{"title":"Microphone Deals","description":null,"products":[{"product_id":"aea-a440-ribbon-microphone","title":"AEA A440 Active Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA A440\u003c\/strong\u003e is a preamp-flexible, Phantom-powered version of the R44 with 18 dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the \"X\" motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18 dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt the low frequency end the A440 delivers bass with effortless authority. It has a flat frequency response and holds an accurate figure-eight polar pattern down to 20 Hz. The A440 has a smooth and articulate midrange, and at the high end, transients are quick and detailed without hard edges.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE LEGENDARY BIG RIBBON SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe AEA A440 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, it bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the A440 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218429031,"sku":"9621","price":6299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea-a440-mic-23_9621_1_1_46223855-8446-471b-90a1-2ba92c4f6667.jpg?v=1787088188"},{"product_id":"aea-r44c","title":"AEA R44C Bi-Directional Ribbon Microphone","description":"\u003cp\u003eThe R44 is one of those rare mics that has remained relatively unchanged from its inception, and still sounds great some 75 years later. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers who designed and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B\/BX design to its original specifications, just as it was in the 1930s.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the RCA 44 born from years of experience are built to RCA specifications and The R44C is an exact replica of the RCA 44 born from years of experience with RCA repairs. All components are built to RCA specifications and the sonic quality is entirely true to the original. To record with an AEA R44C is to participate in the legacy of the most iconic ribbon mic in music history. the original. To record with an AEA R44C is to participate in the legacy of the most iconic ribbon\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVINTAGE STYLE AND SOUND\u003c\/h3\u003e\r\n\u003cp\u003eRCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B\/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA 44's through the 90's, the availability of this wonderful ribbon mic to the studio was greatly endangered.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eBUILT FROM ORIGINAL RCA-STOCK RIBBON\u003c\/h3\u003e\r\n\u003cp\u003eThe 44 was RCA's best microphone from the 1930s into the '50s. Is AEA's R44 that good? Both listeners and measurements say that the R44 is better and AEA has been listening to both users and ex-RCA engineers for over 25 years. They start by using only ribbon material originally manufactured for RCA. This is the best way to ensure that AEA's R44 ribbon mics are as close as humanly possible to vintage RCA 44s.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIMPLEMENTS THE BEST OF VINTAGE DESIGN WITH MODERN TOUCHES\u003c\/h3\u003e\r\n\u003cp\u003eNext, they use modern magnet technology which is much more robust than period magnets. AEA also combined the original American undamped ribbon design with the British RCA 44 innovations that lower the weight and hum sensitivity. The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones are smaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today's ribbon microphones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining in continuous studio use. It is different, and its sound is unique.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eGREAT FOR A VARIETY OF USES\u003c\/h3\u003e\r\n\u003cp\u003eThe R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularly likes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds they sound good anywhere: brass, woodwinds, percussion, strings or voice work.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218494567,"sku":"99","price":4229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44c_zoom.jpg?v=1787088188"},{"product_id":"akg-c-214","title":"AKG C214 Side Address Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C214\u003c\/strong\u003e large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eDESIGNED FOR A RANGE OF SOURCES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike the C414 models, the C214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch—all in an elegant but rugged package. Besides, the C214 will also work on low phantom power voltages from 12 up to 48 volts.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eADDITIONAL FEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe C214 includes an integrated suspension to reduce mechanical noise and vibration from stage. A double mesh grill provides high RF immunity without affecting acoustics. Its roadworthy design features an all-metal die-cast body with shock- and scratch-resistant finish. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218691175,"sku":"10794","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c-214_10794_1_b41a6abe-32a0-4742-a2cd-8f66992759eb.jpg?v=1787088189"},{"product_id":"akg-c-414-xl-ii","title":"AKG C 414 XL II Large Diaphragm Studio Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C414 XLII\u003c\/strong\u003e is a multi-pattern condenser microphone offering a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218723943,"sku":"13197","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c414_xl_ii.jpg?v=1787088189"},{"product_id":"akg-c-414-xl-ii-st","title":"AKG C 414 XL II\/ST Studio Condenser Mic - Matched Pair","description":"\u003cp\u003e\u003cspan class=\"MainText\"\u003eRealistic stereo recordings require microphones with outstanding performance and excellent quality.  They also require performance consistency and accurate localisation from the pair of microphones.  Therefore, every factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method.  The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"MainText\"\u003e\u003cbr\u003e\r\n\u003cp\u003eThe matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode.  The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.\u003cbr\u003e\u003cbr\u003eUsing this matched pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama. \u003cbr\u003e \u003cimg src=\"https:\/\/vintageking.mom\/site\/files\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"20\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218756711,"sku":"13199","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c-414xl2-st-23_13199_1_1.jpg?v=1787088189"},{"product_id":"akg-c-414-xls","title":"AKG C 414 XLS Large Diaphragm Studio Condenser Microphone","description":"\u003cp\u003e\u003cspan class=\"MainText\"\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAKG C 414\u003c\/span\u003e needs no introduction – it is a tool found in most recording studios and has been used on thousands of hit records; it’s been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.\u003cbr\u003e\u003cbr\u003eFor over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance.  The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.\u003cbr\u003e\u003cbr\u003eThe new models C 414 XLS and C 414 XL II offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use.  A Peak Hold LED displays even shortest overload peaks.\u003cbr\u003e\u003cbr\u003eThe C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model.  Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades.  Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components.\u003cbr\u003e\u003cbr\u003eThe C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount. \u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNine selectable pickup patterns enable to choose the perfect setting for every application\u003c\/li\u003e\r\n\u003cli\u003eLock Mode: all controls can be disabled easily for trouble-free use\u003c\/li\u003e\r\n\u003cli\u003ePeak hold LED even detects shortest overload peaks\u003c\/li\u003e\r\n\u003cli\u003eIncredible dynamic range of 152 dB\u003c\/li\u003e\r\n\u003cli\u003eThree switchable different bass cut filters and three pre-attenuation levels\u003c\/li\u003e\r\n\u003cli\u003eLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture\u003c\/li\u003e\r\n\u003cli\u003eDesigned, engineered and built in Vienna, Austria\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218789479,"sku":"13179","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c414_xls.jpg?v=1787088189"},{"product_id":"akg-c-414-xls-st","title":"AKG C 414 XLS\/ST Studio Condenser Mic - Matched Pair","description":"\u003cp\u003eRealistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localization from the pair of microphones. Therefore, every factory-matched pair of the \u003cstrong\u003eAKG C 414 XLS\u003c\/strong\u003e has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\r\n\u003cp\u003eThe matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode. The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing this matched pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218822247,"sku":"13196","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c-414-xls-st-pair.jpg?v=1787088190"},{"product_id":"beyerdynamic-mc-930-stereo-set","title":"beyerdynamic MC 930 Cardioid Condenser Mic - Stereo Set","description":"\u003cp\u003eThis high-quality, universal condenser microphone features an exceptional price\/performance ratio.  