves like a place instead of collapsing into an obvious effect. Sometimes that impossible room is exactly what a mix needs, and finding out costs you about a second.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450742632551,"sku":"160516","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-raumzeitmaschine_130488_1.jpg?v=1793370091"},{"product_id":"tegeler-audio-creme-bus-comp-and-mastering-equalizer-tam0305008-used","title":"Tegeler Audio Creme Bus Comp and Mastering Equalizer #TAM0305008 (Used)","description":"\u003cp\u003eMany successful mixing engineers share one thing in common: They mix with a compressor and EQ in the master channel. The EQ is usually set to subtly boost the bass and treble, while the bus compressor compresses the sound by a couple of dB. This gives the engineer an idea of how the mix will sound after mastering, even still during in the mixing stage. It also helps in finding the right volume balance for individual sounds (especially vocals).\u003c\/p\u003e\u003cp\u003eThe Tegeler Audio Creme Bus Compressor and Mastering Equalizer puts the very best of both functions into one device. The passive EQ has been reduced down to the most popular applications: Bass boost, to give greater definition to the bass, and treble boost, to give the mix the necessary shine. The boost has been made switchable to enable total recall and to reduce the boost to more appropriate levels for use on the master channel.\u003c\/p\u003e\u003cp\u003eThe bus compressor has a few additional functions such as a low-pass filter for the side chain and an additional ratio of 1.5:1 for especially subtle compression.\u003c\/p\u003e\u003cp\u003eThe placement of the EQ and compressor in the mix can also be switched. Similarly, the Crème is suitable for use in mastering as well.\u003c\/p\u003e\u003ch3 id=\"toc_0\" style=\"margin: 1em 0px; padding: 0px;\"\u003eTHE COMPRESSOR\u003c\/h3\u003e\u003cp\u003eDo you want to softly and inaudibly balance the track or give it a particular rhythmic signature? The Crème’s VCA compressor can do all this. Its characteristic and powerful sound can bring every mix to the next level. The compressor can really work hard, giving your mix a more noticeable open and brilliant sound.\u003c\/p\u003e\u003cp\u003eThe compression is very harmonic in nature, the sound always remains transparent, and the individual instruments find their own place in the mix. The often lamentable loss of high notes in compression simply doesn’t happen here – rather, the signal sounds like it has already been fed through an exciter.\u003c\/p\u003e\u003cp\u003eBass sounds like a unified whole and refined with lean dynamics. The switchable high-pass filter in the side chain ensures that, when required, even heavy bass sounds don’t lead to pumping.\u003c\/p\u003e\u003cul style=\"margin: 1em 0px; padding: 0px 0px 0px 40px; list-style-position: initial; list-style-image: initial;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eLowcut filter: 60 - 120 Hz\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eAttack: 0.1; 0.3; 1; 3; 10; 30 ms\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eRelease: 100 ms; 300 ms; 600 ms; 1.2s; Auto\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eRatio: 1.5; 2; 4; 10\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eStepped Potentiometers\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eFrequency response: 20 - 40 kHz ±1.5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3 id=\"toc_1\" style=\"margin: 1em 0px; padding: 0px;\"\u003eTHE EQ\u003c\/h3\u003e\u003cp\u003ePassive equalizers with their elaborate circuits with coils and capacitors are still among the most popular sound makers in master compression. The Creme features the filter circuitry from the original Pultec for good reason - no other type of EQ manages to sound as good in almost any matter of setting. Soft and silky highs that deserve the name. A bass boost that gives the mix a solid foundation and thrust, without squashing everything into an indistinct nothingness.\u003c\/p\u003e\u003cp\u003eTegeler took the filter circuitry from the original Pultec and carefully updated it. Unnecessary controls have been replaced by fixed values. Similarly, unnecessary frequencies have been removed from the mix bus.\u003c\/p\u003e\u003cp\u003eAll controls have been replaced with rotary switches for greater precision. Limiting the range of settings possible to reasonably required values has made these adjustments much more precise. This gives the Crème its accurate stereo tracking features.\u003c\/p\u003e\u003cp\u003eThe result is an EQ you really have to hear. Hear it only once, and you’ll forever miss its absence. If you’ve never heard it, it’s that EQ that you’ve always been looking for.\u003c\/p\u003e\u003cul style=\"margin: 1em 0px; padding: 0px 0px 0px 40px; list-style-position: initial; list-style-image: initial;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003ePassive EQ (Pultec style)\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eBass boost frequencies: 20-30-60-100+140+200 Hz\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eBass boost level: 0-5 dB switchable\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eHigh boost frequencies: 10-12-16-18-20-24 kHz\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eHigh boost level: 0-5 dB switchable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450756919399,"sku":"161116","price":1350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-bus-comp-and-mastering-equalizer-tam0305008-used_161116_1_3be38dee-2621-4b29-b703-6515b7a4cc13.jpg?v=1787094402"},{"product_id":"tegeler-audio-creme-bus-comp-and-mastering-equalizer-tam0305067-used","title":"Tegeler Audio Creme Bus Comp and Mastering Equalizer #TAM0305067 (Used)","description":"\u003cp\u003eMany successful mixing engineers share one thing in common: They mix with a compressor and EQ in the master channel. The EQ is usually set to subtly boost the bass and treble, while the bus compressor compresses the sound by a couple of dB. This gives the engineer an idea of how the mix will sound after mastering, even still during in the mixing stage. It also helps in finding the right volume balance for individual sounds (especially vocals).\u003c\/p\u003e\u003cp\u003eThe Tegeler Audio Creme Bus Compressor and Mastering Equalizer puts the very best of both functions into one device. The passive EQ has been reduced down to the most popular applications: Bass boost, to give greater definition to the bass, and treble boost, to give the mix the necessary shine. The boost has been made switchable to enable total recall and to reduce the boost to more appropriate levels for use on the master channel.\u003c\/p\u003e\u003cp\u003eThe bus compressor has a few additional functions such as a low-pass filter for the side chain and an additional ratio of 1.5:1 for especially subtle compression.\u003c\/p\u003e\u003cp\u003eThe placement of the EQ and compressor in the mix can also be switched. Similarly, the Crème is suitable for use in mastering as well.\u003c\/p\u003e\u003ch3 id=\"toc_0\" style=\"margin: 1em 0px; padding: 0px;\"\u003eTHE COMPRESSOR\u003c\/h3\u003e\u003cp\u003eDo you want to softly and inaudibly balance the track or give it a particular rhythmic signature? The Crème’s VCA compressor can do all this. Its characteristic and powerful sound can bring every mix to the next level. The compressor can really work hard, giving your mix a more noticeable open and brilliant sound.\u003c\/p\u003e\u003cp\u003eThe compression is very harmonic in nature, the sound always remains transparent, and the individual instruments find their own place in the mix. The often lamentable loss of high notes in compression simply doesn’t happen here – rather, the signal sounds like it has already been fed through an exciter.\u003c\/p\u003e\u003cp\u003eBass sounds like a unified whole and refined with lean dynamics. The switchable high-pass filter in the side chain ensures that, when required, even heavy bass sounds don’t lead to pumping.\u003c\/p\u003e\u003cul style=\"margin: 1em 0px; padding: 0px 0px 0px 40px; list-style-position: initial; list-style-image: initial;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eLowcut filter: 60 - 120 Hz\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eAttack: 0.1; 0.3; 1; 3; 10; 30 ms\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eRelease: 100 ms; 300 ms; 600 ms; 1.2s; Auto\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eRatio: 1.5; 2; 4; 10\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eStepped Potentiometers\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eFrequency response: 20 - 40 kHz ±1.5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3 id=\"toc_1\" style=\"margin: 1em 0px; padding: 0px;\"\u003eTHE EQ\u003c\/h3\u003e\u003cp\u003ePassive equalizers with their elaborate circuits with coils and capacitors are still among the most popular sound makers in master compression. The Creme features the filter circuitry from the original Pultec for good reason - no other type of EQ manages to sound as good in almost any matter of setting. Soft and silky highs that deserve the name. A bass boost that gives the mix a solid foundation and thrust, without squashing everything into an indistinct nothingness.\u003c\/p\u003e\u003cp\u003eTegeler took the filter circuitry from the original Pultec and carefully updated it. Unnecessary controls have been replaced by fixed values. Similarly, unnecessary frequencies have been removed from the mix bus.\u003c\/p\u003e\u003cp\u003eAll controls have been replaced with rotary switches for greater precision. Limiting the range of settings possible to reasonably required values has made these adjustments much more precise. This gives the Crème its accurate stereo tracking features.\u003c\/p\u003e\u003cp\u003eThe result is an EQ you really have to hear. Hear it only once, and you’ll forever miss its absence. If you’ve never heard it, it’s that EQ that you’ve always been looking for.