{"title":"Spectra 1964","description":null,"products":[{"product_id":"spectra-sonics-model-610-complimiter","title":"Spectra Sonics Model 610 Complimiter","description":"\u003ch3\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\r\n\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\r\n\u003ch3\u003eClassic Complimiter Brought Back\u003c\/h3\u003e\r\n\u003cp\u003eSpectra Sonics continues the legacy they started over 45 years ago by building the 610 Complimiter as it was originally designed. This 2-chassis unit keeps intact the classic 601 compressor\/limiter module with a 101 Preamplifier for make-up gain. If you’d like to use two in tandem for stereo use, engineers can connect two 610s via the 610 SI Accessory.\u003c\/p\u003e\r\n\u003ch3\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\r\n\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\r\n\u003ch3\u003eTestimonials\u003c\/h3\u003e\r\n\u003cp\u003e“I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.” \u003cstrong\u003e- Garrett Haines\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“They sound HUGE! I used the hell out of them on the new Jason Isbell record!!” \u003cstrong\u003e- Dave Cobb\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" \u003cstrong\u003e- Pete Weiss\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" \u003cstrong\u003e- Tchad Blake\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" \u003cstrong\u003e- Jack Douglas\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44449731248231,"sku":"48541","price":1525.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-610_48541_1_1_ba0246e0-54c6-4637-88ff-d21e02e4a80d.jpg?v=1787090172"},{"product_id":"spectra-1964-model-v610-complimiter","title":"Spectra 1964 Model V610 Complimiter","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 Model V610\u003c\/strong\u003e is a required addition to any mastering suite. In many mastering signal chain configurations, the V610 is used as the first device, as a peak limiter. The result is dramatic and measurable. With the elimination of audio program peaks, (inaudibly), signal processing devices that follow the V610 have headroom increases of 6 - 12 dB, a reduction of noise and overload distortion, and provide extended harmonic content that is lost during conventional amplifier overload. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e​A VERSATILE STUDIO TOOL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn the audio tracking environment, the V610 will rival and, in most cases, exceed any standalone or mixing console microphone preamplifier in terms of headroom, articulation of harmonics, and overall reduced distortion. As a vocal microphone preamplifier, excessive level changes will be easily accommodated by a compression circuit that is both fast and transparent. Guitar tracks will be both accurate and harmonic-rich. For the first time, many musicians will experience the true sound of an instrument operating in a peak free environment.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003e​MODELED AFTER THE LEGENDARY 601 COMPLIMITER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike other Spectra 1964 Complimiter products, the V610 shares the revered and unequaled 601 Complimiter module. Originally introduced in 1969, the 601 set a standard that is well beyond the capabilities any other compressor limiter circuit. The V610 is an enhanced version of the C610 in that it allows for easy recall of prior settings in a high-resolution dB format. The ultra high-quality Elma switches feature mil-spec metal film resistors, and long-lasting contacts. In fact, the three space format of the V610 is due to the physical size of the switches on the control surface. In addition, the V610 employs the model 110A amplifier for makeup gain. The result is low distortion and noise, with a +24 dBu output, (irrespective of audio transient peaks).\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44449731280999,"sku":"48540","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-v610_48540_1.jpg?v=1787090172"},{"product_id":"spectra-sonics-model-610-complimiter-demo-deal","title":"Spectra Sonics Model 610 Complimiter (Demo Deal)","description":"\u003ch3\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\r\n\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\r\n\u003ch3\u003eClassic Complimiter Brought Back\u003c\/h3\u003e\r\n\u003cp\u003eSpectra Sonics continues the legacy they started over 45 years ago by building the 610 Complimiter as it was originally designed. This 2-chassis unit keeps intact the classic 601 compressor\/limiter module with a 101 Preamplifier for make-up gain. If you’d like to use two in tandem for stereo use, engineers can connect two 610s via the 610 SI Accessory.\u003c\/p\u003e\r\n\u003ch3\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\r\n\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\r\n\u003ch3\u003eTestimonials\u003c\/h3\u003e\r\n\u003cp\u003e“I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.” \u003cstrong\u003e- Garrett Haines\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“They sound HUGE! I used the hell out of them on the new Jason Isbell record!!” \u003cstrong\u003e- Dave Cobb\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" \u003cstrong\u003e- Pete Weiss\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" \u003cstrong\u003e- Tchad Blake\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" \u003cstrong\u003e- Jack Douglas\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44449767948391,"sku":"50606","price":1440.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-610_48541_1_3c284910-a521-4131-bae6-15ffc84591c7.jpg?v=1787090326"},{"product_id":"spectra-1964-model-v610-complimiter-demo-deal","title":"Spectra 1964 Model V610 Complimiter (Demo Deal)","description":"\u003ch3\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\r\n\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\r\n\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\r\n\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTestimonials\u003c\/h3\u003e\r\n\u003cp\u003e“I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.” \u003cstrong\u003e- Garrett Haines\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“They sound HUGE! I used the hell out of them on the new Jason Isbell record!!” \u003cstrong\u003e- Dave Cobb\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" \u003cstrong\u003e- Pete Weiss\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" \u003cstrong\u003e- Tchad Blake\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" \u003cstrong\u003e- Jack Douglas\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44449822179431,"sku":"54734","price":2789.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-v610_48540_1_1_7b4cec5e-a870-43c4-9c32-24dd9b6ac379.jpg?v=1787090567"},{"product_id":"spectra-sonics-20-channel-console-vintage","title":"Spectra Sonics 20 Channel Console (Vintage)","description":"\u003ch3\u003eSpectra Sonics Console History:\u003c\/h3\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eThis incredible vintage console from Spectra Sonics was built in the late 1960s for use at the Grand Ole Opry, home to the storied country radio program. Eventually, the legendary music institution moved the desk into one of their mobile units so that it could be used for recording outside the auditorium. For the past several years, the Spectra Sonics console has found its home in Studio B of Fairfax Recordings (formerly Sound City Studios), where it has been used by studio owner Kevin Augunas for work with Lenny Kravitz, among many other projects for his own record label.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpectra Sonics Specs:\u003c\/h3\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eAll the mic pres are Model 110s, those are all in cards behind the meter bridge. The busses are also 110s. Across the front, there are meters for both busses because there are two busses, there is a stereo program buss and one echo send and one queue and there are meters for all of them. Your fader level controls the level to both buss one and buss two and you can go to both busses at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOne of the mods that was done, because this was originally a mono board, put a dual concentric knob where the echo send is, so that the lower is a pan pot and the upper is still the single send. It’s the same level on that knob to both queue sends and echo sends.