Features of the \u003cstrong\u003eMC 930\u003c\/strong\u003e are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB.\u003cspan\u003e  The MC 930 is suitable for miking choirs, orchestras and solo instruments.  Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels.  The switchable bass roll-off filter with 6 dB\/Octave at 250 Hz compensates for proximity effects.  With the WS 101 wind screen the MC 930 can be used for vocal applications and speech.  The MC 930 is phantom powered (11 - 52 V) and is suitable for live applications and installations.  Due to its cardioid polar pattern, the MC 930 has a high-gain-before feedback and eliminates noise from the rear.  It is not only a first-class tool for studios, but also for sound contracting systems, where excellent sound and maximum gain-before-feedback is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e Studio, home recording, live applications, vocals, choirs, overhead, instruments\u003c\/span\u003e\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449220755559,"sku":"5830","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyerdynamic_mc930_stereo.jpg?v=1787088195"},{"product_id":"earthworks-sr30","title":"Earthworks SR30 Cardioid Instrument Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks SR30\u003c\/strong\u003e is a multi-purpose cardioid condenser microphone designed for instrument miking in live performance and studio recording environments.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA natural performer, the SR30 delivers a transparent, true to life sound no matter what the instrument. Sonic timbre and frequency response stay uniform across the entire front of the microphone capsule, helping capture the true character of your instrument.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement and ensuring more gain before feedback. With over 30dB of off-axis rejection, the SR30 is ideally suited for capturing audio in highly ambient environments and near monitor speakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a lighting fast transient response, the SR30 handles sharp attacks with ease, while still capture all of the subtle nuances and softest dynamics of your playing. With an SPL rating of 139 dB, the SR30 delivers exceptional reproduction of without distortion. Ideal for acoustic string instruments, brass, woodwinds, piano and drums.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449223671911,"sku":"5776","price":608.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-sr30_5776_1.jpg?v=1787088209"},{"product_id":"peluso-microphone-lab-22-251","title":"Peluso Microphone Lab 22 251 Tube Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso 22 251\u003c\/strong\u003e is styled after one of the world's rarest and most coveted microphones. It captures the nuances of the vintage \"251\" sound. The Peluso 22 251 employs a dual sided edge-terminated 34mm gold-coated Mylar capsule and a 5744WB subminiature glass triode tube. The circuitry and transformer have been designed to match the vintage \"251.\" Whether you're micing snare drums or steel guitars, violins or vocals, the 22 251 will provide great results.\u003c\/p\u003e\r\n\u003cp\u003eThe 22 251 is paired with the Peluso MX-56 power supply. The dual sided capsule in the 22 251 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight.\u003c\/p\u003e\r\n\u003cp\u003eThe 22 251 features our heavy-duty 8-pin screw on cable connector. The large diameter pins in the screw on connector give a tight and secure cable connection designed to perform for a lifetime of use.\u003c\/p\u003e\r\n\u003cp\u003eAcoustically matched pairs available upon special request.\u003c\/p\u003e\r\n\u003cp\u003eMicrophone kit comes as a complete system including: 22 251 microphone in a wood box, MX-56 power supply, new-style 8-pin screw on cable assembly, and a shock mount all packed in a flight case.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCapsule Type: condenser pressure gradient w\/ 34mm edge-terminated capsule\u003c\/li\u003e\r\n\u003cli\u003eFrequency Range: 20Hz \/ 24kHz\u003c\/li\u003e\r\n\u003cli\u003ePolar Pattern: 9 - switchable from omni- to bi-directional\u003c\/li\u003e\r\n\u003cli\u003eSensitivity: 14 mv\/pa\u003c\/li\u003e\r\n\u003cli\u003eImpedance: 50\/200 ohms\u003c\/li\u003e\r\n\u003cli\u003eSPL: 142 dB \u003c\/li\u003e\r\n\u003cli\u003eEquivalent Noise: 12 dB (A)\u003c\/li\u003e\r\n\u003cli\u003eTube Type: 5744WB \u003c\/li\u003e\r\n\u003cli\u003ePower Requirements: dedicated power supply, 115V or 230V AC\u003c\/li\u003e\r\n\u003cli\u003eSize: 52mm x 225 mm \u003c\/li\u003e\r\n\u003cli\u003eWeight: 620 g\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231306855,"sku":"9758","price":1599.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso-22-251-22_9758_1.jpg?v=1787088232"},{"product_id":"peluso-microphone-lab-22-47-le","title":"Peluso Microphone Lab 22 47 LE - Limited Edition","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso 22 47 LE\u003c\/strong\u003e is a large diaphragm condenser microphone styled after the legendary \"Neumann U-47.\" The Peluso 22 47 LE is equipped with a vintage German 'EF' style steel tube (Stahlröhren) manufactured between the 1940s and the 1960s. These vintage tubes are thoroughly tested and fully covered by our 3 year warranty. With nearly identical specifications, this tube provides the same sonic qualities as the original U-47's VF14 tube. This vintage tube provides the Peluso 22 47 LE with the true vintage sound connoisseurs crave. Professional engineers enjoy great success with the 22 47 LE for a wide range of applications from male and female vocals to acoustic guitar to tenor sax. There are countless applications for this versatile microphone. The \"47\" is known for its clear sound while capturing low frequency nuances with smooth mid range and balanced high end. Connoisseurs will be proud to have a genuine vintage tube paired with a brand new capsule of the highest quality and components built to the specifications of the vintage equipment. \u003c\/p\u003e\n\u003cp\u003eOur 22 47 LE has the additional feature of 9 polar patterns, controlled from the power supply. It captures the low frequency nuances of the original U-47 with smooth mids and balanced highs.\u003c\/p\u003e\n\u003cp\u003eThe microphone comes as a complete system including: 22 47 LE Microphone in a wood box, power supply, new-style 8-pin screw on cable assembly and a shock mount, all packed in a flight case.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eType: condenser pressure gradient w\/ 34mm capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrequency Range: 20Hz\/22kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolar Pattern: 9 - switchable from omni- to bi-directional\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSensitivity: 12 mv\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpedance: 200 ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSPL: 140 db\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEquivalent Noise: 16 db (A-weighted)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTube Type: EF Stahlröhren (steel tube)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower Requirements: dedicated power supply\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize: 58mm x 235 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 855 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eComparing the 22 47, 22 47 LE and 22 47 SE:\u003c\/h4\u003e\n\u003cp\u003eAll of the microphones in our 22 47 line are styled after the vintage Neumann U-47. This legendary microphone, manufactured in the 1950s and 60s, was revered for its clear sound, smooth and warm mid range, balanced high end and great body. The U-47 was used extensively during the recordings of the Beatles music and has continued to be used in countless well-known recordings since. Neumann discontinued production of this model when Telefunken ceased production of its key component, the metal VF 14 tube. Our 22 47 LE model is supplied with a German vintage tube from this era. We have worked for years to acquire a supply of these rare tubes. We are proud to offer a microphone with this true vintage tube. With our 22 47 SE model we are able to offer the same sonic quality with an American style metal tube. These tubes are available to us in larger quantities. This allows us to provide the sonic qualities of a \"47\" microphone with a lower price. The only discernible difference in sound between these two models is a 2 dB quieter noise floor on the SE model. The Peluso 22 47 model is based on a modification to the original U-47 for German Radio broadcast standards in the 1970s incorporating a glass triode tube. Carefully selected components, thorough testing, and attention to detail all come together making these some of our most popular microphones.\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231274087,"sku":"9757","price":2559.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_22_47_le_kit_d05ffc56-ca86-4c90-b4f6-5398bb15333e.jpg?v=1787088232"},{"product_id":"peluso-microphone-lab-2247-se-standard-edition","title":"Peluso Microphone Lab 22 47 SE - Standard Edition","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso Microphone Lab 22 47 SE\u003c\/strong\u003e is a large diaphragm condenser microphone styled after the legendary U-47. To achieve the distinctive \"47\" sound, Peluso uses the 6SJ7 American style steel tube which provides the same sonic quality as the VF14. With nearly identical specifications, the only discernible difference between these two tubes is a 2 dB quieter noise floor on the 5693\/6SJ7. These tubes are thoroughly tested and fully covered by a 3-year warranty.