\u003c\/p\u003e\u003cul style=\"margin: 1em 0px; padding: 0px 0px 0px 40px; list-style-position: initial; list-style-image: initial;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003ePassive EQ (Pultec style)\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eBass boost frequencies: 20-30-60-100+140+200 Hz\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eBass boost level: 0-5 dB switchable\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eHigh boost frequencies: 10-12-16-18-20-24 kHz\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px;\"\u003eHigh boost level: 0-5 dB switchable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450775040103,"sku":"166249","price":1695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-bus-comp-and-mastering-equalizer-tam0305067-used_166249_1_73bd6205-01f9-496d-8173-3495f2693013.jpg?v=1787094478"},{"product_id":"tegeler-audio-mytheq-500-series-active-equalizer","title":"Tegeler Audio MythEQ 500 Series Active Equalizer","description":"\u003cp\u003eTheir newest active equalizer, the \u003cstrong\u003eTegeler Audio MythEQ 500\u003c\/strong\u003e, is ready to change what you think about equalization. By using state-of-the-art film capacitors, the MythEQ 500 delivers incredibly precise boosts and cuts, with a crystal-clear sound bite coupled with the Tegeler sound that you are already used to.\u003c\/p\u003e\r\n\u003cp\u003eWith four bands distributed across the frequency spectrum, the ranges of the high\/low shelves and mid bells were conceived to bring the best possible sound out of the film capacitors, providing both powerful gain and sharp attenuation when needed.\u003c\/p\u003e\r\n\u003cp\u003eIt does not get much easier than this – with 4 knobs for band selection and boost\/reduction and a bypass switch, equalizing your sound will be as fast as humanly possible. And with the stepped potentiometer, you can also feel the sound changing at the tip of your fingers, and easily go back to any preset that works for you.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eANYTHING YOU WANT\u003c\/h3\u003e\r\n\u003cp\u003eThe MythEQ 500 is perfect for equalizing main outputs and mix buses in a way that will not mess up any filtering that is already in place, but it can do so much more than that. Any percussive instrument will be easily tamed or made more punchy with this little guy. A bass guitar will get as heavy as you want it to be, without becoming muddy. Mixing guitars and vocals? Then get ready to see the mids really shine. There are really no restrictions when it comes to the MythEQ 500: it can help you with any sound source you throw at it. Just try it for yourself and let it do its magic.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450866266215,"sku":"165709","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-mytheq_165709_1_94c97254-5a40-43a4-a556-a1db746bb42b.jpg?v=1787094867"},{"product_id":"tegeler-audio-schwerkraftmaschine-compressor-tam0304227-used","title":"Tegeler Audio Schwerkraftmaschine Compressor #TAM0304227 (Used)","description":"\u003cp\u003eIn the \u003cstrong\u003eTegeler Audio Schwerkraftmaschine\u003c\/strong\u003e the signal passes through a total of three transformers and four triode tubes per channel. Why does this matter? Tubes, and especially triodes, add harmonic overtones to the signal that the human ear finds pleasing, while improving the perception of individual sounds.\u003c\/p\u003e\u003cp\u003eThe individual instruments are given additional presence through the tubes. Through the conversion of electricity into magnetic fields and back to electricity, the transformers and their non-linearities increase the density of the sound before it is compressed. The bass becomes cleaner and more defined. The high frequencies are pleasantly rounded.\u003c\/p\u003e\u003ch3 id=\"toc_0\"\u003eThe compression modes\u003c\/h3\u003e\u003cp\u003eWhether it is about softly compressing the sound, a more harder effect, or responding to complex situations... There is a program for everything.\u003c\/p\u003e\u003cp\u003eGenerating a digital control signal offers flexibility that simply cannot be found in analogue equipment. This makes it possible to emulate the behavior of any existing compressor.\u003c\/p\u003e\u003cp\u003eWhen you need the Schwerkraftmaschine to work like an Optical Compressor, including the memory effect? But with the Attack and Release still being adjustable? It’s a piece of cake!\u003c\/p\u003e\u003cp\u003eOr you need it soft like a Vari-Mu? Or preferably just like a VCA?\u003c\/p\u003e\u003cp\u003eTasks like this are simple for the Schwerkraftmaschine. Tegeler have created completely unique programs that have previously never existed in any compressor, which generates the control signal based on complex rules. They have created and optimized this equipment through countless listening sessions. Just choose the right program for the each song.\u003c\/p\u003e\u003ch3 id=\"toc_1\"\u003eThe side-chain filter\u003c\/h3\u003e\u003cp\u003eThe side-chain filter determines which frequency range the compressor responds to. Prevent pumps using the low-cut filter. Add weight to the high or low frequencies using the pitch filter\/tilt EQ.\u003c\/p\u003e\u003cp\u003eThe sidechain filter works separately to the built-in compression mode filters.\u003c\/p\u003e\u003ch3 id=\"toc_2\"\u003eThe motor control\u003c\/h3\u003e\u003cp\u003eEvery control is fitted with a servomotor which can set the pots into any position. You can make adjustments whenever you want – a slip clutch combined with software always gives your direct control the priority.\u003c\/p\u003e\u003cp\u003eDo you need all these modern network based tools? No, not at all! The Schwerkraftmaschine can be completely controlled from the front panel, where it behaves like any other piece of hardware.\u003c\/p\u003e\u003ch3 id=\"toc_3\"\u003eThe network connection\u003c\/h3\u003e\u003cp\u003eConnect the Schwerkraftmaschine to your network. It acquires the settings it needs automatically via DCHP. You can control the Schwerkraftmaschine from anywhere in the world – be that Sydney, L.A., or even Berlin.\u003c\/p\u003e\u003ch3 id=\"toc_4\"\u003eThe Plug-In\u003c\/h3\u003e\u003cp\u003eDownload the plug-in to your favorite DAW and control the Schwerkraftmaschine via the plug-in. The motorized pots follows every movement.\u003c\/p\u003e\u003cp\u003eOr directly on the device itself. Both settings are synchronized.\u003c\/p\u003e\u003cp\u003eWhen you save your song with the plug-in, the settings are automatically saved in the Schwerkraftmaschine, too. When you reload the song, all your settings are back. All the controls are exactly as they were before.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450872229991,"sku":"174841","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-schwerkraftmaschine-compressor-tam0304227-used_174841_1_307f912f-87c7-4ea2-90f0-5d3ad8ef5de4.jpg?v=1787094894"},{"product_id":"tegeler-audio-magnetismus-2-vca-compressor-demo-deal-open-box","title":"Tegeler Audio Magnetismus 2 VCA Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Magnetismus 2 VCA Compressor\u003c\/strong\u003e was developed for the processing of drums and other transient rich signals such as acoustic guitars. It combines a modern flexible VCA compressor with a downstream Transient Shaper. The result is a fat sound, which is similar to a tape recording, but integrates better into the mix due to the highly developed analog circuitry.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMagnetismus 2 can also be used as a creative sound design tool when a ‘targeted destruction’ is desired for your audio signals.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBecause the compressor can be used separately, the Magnetismus 2 is also well suited to mix individual signals or to be used as a bus compressor.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450976170087,"sku":"204708","price":1467.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-magnetismus-2_130512_1_72342797-5d77-47e1-aa93-446efc861a72.jpg?v=1787095333"},{"product_id":"tegeler-mastering-bundle-with-vtc-eqp","title":"Tegeler Mastering Bundle with VTC Compressor and EQP-1 Equalizer","description":"\u003cp\u003eSave when you bundle Tegeler's renowned VTC Vari-Mu tube compressor and the EQP-1 tube equalizer! The \u003cstrong\u003eTegeler Mastering Bundle \u003c\/strong\u003e- the ultimate mastering signal chain - is available at this discount for a limited time only!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVTC VARI-MU TUBE COMPRESSOR\u003c\/h3\u003e\r\n\u003cp\u003eThe Tegeler Audio VTC Vari Tube Compressor is built after the Vari-Mu principle, like it was used in the Fairchild 670 compressor, has a particularly distinct sound which sounds very musical and already adds the finishing touch to a lot of mixes.\u003c\/p\u003e\r\n\u003cp\u003eMany hours of fitting, hearing and testing were spent on the VTC. The VTC starts the compression very gently and only intervenes more strongly at higher compression. A high-pass filter in the analysis circuit reduces the influence of low frequencies on the compression. Together with the appropriate attack and release settings, these measures ensure that the VTC is able to compress the sum without audible pumping, even with a compression of up to 6 dB.\u003c\/p\u003e\r\n\u003cp\u003eThe signal passes through a total of 3 transformers and 4 triode tubes per channel in the VTC.\u003c\/p\u003e\r\n\u003cp\u003eWhy is that important? Tubes (especially triodes) add overtones to the signal that the human ear perceives as pleasant and improves the perception of the individual sound sources. The individual instruments receive an additional presence through the tube. Transformers convert the current to a magnetic field and back as current and their non-linearities to provide a pleasant compression of the sound before it is compressed. The bass becomes tidier and more defined. The treble is pleasantly rounded off.