\r\nBuss switches all away at the top, there is a line or mic switch, which is physically a different wire on the board, so you can have line inputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThere is a master bypass for each EQ on the board, the top end is right around 10K and the low end is around 100 Hz. Below that is the echo send and pan pot and below that are the faders. On each of the busses, there is a buss EQ that is inline and the only way to get to it is to use one of the busses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrequency points, there are three bands, on the high you can do 2.5, 3.5, 5, 7.5 or 10k, +12 -12 in steps of 2dB each. The mid there is 500, 800, 1.2, 1.6, 2.0K, +12 -12 in steps of 2dB each. On the low band, it’s 50, 100, 200, 300, 400 hz, +12 -12. Each of the bands are individually bypassable, those are the switches that are under the EQs. You can turn the 50hz selection on the lowest band into a shelving EQ, as well as you can the 10K shelf on the highest band.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThere is a master for the echo send, two echo returns and an echo return master than return to the stereo buss.\r\nTop right corner, there is the echo send high pass filter, which are usually off, but you have a choice of 70, 100, 150, 250, 500, 1K, 2K, 3K, 5K and 7.5K and the same frequencies for the house high-pass filter. The house high-pass filter isn’t in line with anything, it’s usually strapped across the mono main buss, but we pulled it out and put it on a patch point.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll the way to the right, there is a control room level mute, dim talk back functionality.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYou have 20 inputs into 2 busses with two sends and the additional stereo buss that you are always assigned to.\r\nThe monitor board is 16 inputs, you still have the same input attenuator but you are always on the line\r\ninput, so they live at -50, but if you needed more gain, you could flip that attenuator switch. The echo send was converted into dual concentric, the lower knob  is pan and the upper is echo send. There is one echo return and one queue return, you have a level on both of those and can pan hard left, center and hard right. There are two EQs, around 10K and around 100hz inductor-based EQs, on the stereo buss and they are individually bypassable. On this board, there is a master fader and then there is an echo send master.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery single one of the 16 inputs, plus the echo, that come into the monitor board for monitoring, there is another knob that acts as a pre-fader send, so you can build a queue mix separate from your own mix. There are levels and hard right to left panning for all of those. There are also masters for left and right.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe console has half-normalled direct outs for all 20 channels, buffered and transformer isolated. Both the main board and the monitor console have been modded to include a stereo bus using the same discrete Spectrasonics cards and circuitry as the original mono bus. The lower dual-concentric knob directly above the fader controls panning, and the upper knob controls the post fader send. The console does not have phantom power.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe console didn’t have great source switching, so Orphan Audio built a couple boxes, one takes three sources and they are labeled “Mix,” “External One” and “External Two.” That box also controls dimming, so when you hit the talk back, it dims like it’s supposed too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRestoration work done by Ken Hirsch at Orphan Audio\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44449992933479,"sku":"62001","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/brokered_62001_12_f0084a3c-ab45-431a-96cb-286cb0206412.jpg?v=1787091241"},{"product_id":"spectra-1964-model-611","title":"Spectra 1964 Model 611 Mic\/Instrument Compressor\/Limiter","description":"\u003cp\u003eEvery once in a while, an idea comes along that just works. An idea that makes so much sense that it’s hard to understand why nobody else did it before. Enter the \u003cstrong\u003eSpectra Sonics Model 611 Complimiter\u003c\/strong\u003e.\u003c\/p\u003e  \u003cp\u003eSpectra Sonics is known for their proprietary Complimiter circuit. The Spectra Sonics Complimiter circuit features the fastest analog peak-limiter in the world. For decades engineers have used this circuit to “invisibly” remove transient peaks from their tracks. Removing even inaudible transient peaks improves the headroom and performance of equipment downstream of the Complimiter. Now imagine applying this principal at the start of your recording chain BEFORE peaks can cause any performance issues.\u003c\/p\u003e  \u003cp\u003eThe Spectra Sonics Model 611 Complimiter is a hand-built, discrete design utilizing custom transformer I\/O that accepts a balanced line input, microphone input, or high-impedance ¼” input and is designed to be placed in FRONT of the mic preamp in your signal chain, thereby eliminating transient peaks as close to the source as possible. Removing peaks before the preamp allows the preamp to more accurately reproduce the source before the recording device.\u003c\/p\u003e  \u003cp\u003eAdditionally, the compressor portion of the Model 611 Complimiter can be used to control the overall dynamic range – everything from evening out a bass track, to making a kick drum boom, or crushing a drum room mic. Plus, its small, portable extruded enclosure makes it easy to dial in sounds in the studio or control room alike. Perfect for producers and session musicians on the go.\u003c\/p\u003e     \u003ch3\u003eInput pad\u003c\/h3\u003e  \u003cp\u003eThe 32 point, detent type input pad controls the amount of limiting, and\/ or compression\/limiting that is required. The pad allows for up to 30dB of attenuation.\u003c\/p\u003e  \u003ch3\u003eGuitar\/String Instrument Setup\u003c\/h3\u003e  \u003cp\u003eThe preserve dynamic range as well as optimum noise performance, it is strongly suggested that the guitar\/instrument volume control knobs be set 50% or greater with consideration given to preserving sonic quality of the instrument signal output. By systematically adjusting the instrument output knob(s), and the input pad of the 611, the user will establish an optimum output between the instrument and the device.\u003c\/p\u003e  \u003ch3\u003eRelease Control\u003c\/h3\u003e  \u003cp\u003eThe release control knob affects the release time after initial signal compression. Maximum release time, marked “10” on the front panel, will slowly restore gain to the original level.\u003c\/p\u003e  \u003ch3\u003eSlope Control\u003c\/h3\u003e  \u003cp\u003eThe slope control provides a wide range of compression\/limiting ratios from 1.1:1, (linear amplification), to 100:1, or a flat slope. When the slope control is set for minimum compression, the knob is set at “10”, thus providing linear amplification of 20dB for input above threshold, (-46dBu). When the slope control is set for maximum compression, the knob is set at “0”, for a flat slope.\u003c\/p\u003e  \u003ch3\u003eThreshold\u003c\/h3\u003e  \u003cp\u003eA flashing threshold LED indicates transients, (peaks), at -46dBu. A constant threshold LED indicates program material.\u003c\/p\u003e  \u003ch3\u003eOverload Indicator\u003c\/h3\u003e  \u003cp\u003eThe red LED indicates audio levels beyond -20 dBu.\u003c\/p\u003e  \u003ch3\u003eGain reduction LED Meter\u003c\/h3\u003e  \u003cp\u003eThe gain reduction meter indicates compression, in dBu, relevant to input level and, or, slope setting.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450012594279,"sku":"63069","price":1032.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-611_63069_1_1_bc39911c-4860-4816-bc29-71c75bf3abd2.jpg?v=1787091324"},{"product_id":"spectra-sonics-model-610-complimiter-6101064-used","title":"Spectra Sonics Model 610 Complimiter #6101064 (Used)","description":"Compressor and peak limiter","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450053750887,"sku":"64607","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-610-complimiter-6101064-used-6989971_49c38e4e-93e2-4884-89d7-1d145431fe3e.jpg?v=1787091492"},{"product_id":"spectra-sonics-611b-black","title":"Spectra Sonics 611B - Black","description":"\u003cp\u003eEvery once in a while, an idea comes along that just works. An idea that makes so much sense that it’s hard to understand why nobody else did it before. Enter the \u003cstrong\u003eSpectra Sonics Model 611 Complimiter\u003c\/strong\u003e.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpectra Sonics is known for their proprietary Complimiter circuit. The Spectra Sonics Complimiter circuit features the fastest analog peak-limiter in the world. For decades engineers have used this circuit to “invisibly” remove transient peaks from their tracks. Removing even inaudible transient peaks improves the headroom and performance of equipment downstream of the Complimiter. Now imagine applying this principal at the start of your recording chain BEFORE peaks can cause any performance issues.