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional engineers enjoy great success with the 22 47 SE when used in a wide range of applications from male and female vocals to acoustic guitar to tenor sax. Renowned for its clear sound while capturing the low-frequency nuances of the original U-47, the 227 47 SE features smooth midrange and balanced high-end. Engineers will be proud to have a hand built microphone with the sound of a genuine U-47.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 22 47 SE is paired with the Peluso MX-56 power supply. The dual-sided capsule in the 22 47 SE enable the power supply to feature 9 polar patterns in an array from omnidirectional to cardioid to figure eight.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 22 47 SE features a heavy-duty 8-pin screw-on cable connector. The large diameter pins in the screw on connector give a tight and secure cable connection designed to perform for a lifetime of use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis microphone kit comes as a complete system including the 22 47 SE Microphone in a wood box, power supply, new-style 8-pin screw on cable assembly, and a shock mount, all packed in a flight case.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCapsule Type: condenser pressure gradient w\/ 34mm capsule\u003c\/li\u003e\r\n\u003cli\u003eFrequency Range: 20 Hz - 22 kHz\u003c\/li\u003e\r\n\u003cli\u003ePolar Pattern: 9 switchable from omni to bi-directional\u003c\/li\u003e\r\n\u003cli\u003eSensitivity: 12 mV\/Pa\u003c\/li\u003e\r\n\u003cli\u003eImpedance: 200 Ohms\u003c\/li\u003e\r\n\u003cli\u003eSPL: 140 db\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Noise: 14 dB(A)\u003c\/li\u003e\r\n\u003cli\u003eTube Type: 5693\/6SJ7\u003c\/li\u003e\r\n\u003cli\u003ePower Requirements: dedicated power supply, 115V or 230V AC\u003c\/li\u003e\r\n\u003cli\u003eSize: 59.5 mm x 235 mm\u003c\/li\u003e\r\n\u003cli\u003eWeight: 855 g\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eComparing the 22 47, 22 47 LE and 22 47 SE:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll of the microphones in Peluso's 22 47 line are styled after the vintage Neumann U-47. This legendary microphone, manufactured in the 1950s and 60s, was revered for its clear sound, smooth and warm midrange, balanced high end and great body. The U-47 was used extensively during the recordings of the Beatles music and has continued to be used in countless well-known recordings since. Neumann discontinued production of this model when Telefunken ceased production of its key component, the metal VF 14 tube.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTHE 22 47 LE model is supplied with a German vintage tube from this era. Peluso has worked for years to acquire a supply of these rare tubes. They are proud to offer a microphone with this true vintage tube. With the 22 47 SE model Peluso are able to offer the same sonic quality with an American style metal tube. These tubes are available in larger quantities. This allows for a microphone featuring the sonic qualities of a \"47\" microphone at a lower price. The only discernible difference in sound between these two models is a 2 dB quieter noise floor on the SE model.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Peluso 22 47 model is based on a modification to the original U-47 for German Radio broadcast standards in the 1970s incorporating a glass triode tube. Carefully selected components, thorough testing, and attention to detail all come together making these some of the most popular microphones.\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231339623,"sku":"9760","price":1999.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_22_47_se_set.jpg?v=1787088232"},{"product_id":"peluso-microphone-lab-cemc6","title":"Peluso Microphone Lab CEMC-6 Pencil Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso CEMC-6\u003c\/strong\u003e is a solid-state small diaphragm condenser microphone. The CEMC-6 ships with a fixed cardioid pattern capsule with a 20mm gold sputtered diaphragm. The capsule is easily swapped with additional capsules (not included) that provide omni-directional, cardioid, wide cardioid or hyper-cardioid patterns. The CECM-6 features a 10 dB and 20dB pad switch and a two-position high pass filter with 75hz and 150hz settings. This is a very versatile microphone used in the studio for vocals and acoustic instruments to drum overheads. For the remote recorder this is a great mic for orchestras and live audience tapers. You'll always get great results from one of the most versatile, best sounding small diaphragm mics on the market.\u003c\/p\u003e\n\u003cp\u003eAdditional capsules with omni-directional, cardioid, wide cardioid and hyper-cardioid patterns available.\u003c\/p\u003e\n\u003cp\u003eAcoustically matched pairs available with our Stereo Kit.\u003c\/p\u003e\n\u003cp\u003eThe single CEMC-6 ships with a hard mount. The Peluso small diameter shock mount is available separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements: Important\u003c\/strong\u003e - This unit requires phantom power at 48 volts, +\/- 4 volts. Each unit has been thoroughly checked before shipping, so if you hear no sound, check the cables, and that the phantom power on your mixer or separate power supply is switched on. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eType: condenser pressure gradient w\/ 20mm capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrequency Range: 19Hz\/25kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolar Pattern: cardioid w\/ removable capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSensitivity: 10 mv\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpedance: 200 ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSPL: 156 dB w\/ 20dB pad switch engaged\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEquivalent Noise: 14 dB(A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower Requirements: phantom - 48v ± 4v\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurrent Consumption: \u0026lt; 3.0 MA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize: 22mm x 164mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 134\u003c\/span\u003e\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231405159,"sku":"9792","price":359.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_cemc_6_box.jpg?v=1787088233"},{"product_id":"peluso-microphone-lab-cemc6-stereo-kit","title":"Peluso Microphone Lab CEMC-6 Pencil Condenser Mic Stereo Kit","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso CEMC-6\u003c\/strong\u003e is a solid-state small diaphragm condenser microphone. The CEMC-6 ships with a fixed cardioid pattern capsule with a 20mm gold sputtered diaphragm. The capsule is easily swapped with additional capsules (not included) that provide omni-directional, cardioid, wide cardioid, or hyper-cardioid patterns. The CECM-6 features a 10 dB and 20dB pad switch and a two-position high pass filter with 75hz and 150hz settings. This is a very versatile microphone used in the studio for vocals and acoustic instruments to drum overheads. For the remote recorder this is a great mic for orchestras and live audience tapers. You'll always get great results from one of the most versatile, best sounding small diaphragm mics on the market.\u003c\/p\u003e\n\u003cp\u003eThis kit features a pair of acoustically matched CEMC-6 microphones. We individually test and graph the frequency response for every microphone we make. Stereo matched pairs are hand selected to have identical frequency responses across the audible spectrum (±1dB).\u003c\/p\u003e\n\u003cp\u003eAdditional capsules with omni-directional, cardioid, wide cardioid, and hyper-cardioid patterns available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements: Important\u003c\/strong\u003e - This unit requires phantom power at 48 volts, +\/- 4 volts. Each unit has been thoroughly checked before shipping, so if you hear no sound, check the cables, and that the phantom power on your mixer or separate power supply is switched on. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eType: condenser pressure gradient w\/ 20mm capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrequency Range: 19Hz\/25kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolar Pattern: cardioid w\/ removable capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSensitivity: 10 mv\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpedance: 200 ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSPL: 156 dB w\/ 20dB pad switch engaged\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEquivalent Noise: 14 dB(A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower Requirements: phantom - 48v ± 4v\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurrent Consumption: \u0026lt; 3.0 MA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize: 22mm x 164mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 134 g \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231470695,"sku":"9793","price":679.