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEQP-1 2-CHANNEL DUAL MONO CLASSIC TUBE EQUALIZER\u003c\/h3\u003e\r\n\u003cp\u003eThe EQP-1 was modeled after classic vintage equalizers with passive components (condenser and inductor) in the EQ section, which accounts for its special sound.\u003c\/p\u003e\r\n\u003cp\u003eThe EQP-1 consists of three parts: Bass Boost and Cut, Treble Boost with adjustable bandwidth and a High-Frequency Cut. Voices sound silky, instruments step out of the mix and are clearly locatable without one turning them up. Deep frequency instruments like bass and bass drums get the necessary boost without sounding boomy. If you raise up the treble, it doesn't sound like lifted highs, but everything simply sounds fresher.\u003c\/p\u003e\r\n\u003cp\u003eThe EQP-1 is equipped with a tube stage and high-quality input and output transformers.\u003c\/p\u003e\r\n\u003cp\u003eBesides the open and airy sound of the equalizer, the signal will get more density and additional presence from the tube and the transformers. The low end becomes more transparent and defined. The highs become more rounded and pleasant to the ears. This effect will already take place as soon as the device is in the signal path and even if the equalizer is not used.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFEATURES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLow boost\/attenuation (Low shelf): 20 Hz, 30 Hz, 60 Hz, 100 Hz\u003c\/li\u003e\r\n\u003cli\u003eHigh boost (Peak with variable bandwidth): 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz, 16 kHz, 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eHigh attenuation (High shelf): 5 kHz, 10 kHz, 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eBalanced input and output\u003c\/li\u003e\r\n\u003cli\u003eInput and output transformer\u003c\/li\u003e\r\n\u003cli\u003eBypass switch\u003c\/li\u003e\r\n\u003cli\u003eInternal power supply\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450984919143,"sku":"206635","price":3678.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-mastering-bundle_206635_1_b31d8c2f-fcfe-46c1-a55b-09620aa4bc64.jpg?v=1787095372"},{"product_id":"tegeler-audio-creme-rc-bus-compressor-mastering-equalizer-tam0306872-used","title":"Tegeler Audio Creme RC Bus Compressor\/Mastering Equalizer #TAM0306872 (Used)","description":"\u003cp\u003eSince the development of the Schwerkraftmaschine, Tegeler realized that its Crème was now in need of remote control functionality. Hence the release of the \u003cstrong\u003eTegeler Audio Crème RC Bus Compressor\/Mastering Equalizer\u003c\/strong\u003e, the same stereo mastering EQ\/compressor, now with remote control!\u003c\/p\u003e  \u003cp\u003eMany successful mixing engineers share one thing in common: They mix with a compressor and EQ in the master channel. The EQ is usually set to subtly boost the bass and treble, while the bus compressor compresses the sound by a couple of dB. This gives the engineer an idea of how the mix will sound after mastering, even still during in the mixing stage. It also helps in finding the right volume balance for individual sounds (especially vocals).\u003c\/p\u003e  \u003cp\u003eCrème puts the very best of both functions into one device. The passive EQ has been reduced down to the most popular applications: Bass boost, to give greater definition to the bass, and treble boost, to give the mix the necessary shine. The boost has been made switchable to enable total recall and to reduce the boost to more appropriate levels for use on the master channel.\u003c\/p\u003e  \u003cp\u003eThe bus compressor has a few additional functions such as a low-pass filter for the side chain and an additional ratio of 1.5:1 for especially subtle compression.\u003c\/p\u003e  \u003cp\u003eThe placement of the EQ and compressor in the mix can also be switched. Similarly, the Crème is suitable for use in mastering as well.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eDo you want to softly and inaudibly balance the track or give it a particular rhythmic signature? The Crème’s VCA compressor can do all this. Its characteristic and powerful sound can bring every mix to the next level. The compressor can really work hard, giving your mix a more noticeable open and brilliant sound.\u003c\/p\u003e  \u003cp\u003eThe compression is very harmonic in nature, the sound always remains transparent, and the individual instruments find their own place in the mix. The often lamentable loss of high notes in compression simply doesn’t happen here – rather, the signal sounds like it has already been fed through an exciter.\u003c\/p\u003e  \u003cp\u003eBass sounds like a unified whole and refined with lean dynamics. The switchable high-pass filter in the side chain ensures that, when required, even heavy bass sounds don’t lead to pumping.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eLowcut filter: 60 - 120 Hz\u003c\/li\u003e \u003cli\u003eAttack: 0.1; 0.3; 1; 3; 10; 30 ms\u003c\/li\u003e \u003cli\u003eRelease: 100 ms; 300 ms; 600 ms; 1.2s; Auto\u003c\/li\u003e \u003cli\u003eRatio: 1.5; 2; 4; 10\u003c\/li\u003e \u003cli\u003eStepped Potentiometers\u003c\/li\u003e \u003cli\u003eFrequency response: 20 - 40 kHz ±1.5 dB\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"toc_1\"\u003eTHE EQ\u003c\/h3\u003e \u003cp\u003ePassive equalizers with their elaborate circuits with coils and capacitors are still among the most popular sound makers in master compression. The Crème features the filter circuitry from the original Pultec for good reason - no other type of EQ manages to sound as good in almost any matter of setting. Soft and silky highs that deserve the name. A bass boost that gives the mix a solid foundation and thrust, without squashing everything into an indistinct nothingness.\u003c\/p\u003e \u003cp\u003eTegeler took the filter circuitry from the original Pultec and carefully updated it. Unnecessary controls have been replaced by fixed values. Similarly, unnecessary frequencies have been removed from the mix bus.\u003c\/p\u003e \u003cp\u003eAll controls have been replaced with rotary switches for greater precision. Limiting the range of settings possible to reasonably required values has made these adjustments much more precise. This gives the Crème its accurate stereo tracking features.\u003c\/p\u003e \u003cp\u003eThe result is an EQ you really have to hear. Hear it only once, and you’ll forever miss its absence. If you’ve never heard it, it’s that EQ that you’ve always been looking for.\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePassive EQ (Pultec style)\u003c\/li\u003e \u003cli\u003eBass boost frequencies: 20-30-60-100+140+200 Hz\u003c\/li\u003e \u003cli\u003eBass boost level: 0-5 dB switchable\u003c\/li\u003e \u003cli\u003eHigh boost frequencies: 10-12-16-18-20-24 kHz\u003c\/li\u003e \u003cli\u003eHigh boost level: 0-5 dB switchable\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44450999107687,"sku":"207953","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-cre_me-rc-bus-compressor-mastering-equalizer-tam0306872-used_207953_1.jpg?v=1787095431"},{"product_id":"tegeler-audio-magnetismus-2-vca-compressor-tam0306587-used","title":"Tegeler Audio Magnetismus 2 VCA Compressor #TAM0306587 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Magnetismus 2 VCA Compressor\u003c\/strong\u003e was developed for the processing of drums and other transient rich signals such as acoustic guitars. 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Use it to bring out any tracks to the forefront of a mix or use it on any mix bus to glue it together. You can even place it at the earliest stage of your recording chain.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe MythVCA is the perfect tool to even out any signal you throw at it: it features three different ratio settings (2:1, 4:1, and 10:1), attack times between 0.1 and 20ms, and release times from 0.1ms to 1.4s. That means you can compress your tracks as softly or as strongly as you want without ever destroying or cutting your transients too significantly. It also includes an auto-release function, which will \"hear\" your signal and release the compression as musically as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe MythVCA can also be linked with another MythVCA through an included linking bridge to process stereo signals.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451033481319,"sku":"214768","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-mythvca_214768_1.jpg?v=1787095561"},{"product_id":"tegeler-audio-vtc-vari-tube-compressor-tam0307977-used","title":"Tegeler Audio VTC Vari Tube Compressor #TAM0307977 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTC Vari Tube Compressor\u003c\/strong\u003e is built after the Vari-Mu principle, like it was used in the Fairchild 670 compressor, has a particularly distinct sound which sounds very musical and already adds the finishing touch to a lot of mixes.\u003c\/p\u003e \u003cp\u003eMany hours of fitting, hearing and testing were spent on the VTC. The VTC starts the compression very gently and only intervenes more strongly at higher compression. A high-pass filter in the analysis circuit reduces the influence of low frequencies on the compression. Together with the appropriate attack and release settings, these measures ensure that the VTC is able to compress the sum without audible pumping, even with a compression of up to 6 dB.\u003c\/p\u003e \u003cp\u003eThe signal passes through a total of 3 transformers and 4 triode tubes per channel in the VTC.\u003c\/p\u003e \u003cp\u003eWhy is that important? Tubes (especially triodes) add overtones to the signal that the human ear perceives as pleasant and improves the perception of the individual sound sources. The individual instruments receive an additional presence through the tube. Transformers convert the current to a magnetic field and back as current and their non-linearities to provide a pleasant compression of the sound before it is compressed. The bass becomes tidier and more defined. The treble is pleasantly rounded off.