{"title":"Noise Engineering","description":null,"products":[{"product_id":"noise-engineering-numeric-repetitor","title":"Noise Engineering - Numeric Repetitor","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Numeric Repetitor\u003c\/strong\u003e is a rhythmic gate generator based on binary arithmetic. A core pattern forms the basis and variation is achieved by treating this pattern as a binary number and multiplying it by another. This module contains 32 prime rhythms derived by examining all possible rhythms and weeding out bad ones via heuristic. Three of the outputs are variable by knob or CV. It requires only a beat clock to run.\u003c\/p\u003e  \u003ch3\u003ePatching Suggestions\u003c\/h3\u003e  \u003cp\u003eThe simplest way to get to know Numeric Repetitor is to simply patch a master clock into BEAT and connect each of the four outputs to the gate of four different percussion modules, envelopes or other gate triggered modules. You can get an idea of the patterns included by adjusting the PRIME knob and a feel for how the time offset works by playing with the FACTOR knobs.\u003c\/p\u003e  \u003cp\u003eThe next step is to patch a CV. A CV sequencer or just a simple gate are both useful for controlling either the PRIME pattern or the FACTOR offset. These can be used to generate a wide variety of related rhythms and dynamic variations. A simple CV example is to take the beat clock being sent to Numeric Repetitor and divide it by 64. Send this divided beat in to one of the FACTOR inputs. Adjust the related FACTOR knob to control the amount of time offset that occurs to the FACTOR.\u003c\/p\u003e  \u003cp\u003eMany more complicated schemes are possible to dynamically vary the rhythms. Any slow control voltage or gate might produce an interesting variation!\u003c\/p\u003e  \u003ch3\u003eDesign Notes\u003c\/h3\u003e  \u003cp\u003eNumeric Repetitor started as a somewhat crazy idea: if rhythms can be represented as binary numbers what basic operations will produce human-meaningful variations?\u003c\/p\u003e  \u003cp\u003eA simple example: 1000. One downbeat every four units. If we multiply this by three (11 in binary) we get: 11000. Treating the measure as a circle then gives the rhythm: 1001. This is a human significant variation as it gives us an upbeat before the down. Other small number give interesting variations as well. Any power of two (2,4,8,16) perform offsets in time (1000 becomes 0010 with 4 for example). Odd numbers will always keep the down beat (1000 becomes 1100 multiplied by 9).\u003c\/p\u003e  \u003cp\u003eTo determine which PRIME rhythms would be included a program was written to determine the best possible set of PRIME rhythms given the following criteria:\u003c\/p\u003e  \u003col\u003e \u003cli\u003eRhythm must be 16 units long\u003c\/li\u003e \u003cli\u003eRhythm must have a beat on the first unit\u003c\/li\u003e \u003cli\u003eRhythm must not be rotationally equivalent to any other rhythm in the set\u003c\/li\u003e \u003cli\u003eRhythm must not have two beats in a row\u003c\/li\u003e \u003cli\u003eRhythm must not have a gap between beats of more than 6 units\u003c\/li\u003e \u003cli\u003eRhythm must have more than 3 beats per measure\u003c\/li\u003e \u003cli\u003eRhythm must have less than 8 beats per measure.\u003c\/li\u003e \u003cli\u003eRhythm must not have more than 2 beats in the first half of the measure than in the second half for all rotations\u003c\/li\u003e \u003c\/ol\u003e   \u003cp\u003eThese criteria produce exactly 32 rhythms from the 65536 possible 16 unit rhythms. They are ordered by numeric value with “four on the floor” being set 1 pattern 0.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePRIME (knob) - The PRIME knob selects the pattern set that is output. The PRIME knob acts as a scalar for the PRIME CV. The current patch is displayed on the LEDs near the center top. A key to the patterns is included later in the manual.\u003c\/li\u003e \u003cli\u003eFACTOR 1-3 (knob, input CV) - The FACTOR knobs control the variation factor applied to the PRODUCT outputs. The rhythm variation is a based on the angle of the prime knob. This angle selects the product (these are the numbers listed on the panel) which is multiplied by the PRIME pattern to produce the PRODUCT rhythm. FACTOR 2 and 3 additionally modify the rhythm by performing a binary-and between the prime rhythm and the values 0x0F0F and 0xF003 respectively before the multiplication variation.\u003c\/li\u003e \u003cli\u003eSET - The SET switch selects which bank of patterns to use. The status of the BANK switch is indicated by the orange LED.\u003c\/li\u003e \u003cli\u003eBEAT - The BEAT input is a clock input that advances the time on the rising edge and returns any active gates to zero on the falling edge.\u003c\/li\u003e \u003cli\u003eMEASURE - The MEASURE input resets the beat to the start of the measure on a rising edge.\u003c\/li\u003e \u003cli\u003eRST - The RST button will pause the advancement of time while depressed and when released reset the time back to the start of the measure.\u003c\/li\u003e \u003cli\u003ePRIME (output) - PRIME outputs a 6v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003cli\u003ePRODUCT 1-3 (output) - PRODUCT outputs a 6v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938178151,"sku":"58287","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-numeric-repetitor-1_216c1c21-6982-43b7-ae4f-18bf7e845b7b.jpg?v=1787091030"},{"product_id":"noise-engineering-zularic-repetitor","title":"Noise Engineering Zularic Repetitor - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Zularic Repetitor\u003c\/strong\u003e is a rhythmic gate generator based on African music theory. A core pattern forms the basis and variation is achieved by offsetting this pattern in time relative to the base.\u003c\/p\u003e  \u003cp\u003eThis module contains 30 mother rhythms from African, Indian, Latin, Funk and Rock roots. Each pattern outputs four parts and allows the offset of three parts relative to the mother. The offset is CV and knob controllable. It requires only a beat clock to run.\u003c\/p\u003e  \u003cp\u003eAlso included are two special modes. One turns Zularic Repetitor into a 3 section CV\/knob controllable divider. The other generates random gates where the probability is determined by the knob\/CV.\u003c\/p\u003e  \u003cp\u003eThe simplest way to get to know Numeric Repetitor is to simply patch a master clock into BEAT and connect each of the four outputs to the gate of four different percussion modules, envelopes or other gate triggered modules. You can get an idea of the patterns included by adjusting the PRIME knob and a feel for how the time offset works by playing with the FACTOR knobs.