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/1peluso-cemc-6_9793_1_f70ce043-1a3a-4231-8e68-307b28fb9dfe.jpg?v=1787088233"},{"product_id":"peluso-microphone-lab-p12","title":"Peluso Microphone Lab P-12 Multi-Pattern Tube Condenser Mic","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso Microphone Lab P-12 Tube Microphone\u003c\/strong\u003e is styled after AKG's legendary vintage C12 microphone. Produced from 1953 to 1963, the C12 was revered by engineers for its beautiful vocal quality. The P-12 employs a dual sided edge terminated 34 mm gold-coated mylar capsule and a 6072A glass triode tube. The circuitry and transformer have been designed to match the vintage C12. Carefully selected components, thorough testing and attention to detail all come together in this beautiful full-bodied classic tube microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe P-12 is paired with the Peluso MX-56 power supply. The dual sided capsule in the P12 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe P-12 features a heavy-duty 8-pin screw-on cable connector. The large diameter pins in the screw on connector give a tight and secure cable connection designed to perform for a lifetime of use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTis microphone kit comes as a complete system including the P-12 Microphone in a wood box, MX-56 power supply, new-style 8-pin screw on cable assembly and a shock mount, all packed in a flight case.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCapsule Type: condenser pressure gradient with 34 mm edge-terminated capsule\u003c\/li\u003e\r\n\u003cli\u003eFrequency Range: 20 Hz - 24 kHz\u003c\/li\u003e\r\n\u003cli\u003ePolar Pattern: 9-switchable from omni- to bi-directional\u003c\/li\u003e\r\n\u003cli\u003eSensitivity: 11 mV\/Pa\u003c\/li\u003e\r\n\u003cli\u003eImpedance: 200 Ohms\u003c\/li\u003e\r\n\u003cli\u003eSPL: 138 dB\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Noise: 15 dB(A)\u003c\/li\u003e\r\n\u003cli\u003eTube Type: 6072A-M\u003c\/li\u003e\r\n\u003cli\u003ePower Requirements: dedicated power supply, 115 V or 230 V AC\u003c\/li\u003e\r\n\u003cli\u003eSize: 45 mm x 240 mm\u003c\/li\u003e\r\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231437927,"sku":"9759","price":1599.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_p_12_kit_f3e01777-3c56-48d3-a9d0-b8815f5acb35.jpg?v=1787088233"},{"product_id":"peluso-microphone-lab-p-28","title":"Peluso Microphone Lab P-28 Cardioid Tube Condenser Mic","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso P-28\u003c\/strong\u003e is a fixed cardioid small diaphragm tube condenser microphone inspired by the legendary pencil vacuum tube microphones by AKG and Neumann. It has an extremely low noise floor for modern digital recording. Featuring a warm rich tone, capturing the low frequency detail and high frequency air of the classics. Beautiful on acoustic guitar, drum overheads, piano, voice and more. \u003cbr\u003e\u003cbr\u003eThe P-28 features our heavy-duty 8-pin screw on cable connector. The large diameter pins in the screw on connector give a tight and secure cable connection designed to perform for a lifetime of use.\u003c\/p\u003e\n\u003cp class=\"paragraph_text\"\u003eAcoustically matched pairs available upon special request. \u003cbr\u003eOmni-directional capsules available upon special request.\u003c\/p\u003e\n\u003cp class=\"paragraph_text\"\u003eThe microphone comes as a complete system including: P-28 Microphone in a wood box, power supply, new-style 8-pin screw on cable assembly and a shock mount, all packed in a flight case. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: condenser pressure gradient w\/ 18mm edge-terminated capsule\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20Hz\/24kHz\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: cardioid \u003c\/li\u003e\n\u003cli\u003eSensitivity: 11 mv\/pa\u003c\/li\u003e\n\u003cli\u003eImpedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eSPL: 141 dB \u003c\/li\u003e\n\u003cli\u003eEquivalent Noise: 15 dB(A)\u003c\/li\u003e\n\u003cli\u003eTube Type: EF 732\u003c\/li\u003e\n\u003cli\u003ePower Requirements: dedicated power supply, 115V or 230V \u003c\/li\u003e\n\u003cli\u003eSize: 28mm x 184 mm \u003c\/li\u003e\n\u003cli\u003eWeight: 300 g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231503463,"sku":"9787","price":1039.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_p_28_kit.jpg?v=1787088234"},{"product_id":"peluso-microphone-lab-r-14","title":"Peluso Microphone Lab R 14 Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso R 14 Ribbon Microphone\u003c\/strong\u003e is a passive ribbon microphone. Our R 14 employs a thin corrugated aluminum ribbon tensioned between two rare earth neodymium magnets. It uses the long-ribbon geometry of classic ribbon microphones of the 1930s. The R 14 sound is rich, warm and silky smooth with generous low end, and this mic is known to take EQ very nicely. The natural sound of the R 14 Ribbon Microphone is the perfect complement to the condensers in your microphone collection. \u003c\/p\u003e\n\u003cp\u003eRemember never blow into a ribbon microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe microphone comes as a complete system including: R 14 Microphone in a wood box and a shock mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eType: ribbon-velocity studio microphone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOperating Principle: electrodynamic pressure gradient\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMagnets: rare earth neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrequency Range: 30Hz\/16kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolar Pattern: figure 8 (bi-directional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSensitivity: \u0026gt; -52 dBV re: 1v\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpedance: 200 ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSPL: 149 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEquivalent Noise: 0 dB(A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower Requirements: none required or recommended\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize: 36mm x 176 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 496g\u003c\/span\u003e\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231536231,"sku":"9789","price":559.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_r_14_kit_1.jpg?v=1787088234"},{"product_id":"peluso-microphone-lab-sr-14","title":"Peluso Microphone Lab SR 14 Stereo Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso SR 14\u003c\/strong\u003e is a stereo version of the R 14 passive ribbon microphone. The SR 14 employs a fixed lower head and upper head with a 90° swivel. It comes with a stereo matrix allowing three channel stereo mode or AB mode. The SR 14 sound is rich, warm and silky smooth with generous low end, and it is known to take EQ very nicely. 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This unique design allows the TR 14 to handle low-level sources and long cable runs transparently without the need for high gain pre amps. The TR 14 provides enhanced gain and added harmonic complexity to the rich, warm and silky smooth sound of a ribbon microphone. 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It is extremely thin at less than 3\/4” and fits neatly in the palm of your hand.\u003cbr\u003e\u003cbr\u003eSpecifications:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz-20KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 14.1mv\/pa-37db ± 1dB\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid, Figure 8, Omni, supercardioid\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 50 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 17dB(A weighted)\u003c\/li\u003e\n\u003cli\u003eMax SPL for 0.5% THD@1000Hz: 130dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: Phantom power 48V±4V\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin\u003c\/li\u003e\n\u003c\/ul\u003esE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting.\u003cbr\u003e\u003cbr\u003eFinally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.\u003cbr\u003e\u003cbr\u003eIt comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. 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It is used on stages and in studios around the world. The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eBRIGHT AND CLEAN SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM57 features a distinct frequency and presence boost. This presence boost offers crispness to drums and clarity to guitar amps. A snare crack. An arpeggiated chord. A powerful saxophone solo. 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With\r\nthe classic cardioid polar pattern, and nearly flat frequency response, SM7 series microphones\r\nhave been a top choice for rock vocals, broadcasting, electric guitar cabinets, and drums, for\r\ndecades.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe SM7B includes a custom yoke shock mount and captive stand nut, allowing easy installation in\r\nany broadcast or studio environment. The standard A7WS windscreen now ships with SM7B,\r\nand is removable for a more intimate recording. A close-talk windscreen is also included for\r\nbroadcast or voice over.