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Spectra Sonics Model 611 Complimiter is a hand-built, discrete design utilizing custom transformer I\/O that accepts a balanced line input, microphone input, or high-impedance ¼” input and is designed to be placed in FRONT of the mic preamp in your signal chain, thereby eliminating transient peaks as close to the source as possible. Removing peaks before the preamp allows the preamp to more accurately reproduce the source before the recording device.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditionally, the compressor portion of the Model 611 Complimiter can be used to control the overall dynamic range – everything from evening out a bass track, to making a kick drum boom, or crushing a drum room mic. Plus, its small, portable extruded enclosure makes it easy to dial in sounds in the studio or control room alike. Perfect for producers and session musicians on the go.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eINPUT PAD\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 32 point, detent type input pad controls the amount of limiting, and\/ or compression\/limiting that is required. The pad allows for up to 30 dB of attenuation.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eGUITAR\/STRING INSTRUMENT SETUP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe preserve dynamic range as well as optimum noise performance, it is strongly suggested that the guitar\/instrument volume control knobs be set 50% or greater with consideration given to preserving sonic quality of the instrument signal output. By systematically adjusting the instrument output knob(s), and the input pad of the 611, the user will establish an optimum output between the instrument and the device.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRELEASE CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe release control knob affects the release time after initial signal compression. Maximum release time, marked “10” on the front panel, will slowly restore gain to the original level.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSLOPE CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe slope control provides a wide range of compression\/limiting ratios from 1.1:1, (linear amplification), to 100:1, or a flat slope. When the slope control is set for minimum compression, the knob is set at “10”, thus providing linear amplification of 20dB for input above threshold, (-46dBu). When the slope control is set for maximum compression, the knob is set at “0”, for a flat slope.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTHRESHOLD\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA flashing threshold LED indicates transients, (peaks), at -46 dBu. A constant threshold LED indicates program material.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eOVERLOAD INDICATOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe red LED indicates audio levels beyond -20 dBu.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eGAIN REDUCTION LED METER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe gain reduction meter indicates compression, in dBu, relevant to input level and, or, slope setting.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450058272871,"sku":"50903","price":672.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-611b-black_50903_1_e3db3aa0-8391-4fcd-8f86-3004ba768a23.jpg?v=1787091513"},{"product_id":"spectra-1964-model-611-demo-deal","title":"Spectra 1964 Model 611 (Demo Deal)","description":"\u003cp\u003eEvery once in a while, an idea comes along that just works. An idea that makes so much sense that it’s hard to understand why nobody else did it before. Enter the \u003cstrong\u003eSpectra Sonics Model 611 Complimiter\u003c\/strong\u003e.\u003c\/p\u003e  \u003cp\u003eSpectra Sonics is known for their proprietary Complimiter circuit. The Spectra Sonics Complimiter circuit features the fastest analog peak-limiter in the world. For decades engineers have used this circuit to “invisibly” remove transient peaks from their tracks. Removing even inaudible transient peaks improves the headroom and performance of equipment downstream of the Complimiter. Now imagine applying this principal at the start of your recording chain BEFORE peaks can cause any performance issues.\u003c\/p\u003e  \u003cp\u003eThe Spectra Sonics Model 611 Complimiter is a hand-built, discrete design utilizing custom transformer I\/O that accepts a balanced line input, microphone input, or high-impedance ¼” input and is designed to be placed in FRONT of the mic preamp in your signal chain, thereby eliminating transient peaks as close to the source as possible. Removing peaks before the preamp allows the preamp to more accurately reproduce the source before the recording device.\u003c\/p\u003e  \u003cp\u003eAdditionally, the compressor portion of the Model 611 Complimiter can be used to control the overall dynamic range – everything from evening out a bass track, to making a kick drum boom, or crushing a drum room mic. Plus, its small, portable extruded enclosure makes it easy to dial in sounds in the studio or control room alike. Perfect for producers and session musicians on the go.\u003c\/p\u003e     \u003ch3\u003eInput pad\u003c\/h3\u003e  \u003cp\u003eThe 32 point, detent type input pad controls the amount of limiting, and\/ or compression\/limiting that is required. The pad allows for up to 30dB of attenuation.\u003c\/p\u003e  \u003ch3\u003eGuitar\/String Instrument Setup\u003c\/h3\u003e  \u003cp\u003eThe preserve dynamic range as well as optimum noise performance, it is strongly suggested that the guitar\/instrument volume control knobs be set 50% or greater with consideration given to preserving sonic quality of the instrument signal output. By systematically adjusting the instrument output knob(s), and the input pad of the 611, the user will establish an optimum output between the instrument and the device.\u003c\/p\u003e  \u003ch3\u003eRelease Control\u003c\/h3\u003e  \u003cp\u003eThe release control knob affects the release time after initial signal compression. Maximum release time, marked “10” on the front panel, will slowly restore gain to the original level.\u003c\/p\u003e  \u003ch3\u003eSlope Control\u003c\/h3\u003e  \u003cp\u003eThe slope control provides a wide range of compression\/limiting ratios from 1.1:1, (linear amplification), to 100:1, or a flat slope. When the slope control is set for minimum compression, the knob is set at “10”, thus providing linear amplification of 20dB for input above threshold, (-46dBu). When the slope control is set for maximum compression, the knob is set at “0”, for a flat slope.\u003c\/p\u003e  \u003ch3\u003eThreshold\u003c\/h3\u003e  \u003cp\u003eA flashing threshold LED indicates transients, (peaks), at -46dBu. A constant threshold LED indicates program material.\u003c\/p\u003e  \u003ch3\u003eOverload Indicator\u003c\/h3\u003e  \u003cp\u003eThe red LED indicates audio levels beyond -20 dBu.\u003c\/p\u003e  \u003ch3\u003eGain reduction LED Meter\u003c\/h3\u003e  \u003cp\u003eThe gain reduction meter indicates compression, in dBu, relevant to input level and, or, slope setting.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450108506215,"sku":"78334","price":803.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-611_63069_1_1_1_963855ee-6016-47d6-a612-f260e6bf566b.jpg?v=1787091726"},{"product_id":"spectra-1964-stx100-500-series-preamp","title":"Spectra 1964 STX100 500 Series Preamp","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra Sonics STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra Sonics recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGain: 64 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e\r\n\u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e\r\n\u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e\r\n\u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e\r\n\u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450139963495,"sku":"81539","price":879.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-stx-100_81539_1_fc4893e2-005e-4905-9ac7-4da6b07b48c2.jpg?v=1787091843"},{"product_id":"spectra-1964-stx500-500-series-eq","title":"Spectra 1964 STX500 500 Series EQ","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 STX 500\u003c\/strong\u003e is a painstakingly accurate recreation of the classic Model 500 two-band passive equalizer, custom designed to compliment the new STX 100 preamp. Known for its silky smooth highs and deep, rich lows, the STX 500 offers classic tone in a compact, affordable package.