\u003c\/p\u003e   \u003cp\u003e  \u003c\/p\u003e\u003cp\u003eThe next step is to patch a CV. A CV sequencer or just a simple gate are both useful for controlling either the PRIME pattern or the FACTOR offset. These can be used to generate a wide variety of related rhythms and dynamic variations. A simple CV example is to take the beat clock being sent to Numeric Repetitor and divide it by 64. Send this divided beat in to one of the FACTOR inputs. Adjust the related FACTOR knob to control the amount of time offset that occurs to the FACTOR.\u003c\/p\u003e  \u003cp\u003eMany more complicated schemes are possible to dynamically vary the rhythms. Any slow control voltage or gate might produce an interesting variation!\u003c\/p\u003e  \u003ch3\u003eDesign Notes\u003c\/h3\u003e  \u003cp\u003eThe Zularic Repetitor was conceived while reading “Rhythm and Transforms” by William Sethares. This book provided the initial rhythms for the very first prototype of Zularic Repetitor. It was developed on a Texas Instruments MSP430 microcontroller. The first prototype was compelling from the start though it took more than a year of use, feedback and polish to produce what was finally released.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMOTHER (knob) - The MOTHER knob selects the pattern set that is output. The MOTHER knob acts as a scalar for the MOTHER CV. e current patch is displayed on the LEDs near the center top. A key to the patterns is included later in the manual.\u003c\/li\u003e \u003cli\u003eCHILD 1-3 (knob, input CV) - The CHILD knobs control the offset in beats of each part versus the mother rhythm. The knob acts as a scalar for the input CV.\u003c\/li\u003e \u003cli\u003eWORLD - The WORLD switch selects which bank of patterns to use. They are grouped by world. Old world contains Indian, African and African relatives such as Vodou. New world contains Funk, Rock and other more modern rhythms. The status of the WORLD switch is indicated by the orange LED.\u003c\/li\u003e \u003cli\u003eBEAT - The BEAT input is a clock input that advances the time on the rising edge and returns any active gates to zero on the falling edge.\u003c\/li\u003e \u003cli\u003eMEASURE - The MEASURE input resets the beat to the start of the measure on a rising edge.\u003c\/li\u003e \u003cli\u003eRST - The RST button will pause the advancement of time while depressed and when released reset the time back to the start of the measure.\u003c\/li\u003e \u003cli\u003eMOTHER (output) - MOTHER outputs a 6 v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003cli\u003eCHILD 1-3 (output) - CHILD outputs a 6 v low impedance gate suitable for controlling most any gate driven device\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938276455,"sku":"58295","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-zularic-sil-23_58295_1.jpg?v=1787091030"},{"product_id":"noise-engineering-basimilus-iteritas-alter-purple-kit","title":"Noise Engineering Basimilus Iteritas Alter Purple Kit","description":"\u003cp\u003eThe\u003cstrong\u003eNoise Engineering Basimilus Iteritas Alter Purple Kit\u003c\/strong\u003e is a purple faceplate upgrade offered by Noise Engineering.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938309223,"sku":"58297","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-basimilus-purple-1_7c7ba0bd-ea1d-4e1a-99bd-560c3ae1254c.jpg?v=1787091030"},{"product_id":"noise-engineering-confundo-funkitus","title":"Noise Engineering - Confundo Funkitus","description":"\u003cp\u003e\u003cstrong\u003eNoise Engineering Confundo Funkitus\u003c\/strong\u003e crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behavior of the crossfader. Per-part switch mutes are included with live performance in mind.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eConnect up to four rhythm outputs to each of the two sets of inputs (for example, Numeric Repetitor or Zularic Repetitor). Connect the outputs to modules that take triggers. Drums that take triggers such as Basimilus Iteritas are perhaps the easiest.\u003c\/p\u003e  \u003cp\u003eToggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Center light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.\u003c\/p\u003e  \u003cp\u003eBetween these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInputs 1-4 Left - These are gate inputs that feed into the crossfader core. They represent the rhythm that will have 100% probability when the crossfader is fully left.\u003c\/li\u003e \u003cli\u003eInputs 1-4 Right - These are gate inputs that feed into the crossfader core. They represent the rhythm that will have 100% probability when the crossfader is fully right.\u003c\/li\u003e \u003cli\u003eOutputs 1-4 - Where the combined rhythm emerges. Each output is a probabilistic combination of its two similarly numbered inputs.\u003c\/li\u003e \u003cli\u003eMutes 1-4 - These switches mute their respective output channels.\u003c\/li\u003e \u003cli\u003eCurve - Three probability modes are available to set the probability function used by the crossfader. The behavior is best understood by discussing what happens when XFADE is centered.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938341991,"sku":"58281","price":255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-confundo-funkitus-1_3e961c5c-b7e0-4172-88cd-75a434107761.jpg?v=1787091031"},{"product_id":"noise-engineering-integra-funkitus","title":"Noise Engineering - Integra Funkitus","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Integra Funkitus\u003c\/strong\u003e takes up to four input rhythms and combines and modifies them into rhythm outputs.There are three modes: two based on probability and one on generalized logic combinations.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eFeed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs. Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePart Input 1-4 - These are the four gate input channels. Any gate over 2 v will trigger the input.\u003c\/li\u003e \u003cli\u003ePart Output 1-4 - These are the four gate output channels. They output 6 v gates.\u003c\/li\u003e \u003cli\u003eMode Switch - Selects the mode by which the inputs will be combined. Mode options include Trigger, Gate, or Logic. How each function affects output is described below.