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe SM7B is built tough, but has a thin, flexible diaphragm, and three times as many turns of wire\r\non its voice coil than the SM57\/SM58, providing a very wide-range frequency response of 50 Hz\r\n- 20 kHz. Independent high pass filter, and mid-range\/presence boost switches, allow you to\r\ncustomize the SM7B for any style of recording. With improved shielding, and air suspension\r\nshock isolation, you can easily prevent unwanted noise of electromagnetic hum from neon\r\nlighting, computer monitors, phone chargers, or other electrical devices in your recording\r\nspace. SM7B is a mic locker staple in nearly every broadcast facility and recording studio\r\naround the world.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":44449235042407,"sku":"718","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shure-sm7b_718_1.jpg?v=1787088249"},{"product_id":"shure-sm81-lc","title":"Shure SM81 Cardioid Condenser Instrument Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eShure SM81 \u003c\/strong\u003eis a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. 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Its supercardioid polar pattern rejects bleed from other instruments and reflections in the room while retaining matchless top-end clarity. As the brightest mic in the AEA line, it retains the full spectrum sonic range that has made ribbon mics a staple in most of the world’s great recording studios. The KU4’s minimal proximity effect and accented mid-range make it an exceptional vocal mic that captures the presence and detail of a performance. Its near-field nature also lends to the close range recording of kick drums, strings, and woodwinds, providing a welcome brightness and balance in the mix.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTHE NEAR-FIELD SUPERCARDIOID\u003c\/h3\u003e  \u003cp\u003eThe KU4’s supercardioid polar pattern enables it to capture direct sound from a vocalist or instrument without room tone. This is an advantage when tracking musicians live in the same room or when used live on stage. With most figure-of-eight patterned ribbons, mic positioning can require a finesse to avoid other sources using the microphone’s nulls. The KU4 has none of these limitations.\u003c\/p\u003e  \u003cp\u003eBeing a near-field ribbon microphone, the microphone was designed to be positioned between one and 18 inches from the source. The mic’s proximity effect kicks in six inches away from the sound source. It can be placed close to an instrument while retaining a balanced frequency response. Unlike most traditional ribbon mics, think the KU4’s placement should be thought in terms of inches instead of feet. Of course, the KU4 can also be positioned at some distance from the sound source. It will just have a more balanced sound from up close. The KU4 can handle 140+ dB SPL at 1 kHz. That means it will not be hurt by loud sound sources.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eAN ALTERNATIVE TO SIBILANT CONDENSERS\u003c\/h3\u003e  \u003cp\u003eAfter getting used to bright condenser microphones, sometimes traditional ribbon mics sound darker than desired. The KU4, with its unique bright character, has the best elements of both condensers and ribbons– specifically, a smooth midrange that doesn’t accentuate sibilance in the same way that condensers often do. The mic’s supercardioid polar pattern, bright voicing, and near-field design offer the flexibility to use it in the exact same way as a condenser. This problem-solving microphone can be used in virtually any recording situation.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eA REINVENTION OF A CLASSIC MOTION PICTURE MICROPHONE\u003c\/h3\u003e  \u003cp\u003eThe KU4 is a redesign of the legendary RCA KU3A, a unidirectional microphone originally designed for boom use in Hollywood motion picture studios. It was RCA’s most expensive ribbon microphone and fewer than 600 units were ever manufactured. The KU3A combined the smooth ribbon sound of the classic RCA 44 with a unidirectional pattern, a wide sweet spot, and reduced proximity bass boost. It expanded the engineer’s range of placement choices and became a standard at film studios throughout the world.\u003c\/p\u003e  \u003cp\u003eToday, the KU3A is a rare collector’s item and only a handful of studios or rental houses own them. Original KU3As are notorious for their sonic inconsistencies due to production tolerances that included the use of the thick hair of English cows as a damping material. AEA engineered the KU4 from the ground up in order to recreate this seminal design while ensuring flawless consistency from unit to unit.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449344061543,"sku":"16365","price":5624.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_ku4_1_zoom.jpg?v=1787088636"},{"product_id":"beesneez-arabella-tube-mic","title":"BeesNeez Arabella Tube Mic","description":"\u003cp\u003eThe \u003cstrong\u003eBeesNeez Arabella\u003c\/strong\u003e has been designed from the ground up, not to be a clone microphone. It does share lineage with a few classics, namely the Neumann U47 and M49 and has been designed to take the best of each to make an extremely versatile microphone.\u003cbr\u003e\u003cbr\u003eThe Arabella is the third Tube microphone designed and released by BeesNeez.  Not being a clone manufacturer, we wanted to create something different; we wanted to capture the essence of of the venerable U47\/U48 with the versatility and build quality of the M49.  How did we do it?  The answer is simple.  Take only the best materials (bronze and Brass), NOS European steel Vacuum Tubes, Paper in oil and foil film Capacitors, American made resistors that have been designed for use in medical imaging add to this a hybrid capsule that captures the sound of the M7 with the stability and repeatability of the K47 mixed with over 1000 hours in R\u0026amp;D and last but certainly not least, build the entire microphone in our factory including the ENTIRE power supply.\u003cbr\u003e\u003cbr\u003eThe Arabella met and in many cases exceeded every expectation that we set out to achieve in the beginning. Sonically we wanted to create a microphone that had a sense of cochlear linearity ie; hears and creates an amplified analogy of what we hear.  The Arabella is a great classic sounding microphone that is a real goto, great for male and female vocals, natural sounding rooms and can take a real beating on drums or amp cabs.  Often when we are asked what the Arabella sounds like we say “It’s like a mansion with the entire front wall missing, open and huge with a classic expensive sound”.  As always, the Arabella is back by our all inclusive warranty and our money back guarantee “if you’re not absolutely floored by the performance and sound of the mic you can swap or return it for a full refund”.\u003cbr\u003e\u003cbr\u003eThe Arabella features our dual lapped K7 capsule, European Steel tube, Cinemag 2461NICO transformer and 9 polar patterns.\u003cbr\u003e\u003cbr\u003eThe Arabella comes with a hand built power supply, Gotham GA7C microphone cable, 60 mm suspension mount and carry case.\u003c\/p\u003e","brand":"BeesNeez Microphones","offers":[{"title":"Default Title","offer_id":44449345208423,"sku":"16472","price":3186.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beesneez_arabella.jpg?v=1787088641"},{"product_id":"beesneez-phelicity-tube-mic","title":"BeesNeez Phelicity Tube Mic","description":"\u003cp\u003eThe \u003cstrong\u003eBeesNeez Phelicity\u003c\/strong\u003e has a dual backplate edge terminated capsule that gives it a pristine top end.  The tube we use in the Phelicity is a NOS Mullard glass tube.  We particularly like this tube due to it's low noise floor and great sound.  The Phelicity features a single lapped K12 capsule with beveled blind holes, a CV Series Mullard RAF NOS tube, Cinemag 2461 NiCo transformer, and 9 polar patters.  The Phelicity comes with a hand built power supply, Gotham GA7C microphone cable, 51 mm suspension mount and carry case.\u003c\/p\u003e","brand":"BeesNeez Microphones","offers":[{"title":"Default Title","offer_id":44449345568871,"sku":"16488","price":3186.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beesneez_phelicity.jpg?v=1787088642"},{"product_id":"aea-r44ce-ribbon-microphone","title":"AEA R44CE Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA R44CE\u003c\/strong\u003e is an exact replica of the vintage RCA 44BX ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the R44. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE FIRST GREAT MUSIC MICROPHONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year AEA debuted their R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE LEGENDARY BIG RIBBON SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449351729255,"sku":"16156","price":3464.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44ce_50506f81-54d8-4c69-8718-6151b2152b58.jpg?v=1787088664"},{"product_id":"beyerdynamic-m-130-demo-deal","title":"beyerdynamic M 130 (Demo Deal)","description":"beyerdynamic is one of few microphone manufacturers world-wide that \nstill produce ribbon microphones. One of them is the legendary \u003cb\u003ebeyerdynamic M 130\u003c\/b\u003e.\n The M 130's unique double ribbon element has a superb transient \nresponse, creating a highly detailed sound with unequaled accuracy and \ntransparency. The bidirectional figure eight polar pattern effectively \nsuppresses unwanted interference from the sides. The M 130's balanced, \nuncolored sound handles a wide variety of applications. In conjunction \nwith the hypercardioid M 160, the M 130 is ideal for creating an \nauthentic stereo image through the use of the MS- (Mid-Side) technique.