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451037118567,"sku":"212048","price":1650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtc-vari-tube-compressor-tam0307977-used_212048_1_a8389004-b27a-49db-84a0-daddc4d227d4.jpg?v=1787095577"},{"product_id":"tegeler-audio-tube-summing-mixer-demo-deal-open-box","title":"Tegeler Audio Tube Summing Mixer (Demo Deal)","description":"\u003cp\u003eMany grieve the sound of analog mixing consoles but don’t want to waive the conveniences that modern consoles provide. 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This allows a practical reduction at -3 dB increments.\u003c\/p\u003e\n\n\u003cp\u003eIf you wish to insert mono signals into the mix, just insert the signal into the lower TRS jack. The mono signal is then automatically distributed to both channels simultaneously making it appear in the phantom center of the mix.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451083550823,"sku":"408894","price":1478.15,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-tube-summing-mixer_130531_1_d6790365-97bc-4987-87c7-9be29a50a3e7.jpg?v=1787095767"},{"product_id":"tegeler-audio-vocal-leveler-500-series-opto-compressor-demo-deal-open-box","title":"Tegeler Audio Vocal Leveler 500 Series Opto Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Vocal Leveler\u003c\/strong\u003e is a 500 series classic Opto compressor with a no-frills design. With just two knobs for gain reduction and output volume, you have exactly the parameters at hand that you really need to achieve fast and convincing results. Thanks to the link function and stepped potentiometers, nothing stands in the way of processing stereo signals and recalling your settings easily. You can also control the reaction times of the compressor via a toggle switch and are thus prepared for a wide variety of recording or mixing situations.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eMore than just for your voice\u003c\/h3\u003e\n\u003cp\u003eThe musical compression behavior typical of Opto compressors makes the Vocal Leveler a flexible dynamics tool that is not only suitable for voices. Signals such as bass, acoustic guitars, etc. also get along very well with its soft, inconspicuous compression. The Vocal Leveler remains transparent and subtle, even when it’s hit a little hotter, and thus also serves as optimal protection against overloading signal peaks during recording without destroying the micro-dynamics or the character of your audio signal.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451091087463,"sku":"417336","price":459.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-vocal-leveler_147789_1_ed122962-d1f6-4af0-83b5-0ae855f5305b.jpg?v=1787095798"},{"product_id":"tegeler-audio-mythvca-500-series-compressor-demo-deal-open-box","title":"Tegeler Audio MythVCA 500 Series Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio MythVCA 500\u003c\/strong\u003e was designed as a powerful, versatile, complete VCA compressor in a compact single-slot 500 Series form-factor module. Use it to bring out any tracks to the forefront of a mix or use it on any mix bus to glue it together. You can even place it at the earliest stage of your recording chain.\u003c\/p\u003e\n\n\u003cp\u003eThe MythVCA is the perfect tool to even out any signal you throw at it: it features three different ratio settings (2:1, 4:1, and 10:1), attack times between 0.1 and 20ms, and release times from 0.1ms to 1.4s. That means you can compress your tracks as softly or as strongly as you want without ever destroying or cutting your transients too significantly. It also includes an auto-release function, which will \"hear\" your signal and release the compression as musically as possible.\u003c\/p\u003e\n\n\u003cp\u003eThe MythVCA can also be linked with another MythVCA through an included linking bridge to process stereo signals.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451091873895,"sku":"418544","price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-mythvca_214768_1_6bd957ba-346b-4f5d-9b85-30d4cc60c399.jpg?v=1787095801"},{"product_id":"tegeler-audio-raumzeitmaschine-tube-reverb-demo-deal-open-box","title":"Tegeler Audio Raumzeitmaschine Tube Reverb with Remote Control (Demo Deal)","description":"\u003cp\u003eNatural rooms you only hear when they're gone. The \u003cstrong\u003eTegeler Audio Raumzeitmaschine\u003c\/strong\u003e gives your music a room to sit in. It adds real depth, the kind you stop noticing until you switch it off and the mix suddenly feels flat. The surprising thing is how natural it stays even when you push it somewhere that could not exist. A small storeroom with three seconds of decay should sound like an obvious effect, and instead it still sounds like a place you could walk into. That comes from the way it is built. A processor works out the space, and the sound then passes through real tubes and transformers. That analog path gives the room its body, and it is exactly what software on its own cannot reproduce.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eYES, TUBES AND TRANSFORMERS!\u003c\/h3\u003e\n\u003cp\u003eThis is also why the Raumzeitmaschine does not sound like a typical digital reverb. Real tubes and real transformers sit in the signal path: two double triodes per channel, an input transformer and an output transformer. That is also why it only has analog inputs and outputs. A digital connection would leave out exactly the parts that give the sound its character. The tubes and transformers are also your color control. The input stage is built so that the converter behind it can never clip. Drive it with a hotter signal and the transformers and the tube stage respond instead: first they gently squeeze the peaks together, then they add even more harmonics than they already do, and at some point they move into honest analog distortion. All of it stays musical. Hard digital clipping simply never happens.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHREE CONTROLS, NO MENUS\u003c\/h3\u003e\n\u003cp\u003eShaping the room takes three controls: room size, density and decay time. You reach over, turn and listen, the way you would play an instrument, and the sound follows right away. Input, mix and pre-delay sit next to them as helpers, so nobody has to climb through hundreds of parameters, and the room is usually set before the idea behind it has a chance to get lost.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTOTAL RECALL, FULLY ANALOG\u003c\/h3\u003e\n\u003cp\u003eEvery control sits on a servo motor. You can work on the front panel, on the device's own web page, or in the Raumzeitmaschine plug-in inside your DAW (VST, AU, AAX). The plug-in carries no audio and computes nothing. It only moves the knobs, which means your session recalls a fully analog tube reverb as easily as it recalls any plug-in setting. Turn a knob on the hardware and the plug-in follows, and when you open last week's mix, the motors quietly turn everything back to where it was. Preset management lives in your DAW or in the plug-in, and we left it off the device on purpose. If you remember programming the timer on a VCR, you know why. The connection runs over Ethernet. There is no cable-length limit as with USB, and wireless over your router works too.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eREAL ROOMS, AND IMPOSSIBLE ONES\u003c\/h3\u003e\n\u003cp\u003eThe natural rooms are the starting point, and you are not fenced into them. Turn the decay far past what the room size would ever allow in the real world and the result gets unusual, yet it still behaves like a place instead of collapsing into an obvious effect. Sometimes that impossible room is exactly what a mix needs, and finding out costs you about a second.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451094003815,"sku":"452270","price":2189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-raumzeitmaschine_130488_1.jpg?v=1793370091"},{"product_id":"tegeler-audio-vtc-vari-tube-compressor-demo-deal-open-box","title":"Tegeler Audio VTC Vari Tube Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTC Vari Tube Compressor\u003c\/strong\u003e is built after the Vari-Mu principle which has a particularly distinct sound which sounds very musical and already adds the finishing touch to a lot of mixes. It does this the old way: an all-tube Vari-Mu signal path, the same principle behind the legendary Fairchild 670. But where vintage units can feel temperamental, the VTC is built to be effortless. Use the VTC to compress your mix and glue it together, clear up the bass and low midrange and give it definition, or add a golden finish to your sound.\u003c\/p\u003e\n\u003cp\u003eEven at high compression, the liveliness and micro-dynamics are preserved. The VTC matches your music. With its 'gilded' tube sound and beautifully soft compression, it merges a mix into a homogeneous whole. The VTC suits the mix bus, solo instruments and subgroups. For the accurate reproduction of all settings, every control is equipped with 42 steps. By default the VTC runs as a linked stereo pair. Switch the link off and the two channels work independently – for two separate mono signals.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eWHY THE SOUNDS GEL TOGETHER SO WELL\u003c\/h3\u003e\n\u003cp\u003eBuilt on the Vari-Mu principle – the same used in the Fairchild 670 – the VTC has a distinct, musical character that already puts the finishing touch on many mixes. Many hours of fitting, listening and testing went into the VTC. It starts compressing very gently and only tightens its grip as you push it harder. A high-pass filter in the analysis circuit reduces the influence of low frequencies on the compression. Together with the right attack and release settings, this lets the VTC compress a full mix without audible pumping – even at up to 6 dB of gain reduction.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eWHAT DOES \"VARI-MU\" ACTUALLY MEAN?