\u003c\/li\u003e \u003cli\u003eTrigger Mode (T) Modification Knob 1-4 - In Trigger Mode, the knobs determine the probability that an input gate will pass through to the output channel. Any time a rising edge is detected a random test with probability based on the position of the knob is performed possibly letting the rising edge through. The falling edge will always be emitted.\u003c\/li\u003e \u003cli\u003eGate Mode (G) Modification Knob 1-4 - In Gate Mode, the knobs select the probability that an edge will pass through; the die is rolled for both rising and falling edges. This produces much longer-lasting gate pulses than Trigger Mode as falling edges can be “consumed,” leaving the gate high until a subsequent falling edge passes the probability test.\u003c\/li\u003e \u003cli\u003eLogic Mode (L) Modification Knob 1-4 - In Logic Mode, the knobs choose which input channels are combined into the similarly numbered output channel. When the knob is fully CCW, the output channel will match the input channel. As the knob is turned the other parts are combined into the output channel. When fully CW, the knob acts as a channel mute.\u003c\/li\u003e \u003cli\u003eRhythm Modification 1-4 Jack - These are CV inputs for the modification knobs. 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The envelope generator is an exponential curve with controllable attack and release. The time ranges for both attack and release vary from 50 microseconds to 5 seconds. This is normaled to a voltage controlled clamp which acts much like a VCA but with subtle distortion added on the release.\u003c\/p\u003e  \u003cp\u003eThe envelope in Sinclastic Empulatrix is a simple asymmetric voltage controlled slew so the ENVELOPE IN input need not be a gate. The attack controls the rate of voltage increase and release controls the rate of decrease. If ENVELOPE IN is a square wave it acts much like a traditional envelope generator.\u003c\/p\u003e  \u003cp\u003eThe inspiration of the Sinclastic Empulatrix is the brilliant minimal design of the envelopes in the Roland TR-808 which use both simple capacitor charging for envelope generation and minimum voltage circuits for VCA like behavior.\u003c\/p\u003e  \u003ch3\u003ePatching Suggestions\u003c\/h3\u003e  \u003cp\u003eThe most basic patch with Sinclastic Empulatrix is to send a gate from a clock or rhythm generator into the GATE input. At this point the led should be displaying the envelope and the ATTACK\/RELEASE knobs should be affecting the LED. At first put the GATE\/TRIG switch into the GATE position.\u003c\/p\u003e  \u003cp\u003eAt this point you can use the generated envelope for CV control of another module by connecting ENVELOPE OUT to the other module.\u003c\/p\u003e  \u003cp\u003eNext connect an audio source, say a basic oscillator into AUDIO IN. To get the maximum effect from the clamping choose a waveform with low harmonic content like a sinusoid. You should be able to distinctly hear the clipping that occurs when listening to AUDIO OUT.\u003c\/p\u003e  \u003cp\u003eNext turn the ATTACK knob fully CCW and Ęip the GATE\/TRIG switch to TRIG. This pings the envelope rather than driving it directly from ENVELOPE IN. The main use for this is when one wants to synchronize a release envelope with a rising gate or trigger. RELEASE will be the main useful control in this configuration.\u003c\/p\u003e  \u003cp\u003eIt is possible to drive the Sinclastic Emplatrix with non-digital signals such as an LFO. In this configuration ATTACK\/RELEASE become up\/down slew controls. 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It outputs three - 1 v\/8 va control voltages to control the pitch of oscillators. It has three gate inputs for the standard Tonnetz transforms: Parallel, Leading, and Relative. There are also inputs to reset the triad to a reference triad, perform semitone transpose and change which triad types form the transform domain (major\/minor, augmented\/major, diminished\/minor).\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003ePick three oscillators. Connect each pitch out (Root, third, Fithh) of Tonnetz Sequent to one pitch input of each oscillator. Depress the TUNE button and use the pitch controls on the oscillators to adjust their pitches to unison. Turn the Group knob fully CCW.\u003c\/p\u003e  \u003cp\u003eUse the PLR buttons to explore the Eulerian Tonnetz. Each time you hit a button it will change the triad to a musically related triad.\u003c\/p\u003e  \u003cp\u003eGates can be input to control the transforms. Connecting three rhythm outputs, perhaps from a Zularic Repetitor, to the PLR jacks will generate a triadic sequence.\u003c\/p\u003e  \u003cp\u003eTo reset the sequence to the reference triad, hit the H button or trigger the H input.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eRoot (pitch output 1 v\/8 va) - Outputs the pitch of the root note of the triad.\u003c\/li\u003e \u003cli\u003eThird (pitch output 1 v\/8 va) - Outputs the pitch of the middle note of the triad, typically a third above the root.\u003c\/li\u003e \u003cli\u003eFifth (pitch output 1 v\/8 va) - Outputs the pitch of the top note of the triad, typically a fifth above the root.\u003c\/li\u003e \u003cli\u003eP (button, gate input) - Parallel Transform. When in the major mode. P moves the third down a semitone; when in minor P moves the third up a semitone.\u003c\/li\u003e \u003cli\u003eL (button, gate input) - Tone Exchange Transform. When in the major mode, L moves\u003c\/li\u003e \u003cli\u003eR (button, gate input) - Relative Transform. When in the major mode, R moves the fifth up a tone; When in minor, R moves the root down a tone.\u003c\/li\u003e \u003cli\u003eM (button, gate input) - Mode transform; changes which pair of triad sets that the transforms act upon. It switches between minor\/major, major\/augmented, augmented\/major, major\/minor, minor\/diminished, diminished\/minor and then back to the start.\u003c\/li\u003e \u003cli\u003eH (button, gate input) - Home transform; changes the current triad back to the reference triad for the current Mode pair.\u003c\/li\u003e \u003cli\u003eT (button, gate input) - Transpose transform. Transforms all notes of the triad one semitone up.\u003c\/li\u003e \u003cli\u003eGroup (knob, cv jack input 0-8 v) - The group control changes the structure of the transforms by adding a dihedral rotation to P, L and R. The knob and cv input sum together. When fully CCW PLR are canonical.\u003c\/li\u003e \u003cli\u003eModulo (switch) - When enabled triads are constrained within one octave. Pitches that would fall outside of the octave are mapped to their equivalent tone class within the base octave.