\n\u003cbr\u003e\u003cbr\u003e\nThe M 130 gives excellent results when the Mid-Side technique is used to\n record or broadcast a true stereo image. Its rugged Design handles the \ndemands of remote recording\/broadcast sessions as easily as those of the\n studio. Alone, the M 130 allows the recording of background audience \nnoise and concert hall \"ambience\" without unwanted resonances. In the \nrecording studio it is effective with backing vocal groups, percussion \nand mounted toms. The M 130's crisply articulated, uncolored sound is \nwell suited to such demanding audiophile applications as digital and \ndirect-to-disc recording.\n\u003cbr\u003e\u003cbr\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449361363047,"sku":"13884","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyer_dynamic_m130_1.jpg?v=1787088707"},{"product_id":"bock-audio-251-demo-deal","title":"Bock Audio 251 (Demo Deal)","description":"\u003cp\u003eThe vintage 251 is THE vocal sound people ask for, but the original (vintage) versions are 50+ years old and sound very different from one another. Repairing, rebuilding and “nursing” original 251’s along has been David Bock’s work spanning over 30 years. The risk for a modern studio or end user to depend on a vintage mic on a daily basis is increasingly problematic.\u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003eBock 251\u003c\/strong\u003e is David Bock’s answer to the vintage mic dilemma of getting “that sound” without the headaches. It is a premier lead microphone for premier voices. It is built to last and provide the studio and user with many years of daily, high end performance. \u003cbr\u003e\u003cbr\u003e The BOCK 251 provides the user with absolute confidence that this is the mic you put in the most critical situations. The BOCK 251 uses a proprietary hand made German capsule, a proprietary hand wound multi sectioned audio transformer, a NOS tube in the mic amplifier, a hand built outboard power supply and a custom low capacitance audio cable. This is one of the best overall mic packages available on the market at any price. The BOCK 251 is the ideal microphone to choose when there is a variety of applications that must met with absolute top recording quality. With frequency response that extends well beyond the normal range of typical studio microphones, the BOCK 251 sets new standards.\u003cbr\u003e\u003cbr\u003e For vocals, the BOCK 251 instantly delivers that huge vocal sound you have wanted for years. It sounds equally impressive on females and males. It will capture the most intimate and subtle details of a vocal yet maintain integrity at high SPL’s. It holds up track after track, “sitting on top” in extremely dense mixes without EQ. For instruments, the BOCK 251 offers very high end performance on critical stringed instruments, orchestras, choirs and small ensembles. The outstanding transient response reveals elusive harmonic details that spell the difference between good and great in your recordings. \u003cbr\u003e\u003cbr\u003e The BOCK 251 cardioid pattern shuts off the back of the capsule to deliver extraordinary vocals when worked very close. It is recommended to use a pop filter on less experienced vocalists to enable closer working distances to take advantage of the magical proximity effect. There is no low frequency filtering used on a BOCK 251 so you will hear low frequency content you’ve never heard before. \u003cbr\u003e\u003cbr\u003e At distance, the BOCK 251 delivers a level of definition that is amazing. The high end does not fade with distance like so many other condensers and the power and depth of the low end response is a joy to hear. The omni and Figure 8 patterns prove useful in these non-voice applications.\u003c\/p\u003e","brand":"Bock Audio","offers":[{"title":"Default Title","offer_id":44449361526887,"sku":"13613","price":4659.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bock_audio_251_1.jpg?v=1787088708"},{"product_id":"earthworks-pm40-piano-mic-system-demo-deal","title":"Earthworks PM40 Piano Mic System (Demo Deal)","description":"Many have told us that there needed to be a better way to mike a piano for churches, performing arts centers and recording studios. The new \u003cb\u003eEarthworks PianoMic System\u003c\/b\u003e meets all of these needs: \t\u003cul\u003e \u003cli\u003eIncredible High Definition Audio that will outperform any microphones at any price. \u003c\/li\u003e\n\u003cli\u003eCannot be seen from outside of the piano (needs no stands or mic booms) \u003c\/li\u003e\n\u003cli\u003eSuperb sound with the piano lid either up or down \u003c\/li\u003e\n\u003cli\u003eVirtually no leakage from sounds outside the piano \u003c\/li\u003e\n\u003cli\u003eIncredible gain before feedback \u003c\/li\u003e\n\u003cli\u003eRecording studios can now record piano with other instruments in the same room \u003c\/li\u003e\n\u003cli\u003eQuick, Simple and Easy Setup \u003c\/li\u003e\n\u003c\/ul\u003e It all started when sound contractors informed us that they had tried all types of microphones and microphone pickup systems for pianos in churches. They didn’t like the sound they were getting, they didn’t like the microphone stands in front of the piano, they couldn’t get enough sound level before feedback and they were also getting leakage from nearby instruments into the piano microphones. In addition, engineers in recording studios told us how difficult it was to record an acoustic piano in the same room with other instruments. When we let churches and recording studios take the PianoMic prototype for a test drive they were amazed and said it was an absolute winner, hands down! If you have a piano in a church, performing arts center or in a recording studio you too will be amazed when you see and hear the new Earthworks PianoMic™ System featuring Random Incidence High Definition Microphones. \u003cbr\u003e\u003cbr\u003e For recording studios the PianoMic™ System is a dream. You will never again have to spend the time and effort to mike a piano with stands and booms. Just place the PianoMic™ System inside the piano, position the two microphone heads where you want them and you are done. Anytime you want to record the piano, just plug the PianoMic™ System into your mic inputs and you are ready. Never again will recording engineers have to go to great lengths to record an acoustic piano in the same room with other instruments. Historically, they have had to place microphone booms inside the piano, close the piano lid (leaving room for the mic stand booms) then cover the piano and the openings around the mic booms with heavy moving blankets. It is a nightmare. With the PianoMic™ System, you simply close the piano lid (which will now close all the way because there are no mic booms) and you are in business. Leakage is insignificant, and if that’s not good enough, you can now very easily cover the piano with a moving blanket (without having to work around microphone stands and mic booms). Recording studio engineers who have seen and used the PianoMic™ System say the PianoMic is incredible! \u003cbr\u003e\u003cbr\u003e We took the PianoMic™ System into a church that was having piano sound problems: (1) they couldn’t use the piano along with the organ, because the piano microphone went into feedback; (2) they were having problems with leakage from instruments in the orchestra into the piano microphone; (3) they could not get the piano loud enough in the choir monitors without running into feedback; (4) they could not hear the full range of the piano (low, mid and high strings) evenly; and (5) they were not happy with the overall quality of the piano sound in the sound system. When they tried the PianoMic™ System they obtained an incredible piano sound and could hear the full range of the piano including the high and low strings. They could now make the piano louder than the organ (without feedback). The choir members were now telling them to turn down the piano in the choir monitors and orchestra instrument leakage into the piano microphones was no longer a problem. The Earthworks® PianoMic™ System overcame every problem they were encountering with their piano sound. \u003cbr\u003e\u003cbr\u003e The Earthworks® PianoMic™ High Definition Microphones™ do remarkable things with the sound of a piano. You will hear fidelity and detail like never before. Acoustic feedback is no longer a problem. You can have all of the sound level you want and even more, all you will hear is the pristine sound of the piano. Better yet, there are no visible microphone stands or mic booms in front of the piano. All you see is the piano just like it is in the adjacent photo of a performing arts center while you enjoy its magnificent sound. The PianoMic™ System is also ideal for use in touring sound systems as it is easy to transport, easy to position and it will provide the same pristine sound quality every time. The Earthworks PianoMic™ System is a long-awaited, incredible product for performing arts centers. The PianoMic™ System has it all!","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449362444391,"sku":"15540","price":2700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks_pm40_1.jpg?v=1787088712"},{"product_id":"gefell-m300-demo-deal","title":"Gefell M 300 (Demo Deal)","description":"The Gefell M 300 is a compact condenser microphone in studio quality. The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz. The miniature microphone is well suited for vocal and instrumental soloists. lt permits a lifelike recording also at various sound incidence, e.g. announcer in synchronous studios, speaker, blower.