\u003c\/h3\u003e\n\u003cp\u003eMu (µ) is the symbol engineers use for a tube's amplification factor. In a Vari-Mu compressor, the audio passes through a control tube whose amplification varies with the signal level: the louder the input, the further the tube turns its own gain down. So there is no hard threshold where compression suddenly kicks in. The curve stays continuous, which is why this design starts working so gently. It is the principle that has carried studio classics like the Fairchild 670 for decades, and it is the heart of the VTC.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHAT GOLDEN FINISH\u003c\/h3\u003e\n\u003cp\u003ePer channel, the signal passes through 3 transformers and 4 triode tubes. Why does that matter? Tubes – especially triodes – add overtones the ear perceives as pleasant, and help the individual sound sources stand out more clearly. Instruments gain presence. Transformers convert current into a magnetic field and back again, and their gentle non-linearity adds a pleasing saturation before the signal ever reaches the compression stage. The bass becomes tidier and more defined; the treble is pleasantly rounded off.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eMORE ONBOARD FEATURES\u003c\/h3\u003e\n\u003cp\u003eThe low-cut sits in the sidechain only – it changes how the compressor reacts, not your sound. It keeps low frequencies from driving the compression, so heavy bass no longer pushes the whole mix into pumping. Switch to Color and compression steps aside entirely – the signal is shaped purely by the transformers and tubes. Use the input control to set how hard you drive them into overdrive. The separate Bypass switch takes the unit completely out of the signal path.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451094036583,"sku":"452272","price":1656.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtc_130493_1.jpg?v=1793368726"},{"product_id":"tegeler-audio-creme-bus-compressor-and-mastering-equalizer-demo-deal-open-box","title":"Tegeler Audio Creme Bus Compressor and Mastering Equalizer (Demo Deal)","description":"\u003cp\u003eYour mix is balanced. Every part sits where it should. And still, it sounds like a mix, not a record. The engineers behind the records you love close that gap in the same place: the master bus. A little EQ to open the top and firm up the lows, a few dB of compression to pull everything together. The same move that lets you hear, while you’re still mixing, how the track will sit once it’s mastered. The \u003cstrong\u003eTegeler Audio Creme\u003c\/strong\u003e is built for exactly that moment: a passive Pultec-style EQ and a high-end bus compressor in one device. But where compression usually dulls the top end, the Creme keeps it silky and brilliant. The mix gains shine and glue at once, and your tracks stop sounding worked-on. They start sounding finished.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO LEGENDS, ONE BOX\u003c\/h3\u003e\n\u003cp\u003eOn their own, a Pultec-style passive EQ and an SSL-style bus compressor are two separate boxes, a classic finishing pair. The Creme puts both in one. EQ before the compressor, or compressor before the EQ: the placement is switchable, so you decide what shapes what. Built for the mix bus, the Creme is just as suited to mastering.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE GLUE OF AN SSL-STYLE BUS COMP\u003c\/h3\u003e\n\u003cp\u003eOn the mix bus, the Creme’s VCA compressor does what made the SSL-style bus compressor a standard: it pulls the separate parts into one cohesive whole. Its characteristic, powerful sound can take every mix to the next level. Where compression usually costs you the high end, the Creme doesn’t. The often lamentable loss of high notes simply doesn’t happen here. Instead, the signal sounds as if it had already been fed through an exciter.\u003c\/p\u003e\n\u003cp\u003eThe compressor can work hard and still give your mix a more open, brilliant sound. The compression is harmonic in nature. The sound always stays transparent, and every instrument keeps its own place in the mix. The basses come together as a unified whole, tightened with lean dynamics. And the switchable low-cut filter in the side chain ensures that even heavy bass doesn’t lead to pumping when you don’t want it. Want it inaudible? At 1.5:1, the Creme gives you the gentlest, most transparent leveling. Want character? Open up the ratio and the timing, and it gives the track a rhythmic signature of its own.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SHINE OF A PULTEC\u003c\/h3\u003e\n\u003cp\u003ePassive equalizers, with their elaborate circuits of coils and capacitors, are still among the most popular sound shapers for mastering. Tegeler took the filter circuitry of the original Pultec, the same that made the Classic Equalizer a high-performance sound machine, and carefully reworked it for the mix bus. No other type of EQ sounds this good across almost any setting.\u003c\/p\u003e\n\u003cp\u003eSoft, silky highs that deserve the name. The air a mix needs to sound finished, with a boost that reaches all the way up to 24 kHz. A bass boost that gives the mix a solid foundation and real thrust, without squashing everything into an indistinct nothingness. Tegeler have replaced unnecessary controls with fixed values and every potentiometer with a rotary switch. Limiting the settings to the values that actually matter makes each adjustment more precise, and gives the Creme accurate stereo tracking and perfect recall.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451094069351,"sku":"452271","price":1389.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme_130491_1.jpg?v=1793370857"},{"product_id":"tegeler-audio-creme-rc-bus-compressor-mastering-equalizer-demo-deal-open-box","title":"Tegeler Audio Creme RC Bus Compressor\/Mastering Equalizer with Remote Control (Demo Deal)","description":"\u003cp\u003eYour mix is balanced. Every part sits where it should. And still, it sounds like a mix, not a record. The engineers behind the records you love close that gap in the same place: the master bus. A little EQ to open the top and firm up the lows, a few dB of compression to pull everything together. The same move that lets you hear, while you’re still mixing, how the track will sit once it’s mastered. The \u003cstrong\u003eTegeler Audio Creme RC\u003c\/strong\u003e is built for exactly that moment: a passive Pultec-style EQ and a high-end bus compressor in one device. But where compression usually dulls the top end, the Creme keeps it silky and brilliant. The mix gains shine and glue at once, and your tracks stop sounding worked-on. They start sounding finished. The RC version is remote controllable by a DAW plug-in.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO LEGENDS, ONE BOX\u003c\/h3\u003e\n\u003cp\u003eOn their own, a Pultec-style passive EQ and an SSL-style bus compressor are two separate boxes, a classic finishing pair. The Creme puts both in one. EQ before the compressor, or compressor before the EQ: the placement is switchable, so you decide what shapes what. Built for the mix bus, the Creme is just as suited to mastering.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE GLUE OF AN SSL-STYLE BUS COMP\u003c\/h3\u003e\n\u003cp\u003eOn the mix bus, the Creme’s VCA compressor does what made the SSL-style bus compressor a standard: it pulls the separate parts into one cohesive whole. Its characteristic, powerful sound can take every mix to the next level. Where compression usually costs you the high end, the Creme doesn’t. The often lamentable loss of high notes simply doesn’t happen here. Instead, the signal sounds as if it had already been fed through an exciter.\u003c\/p\u003e\n\u003cp\u003eThe compressor can work hard and still give your mix a more open, brilliant sound. The compression is harmonic in nature. The sound always stays transparent, and every instrument keeps its own place in the mix. The basses come together as a unified whole, tightened with lean dynamics. And the switchable low-cut filter in the side chain ensures that even heavy bass doesn’t lead to pumping when you don’t want it. Want it inaudible? At 1.5:1, the Creme gives you the gentlest, most transparent leveling. Want character? Open up the ratio and the timing, and it gives the track a rhythmic signature of its own.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SHINE OF A PULTEC\u003c\/h3\u003e\n\u003cp\u003ePassive equalizers, with their elaborate circuits of coils and capacitors, are still among the most popular sound shapers for mastering. Tegeler took the filter circuitry of the original Pultec, the same that made the Classic Equalizer a high-performance sound machine, and carefully reworked it for the mix bus. No other type of EQ sounds this good across almost any setting.\u003c\/p\u003e\n\u003cp\u003eSoft, silky highs that deserve the name. The air a mix needs to sound finished, with a boost that reaches all the way up to 24 kHz. A bass boost that gives the mix a solid foundation and real thrust, without squashing everything into an indistinct nothingness. Tegeler have replaced unnecessary controls with fixed values and every potentiometer with a rotary switch. Limiting the settings to the values that actually matter makes each adjustment more precise, and gives the Creme accurate stereo tracking and perfect recall.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eREMOTE-CONTROLLED\u003c\/h3\u003e\n\u003cp\u003eEvery control on the Creme RC sits on a servomotor. The signal path stays fully analog, exactly as the Creme has always been. What changes is everything around it. Open your project, and the Creme RC plugin turns every knob back to where you left it. No front-panel photos, no scribbled notes, no rebuilding a setting by ear. The analog chain that finished your mix is simply there again. Ride a parameter across the arrangement, draw it in, let it move with the song. The Creme RC takes automation the way any plugin would, while the audio stays on real analog circuitry. Reach for the front panel, open the built-in web server in any browser, or run the DAW plugin (AU, AAX, VST). Whatever fits your workflow. The Creme RC talks to your computer over Ethernet, so cable length is no longer the limit it is with USB. Prefer it wireless? Through your router, that works too.