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSUPER-SIMPLE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEquipped with two bands of selectable shelving EQ, the STX 500 is perfect for quickly adding brilliant, sparkling high-end or thick, boomy low-end. Each band offers four fixed frequency selections with up to 12 dB of boost or cut in stepped 2 dB increments for lightning-fast recalls. Choose from 2.5 kHz, 5 kHz, 10 kHz or 15 kHz on the high band, and 50 Hz, 100 Hz, 200 Hz or 15 kHz on the low band. Each slope is custom-tuned to match the shape of the original unit for an instantly classic sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTHE PERFECT PAIR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe STX 500 is designed to compliment the STX 100 preamp. When paired together, the passive STX 500 becomes the active feedback element of the STX 100 amplifier for unparalleled versatility. And since both units utilize Spectra’s innovative design, there’s zero signal loss and immeasurably low distortion when boosting or cutting.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eCLASSIC SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFound in legendary studios like Stax, Ardent, the Record Plant and more, Spectra recording desks were used to record some of the most influential albums of all time. For over 40 years, the Spectra sound has made its way onto countless hit records, including John Lennon’s Imagine, Bruce Springsteen’s Born to Run, Aerosmith’s Toys in the Attic and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can bring your tracks to life with the same classic sound. Dial in thick kicks, beefy basses and powerful vocals with the tight, punchy low band. Or use the high band to add brilliance and shimmer to acoustic instruments like drums, guitars and vocals.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450146418791,"sku":"81540","price":745.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-stx-500_81540_1_1_93499486-8a1b-4dfd-baf9-e5028db19ed0.jpg?v=1787091867"},{"product_id":"spectra-sonics-stx100-500-series-preamp-demo-deal","title":"Spectra Sonics STX100 500 Series Preamp (Demo Deal)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra Sonics STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra Sonics recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGain: 64 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e\r\n\u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e\r\n\u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e\r\n\u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e\r\n\u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450189017191,"sku":"94668","price":803.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-stx-100_81539_1_2_beb665c8-51c7-40bc-9b74-eccb13813b59.jpg?v=1787092048"},{"product_id":"spectra-sonics-model-v610-complimiter-v6101044-used","title":"Spectra Sonics Model V610 Complimiter #V6101044 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp\u003e\"I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.\" - Garrett Haines\u003c\/p\u003e\u003cp\u003e\"They sound HUGE! I used the hell out of them on the new Jason Isbell record!!\" - Dave Cobb\u003c\/p\u003e\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450204057703,"sku":"94866","price":1850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-v610-complimiter-v6101044-used_94866_1_d88f78b8-41e3-4774-9610-06685665f628.jpg?v=1787092110"},{"product_id":"spectra-sonics-model-v610-complimiter-pair-008-009-used","title":"Spectra Sonics Model V610 Complimiter Pair #008\/009 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp\u003e\"I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.\" - Garrett Haines\u003c\/p\u003e\u003cp\u003e\"They sound HUGE! I used the hell out of them on the new Jason Isbell record!!\" - Dave Cobb\u003c\/p\u003e\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450214346855,"sku":"95141","price":3650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-v610-complimiter-pair-008-009-used_95141_1_010ff35c-1771-4c0b-bccb-73a6d0b1ae0e.jpg?v=1787092155"},{"product_id":"spectra-sonics-model-v610-complimiter-v6101041-used","title":"Spectra Sonics Model V610 Complimiter #V6101041 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp\u003e\"I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.\" - Garrett Haines\u003c\/p\u003e\u003cp\u003e\"They sound HUGE! I used the hell out of them on the new Jason Isbell record!!\" - Dave Cobb\u003c\/p\u003e\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450223620199,"sku":"95315","price":1825.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-v610-complimiter-v6101041-used_95315_1_771d4b45-0720-4030-b2e0-325137d93d12.jpg?v=1787092197"},{"product_id":"spectra-sonics-model-v610-complimiter-v6101042-used","title":"Spectra Sonics Model V610 Complimiter #V6101042 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp\u003e\"I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.\" - Garrett Haines\u003c\/p\u003e\u003cp\u003e\"They sound HUGE! I used the hell out of them on the new Jason Isbell record!!\" - Dave Cobb\u003c\/p\u003e\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450226831463,"sku":"95316","price":1825.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-v610-complimiter-v6101042-used_95316_1_c52353de-c383-4d0c-9b38-215ba06787cd.jpg?v=1787092212"},{"product_id":"spectra-1964-stx100-bundle-buy-5-get-1-free","title":"Spectra 1964 STX100 Bundle - Buy 5 Get 1 Free","description":"\u003cp\u003eFor a limited time Spectra 1964 is offering \u003cstrong\u003eSpectra 1964 STX100 Bundle\u003c\/strong\u003e: a FREE STX 100 500-Series Preamp with the purchase of five STX 100s at regular price.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra Sonics STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra Sonics recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGain: 64 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e\r\n\u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e\r\n\u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e\r\n\u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e\r\n\u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450371862631,"sku":"113331","price":5670.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-bundle_113331_1_3860ea5e-4b50-4412-8a50-34ae9ffeb514.jpg?v=1787092789"},{"product_id":"spectra-1964-model-c610","title":"Spectra 1964 Model C610 Complimiter","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 Model C610 Complimiter\u003c\/strong\u003e is a modern spin on the V610 Complimiter. While the V610 is a near-identical recreation of the classic Model 610 Complimenter by Spectra Sonics, the C610 offers updated features like higher bandwidth Cinemag transformers, external power supply, selectable input padding and more.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMODEL 610 COMPLIMITER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs its name implies, the C610 Complimiter can be used as a compressor or a peak limiter—either separately or simultaneously. Peak limiting mode lets you stealthily remove transient peaks. Mode 2 offers peak limiting with limited compression, which applies mild compression in addition to removing peaks. In compression-only mode, gain reduction is constantly applied for smooth, subtle gain reduction.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter it was originally released in 1969, the Model 610 Complimiter quickly earned a reputation as the fastest, quietest, and most versatile analog dynamics processor on the market. Now, over 50 years later, the Spectra 1964 Model C610 Complimiter delivers the same iconic tone and versatility with a number of major improvements.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eC610 COMPLIMITER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe C610 utilizes the 601 compressor\/limiter module, with a 101 Preamplifier for make-up gain. Ideal for tracking, bus processing, and mastering, the Spectra 1964 C610 Complimiter puts the limitless tone-shaping capabilities of the Model 610 Complimiter at your fingertips.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing an updated design, the C610 offers lower distortion, less noise, and improved output levels. High resolution detented controls make dialing in the perfect tone quick and easy. The slope control can be used to dial in the compression ratio, while the release time allows you to dial in lighting-fast peak-limiting, soft and slow compression, or anything in between. The new C610 Complimiter also features a dedicated input pad for proper gain staging.