\u003c\/li\u003e \u003cli\u003eGate(jack gate output) - The Gate output will generate a 20ms pulse every time any transform input occurs\u003c\/li\u003e \u003cli\u003e(switch or gate). It is essentially a trigger combiner for all gate inputs.\u003c\/li\u003e \u003cli\u003eTune (button) - Depressing the tune button will cause all pitch outputs to be the same as long as it is depressed. This is used to tune connected oscillators\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938866279,"sku":"58292","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-tonnetz-sequent-1_3c95f5e9-f2a0-4d8b-8025-163be579e50a.jpg?v=1787091032"},{"product_id":"noise-engineering-variatic-basicus","title":"Noise Engineering Variatic Basicus","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Variatic Basicus\u003c\/strong\u003e is six momentary switches debounced for driving gates.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938964583,"sku":"58293","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-variatic-basicus-1_f8633562-9dea-43a3-ba0b-d68feda21732.jpg?v=1787091033"},{"product_id":"noise-engineering-variatic-eruption","title":"Noise Engineering Variatic Erumption","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Variatic Erumption\u003c\/strong\u003e is a dual-burst generator. When triggered, it produces a controllable sequence of gates synchronized to a LFO. A 1v\/8va LFO is included. Any external LFO\/clock may optionally be used. Bursts can be terminated early with the choke. Burst length can be controlled as well as the pattern used for the burst.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003ePut INT\/EXT switch into the INT position. Put FST\/SLW switch into the SLW position.\u003c\/p\u003e  \u003cp\u003eSet PAT knob fully CCW. Set left CNT fully CW.\u003c\/p\u003e  \u003cp\u003eConnect the left OUT and END to two gateble modules such as an envelope or Basimilus Iteritas.\u003c\/p\u003e  \u003cp\u003eHit the let HIT switch. A long burst will be generated which will blink the orange LED and trigger the attached device. At the end of the burst the red LED will blink and any device attached to the end out will trigger.\u003c\/p\u003e  \u003cp\u003eAdjusting the TMP knob while hitting HIT will change the burst speed. The tempo can be controlled by CV (CLK IN). Send an envelope or LFO to modulate the burst rate. The tempo range can be changed with the FST\/SLW switch. It has three positions each is half tempo of the position above. The CNT knob\/jack controls the number of gates in the burst. The PAT knob\/jack controls the pattern of the burst.\u003c\/p\u003e  \u003cp\u003eConnect an external trigger source to the HIT jack to trigger the burst externally.\u003c\/p\u003e  \u003cp\u003eHitting the CHK switch or sending a trigger to the CHK jack will terminate the burst.\u003c\/p\u003e  \u003cp\u003eTo use an external clock Ęip the clock switch to EXT and send a clock into the INLFO. Everything will work the same except it will use the external clock for output timing. In this mode the DIV knob acts as an adjustable divider to the clock input. To match the external clock without division put DIV in the fully CCW position.\u003c\/p\u003e  \u003ch3\u003eInterface - LFO\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInt\/Ext - This switch selects the burst clock source between the internal LFO or an external clock.\u003c\/li\u003e \u003cli\u003eIn Jack 0-8v - In internal LFO mode this jack is a 1v\/8va CV for the internal LFO and has 8 octaves of range. In external mode, it is a clock input. Burst gate length follows both rising and falling edges so clock duty cycle is maintained between LFO, Out and End.\u003c\/li\u003e \u003cli\u003eTmp\/Div Knob  - In internal LFO mode, this knob controls the LFO tempo. It allows 4 octaves of control. In external mode, it is a controllable clock divider with 1-32 divisions.\u003c\/li\u003e \u003cli\u003eFst\/Slw Toggle - This switch controls the base tempo of the internal LFO. It is a three-position switch. Each position is half tempo of the position above. e lowest tempos in each range are: 1\/2Hz (30 BPM), 2Hz (120 BPM) and 8Hz (480 BPM).\u003c\/li\u003e \u003cli\u003eOut Jack - This jack outputs the LFO used for burst generation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInterface - Burst\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eHit Jack - This gate input will start the burst on a rising edge. If using internal clock mode, it will also reset the phase of the internal LFO to match the HIT phase.\u003c\/li\u003e \u003cli\u003eHit Tactile - This tactile switch will start the burst when depressed. If using internal clock mode it will also reset the phase of the internal LFO to match the HIT phase.\u003c\/li\u003e \u003cli\u003eChk Jack - This gate input will terminate the current burst on a rising edge.\u003c\/li\u003e \u003cli\u003eChk Tactile - This tactile switch will terminate the current burst when depressed.\u003c\/li\u003e \u003cli\u003eCnt Jack 0-8v - This jack allows to control the burst count with a control voltage.\u003c\/li\u003e \u003cli\u003eCnt Knob - This knob allows the control of the burst count. It acts as a scalar when using an external CV.\u003c\/li\u003e \u003cli\u003eOut Jack - This gate output sends a burst based on the clock when triggered with a Hit. There is an orange LED to indicate the current output state.\u003c\/li\u003e \u003cli\u003eEnd Jack - This gate output sends a pulse based on the clock at the next clock following the end of a burst.\u003c\/li\u003e \u003cli\u003ePat Jack 0-8v - This jack allows CV control over the pattern.\u003c\/li\u003e \u003cli\u003ePat Knob - This knob controls the current pattern used for the burst. Built-in patterns are documented in detail on the following page. When rotated fully CW this knob will double the maximal length of the pattern to 64 gates. When in double length mode the bust pattern is the same as when fully CCW (every clock outputs a gate).\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938997351,"sku":"58294","price":195.61,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-variatic-erumption-1_8a48be1a-6ca0-4edd-b09a-3ff84afb398d.jpg?v=1787091033"},{"product_id":"noise-engineering-zularic-repetitor-purple-kit","title":"Noise Engineering Zularic Repetitor Purple Kit","description":"\u003cp\u003eThe\u003cstrong\u003eNoise Engineering Zularic Repetitor Purple Kit\u003c\/strong\u003e is a purple faceplate upgrade offered by Noise Engineering.