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451094102119,"sku":"452373","price":1614.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-rc_131731_1.jpg?v=1793371289"},{"product_id":"tegeler-audio-magnetismus-2-vca-compressor-tam0308301-used","title":"Tegeler Audio Magnetismus 2 VCA Compressor #TAM0308301 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Magnetismus 2 VCA Compressor\u003c\/strong\u003e was developed for the processing of drums and other transient rich signals such as acoustic guitars. It combines a modern flexible VCA compressor with a downstream Transient Shaper. The result is a fat sound, which is similar to a tape recording, but integrates better into the mix due to the highly developed analog circuitry.\u003c\/p\u003e  \u003cp\u003eMagnetismus 2 can also be used as a creative sound design tool when a ‘targeted destruction’ is desired for your audio signals.\u003c\/p\u003e  \u003cp\u003eBecause the compressor can be used separately, the Magnetismus 2 is also well suited to mix individual signals or to be used as a bus compressor.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451095969895,"sku":"318139","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-magnetismus-2-vca-compressor-tam0308301-used_318139_1_82158342-bec7-4005-a746-fa93c40e2b5b.jpg?v=1787095821"},{"product_id":"tegeler-audio-schwerkraftmaschine-compressor-tam0309099-used","title":"Tegeler Audio Schwerkraftmaschine Compressor #TAM0309099 (Used)","description":"\u003cp\u003eIn the \u003cstrong\u003eTegeler Audio Schwerkraftmaschine\u003c\/strong\u003e the signal passes through a total of three transformers and four triode tubes per channel. Why does this matter? Tubes, and especially triodes, add harmonic overtones to the signal that the human ear finds pleasing, while improving the perception of individual sounds.\u003c\/p\u003e  \u003cp\u003eThe individual instruments are given additional presence through the tubes. Through the conversion of electricity into magnetic fields and back to electricity, the transformers and their non-linearities increase the density of the sound before it is compressed. The bass becomes cleaner and more defined. The high frequencies are pleasantly rounded.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE COMPRESSION MODES\u003c\/h3\u003e  \u003cp\u003eWhether it is about softly compressing the sound, a more harder effect, or responding to complex situations there is a program for everything. Generating a digital control signal offers flexibility that simply cannot be found in analogue equipment. This makes it possible to emulate the behavior of any existing compressor. When you need the Schwerkraftmaschine to work like an Optical Compressor, including the memory effect? But with the Attack and Release still being adjustable? It’s a piece of cake!\u003c\/p\u003e  \u003cp\u003eOr you need it soft like a Vari-Mu? Or preferably just like a VCA? Tasks like this are simple for the Schwerkraftmaschine. Tegeler have created completely unique programs that have previously never existed in any compressor, which generates the control signal based on complex rules. They have created and optimized this equipment through countless listening sessions. Just choose the right program for the each song.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTHE SIDE-CHAIN FILTER\u003c\/h3\u003e  \u003cp\u003eThe side-chain filter determines which frequency range the compressor responds to. Prevent pumps using the low-cut filter. Add weight to the high or low frequencies using the pitch filter\/tilt EQ. The sidechain filter works separately to the built-in compression mode filters.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE MOTOR CONTROL\u003c\/h3\u003e  \u003cp\u003eEvery control is fitted with a servomotor which can set the pots into any position. You can make adjustments whenever you want – a slip clutch combined with software always gives your direct control the priority. Do you need all these modern network based tools? No, not at all! The Schwerkraftmaschine can be completely controlled from the front panel, where it behaves like any other piece of hardware.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTHE NETWORK CONNECTION\u003c\/h3\u003e  \u003cp\u003eConnect the Schwerkraftmaschine to your network. It acquires the settings it needs automatically via DCHP. You can control the Schwerkraftmaschine from anywhere in the world – be that Sydney, L.A., or even Berlin.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eTHE PLUG-IN\u003c\/h3\u003e  \u003cp\u003eDownload the plug-in to your favorite DAW and control the Schwerkraftmaschine via the plug-in. The motorized pots follows every movement. Or directly on the device itself. Both settings are synchronized. When you save your song with the plug-in, the settings are automatically saved in the Schwerkraftmaschine, too. When you reload the song, all your settings are back. All the controls are exactly as they were before.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451096035431,"sku":"299980","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-schwerkraftmaschine-compressor-tam0309099-used_299980_1_81e1d168-f095-4158-b29b-d4ce9935fdb8.jpg?v=1787095821"},{"product_id":"tegeler-audio-vrtc-vari-tube-recording-channel-demo-deal-open-box","title":"Tegeler Audio VTRC Vari Tube Recording Channel (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio VTRC\u003c\/strong\u003e Vari Tube Recording Channel gives your recordings a high-end boutique sound while at the same time perfect integrated into your mix. Due to the variable nature of the preamp, you can decide on color of the sound of your recording varying from clean direct to vintage fat. With the passive equalizer built after the Pultec principle, you can add silky soft highs to your recording, give your voice more volume or filter out disruptive frequencies within the area of keynotes. The combined operation of vari-mu and optical compression of the VTC is a unique worldwide feature that extends your sound spectrum with a fantastically sounding compressor tone.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eFROM CLEAN TO FAT, SILKY HIGHS AND GENTLE CUTS\u003c\/h3\u003e\n\u003cp\u003eEvery take starts at the preamp, and this one shapes the sound as much as the level. Its two controls, Input and Gain, set the character of the recording: keep the Gain low and the tube stage stays clean and direct; raise it and the sound gets fat and saturated, with the warmth of the tubes staying in it the whole way. The microphone input comes with a transformer, true 48 V phantom power and a phase switch, and there is a high-impedance instrument input as well. The EQ is passive, built on the Pultec principle. Add silky highs all the way up to the 24 kHz air band, give a voice more body in the range of its fundamentals, and gently filter out the frequencies that get in the way, with the mid cut and the low cut.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eOPTO AND VARI-MU COMPRESSION IN THE SAME SIGNAL CHAIN\u003c\/h3\u003e\n\u003cp\u003eHere is the part no other channel strip offers: an opto compressor and a Vari-Mu tube compressor in one signal chain, usable alone or at the same time. With the opto, an LED shines on a light-sensitive resistor and regulates the gain with the level. The memory effect of the resistor additionally supports the automatic timing control. The result is an open, airy and soft compression that holds the level nicely steady while hardly touching the microdynamics of the signal. The amplification of a control tube is adjusted directly in the Vari-Tube section. The result is a sound with the presence to hold its place even in a dense mix, without ever losing its warmth. Both compressors are soft-knee designs with program-adaptive attack and release, and the compressor timing is switchable on top.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eROUTING AND DE-ESSING\u003c\/h3\u003e\n\u003cp\u003eThe routing is switchable: run the EQ before or after the compressors, or switch it into the sidechain of the compressors. In the sidechain the EQ no longer shapes the sound itself; it tells the compressors which frequencies to react to. That gives you frequency-dependent compression and de-essing without an extra device. A recording that has not been through the VTRC yet can be refined afterwards. The line input has its own transformer, developed for line level, so the signal does not pass through the microphone input transformer. All functions of the VTRC, from preamp to EQ to compressor, are available for line-level signals as well. And for stereo sources, two VTRC units can be linked.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451136864359,"sku":"460347","price":1549.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vtrc_130492_1.jpg?v=1793369670"},{"product_id":"tegeler-audio-schwerkraftmaschine-compressor-tam0304178-used","title":"Tegeler Audio Schwerkraftmaschine Compressor #TAM0304178 (Used)","description":"\u003cp\u003eIn the \u003cstrong\u003eTegeler Audio Schwerkraftmaschine\u003c\/strong\u003e the signal passes through a total of three transformers and four triode tubes per channel. Why does this matter? Tubes, and especially triodes, add harmonic overtones to the signal that the human ear finds pleasing, while improving the perception of individual sounds.\u003c\/p\u003e  \u003cp\u003eThe individual instruments are given additional presence through the tubes. Through the conversion of electricity into magnetic fields and back to electricity, the transformers and their non-linearities increase the density of the sound before it is compressed. The bass becomes cleaner and more defined. The high frequencies are pleasantly rounded.