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450376319079,"sku":"113800","price":2195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-model-c610-complimenter_113800_1_6939439b-96ce-49d8-a5d5-ee4516fec79f.jpg?v=1787092807"},{"product_id":"spectra-sonics-1024b-24-channel-console-vintage","title":"Spectra Sonics 1024B 24 Channel Console (Vintage)","description":"\u003ch3 id=\"toc_0\"\u003eCONSOLE TECHNICAL DETAILS\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions (L’ x W’ x D’): 72x43x43\u003c\/li\u003e\r\n\u003cli\u003eCosmetic Condition from 1-10 (10 being ‘as new’): 10\u003c\/li\u003e\r\n\u003cli\u003eList of Cosmetic Flaws: No cosmetic flaws \u003c\/li\u003e\r\n\u003cli\u003eWorking Order 1-10 (10 being as new) : 10\u003c\/li\u003e\r\n\u003cli\u003eList of Major Working Faults: No major working faults* \u003c\/li\u003e\r\n\u003cli\u003eDoes Console Have Direct Outs: No\u003c\/li\u003e\r\n\u003cli\u003eDirect Outs Transformer Balanced: No\u003c\/li\u003e\r\n\u003cli\u003eHow Many Lines Inputs at Mix: 24\u003c\/li\u003e\r\n\u003cli\u003eList of Any Modifications: New custom power supply built in 2015\u003c\/li\u003e\r\n\u003cli\u003eWhen Was It Last Serviced: 2018\u003c\/li\u003e\r\n\u003cli\u003eList of Any Spare Parts Included: No spare parts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\r\n\u003ch3 id=\"toc_2\"\u003eACCESSORIES\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBrand \u0026amp; Type of Patchbay: Audio Accessories Mini Shorti Quick-Switch E3 Patchbay \u0026amp; Original Built In\u003c\/li\u003e\r\n\u003cli\u003eQty of Patchbay(s): 2\u003c\/li\u003e\r\n\u003cli\u003eLocation of Patchbay: Right\u003c\/li\u003e\r\n\u003cli\u003eBrand \u0026amp; Length of Cabling: Redco TGS-8 20'\u003c\/li\u003e\r\n\u003cli\u003eBrand \u0026amp; Type of Furniture: Spectra Sonics\u003c\/li\u003e\r\n\u003cli\u003eIs There a Producer's Desk Included: No\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eCONSOLE DOCUMENTATION\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eIs Original Manual Included: Yes\u003c\/li\u003e\r\n\u003cli\u003eIs Manual Complete: Yes\u003c\/li\u003e\r\n\u003cli\u003eDo you have a Recent Tech Report: No\u003c\/li\u003e\r\n\u003cli\u003eAre Known Modifications Documented: No\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450425667687,"sku":"118788","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_118788_1_dca9facf-3280-4b07-9b9a-060804620f78.jpg?v=1787093012"},{"product_id":"spectra-1964-stx100-mk2-500-series-preamp","title":"Spectra 1964 STX100 Mk2 500 Series Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 STX100 Mk2 500 Series Preamp\u003c\/strong\u003e is a compact, affordable 500 series version of the classic Spectra 101 amplifier circuit—the same discrete preamp design used in the original consoles from the 60s. The STX 100 features an expanded dynamic range, reduced self noise and distortion, and enhanced harmonics for unparalleled performance.\u003c\/p\u003e\r\n\u003ch3\u003eINTUITIVE CONTROLS\u003c\/h3\u003e\r\n\u003cp\u003eWith an impressive 64 dB of gain and an extended frequency response from 10 Hz all the way up to 50 kHz, STX 100 delivers deep, rich lows and silky smooth highs with unparalleled dynamic range. And with convenient features like a 10 dB pad and continuously variable input and output controls, the STX 100 is versatile enough to use in any scenario—for both mic and line level signals.\u003c\/p\u003e\r\n\u003ch3\u003eINNOVATIVE VU DESIGN\u003c\/h3\u003e\r\n\u003cp\u003eTraditional analog preamps measure input signals using program peaks, which can reduce your dynamic range by up to 20 dB, limiting your headroom and potentially introducing unwanted distortion. The STX series measures input signals using a VU system, which is not limited by the transient response of a signal. Drums and other percussion instruments can create transient peaks up to 24 dB above the program material average, which would easily create distortion on a traditional preamp. But the STX 100 uses two stages of independent LED overload indicators to effectively eliminate distortion from transient peaks.\u003c\/p\u003e\r\n\u003ch3\u003eCLASSIC SOUND\u003c\/h3\u003e\r\n\u003cp\u003eBring your tracks to life with the new and improved Spectra 1964 STX 100. Capture drum recordings that sound like you’re standing in the room right next to the kit. Record guitars with full, rich harmonics that cut through the mix. Take your vocal recordings to the next level with class-leading dynamic range—capture everything from the quietest whisper to the loudest scream. For even more tonal versatility, the STX 100 preamp is custom designed to integrate with the STX 500 two-band passive EQ module.\u003c\/p\u003e\r\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eGain: 64 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e\r\n\u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e\r\n\u003cli\u003eInput\/Output Control: Continuously Variable\/10 dB Pad\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 5K Ohms, nominal\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e\r\n\u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e\r\n\u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450464202855,"sku":"123842","price":759.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk2_123842_1.jpg?v=1787093165"},{"product_id":"spectra-1964-bb-di-passive-direct-box","title":"Spectra 1964 BB-DI Passive Direct Box","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 BB-DI\u003c\/strong\u003e is a passive direct box designed around Spectra 1964's proprietary, custom-wound Hi-Z transformer. High headroom and a virtually flat response make it the perfect input option for your instrument. \u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp\u003e*Output Reference Level: -10 dBm\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450532294759,"sku":"133047","price":349.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-bb-di_133047_1_1_b71aeb13-6c8a-4949-b6ec-4288c9e4a651.jpg?v=1787093447"},{"product_id":"spectra-1964-model-c610-demo-deal","title":"Spectra 1964 Model C610 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 Model C610 Complimiter\u003c\/strong\u003e is a modern spin on the V610 Complimiter. While the V610 is a near-identical recreation of the classic Model 610 Complimenter by Spectra Sonics, the C610 offers updated features like higher bandwidth Cinemag transformers, external power supply, selectable input padding and more.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMODEL 610 COMPLIMITER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs its name implies, the C610 Complimiter can be used as a compressor or a peak limiter—either separately or simultaneously. Peak limiting mode lets you stealthily remove transient peaks. Mode 2 offers peak limiting with limited compression, which applies mild compression in addition to removing peaks. In compression-only mode, gain reduction is constantly applied for smooth, subtle gain reduction.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter it was originally released in 1969, the Model 610 Complimiter quickly earned a reputation as the fastest, quietest, and most versatile analog dynamics processor on the market. Now, over 50 years later, the Spectra 1964 Model C610 Complimiter delivers the same iconic tone and versatility with a number of major improvements.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eC610 COMPLIMITER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe C610 utilizes the 601 compressor\/limiter module, with a 101 Preamplifier for make-up gain. Ideal for tracking, bus processing, and mastering, the Spectra 1964 C610 Complimiter puts the limitless tone-shaping capabilities of the Model 610 Complimiter at your fingertips.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing an updated design, the C610 offers lower distortion, less noise, and improved output levels. High resolution detented controls make dialing in the perfect tone quick and easy. The slope control can be used to dial in the compression ratio, while the release time allows you to dial in lighting-fast peak-limiting, soft and slow compression, or anything in between. The new C610 Complimiter also features a dedicated input pad for proper gain staging.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450538127463,"sku":"125290","price":1849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-model-c610-complimenter_113800_1_1_ef4f7fe0-dff6-4f64-ac29-57d96d48f6d0.jpg?v=1787093471"},{"product_id":"spectra-1964-bb-di-passive-direct-box-demo-deal","title":"Spectra 1964 BB-DI Passive Direct Box (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 BB-DI\u003c\/strong\u003e is a passive direct box designed around Spectra 1964's proprietary, custom-wound Hi-Z transformer. High headroom and a virtually flat response make it the perfect input option for your instrument. \u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp\u003e*Output Reference Level: -10 dBm\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450570862695,"sku":"137762","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-bb-di_133047_1_1_1_855c0d6c-40b8-4468-a3c9-513e66c9fb43.jpg?v=1787093590"},{"product_id":"spectra-sonics-model-v610-complimiter-1102-used","title":"Spectra Sonics Model V610 Complimiter #1102 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp\u003e\"I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.