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939030119,"sku":"58312","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-zularic-purple-1_aa2ca394-6945-4c84-aa5a-89760d459783.jpg?v=1787091033"},{"product_id":"noise-engineering-adiago-metric-voltage-meter","title":"Noise Engineering Adigo Metric - Voltage Meter","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Adiago Metric\u003c\/strong\u003e is a front panel voltage meter. I provides bi-directional access to the CV and Gate bus along with LED monitoring of the busses.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939062887,"sku":"58278","price":133.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-adigo-metric-1_bf097db7-68ae-47be-a354-afc4c672a77d.jpg?v=1787091033"},{"product_id":"noise-engineering-ataraxic-translation","title":"Noise Engineering Ataraxic Translatron - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Ataraxic Translatron\u003c\/strong\u003e is a linear feedback shift register oscillator similar to those used in the first generation of home video game consoles and many classic arcade games.\u003c\/p\u003e  \u003cp\u003eLinear feedback shift registers are an ingenious way to produce a variety of sounds with an extremely small amount of hardware. The Atari VCS used only around 35 logic gates to produce all of its sounds. The complexity of tone for relatively minimal hardware made this synthesis technique common for sound where hardware costs were the primary development constraint. As video games entered popular culture these sounds became iconic but have seldom made it out of the video game world except when sampled from the games themselves or as their own genre of music “chiptunes”. The Ataraxic Translatron gives you classic arcade sounds in Eurorack format to be used just like any other VCO.\u003c\/p\u003e  \u003cp\u003e13 patches vary from a simple square wave to white noise with your favorite arcade sounds in between. All tones are available in 6 octaves range. A standard 1 volt per octave pitch control and CV control of the current patch are squeezed into a compact 4HP. An external clock mode that allows an external clock to drive the shift register allows for additional tone generation, modulation and gate generation.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch Knob - The pitch knob allows for adjusting the pitch through two octaves range when not in clock mode.\u003c\/li\u003e \u003cli\u003eTone Knob - The tone knob selects which feedback network is used and therefore what tones the module produces. The AT has 13 patches that increase in harmonic complexity as the patch increases. When used with an external tone CV the tone knob scales the tone CV. The current patch is displayed on the seven segment display.\u003c\/li\u003e \u003cli\u003eTone CV - The tone CV allows for voltage control over the current tone. It has an approximate range of 0-6 Volts across the entire patch range. Any over\/under voltage is safely clamped.\u003c\/li\u003e \u003cli\u003ePitch CV - The pitch CV provides a standard 1 volt per octave control over the output pitch. The valid input voltage range is 0-8 Volts. Any over\/under voltage will be safely clamped to the maximum\/minimum values. The module produces six octaves of perceptibly continuous pitch. Due to quantization errors at high speeds some patches will have a slight pitch quantization at higher frequencies. This is itself an interesting effect. The pitch CV input is also used as the clock input when used with an external clock. See the clock source switch section for a description of this usage.\u003c\/li\u003e \u003cli\u003eClock Source Switch - The clock source switch selects if the module is using the internal timebase from pitch\u003c\/li\u003e \u003cli\u003eCV or an external clock. When the switch is in the CV position the pitch input works as 1 Volt per Octave. When in clock mode the pitch CV input becomes a binary clock that drives the shift register oscillator on rising edges. The input is a Schmitt trigger with a low threshold of around 2 Volts. Input in this mode is over and under voltage protected so it can be safely driven with any standard Eurorack signal. The maximum frequency which the LFSR can be driven is around 160 kHz.\u003c\/li\u003e \u003cli\u003eOutput - The output is DC coupled digital waveform that varies from approximately 0 to 6.5 volts. Try using it as a randomized clock source too!\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTone Generation\u003c\/h3\u003e  \u003cp\u003eThe core of the Ataraxic Translatron is a 16 bit linear feedback shift register with adjustable taps which are XORed together to produce the output tone. Most patches correspond to maximal length sequences. The details of the taps are in the table to the right. The input pitch CV is converted from 1v\/8va to a period for the desired pitch which is then scaled by the current patch’s cycle length. This is used to set a timer that controls when the LFSR update happens. When in clock mode this update happens on any rising clock. All patches are maximal length except E which has the interesting property that the tone that is produced is based on what the shift register state is at the time it is selected.\u003c\/p\u003e  \u003ch3\u003eCalibration of Tuning\u003c\/h3\u003e  \u003cp\u003eThe pitch CV response of the Ataraxic Translatron is controlled by an linear resistor divider network. To calibrate the tuning attach a volt meter (preferably 4+ digit) to the test points TPCV and TPGND on the rear panel and adjust the trim pot. The voltage measured should be 0.075 times the input voltage applied to the CV input. A reasonable way to tune the scale is to use an adjustable voltage source to generate 3.00 volts then adjust the AT tuning trim until the test points read 225 mV. It is also easy to use a stroboscope and a calibrated voltage reference to adjust the linearity control by tuning using an octave interval.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939128423,"sku":"58279","price":173.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-atarxic-translatron-1_2bbe2145-e30c-458f-9b0b-54851a9f9087.jpg?v=1787091033"},{"product_id":"noise-engineering-basimilus-iteritas-alter","title":"Noise Engineering Basimilus Iteritas Alter - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Basimilus Iteritas Alter\u003c\/strong\u003e is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. These are summed and fed into an infinifolder for crunch and variety.\u003c\/p\u003e  \u003cp\u003eBasimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch - The pitch knob and CV input adjusts the pitch of the fundamental oscillator. This is a 1v\/8va standard input. The knob sums with the CV input.