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE COMPRESSION MODES\u003c\/h3\u003e  \u003cp\u003eWhether it is about softly compressing the sound, a more harder effect, or responding to complex situations there is a program for everything. Generating a digital control signal offers flexibility that simply cannot be found in analogue equipment. This makes it possible to emulate the behavior of any existing compressor. When you need the Schwerkraftmaschine to work like an Optical Compressor, including the memory effect? But with the Attack and Release still being adjustable? It’s a piece of cake!\u003c\/p\u003e  \u003cp\u003eOr you need it soft like a Vari-Mu? Or preferably just like a VCA? Tasks like this are simple for the Schwerkraftmaschine. Tegeler have created completely unique programs that have previously never existed in any compressor, which generates the control signal based on complex rules. They have created and optimized this equipment through countless listening sessions. Just choose the right program for the each song.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTHE SIDE-CHAIN FILTER\u003c\/h3\u003e  \u003cp\u003eThe side-chain filter determines which frequency range the compressor responds to. Prevent pumps using the low-cut filter. Add weight to the high or low frequencies using the pitch filter\/tilt EQ. The sidechain filter works separately to the built-in compression mode filters.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE MOTOR CONTROL\u003c\/h3\u003e  \u003cp\u003eEvery control is fitted with a servomotor which can set the pots into any position. You can make adjustments whenever you want – a slip clutch combined with software always gives your direct control the priority. Do you need all these modern network based tools? No, not at all! The Schwerkraftmaschine can be completely controlled from the front panel, where it behaves like any other piece of hardware.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTHE NETWORK CONNECTION\u003c\/h3\u003e  \u003cp\u003eConnect the Schwerkraftmaschine to your network. It acquires the settings it needs automatically via DCHP. You can control the Schwerkraftmaschine from anywhere in the world – be that Sydney, L.A., or even Berlin.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eTHE PLUG-IN\u003c\/h3\u003e  \u003cp\u003eDownload the plug-in to your favorite DAW and control the Schwerkraftmaschine via the plug-in. The motorized pots follows every movement. Or directly on the device itself. Both settings are synchronized. When you save your song with the plug-in, the settings are automatically saved in the Schwerkraftmaschine, too. When you reload the song, all your settings are back. All the controls are exactly as they were before.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451142598759,"sku":"458355","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-schwerkraftmaschine-compressor-tam0304178-used_458355_1.jpg?v=1787096004"},{"product_id":"tegeler-audio-vocal-leveler-500-series-opto-compressor-tam0307761-used","title":"Tegeler Audio Vocal Leveler 500 Series Opto Compressor #TAM0307761 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Vocal Leveler\u003c\/strong\u003e is a 500 Series classic Opto compressor with a no-frills design. With just two knobs for gain reduction and output volume, you have exactly the parameters at hand that you really need to achieve fast and convincing results. Thanks to the link function and stepped potentiometers, nothing stands in the way of processing stereo signals and recalling your settings easily. You can also control the reaction times of the compressor via a toggle switch and are thus prepared for a wide variety of recording or mixing situations.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMORE THAN JUST FOR YOUR VOICE\u003c\/h3\u003e  \u003cp\u003eThe musical compression behavior typical of Opto compressors makes the Vocal Leveler a flexible dynamics tool that is not only suitable for voices. Signals such as bass, acoustic guitars, etc. also get along very well with its soft, inconspicuous compression. The Vocal Leveler remains transparent and subtle, even when it’s hit a little hotter, and thus also serves as optimal protection against overloading signal peaks during recording without destroying the micro-dynamics or the character of your audio signal.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451201056871,"sku":"472353","price":519.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vocal-leveler-500-series-opto-compressor-tam0307761-used_472353_1.jpg?v=1787096253"},{"product_id":"tegeler-audio-raumzeitmaschine-tube-reverb-vk01467-used","title":"Tegeler Audio Raumzeitmaschine Tube Reverb #VK01467 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Raumzeitmaschine\u003c\/strong\u003e is tube reverb unit that creates a spatial tone with a very natural, transparent and clear sound on the one hand, but on the other hand, a nice sound on its very own. This is achieved through the unique combination of digital and analog components. There is of course a processor that calculates the reverb. This is enriched by the typical analog sound of our devices.\u003c\/p\u003e \u003ch3\u003eUNIQUE OPERATING CONCEPT\u003c\/h3\u003e \u003cp\u003eThe Raumzeitmaschine offers the most direct access to the right sound with only three parameters. Instead of plodding through hundreds of parameters (90 percent as non-programmers, not knowing what they're doing), now you can tune the sound to the way your mix needs it. An operating approach as with a real musical instrument.\u003c\/p\u003e \u003ch3\u003ePRESETS IN SIMPLE\u003c\/h3\u003e \u003cp\u003eTegeler have omitted the complicated preset management directly on the device. If you remember programming the timer on a VCR, then you know why. The Raumzeitmaschine is equipped with servomotors and thus controllable remotely by the DAW. Conversely, direct changes to the device also land immediately in the Raumzeitmaschine plug-in. Use the preset management of your DAW or the Raumzeitmaschine plug-in. It's as simple as that!\u003c\/p\u003e \u003ch3\u003eREMOTE-CONTROLLED\u003c\/h3\u003e \u003cp\u003eAll controls of the Raumzeitmaschine are equipped with servomotors. You can control it directly on the frontpanel, by the internal webserver or by the DAW plug-in (AU, AAX, VST). Because the Raumzeitmaschine connects to your computer via Ethernet, there is no limit on cable length like using USB. Wireless via your router is also no problem.\u003c\/p\u003e \u003ch3\u003eTUBES\u003c\/h3\u003e \u003cp\u003eThe Raumzeitmaschine has two double triodes per channel as well as input and output transformers. That's why there are only analog inputs and outputs, not digital ones. An important sound component would otherwise be missing without it. If you like it fatter, you can even try to override the tube from the input stage.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451275702375,"sku":"483271","price":2279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-raumzeitmaschine-tube-reverb-vk01467-used_483271_1.jpg?v=1787096587"},{"product_id":"tegeler-audio-vocal-leveler-500-series-opto-compressor-tam0312571-used","title":"Tegeler Audio Vocal Leveler 500 Series Opto Compressor #TAM0312571 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTegeler Audio Vocal Leveler\u003c\/strong\u003e is a 500 Series classic Opto compressor with a no-frills design. With just two knobs for gain reduction and output volume, you have exactly the parameters at hand that you really need to achieve fast and convincing results. Thanks to the link function and stepped potentiometers, nothing stands in the way of processing stereo signals and recalling your settings easily. You can also control the reaction times of the compressor via a toggle switch and are thus prepared for a wide variety of recording or mixing situations.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMORE THAN JUST FOR YOUR VOICE\u003c\/h3\u003e  \u003cp\u003eThe musical compression behavior typical of Opto compressors makes the Vocal Leveler a flexible dynamics tool that is not only suitable for voices. Signals such as bass, acoustic guitars, etc. also get along very well with its soft, inconspicuous compression. The Vocal Leveler remains transparent and subtle, even when it’s hit a little hotter, and thus also serves as optimal protection against overloading signal peaks during recording without destroying the micro-dynamics or the character of your audio signal.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451351494759,"sku":"493010","price":519.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-vocal-leveler-500-series-opto-compressor-tam0312571-used_493010_1.jpg?v=1787096905"},{"product_id":"tegeler-audio-mytheq-500-series-active-equalizer-demo-deal","title":"Tegeler Audio MythEQ 500 Series Active Equalizer (Demo Deal)","description":"\u003cp\u003eTheir newest active equalizer, the \u003cstrong\u003eTegeler Audio MythEQ 500\u003c\/strong\u003e, is ready to change what you think about equalization. By using state-of-the-art film capacitors, the MythEQ 500 delivers incredibly precise boosts and cuts, with a crystal-clear sound bite coupled with the Tegeler sound that you are already used to.\u003c\/p\u003e\n\u003cp\u003eWith four bands distributed across the frequency spectrum, the ranges of the high\/low shelves and mid bells were conceived to bring the best possible sound out of the film capacitors, providing both powerful gain and sharp attenuation when needed.\u003c\/p\u003e\n\u003cp\u003eIt does not get much easier than this – with 4 knobs for band selection and boost\/reduction and a bypass switch, equalizing your sound will be as fast as humanly possible. And with the stepped potentiometer, you can also feel the sound changing at the tip of your fingers, and easily go back to any preset that works for you.