\" - Garrett Haines\u003c\/p\u003e\u003cp\u003e\"They sound HUGE! I used the hell out of them on the new Jason Isbell record!!\" - Dave Cobb\u003c\/p\u003e\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450811412583,"sku":"162338","price":2095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-v610-complimiter-1102-used_162338_1_1867558c-caf0-44ae-b5fa-71e2d7c808e4.jpg?v=1787094623"},{"product_id":"spectra-sonics-model-v610-complimiter-1041-used","title":"Spectra Sonics Model V610 Complimiter #1041 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp\u003e\"I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.\" - Garrett Haines\u003c\/p\u003e\u003cp\u003e\"They sound HUGE! I used the hell out of them on the new Jason Isbell record!!\" - Dave Cobb\u003c\/p\u003e\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450811445351,"sku":"162339","price":2095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-model-v610-complimiter-1041-used_162339_1_79f59498-ed61-4ea4-abe3-c8902a42952f.jpg?v=1787094623"},{"product_id":"spectra-1964-stx-600-500-series-complimiter-and-preamp","title":"Spectra 1964 STX 600 500 Series Complimiter and Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 STX 600\u003c\/strong\u003e is Spectra 1964’s latest effort that adds to the fifty year Complimiter history, in an affordable 500 series format. At the heart of the STX 600 resides the original, and famous, 601 Complimiter circuit that was introduced in 1969. As the fastest analog compressor limiter available, the 601 allows for dramatic improvement in headroom, as well as reduction of system noise and distortion. The 601 is the same circuit that is used in the original 610, as well as the recently introduced C610, 611, and venerable V610.\u003c\/p\u003e\r\n\u003cp\u003eThe STX 600 is a true Complimiter design based on the same 601 compressor limiter circuit as found in both the C610 and V610. The unit features the same ultra‐fast limiter\/compressor performance in a small affordable 500 series format. Overall gain the STX 600 is 62dB, which allows for use as a microphone or line preamplifier. Switchable 48 volt phantom and phase control further adds to the versatility of the unit.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450904211559,"sku":"184322","price":1199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-600_184322_1_d642210d-56d0-44cb-a629-3f70fea96d67.jpg?v=1787095028"},{"product_id":"spectra-1964-bb-di-passive-direct-box-bb0001003-used","title":"Spectra 1964 BB-DI Passive Direct Box #BB0001003 (Used)","description":"\u003cp style=\"font-family:Arial, Helvetica, sans-serif;font-size:10.6667px;margin:0px 0px 1em;padding:0px;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(38,38,38);\"\u003e\u003cspan style=\"-webkit-text-stroke-width:0px;display:inline !important;float:none;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;\"\u003e\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 BB-DI\u003c\/strong\u003e is a passive direct box designed around Spectra 1964's proprietary, custom-wound Hi-Z transformer. High headroom and a virtually flat response make it the perfect input option for your instrument. \u003c\/p\u003e  \u003cp\u003e*Output Reference Level: -10 dBm\u003c\/p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450961522791,"sku":"193533","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-bb-di-passive-direct-box-bb0001003-used_193533_1_7678475a-be18-4392-9f85-a66fa08c4b61.jpg?v=1787095272"},{"product_id":"spectra-1964-bb-di-passive-direct-box-bb0001004-used","title":"Spectra 1964 BB-DI Passive Direct Box #BB0001004 (Used)","description":"\u003cp style=\"font-family:Arial, Helvetica, sans-serif;font-size:10.6667px;margin:0px 0px 1em;padding:0px;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(38,38,38);\"\u003e\u003cspan style=\"-webkit-text-stroke-width:0px;display:inline !important;float:none;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;\"\u003e\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 BB-DI\u003c\/strong\u003e is a passive direct box designed around Spectra 1964's proprietary, custom-wound Hi-Z transformer. High headroom and a virtually flat response make it the perfect input option for your instrument. \u003c\/p\u003e  \u003cp\u003e*Output Reference Level: -10 dBm\u003c\/p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450961555559,"sku":"193532","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-bb-di-passive-direct-box-bb0001004-used_193532_1_198f46c2-3ed7-40fb-87e0-0f7ca8d6122a.jpg?v=1787095272"},{"product_id":"spectra-1964-stx-100-mk1-1058-used","title":"Spectra 1964 STX 100 MK1 #1058 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra Sonics STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra Sonics recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450975907943,"sku":"196666","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk1-1058-used_196666_1_d0977a37-1b4b-41de-ad1a-3c6c2cc628e0.jpg?v=1787095332"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1004-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1004 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977480807,"sku":"196670","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1004-used_196670_1_1720945a-8f82-4631-8711-1054eb20f64e.jpg?v=1787095339"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1053-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1053 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977513575,"sku":"196668","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1053-used_196668_1_d3823f0a-cec5-4748-bdf8-c4306295f2e5.jpg?v=1787095340"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1054-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1054 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977546343,"sku":"196643","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1054-used_196643_1_832c989e-ff1c-43d1-83e1-33637ae48e69.jpg?v=1787095340"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1055-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1055 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977579111,"sku":"196665","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1055-used_196665_1_c10d1348-7f36-456e-a5c3-eebbd713ff79.jpg?v=1787095341"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1057-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1057 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977611879,"sku":"196663","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1057-used_196663_1_7fe5dc1f-23fb-41b0-b1d8-14a99c213375.jpg?v=1787095340"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1059-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1059 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977644647,"sku":"196644","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1059-used_196644_1_2541adcb-389e-4009-947c-107cc90f9140.jpg?v=1787095340"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1060-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1060 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977710183,"sku":"196660","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1060-used_196660_1_dbdc09b4-3032-434e-b837-4d53e39e97f2.jpg?v=1787095341"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1061-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1061 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977677415,"sku":"196661","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1061-used_196661_1_18ce0229-45c1-48b1-900f-b51c7b1640c1.jpg?v=1787095340"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1062-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1062 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977742951,"sku":"196664","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1062-used_196664_1_c3d53f6f-c65f-4222-bf08-3c2be37187d1.jpg?v=1787095341"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1063-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1063 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977775719,"sku":"196669","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1063-used_196669_1_31e2ed43-77f1-4a04-ae36-a7577715e2dd.jpg?v=1787095341"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1065-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1065 