\u003c\/li\u003e \u003cli\u003eDecay - The decay knob and CV input adjust the decay for all oscillators. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eAttack - The attack knob and CV input adjust the attack for all oscillators. When left of center, noise is added. When dead center, a classic analog-style pop is produced. When right of center, the knob slows the attack. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eMorph - The morph knob and CV control the waveform of all oscillators. This blends through sine, triangle, saw, and square continuously. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eFold - The fold knob and CV control the infinifold section. For the first 3\/4 of the range this sets the threshold of the folder. This folder will dynamically add multiple fold stages to maximize the amount of folding based on the fold threshold and signal amplitude. When the control is in the top quarter of its range, a pulse train based on the signal is mixed in to give even more harmonic content. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eHarmonic - The harmonic knob and CV control the harmonic decay of the oscillators. When fully left, only one oscillator is audible. This simulates many simple analog bass drums. As the parameter is increased more harmonics blend in lasting longer periods of time. The knob offsets the CV input. Fully left the tone produced is a single harmonic tone. From there to the first quarter a second tone fades in. The remaining turning extends first the decays then the amplitudes of the other four harmonics.\u003c\/li\u003e \u003cli\u003eSpread - The spread knob and CV control the frequency spacing of the oscillators. This allows the overtone series to vary from a purely harmonic to very inharmonic.\u003c\/li\u003e \u003cli\u003eSkin\/Liquid\/Metal - The mode switch selects between the three modes. Skin is a six-operator additive synth for tonal sounds. Liquid is a six-operator additive synth with a pitch envelope to add extra kick. Metal is a six operator FM synth for producing noisy and alien sounds. This setting can be controlled by CV into the S\/L\/M jack.\u003c\/li\u003e \u003cli\u003eBass\/Alto\/Treble - The range switch offsets the pitch by two octaves in Alto mode and four octaves in Treble mode relative to Bass mode. This setting can be controlled by CV in the B\/A\/T jack.\u003c\/li\u003e \u003cli\u003eTrigger - The trigger input triggers the start of a drum sound. It is a rising-edge trigger which has a threshold of around 3 V.\u003c\/li\u003e \u003cli\u003eHit - The Hit switch allows one to manually trigger Basimilus Iteritas Alter.\u003c\/li\u003e \u003cli\u003eOut - The output is a low-impedance audio source. the output varies significantly based on the parameterization as compensation for loudness occurs.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939095655,"sku":"58280","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-basilimus-23_58280_1.jpg?v=1787091033"},{"product_id":"noise-engineering-loquelic-iteritas","title":"Noise Engineering Loquelic Iteritas - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Loquelic Iteritas\u003c\/strong\u003e is a 10HP comb oscillator producing a wide variety of woody, throaty tones as well as basic waveforms. 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It also features a built-in infinifold wave folder which gives another dimension of voltage-controlled sound.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939161191,"sku":"58283","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-loquelic-iteritas-1_3227126e-6622-4a0c-9887-510387c16db0.jpg?v=1787091033"},{"product_id":"noise-engineering-mimetic-sequent","title":"Noise Engineering Mimetic Sequent - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Mimetic Sequent\u003c\/strong\u003e is a three pattern sixteen step pitch aware CV randomizer and recorder.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939193959,"sku":"58286","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-mimetic-sequent-1_33e4f48e-5e71-40d4-9adc-9bb242574069.jpg?v=1787091033"},{"product_id":"noise-engineering-basimilus-iteritas-alter-demo-deal","title":"Noise Engineering Basimilus Iteritas Alter (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Basimilus Iteritas Alter\u003c\/strong\u003e is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. These are summed and fed into an infinifolder for crunch and variety.\u003c\/p\u003e  \u003cp\u003eBasimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch - The pitch knob and CV input adjusts the pitch of the fundamental oscillator. This is a 1v\/8va standard input. The knob sums with the CV input.\u003c\/li\u003e \u003cli\u003eDecay - The decay knob and CV input adjust the decay for all oscillators. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eAttack - The attack knob and CV input adjust the attack for all oscillators. When left of center, noise is added. When dead center, a classic analog-style pop is produced. When right of center, the knob slows the attack. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eMorph - The morph knob and CV control the waveform of all oscillators. This blends through sine, triangle, saw, and square continuously. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eFold - The fold knob and CV control the infinifold section. For the first 3\/4 of the range this sets the threshold of the folder. This folder will dynamically add multiple fold stages to maximize the amount of folding based on the fold threshold and signal amplitude. When the control is in the top quarter of its range, a pulse train based on the signal is mixed in to give even more harmonic content. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eHarmonic - The harmonic knob and CV control the harmonic decay of the oscillators. When fully left, only one oscillator is audible. This simulates many simple analog bass drums. As the parameter is increased more harmonics blend in lasting longer periods of time. The knob offsets the CV input. Fully left the tone produced is a single harmonic tone. From there to the first quarter a second tone fades in. The remaining turning extends first the decays then the amplitudes of the other four harmonics.\u003c\/li\u003e \u003cli\u003eSpread - The spread knob and CV control the frequency spacing of the oscillators. This allows the overtone series to vary from a purely harmonic to very inharmonic.