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eANYTHING YOU WANT\u003c\/h3\u003e\n\u003cp\u003eThe MythEQ 500 is perfect for equalizing main outputs and mix buses in a way that will not mess up any filtering that is already in place, but it can do so much more than that. Any percussive instrument will be easily tamed or made more punchy with this little guy. A bass guitar will get as heavy as you want it to be, without becoming muddy. Mixing guitars and vocals? Then get ready to see the mids really shine. There are really no restrictions when it comes to the MythEQ 500: it can help you with any sound source you throw at it. Just try it for yourself and let it do its magic.\u003c\/p\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451355263079,"sku":"505353","price":629.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-mytheq_165709_1.jpg?v=1787096921"},{"product_id":"tegeler-audio-creme-bus-compressor-and-mastering-equalizer-tam0306167-used","title":"Tegeler Audio Creme Bus Compressor and Mastering Equalizer #TAM0306167 (Used)","description":"\u003cp\u003eMany successful mixing engineers share one thing in common: They mix with a compressor and EQ in the master channel. The EQ is usually set to subtly boost the bass and treble, while the bus compressor compresses the sound by a couple of dB. This gives the engineer an idea of how the mix will sound after mastering, even still during in the mixing stage. The \u003cstrong\u003eTegeler Audio Creme Bus Compressor and Mastering Equalizer\u003c\/strong\u003e puts the very best of both functions into one device. The passive EQ has been reduced down to the most popular applications: Bass boost, to give greater definition to the bass, and treble boost, to give the mix the necessary shine. The boost has been made switchable to enable total recall and to reduce the boost to more appropriate levels for use on the master channel.\u003c\/p\u003e \u003cp\u003eThe bus compressor has a few additional functions such as a low-pass filter for the side chain and an additional ratio of 1.5:1 for especially subtle compression. The placement of the EQ and compressor in the mix can also be switched. Similarly, the Crème is suitable for use in mastering as well.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eTHE COMPRESSOR\u003c\/h3\u003e \u003cp\u003eDo you want to softly and inaudibly balance the track or give it a particular rhythmic signature? The Crème’s VCA compressor can do all this. Its characteristic and powerful sound can bring every mix to the next level. The compressor can really work hard, giving your mix a more noticeable open and brilliant sound.\u003c\/p\u003e \u003cp\u003eThe compression is very harmonic in nature, the sound always remains transparent, and the individual instruments find their own place in the mix. The often lamentable loss of high notes in compression simply doesn’t happen here – rather, the signal sounds like it has already been fed through an exciter.\u003c\/p\u003e \u003cp\u003eBass sounds like a unified whole and refined with lean dynamics. The switchable high-pass filter in the side chain ensures that, when required, even heavy bass sounds don’t lead to pumping.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eLowcut filter: 60 - 120 Hz\u003c\/li\u003e \u003cli\u003eAttack: 0.1; 0.3; 1; 3; 10; 30 ms\u003c\/li\u003e \u003cli\u003eRelease: 100 ms; 300 ms; 600 ms; 1.2s; Auto\u003c\/li\u003e \u003cli\u003eRatio: 1.5; 2; 4; 10\u003c\/li\u003e \u003cli\u003eStepped Potentiometers\u003c\/li\u003e \u003cli\u003eFrequency response: 20 - 40 kHz ±1.5 dB\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"toc_1\"\u003eTHE EQ\u003c\/h3\u003e \u003cp\u003ePassive equalizers with their elaborate circuits with coils and capacitors are still among the most popular sound makers in master compression. The Creme features the filter circuitry from the original Pultec for good reason - no other type of EQ manages to sound as good in almost any matter of setting. Soft and silky highs that deserve the name. A bass boost that gives the mix a solid foundation and thrust, without squashing everything into an indistinct nothingness.\u003c\/p\u003e \u003cp\u003eTegeler took the filter circuitry from the original Pultec and carefully updated it. Unnecessary controls have been replaced by fixed values. Similarly, unnecessary frequencies have been removed from the mix bus.\u003c\/p\u003e \u003cp\u003eAll controls have been replaced with rotary switches for greater precision. Limiting the range of settings possible to reasonably required values has made these adjustments much more precise. This gives the Crème its accurate stereo tracking features.\u003c\/p\u003e \u003cp\u003eThe result is an EQ you really have to hear. Hear it only once, and you’ll forever miss its absence. If you’ve never heard it, it’s that EQ that you’ve always been looking for.\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePassive EQ (Pultec style)\u003c\/li\u003e \u003cli\u003eBass boost frequencies: 20-30-60-100+140+200 Hz\u003c\/li\u003e \u003cli\u003eBass boost level: 0-5 dB switchable\u003c\/li\u003e \u003cli\u003eHigh boost frequencies: 10-12-16-18-20-24 kHz\u003c\/li\u003e \u003cli\u003eHigh boost level: 0-5 dB switchable\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451373154407,"sku":"499101","price":1649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-bus-compressor-and-mastering-equalizer-tam0306167-used_499101_1.jpg?v=1787096980"},{"product_id":"tegeler-audio-creme-bus-comp-and-mastering-equalizer-vka0407-used","title":"Tegeler Audio Creme Bus Comp and Mastering Equalizer #VKA0407 (Used)","description":"\u003cp\u003eMany successful mixing engineers share one thing in common: They mix with a compressor and EQ in the master channel. The EQ is usually set to subtly boost the bass and treble, while the bus compressor compresses the sound by a couple of dB. This gives the engineer an idea of how the mix will sound after mastering, even still during in the mixing stage. The \u003cstrong\u003eTegeler Audio Creme Bus Compressor and Mastering Equalizer\u003c\/strong\u003e puts the very best of both functions into one device. The passive EQ has been reduced down to the most popular applications: Bass boost, to give greater definition to the bass, and treble boost, to give the mix the necessary shine. The boost has been made switchable to enable total recall and to reduce the boost to more appropriate levels for use on the master channel.\u003c\/p\u003e \u003cp\u003eThe bus compressor has a few additional functions such as a low-pass filter for the side chain and an additional ratio of 1.5:1 for especially subtle compression. The placement of the EQ and compressor in the mix can also be switched. Similarly, the Crème is suitable for use in mastering as well.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eTHE COMPRESSOR\u003c\/h3\u003e \u003cp\u003eDo you want to softly and inaudibly balance the track or give it a particular rhythmic signature? The Crème’s VCA compressor can do all this. Its characteristic and powerful sound can bring every mix to the next level. The compressor can really work hard, giving your mix a more noticeable open and brilliant sound.\u003c\/p\u003e \u003cp\u003eThe compression is very harmonic in nature, the sound always remains transparent, and the individual instruments find their own place in the mix. The often lamentable loss of high notes in compression simply doesn’t happen here – rather, the signal sounds like it has already been fed through an exciter.\u003c\/p\u003e \u003cp\u003eBass sounds like a unified whole and refined with lean dynamics. The switchable high-pass filter in the side chain ensures that, when required, even heavy bass sounds don’t lead to pumping.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eLowcut filter: 60 - 120 Hz\u003c\/li\u003e \u003cli\u003eAttack: 0.1; 0.3; 1; 3; 10; 30 ms\u003c\/li\u003e \u003cli\u003eRelease: 100 ms; 300 ms; 600 ms; 1.2s; Auto\u003c\/li\u003e \u003cli\u003eRatio: 1.5; 2; 4; 10\u003c\/li\u003e \u003cli\u003eStepped Potentiometers\u003c\/li\u003e \u003cli\u003eFrequency response: 20 - 40 kHz ±1.5 dB\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"toc_1\"\u003eTHE EQ\u003c\/h3\u003e \u003cp\u003ePassive equalizers with their elaborate circuits with coils and capacitors are still among the most popular sound makers in master compression. The Creme features the filter circuitry from the original Pultec for good reason - no other type of EQ manages to sound as good in almost any matter of setting. Soft and silky highs that deserve the name. A bass boost that gives the mix a solid foundation and thrust, without squashing everything into an indistinct nothingness.\u003c\/p\u003e \u003cp\u003eTegeler took the filter circuitry from the original Pultec and carefully updated it. Unnecessary controls have been replaced by fixed values. Similarly, unnecessary frequencies have been removed from the mix bus.\u003c\/p\u003e \u003cp\u003eAll controls have been replaced with rotary switches for greater precision. Limiting the range of settings possible to reasonably required values has made these adjustments much more precise. This gives the Crème its accurate stereo tracking features.\u003c\/p\u003e \u003cp\u003eThe result is an EQ you really have to hear. Hear it only once, and you’ll forever miss its absence. If you’ve never heard it, it’s that EQ that you’ve always been looking for.\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePassive EQ (Pultec style)\u003c\/li\u003e \u003cli\u003eBass boost frequencies: 20-30-60-100+140+200 Hz\u003c\/li\u003e \u003cli\u003eBass boost level: 0-5 dB switchable\u003c\/li\u003e \u003cli\u003eHigh boost frequencies: 10-12-16-18-20-24 kHz\u003c\/li\u003e \u003cli\u003eHigh boost level: 0-5 dB switchable\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":44451405627495,"sku":"506206","price":1649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tegeler-audio-creme-bus-comp-and-mastering-equalizer-vka0407-used_506206_1.jpg?v=1787097118"}],"url":"https:\/\/vintageking.mom\/collections\/tegeler-audio.oembed","provider":"Vintage King","version":"1.0","type":"link"}