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977808487,"sku":"196641","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1065-used_196641_1_ff0bbcbf-e40b-44ff-947a-c19d6ca394b9.jpg?v=1787095341"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1066-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1066 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977841255,"sku":"196667","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1066-used_196667_1_9a22b55c-f674-4d15-b572-d3565095c39f.jpg?v=1787095342"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1071-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1071 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977874023,"sku":"196642","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1071-used_196642_1_dbd816d1-9367-4bc9-b10c-0a9b1639bd95.jpg?v=1787095342"},{"product_id":"spectra-1964-stx-100-mk-i-500-series-preamplifier-1072-used","title":"Spectra 1964 STX 100 MK I 500 Series Preamplifier #1072 (Used)","description":"\u003cp\u003eNow get that classic Spectra Sonics sound in a small, affordable package. The \u003cstrong\u003eSpectra 1964 STX100 500 Series Preamp\u003c\/strong\u003e has the same 100 series discrete preamplifier design that was at the heart of every Spectra recording console. This 500 series preamp has 64 dB of gain and a frequency response of 10 Hz - 50 kHz. A 10 dB pad is accessible on the front panel for louder, more aggressive sources. STX 100 can accept mic and line level sources.\u003c\/p\u003e \u003cp\u003eWith the first stage “In Overload”, and second stage “Out Overload” LED displays, easily get the optimal performance of the preamp. The first and second stages of the STX 100 utilize independent LED overload indicators to monitor program overload conditions. A trim knob is also included on the front panel for fine level adjustments. This is an easy, user friendly way to make Drums sound very punchy and present, guitars have a sweet harmonic distortion, and vocals achieve a full dynamic range without clipping.\u003c\/p\u003e \u003cp\u003eIf you are looking for the full Spectra Sonics console channel configuration, the STX 100 has integrated connections for inserting the STX 500 2-Band Passive Equalizer module.\u003c\/p\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGain: 64 dB\u003c\/li\u003e \u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e \u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e \u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e \u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e \u003cli\u003eInput\/Output Control: Continuously variable\/10 dB pad\u003c\/li\u003e \u003cli\u003eInput Impedance: 5 kOhms, Nominal\u003c\/li\u003e \u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e \u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e \u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e \u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e \u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450977906791,"sku":"196662","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk-i-500-series-preamplifier-1072-used_196662_1_c2c0def6-5af8-4644-8607-bd0718aef636.jpg?v=1787095342"},{"product_id":"spectra-1964-model-v610-complimiter-demo-deal-open-box","title":"Spectra 1964 Model V610 Complimiter (Demo Deal)","description":"\u003ch3\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\n\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\n\n\u003ch3\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\n\u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\n\n\u003ch3\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\n\u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\n\n\u003ch3\u003eTestimonials\u003c\/h3\u003e\n\u003cp\u003e“I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.” \u003cstrong\u003e- Garrett Haines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“They sound HUGE! I used the hell out of them on the new Jason Isbell record!!” \u003cstrong\u003e- Dave Cobb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" \u003cstrong\u003e- Pete Weiss\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" \u003cstrong\u003e- Tchad Blake\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" \u003cstrong\u003e- Jack Douglas\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44450986262631,"sku":"206887","price":2592.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-sonics-v610_48540_1_24c23748-d128-4a7b-9605-1953972b3fd5.jpg?v=1787095378"},{"product_id":"spectra-1964-model-v610-complimiter-v6101216-used","title":"Spectra 1964 Model V610 Complimiter #V6101216 (Used)","description":"\u003cp\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e \u003ch3\u003eLEGENDARY COMPLIMITER GETS FRESH TAKE\u003c\/h3\u003e \u003cp\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e \u003ch3\u003eSPECTRA SONICS’ IMPACT ON THE AUDIO INDUSTRY\u003c\/h3\u003e \u003cp\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44451049734247,"sku":"214773","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-model-v610-complimiter-v6101216-used_214773_1_852b1da6-7d1a-4328-a762-1e8998321f52.jpg?v=1787095633"},{"product_id":"spectra-1964-stx-600-500-series-complimiter-and-preamp-demo-deal-open-box","title":"Spectra 1964 STX 600 500 Series Complimiter and Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 STX 600\u003c\/strong\u003e is Spectra 1964’s latest effort that adds to the fifty year Complimiter history, in an affordable 500 series format. At the heart of the STX 600 resides the original, and famous, 601 Complimiter circuit that was introduced in 1969. As the fastest analog compressor limiter available, the 601 allows for dramatic improvement in headroom, as well as reduction of system noise and distortion. The 601 is the same circuit that is used in the original 610, as well as the recently introduced C610, 611, and venerable V610.\u003c\/p\u003e\n\u003cp\u003eThe STX 600 is a true Complimiter design based on the same 601 compressor limiter circuit as found in both the C610 and V610. The unit features the same ultra‐fast limiter\/compressor performance in a small affordable 500 series format. Overall gain the STX 600 is 62dB, which allows for use as a microphone or line preamplifier. Switchable 48 volt phantom and phase control further adds to the versatility of the unit.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44451058319463,"sku":"218139","price":1079.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-600_184322_1_ab05389b-50d4-48ee-b25c-f76067f97573.jpg?v=1787095669"},{"product_id":"spectra-1964-stx100-mk2-500-series-preamp-demo-deal","title":"Spectra 1964 STX100 Mk2 500 Series Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 STX100 Mk2 500 Series Preamp\u003c\/strong\u003e is a compact, affordable 500 series version of the classic Spectra 101 amplifier circuit—the same discrete preamp design used in the original consoles from the 60s. The STX 100 features an expanded dynamic range, reduced self noise and distortion, and enhanced harmonics for unparalleled performance.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eINTUITIVE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith an impressive 64 dB of gain and an extended frequency response from 10 Hz all the way up to 50 kHz, STX 100 delivers deep, rich lows and silky smooth highs with unparalleled dynamic range. And with convenient features like a 10 dB pad and continuously variable input and output controls, the STX 100 is versatile enough to use in any scenario—for both mic and line level signals.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eINNOVATIVE VU DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTraditional analog preamps measure input signals using program peaks, which can reduce your dynamic range by up to 20 dB, limiting your headroom and potentially introducing unwanted distortion. The STX series measures input signals using a VU system, which is not limited by the transient response of a signal. Drums and other percussion instruments can create transient peaks up to 24 dB above the program material average, which would easily create distortion on a traditional preamp. But the STX 100 uses two stages of independent LED overload indicators to effectively eliminate distortion from transient peaks.