\u003c\/li\u003e \u003cli\u003eSkin\/Liquid\/Metal - The mode switch selects between the three modes. Skin is a six-operator additive synth for tonal sounds. Liquid is a six-operator additive synth with a pitch envelope to add extra kick. Metal is a six operator FM synth for producing noisy and alien sounds. This setting can be controlled by CV into the S\/L\/M jack.\u003c\/li\u003e \u003cli\u003eBass\/Alto\/Treble - The range switch offsets the pitch by two octaves in Alto mode and four octaves in Treble mode relative to Bass mode. This setting can be controlled by CV in the B\/A\/T jack.\u003c\/li\u003e \u003cli\u003eTrigger - The trigger input triggers the start of a drum sound. It is a rising-edge trigger which has a threshold of around 3 V.\u003c\/li\u003e \u003cli\u003eHit - The Hit switch allows one to manually trigger Basimilus Iteritas Alter.\u003c\/li\u003e \u003cli\u003eOut - The output is a low-impedance audio source. the output varies significantly based on the parameterization as compensation for loudness occurs.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450036613223,"sku":"64522","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-basimilus-iteritas-alter-1_1_f894a968-01e3-422f-a6d3-bed8c8a52396.jpg?v=1787091422"},{"product_id":"noise-engineering-loquelic-iteritas-demo-deal","title":"Noise Engineering Loquelic Iteritas (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Loquelic Iteritas\u003c\/strong\u003e is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eThe easiest way to get to know Loquelic Iteritas is to turn the knobs and listen. Connect the output to your mixer and start twiddling.\u003c\/p\u003e  \u003cp\u003eLoquelic Iteritas is about continuous tone control. Hook any LFO up to any of the four tone control inputs (Morph, Fold, Modulate, Damp).\u003c\/p\u003e  \u003cp\u003eOther interesting effects can be created by controlling the pitches independently (by default the 1v\/8va inputs are normaled to each other). For instance, using a Tonnetz Sequent to produce musical intervals produces interesting results.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch A - The pitch of oscillator A can be controlled by the 1v\/8va input and offset by its coarse and fine knobs. Te pitch inputs are cross normaled.\u003c\/li\u003e \u003cli\u003ePitch B - The pitch of oscillator B can be controlled by the 1v\/8va input and offset by its coarse and fine knobs. The pitch inputs are cross normaled.\u003c\/li\u003e \u003cli\u003eDamp - Tone control. Consult the following pages detailing each mode to find the  behavior of this knob in the specific mode.\u003c\/li\u003e \u003cli\u003eMod - Tone control. In all modes it controls phase modulation between the two pitch oscillators.\u003c\/li\u003e \u003cli\u003eFold - Tone control. In all modes it controls the threshold of the wavefolding.\u003c\/li\u003e \u003cli\u003eMorph - Tone control. In all modes it controls the waveform of the oscillator continually varying between sin, triangle and saw.\u003c\/li\u003e \u003cli\u003eAlgorithm- Selects which algorithm is used. These are detailed on the following pages.\u003c\/li\u003e \u003cli\u003eMaster - Controls the sync of the oscillators. When in the middle position both oscillators are free running. When A is selected oscillator B will sync to oscillator A. when B is selected A will sync to B.\u003c\/li\u003e \u003cli\u003eOut - Out is the AC coupled audio output.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450036645991,"sku":"64523","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-loquelic-iteritas-1_1_27241826-bb87-42dc-b370-f450eede5a30.jpg?v=1787091422"},{"product_id":"noise-engineering-cursus-iteritas-additive-synth","title":"Noise Engineering Cursus Iteritas Additive Synth - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Cursus Iteritas\u003c\/strong\u003e is a dynamically generated wavetable oscillator using orthogonal functions\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450083340391,"sku":"77235","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-cursus-iteritas_77235_1_53f4cb43-309d-4746-a934-661f9078fc7c.jpg?v=1787091630"},{"product_id":"noise-engineering-the-mullet-demo-deal","title":"Noise Engineering The Mullet (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Mullet\u003c\/strong\u003e is a four input, eight output active multiplexer with circular normaling.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450137145447,"sku":"81788","price":116.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-the-mullet-1_1_6246091c-5372-48f9-a2c2-a1a7afec6da2.jpg?v=1787091841"},{"product_id":"noise-engineering-loquelic-iteritas-percido","title":"Noise Engineering Loquelic Iteritas Percido - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Loquelic Iteritas Percido\u003c\/strong\u003e is an extension of the original Loquelic Iteritas.\r\nLike Loquelic Iteritas, it is a digital VCO with interpretations of three\r\nclassic synthesis algorithms involving dual pitch control parameterized by\r\nfour tone controls. LIP adds an envelope that can be shaped and routed to\r\npitches and tone controls, making it into a free-standing voice.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450160771175,"sku":"87452","price":655.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-loquelic-sil-23_87452_1.jpg?v=1787091929"},{"product_id":"noise-engineering-manis-iteritas","title":"Noise Engineering Manis Iteritas - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Manis Iteritas\u003c\/strong\u003e is a 10HP voice based on the architecture of Basimilus Iteritas but designed to be more gritty and aggressive. It accomplishes this by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450212806759,"sku":"96169","price":360.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-manis-iteritas_96169_1_2_af8deefe-21b9-4917-b086-c610dbce21d8.jpg?v=1787092148"},{"product_id":"noise-engineering-integra-solum","title":"Noise Engineering Integra Solum - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Integra Solum\u003c\/strong\u003e is a dual rotating clock divider with 16 trigger outs in two sets of eight. The two sides can be clocked or reset independently or a\r\nsingle input and\/or reset normals to both sides. IS switches between three modes and an encoder adjusts the offset of each side. Bonus modes add randomization options.