\u003cbr\u003e \u003cbr\u003e The M 300 is designed for studio applications in radio, television broadcasting and films for live performance and recording of instruments, vocals and speech and sound reinforcement in the professional and semiprofessional market also under adverse acoustic conditions, e.g. in churches.\u003cbr\u003e \u003cbr\u003e A new low-noise integrated hybrid circuit and the transformer-less circuit design guarantee an extremely wide dynamic range by a low equivalent loudness level and a high reliability in operation.\u003cbr\u003e RFI susceptibility is very low.\u003cbr\u003e \u003cbr\u003e The microphone is powered by a 3-pin XLR connector with the C 70 microphone cable. The power supply is provided by 48 V phantom powering, which is internationally standardized as P 48 in DIN 45596 and IEC 268-15. A two-channel powering is possible with the N 200 power supply.\u003cbr\u003e \u003cbr\u003e The finish of the miniature microphone is dark bronze.","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449362903143,"sku":"16983","price":819.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_m300_1_1.jpg?v=1787088713"},{"product_id":"gefell-um92-1s-demo-deal","title":"Gefell UM 92.1S (Demo Deal)","description":"The \u003cb\u003eGefell UM92.1S \u003c\/b\u003eis a ‘vintage’ large-diaphragm multi-pattern tube microphone. It is equipped with the original M7 capsule. This pressure gradient transducer features a dual-membrane, gold evaporated PVC capsule that is still hand-made in the Gefell factory following the 75-year tradition. The Gefell UM92.1S is the choice for those that want the true sound and character of the original Neumann-Gefell UM57 with the added benefit of improved reliability and lower noise. The UM92 exhibits high sensitivity, excellent signal-to-noise ratio and it has the full sound, tube warmth, and character that are favored by singers and soloists. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eDesign Features\u003c\/b\u003e\u003cbr\u003e The Gefell UM92.1S is a multi-pattern microphone with switchable back-diaphragm voltage on the power supply for choice of figure-8, cardioid and omni-directional patterns. It is also available in a cardioid-only version called the M92.1S. \u003cbr\u003e\u003cbr\u003e As with all Gefell microphones, mechanical and electrical attributes have been optimized for performance. Careful attention to reducing ‘vortex’ around the mic and capsule is achieved by mounting the M7 capsule on triangulated pedestal. This has the benefit of directing unwanted reflections away from the capsule, reducing comb-filtering and phase disturbance. The smaller housing advantages the user with greater freedom to place the mic in tighter spots while also reducing particle pressure refraction or what is also known as the vortex around the mic. \u003cbr\u003e\u003cbr\u003e Following tradition, a natural presence rise provides added clarity and detail ‘on-axis’, while the ‘off-axis’ transition is both smooth and musical. The habitual low-frequency proximity effect provides a warm bottom end that is enhanced as the source is brought closer to the diaphragm. \u003cbr\u003e\u003cbr\u003e The UM92’s internal low-noise vacuum-tube amplifier features a ‘time proven’ design that employs a high-mu triode valve that has been selected for its warm sonic characteristics and the natural even-order overtones that are only possible from a tube. For long cable runs, a filament voltage stabilizer is built into the microphone that allows distances of up to 100 meters (328feet) without fluctuation. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUsing the UM92\u003c\/b\u003e\u003cbr\u003e The Gefell UM92 comes equipped with the EA92 deluxe elastic suspension to reduce vibration-borne noise from affecting the microphone. The suspension is secured to the base of the microphone by way of the screw-on, machined housing. This allows the UM92 to be positioned at any angle without worry. \u003cbr\u003e\u003cbr\u003e The UM92 comes with its own power supply called the UN920. The UN 920 power supply provides the polarization voltage for the capsule as well as DC voltage for the microphone amplifier. The UN920 features a selectable fuse housing that allows both 110V and 220V operation. A front-panel pattern switch allows the user to remotely select the pattern for figure-8, cardioid, or omnidirectional polar response. All connections are made on the rear panel. A 6-pin Tuchel connector and cable, which powers the microphone, is supplied. Output is balanced 3-pin XLR with pin-2 hot as per the AES standard. \u003cbr\u003e\u003cbr\u003e The 92.1S microphone is available in choice of multi-pattern (UM92.1S) or cardioid only (M92). May be custom ordered in a dark bronze finish. The complete system includes the UM92.1S or M92.1S mic, UN920.1 power supply, EA92 elastic suspension, C92.1 cable and W92 windscreen. Comes in it's own hand-crafted wood box.","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449362870375,"sku":"13928","price":3379.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_um92.1s_1.jpg?v=1787088714"},{"product_id":"korby-audio-kat-red-demo-deal","title":"Korby Audio KAT Red (Demo Deal)","description":"Hand made, the \u003cb\u003eKorby Audio KAT Red\u003c\/b\u003e is tailored to fall within the tone of the classic AKG large diaphragm family. (C12, Elam etc)\u003cbr\u003e \u003cp\u003eFree floating diaphragm gives you extended top end and air that we are all looking for in a microphone. Beautiful silky top end found in the most expense Tube Condenser Microphones.\u003cbr\u003e \u003cbr\u003eIncludes power supply, cable, mount and case. Contact us for a demonstration.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Korby Audio Technologies","offers":[{"title":"Default Title","offer_id":44449363558503,"sku":"13939","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/korby_kat_red_1.jpg?v=1787088717"},{"product_id":"peluso-microphone-lab-22-251-demo-deal","title":"Peluso Microphone Lab 22 251 (Demo Deal)","description":"The \u003cb\u003ePeluso Microphone Lab 22 251 \u003c\/b\u003eis inspired by and styled after the vintage \"251\". It has the additional feature of 9 polar patterns, controlled from the power supply. It captures the nuances of the original \"251\" sound. \u003cbr\u003e\u003cbr\u003e The output transformer is a custom unit made by Tom Reichenbach of CineMag Transformers. The microphone comes as a complete system, with Microphone in Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount all in Flight Case. Hand built in the USA. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eTechnical Data\u003c\/b\u003e\u003cbr\u003e Type: Condenser Pressure Gradient w\/ 34mm edge-terminated capsule\u003cbr\u003e Frequency Range: 20Hz\/24Khz\u003cbr\u003e Polar Pattern: 9 - Switchable from omni- to bi-directional\u003cbr\u003e Sensitivity: 14mv\/pa\u003cbr\u003e Impedance: 200 ohms\u003cbr\u003e SPL: 138 db\u003cbr\u003e Equivalent Noise: 15 db (A-weighted)\u003cbr\u003e Tube Type: 6072A-M\u003cbr\u003e Power Requirements: Dedicated Power Supply\u003cbr\u003e Size: 50mm x 225 mm\u003cbr\u003e Weight: 620 g \u003cbr\u003e\u003cbr\u003e \u003cb\u003eAbout Peluso Microphone Lab\u003c\/b\u003e\u003cbr\u003e Each of our microphones are hand-crafted, using the finest components. All the tubes in our microphones have been tested and hand selected in our lab to insure the highest quality and lowest noise possible. We carefully test and listen to each microphone, and all the components of systems, during construction and prior to shipment. Our commitment is to bring you the best possible microphone at a fair and affordable price. \u003cbr\u003e\u003cbr\u003e We have a full service repair lab with an extensive stock of vintage parts and a full service diaphragm repair lab. 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Each tube is selected individually and the selection parameters are the same or even better as Neumann used for the VF14. There are some tubes in the Telefunken Steel Tube family which are perfectly suitable to replace the old VF14 if they get an independent filament supply. \u003cbr\u003e\u003cbr\u003e Technically the only difference in the tube used in the old U47 is that the one that we use has a separate filament supply coming from the power supply. Our 2247 LE has the additional feature of 9 polar patterns, controlled from the power supply. It captures the low frequency nuances of the original \"47\" with smooth mids and balanced highs. \u003cbr\u003e\u003cbr\u003e The microphone comes as a complete system, with Microphone In Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. 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Each tube is selected individual and the selection parameters are the same or even better as Neumann used for the VF14. The American style tube has the advantage of being available in larger quantities than the German tubes. \u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003ePeluso 22 47 SE \u003c\/strong\u003ehas the additional feature of 9 polar patterns, controlled from the power supply. It captures the low frequency nuances of the original \"47\" with smooth mids and balanced highs. \u003cbr\u003e\u003cbr\u003e The microphone comes as a complete system, with Microphone In Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. 