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eCLASSIC SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBring your tracks to life with the new and improved Spectra 1964 STX 100. Capture drum recordings that sound like you’re standing in the room right next to the kit. Record guitars with full, rich harmonics that cut through the mix. Take your vocal recordings to the next level with class-leading dynamic range—capture everything from the quietest whisper to the loudest scream. For even more tonal versatility, the STX 100 preamp is custom designed to integrate with the STX 500 two-band passive EQ module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGain: 64 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD: Less than .01% @ 20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eSignal\/Noise: Better than 120 dB, (unweighted)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output: +18 dBm, 20 Hz – 20 kHz\u003c\/li\u003e\r\n\u003cli\u003ePower Requirement: Less than 50 mA, +18 dBm\u003c\/li\u003e\r\n\u003cli\u003eInput\/Output Control: Continuously Variable\/10 dB Pad\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 5K Ohms, nominal\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: Less than 50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 50 kHz\u003c\/li\u003e\r\n\u003cli\u003ePhantom: 48 Volts\u003c\/li\u003e\r\n\u003cli\u003ePolarity: 180 Degrees\/Reverse\/Mic or Line Input\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44451063693415,"sku":"219370","price":673.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-100-mk2_123842_1_46aa6c8b-eb94-4696-90f2-8b09277d8f38.jpg?v=1787095694"},{"product_id":"spectra-1964-stx-600-500-series-complimiter-and-preamp-demo-deal","title":"Spectra 1964 STX 600 500 Series Complimiter and Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 STX 600\u003c\/strong\u003e is Spectra 1964’s latest effort that adds to the fifty year Complimiter history, in an affordable 500 series format. At the heart of the STX 600 resides the original, and famous, 601 Complimiter circuit that was introduced in 1969. As the fastest analog compressor limiter available, the 601 allows for dramatic improvement in headroom, as well as reduction of system noise and distortion. The 601 is the same circuit that is used in the original 610, as well as the recently introduced C610, 611, and venerable V610.\u003c\/p\u003e\r\n\u003cp\u003eThe STX 600 is a true Complimiter design based on the same 601 compressor limiter circuit as found in both the C610 and V610. The unit features the same ultra‐fast limiter\/compressor performance in a small affordable 500 series format. Overall gain the STX 600 is 62dB, which allows for use as a microphone or line preamplifier. Switchable 48 volt phantom and phase control further adds to the versatility of the unit.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44451078701159,"sku":"340615","price":829.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-stx-600_184322_1_83579dcf-1341-48df-85f6-83e10530b12e.jpg?v=1787095749"},{"product_id":"spectra-1964-model-v610-complimiter-v6101217-used","title":"Spectra 1964 Model V610 Complimiter #V6101217 (Used)","description":"\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eThe History Of The 601 Module and 610 Complimiter\u003c\/h3\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003eIn 1969, Spectra Sonics first utilized the 601 module in the 610 Complimiter, a piece of outboard gear that allowed users to use the compressor and limiter separately or at the same time. Since its creation, the 601 has gained a reputation of being one of the quietest, fastest and most versatile analog modules in the pro audio industry. Thus, the 610 unit has remained as iconic as other fan favorites like the LA2A and 1176.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eLegendary Complimiter Gets Fresh Take\u003c\/h3\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003eImproving on the original 610 Complimiter, Spectra Sonics has taken their classic piece of gear from 1969 and updated it for the modern studio. The 2-chasis unit features an internal and external design facelift including lower distortion, noise, a +24dBu output and high resolution detended controls. Combining the classic topology with updated features has made the new version easy to use for mastering, mix-buss and tracking purposes.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eSpectra Sonics’ Impact On The Audio Industry\u003c\/h3\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003eFounding Spectra Sonics in 1964, William G Dilley was an engineer and pilot who took to creating audio equipment for broadcast, recording studio and motion picture purposes. Creating classics like the 601 Compressor Limiter, the 610 Complimiter and a Spectra Sonics console, Dilley changed the face of recording forever and was awarded a fellowship by the Audio Engineering Society in 1977.\u003c\/p\u003e\u003ch3 style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003eTestimonials\u003c\/h3\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003e“I'm hesitant to disclose to other mastering engineers what a wonderful game changer the V610 is.” - Garrett Haines\u003c\/p\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003e“They sound HUGE! I used the hell out of them on the new Jason Isbell record!!” - Dave Cobb\u003c\/p\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003e\"The 610 has been my longtime 'go to' device for dirtying up drums, parallel compression, and other general 'grit enhancement' tasks. Its ability to pump and overdrive make it perfect for things like that. The 610's not-so-dirty little secret is that, with proper settings, it can also be one of the cleanest, most transparent compressors available. Unique and invaluable. A classic.\" - Pete Weiss\u003c\/p\u003e\u003cp style=\"margin: 1em 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003e\"They've been on every record I've engineered since, (1993), and most that I've mixed.\" - Tchad Blake\u003c\/p\u003e\u003cp style=\"margin: 1em 0px 0px; padding: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 10.6667px;\"\u003e\"Behind me in the rack were mounted two 610 compressors that were a perfect fit across the stereo buss. How I missed that sound. Now, it’s back!\" - Jack Douglas\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44451085549671,"sku":"214774","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-model-v610-complimiter-v6101217-used_214774_1_cf45a320-f253-44e8-863f-0f63ee5edbc4.jpg?v=1787095777"},{"product_id":"spectra-1964-model-c610-complimiter-c61001135-used","title":"Spectra 1964 Model C610 Complimiter #C61001135 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eSpectra 1964 Model C610 Complimiter\u003c\/strong\u003e is a modern spin on the V610 Complimiter. While the V610 is a near-identical recreation of the classic Model 610 Complimenter by Spectra Sonics, the C610 offers updated features like higher bandwidth Cinemag transformers, external power supply, selectable input padding and more.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMODEL 610 COMPLIMITER\u003c\/h3\u003e  \u003cp\u003eAs its name implies, the C610 Complimiter can be used as a compressor or a peak limiter—either separately or simultaneously. Peak limiting mode lets you stealthily remove transient peaks. Mode 2 offers peak limiting with limited compression, which applies mild compression in addition to removing peaks. In compression-only mode, gain reduction is constantly applied for smooth, subtle gain reduction.\u003c\/p\u003e  \u003cp\u003eAfter it was originally released in 1969, the Model 610 Complimiter quickly earned a reputation as the fastest, quietest, and most versatile analog dynamics processor on the market. Now, over 50 years later, the Spectra 1964 Model C610 Complimiter delivers the same iconic tone and versatility with a number of major improvements.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eC610 COMPLIMITER\u003c\/h3\u003e  \u003cp\u003eThe C610 utilizes the 601 compressor\/limiter module, with a 101 Preamplifier for make-up gain. Ideal for tracking, bus processing, and mastering, the Spectra 1964 C610 Complimiter puts the limitless tone-shaping capabilities of the Model 610 Complimiter at your fingertips.\u003c\/p\u003e  \u003cp\u003eFeaturing an updated design, the C610 offers lower distortion, less noise, and improved output levels. High resolution detented controls make dialing in the perfect tone quick and easy. The slope control can be used to dial in the compression ratio, while the release time allows you to dial in lighting-fast peak-limiting, soft and slow compression, or anything in between. The new C610 Complimiter also features a dedicated input pad for proper gain staging.\u003c\/p\u003e","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":44451097804903,"sku":"214952","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spectra-1964-model-c610-complimiter-c61001135-used_214952_1_46e665fc-520c-4f1b-9190-594f63bfcc83.jpg?v=1787095828"}],"url":"https:\/\/vintageking.mom\/collections\/spectra-1964.oembed","provider":"Vintage King","version":"1.0","type":"link"}