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Its ability to withstand 135 dB SPL @ 30 Hz makes it ideal for applications that were previously considered off limits to ribbon microphones. \u003cbr\u003e\u003cbr\u003eThe R-121 was developed through relatively recent advancements in magnetics, materials and mechanical construction techniques. The ribbon element's smooth frequency response and phase linearity, coupled with sensitivity levels surpassing those of \"classic\" ribbons, make this microphone an ideal choice for digital recording. The R121 delivers a consistent, natural acoustical performance with stunning realism. Widely used on electric guitars, brass instruments and drums, the R-121's figure-8 pattern also conveys superb ambiance and depth when used for room miking applications, orchestral and choral recordings. \u003cbr\u003e\u003cbr\u003eThe heart of the R 121 is its low mass, 2.5-micron, pure (99.99%) aluminum ribbon element. 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When Neumann GmbH decided to take their distribution direct, Telefunken GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261. \u003cbr\u003e\u003cbr\u003e Telefunken Elektroakustik is pleased to offer the \u003cb\u003eTelefunken Elektroakustik ELA M 260\u003c\/b\u003e, our first small diaphragm tube condenser. While not a historically accurate reproduction of the original ELA M 260 like the \"Diamond Series\" microphones, our version of the ELA M 260 is definitely built with the same attention to detail and level of quality as its Diamond Series brethren. \u003cbr\u003e\u003cbr\u003e The ELA M 260 is supplied with a set of three interchangeable capsules (the 260 cardioid, 261 omni, and 262 hyper-cardioid), as well as a custom adaptor designed by our friend and fellow audio enthusiast Chip Machokas that permits the use of any of the AKG \"CK\" series of capsules (or capsules made by other manufacturers with the same thread) AND Neumann bayonet-style capsules. It also features a brand-new circuit design based around a Telefunken EF-732 vacuum tube and a custom wound output transformer made in the United States. The combination of these features yields a microphone that is unlike any other small diaphragm microphone that you have ever experienced. \u003cbr\u003e\u003cbr\u003e In use, the ELA M 260 has plenty of tone with excellent detail and clarity. It captures sources with a natural presence, making it a fantastic tool for recording acoustic instruments of all types. Drum overheads, percussion, woodwinds, saxophones, strings, and especially acoustic guitar all sound amazing through the ELA M 260. Also, don't discount this for vocals just because it's small. Its unique tonal character is very well suited for a myriad of applications, both traditional and not.","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":44449367752807,"sku":"15224","price":1079.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/telefunken_ela-m_260_1_1.jpg?v=1787088734"},{"product_id":"telefunken-elektroakustik-u47-demo-deal","title":"Telefunken Elektroakustik U47 (Demo Deal)","description":"Since its original development in 1946, the \u003cb\u003eTelefunken U 47\u003c\/b\u003e has been the microphone of choice for generations of recording professionals. The first condenser microphone to offer selectable polar patterns (cardioid and omni), the original U-47 also featured the famous M7 capsule which had been developed in 1928 by Georg Neumann. To this capsule was added an amplifier built from military surplus VF-14 tubes (they had been used in field and aircraft radios), and BV8 output transformer. The combination of these components created a sonic quality that was absolutely unheard of in the English speaking world of the mid-1940s when darker sounding, less detailed ribbon microphones were the standard. The introduction of the U-47 brought a new level of fidelity to the audio world, and is still considered to be one of the finest microphones ever produced. \u003cbr\u003e\u003cbr\u003e Upon first glance of the new U-47 from Telefunken Elektroakustik, it's easy to see the \"family resemblance.\" The large, chrome head grille houses our newly manufactured M7 capsule. Its matte nickel finished body houses a new BV8 output transformer and our new VF-14k vacuum tube; a \"plug and play\" replacement for the rare VF-14M tubes found in the original. The classic \"Telefunken\" diamond logo proudly adorns the front of the body tube. All of these accoutrements show that this microphone means business. \u003cbr\u003e\u003cbr\u003e Whether you're recording a symphony, a \"crooner,\" or any facet of modern music, you'll find a great tool in the U-47. Its authoritative mid-range and extended low-end response dance from your ears . . . much as a vintage wine dances from the palate. Everything, from vocals to the loudest of guitar sounds, full on orchestral recording, beautiful backing vocal arrangements, or a chamber ensemble will benefit wildly from the rich and vibrant tone of this stunning microphone. \u003cbr\u003e\u003cbr\u003e Find out why engineers, producers, and artists all over the globe have made the new U-47 from Telefunken Elektroakustik their go-to microphone. \u003cbr\u003e\u003cbr\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":44449367851111,"sku":"15619","price":9395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/telefunken_elektroakustik_u47_1_5b6ca5b6-2f5c-451c-b7fc-7b7f9bcac305.jpg?v=1787088734"},{"product_id":"placid-audio-copperphone-demo-deal","title":"Placid Audio Copperphone (Demo Deal)","description":"\u003cp\u003eConjuring up a bygone age in both sound and appearance, the \u003cstrong\u003ePlacid Audio Copperphone\u003c\/strong\u003e is a lo-fi dynamic effects microphone that reproduces a limited bandwidth of frequencies reminiscent of a telephone or AM radio. 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However the KU3A is a rare microphone, a collector’s item, and few studios or rental houses own them.  Opportunities to work with a good KU3A are limited.\u003cbr\u003e\u003cbr\u003eWe are proud to expand your opportunities with the AEA KU4 featuring an RCA ribbon, interchangeable KU3A parts and consistent performance.\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow is the KU4 different from other ribbon microphones?\u003c\/strong\u003e\u003cbr\u003eThe KU4’s suppressed rear lobe is useful when the back of a figure-of-eight would pick up undesirable sounds.  The KU4’s reduced proximity bass boost facilitates closer micing and its low-tuned ribbon delivers solid, undistorted bass.  These characteristics make the KU4 well suited for modern studio production. \u003cbr\u003e\u003cbr\u003eIts lightly-tensioned, ultra low mass ribbon has a frequency response out to 40 kHz and fast, accurate transients.  There is no upper midrange ringing common to large condenser mics.  The KU4’s ribbon is well protected and its field-tech replaceable pole piece and ribbon assembly is a real convenience if an accident occurs.\u003cbr\u003e\u003cbr\u003eThe KU4 is your ticket to discovering why the KU3A has been part of high-end studio life for over 60 years.  AEA is honored to play a part in its history, and invites you to listen to the KU4 and claim your part of this legacy.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Principle: Velocity microphone\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eFrequency Response: Below 30 Hz to above 20 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 140 + dB SPL above 200Hz for 1% third harmonic\u003c\/li\u003e\n\u003cli\u003eOutput Sensitivity: 2.8 mV\/Pa into unloaded circuit\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 300 Ω nominal\u003c\/li\u003e\n\u003cli\u003eRecommended Load: 1.2 KΩ or greater\u003c\/li\u003e\n\u003cli\u003ePhantom power: Not required or recommended\u003c\/li\u003e\n\u003cli\u003ePolarity: Pin 2 high for positive pressure at the front of the microphone.\u003c\/li\u003e\n\u003cli\u003eConnector: XLR-3M wired to a 1.5 meter captive cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOff Axis Response\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003ePolar Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eRelative Output at 180° (dB): -12\u003c\/li\u003e\n\u003cli\u003eAngle of Maximum Rejection: 135°\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransducer element\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eRibbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum\u003c\/li\u003e\n\u003cli\u003eRibbon Width: 0.082” (2.1 mm)\u003c\/li\u003e\n\u003cli\u003eRibbon Length: 1.25” (28.6 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eIncluded: Custom storage\/shipping case, stand adapter, manual and\u003c\/li\u003e\n\u003cli\u003eattached 1.5 meter microphone cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited Warranty\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eThree years parts and labor, shipping not included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449389772903,"sku":"18870","price":4499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_ku4_1_zoom_1.jpg?v=1787088819"}],"url":"https:\/\/vintageking.mom\/collections\/sale-microphones-on-sale.oembed","provider":"Vintage King","version":"1.0","type":"link"}