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450212839527,"sku":"96168","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-integra-solum_96168_1_24f60661-10b2-4c11-99de-f441ee245101.jpg?v=1787092148"},{"product_id":"noise-engineering-mimetic-digitalis","title":"Noise Engineering Mimetic Digitalis - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Mimetic Digitalis\u003c\/strong\u003e is a complex CV step sequencer optimized for live use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMimetic - from latin mimus\"mime\" with suffix -ic \"pertaining to\" \"pertaining to mimes\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eDigitalis - from Latin digitalis for \"finger\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eFinger recorder.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450263564391,"sku":"99542","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-mimetic-digitalis_99542_1.jpg?v=1787092367"},{"product_id":"noise-engineering-muta-jovis","title":"Noise Engineering Muta Jovis - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Muta Jovis\u003c\/strong\u003e is a 4HP switchable quad mute. The inputs are circularly normalled so a single input can be sent (and muted) to up to four outputs. Switches and LEDs that indicate channels that are outputting signal leave no doubt about the state of each channel. MJ was designed with gates\/triggers in mind.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePatch up to four gate signals into the inputs. Patch the outputs to triggered\r\noscillators and play with bringing parts in and out as you desire. If used without power, Muta Jovis will function as a quad mute, but no LEDs will illuminate. However, all other functionality remains.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMuta - from mute\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eJovis - from Latin Sky god\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eSkyler’s mute.\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInterface:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eIn: Four inputs correspond to the numbered switch (left side of module), inputs circularly are normalled\u003c\/li\u003e\r\n\u003cli\u003eOut: Outputs (right side of module). When the switch is muted, it output is connected to ground, when not muted, it connects to the input jack\u003c\/li\u003e\r\n\u003cli\u003eSwitch: Left is mute; right allows the signal to pass to the output\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450337226855,"sku":"107025","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-muta-jovis_107025_1_36c836b8-2e50-4d77-9e4b-32141caec71d.jpg?v=1787092642"},{"product_id":"noise-engineering-ataraxic-iteritas","title":"Noise Engineering Ataraxic Iteritas - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Ataraxic Iteritas\u003c\/strong\u003e is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI. Guaranteed to make the fax machine jealous.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450340765799,"sku":"109089","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-ataraxic-iteritas_109089_1_c8d329e6-1993-45fe-a233-a23df489ce30.jpg?v=1787092658"},{"product_id":"noise-engineering-numeric-repetitor-demo-deal","title":"Noise Engineering Numeric Repetitor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Numeric Repetitor\u003c\/strong\u003e is a rhythmic gate generator based on binary arithmetic. A core pattern forms the basis and variation is achieved by treating this pattern as a binary number and multiplying it by another. This module contains 32 prime rhythms derived by examining all possible rhythms and weeding out bad ones via heuristic. Three of the outputs are variable by knob or CV. It requires only a beat clock to run.\u003c\/p\u003e  \u003ch3\u003ePatching Suggestions\u003c\/h3\u003e  \u003cp\u003eThe simplest way to get to know Numeric Repetitor is to simply patch a master clock into BEAT and connect each of the four outputs to the gate of four different percussion modules, envelopes or other gate triggered modules. You can get an idea of the patterns included by adjusting the PRIME knob and a feel for how the time offset works by playing with the FACTOR knobs.\u003c\/p\u003e  \u003cp\u003eThe next step is to patch a CV. A CV sequencer or just a simple gate are both useful for controlling either the PRIME pattern or the FACTOR offset. These can be used to generate a wide variety of related rhythms and dynamic variations. A simple CV example is to take the beat clock being sent to Numeric Repetitor and divide it by 64. Send this divided beat in to one of the FACTOR inputs. Adjust the related FACTOR knob to control the amount of time offset that occurs to the FACTOR.\u003c\/p\u003e  \u003cp\u003eMany more complicated schemes are possible to dynamically vary the rhythms. Any slow control voltage or gate might produce an interesting variation!\u003c\/p\u003e  \u003ch3\u003eDesign Notes\u003c\/h3\u003e  \u003cp\u003eNumeric Repetitor started as a somewhat crazy idea: if rhythms can be represented as binary numbers what basic operations will produce human-meaningful variations?\u003c\/p\u003e  \u003cp\u003eA simple example: 1000. One downbeat every four units. If we multiply this by three (11 in binary) we get: 11000. Treating the measure as a circle then gives the rhythm: 1001. This is a human significant variation as it gives us an upbeat before the down. Other small number give interesting variations as well. Any power of two (2,4,8,16) perform offsets in time (1000 becomes 0010 with 4 for example). Odd numbers will always keep the down beat (1000 becomes 1100 multiplied by 9).\u003c\/p\u003e  \u003cp\u003eTo determine which PRIME rhythms would be included a program was written to determine the best possible set of PRIME rhythms given the following criteria:\u003c\/p\u003e  \u003col\u003e \u003cli\u003eRhythm must be 16 units long\u003c\/li\u003e \u003cli\u003eRhythm must have a beat on the first unit\u003c\/li\u003e \u003cli\u003eRhythm must not be rotationally equivalent to any other rhythm in the set\u003c\/li\u003e \u003cli\u003eRhythm must not have two beats in a row\u003c\/li\u003e \u003cli\u003eRhythm must not have a gap between beats of more than 6 units\u003c\/li\u003e \u003cli\u003eRhythm must have more than 3 beats per measure\u003c\/li\u003e \u003cli\u003eRhythm must have less than 8 beats per measure.\u003c\/li\u003e \u003cli\u003eRhythm must not have more than 2 beats in the first half of the measure than in the second half for all rotations\u003c\/li\u003e \u003c\/ol\u003e   \u003cp\u003eThese criteria produce exactly 32 rhythms from the 65536 possible 16 unit rhythms. They are ordered by numeric value with “four on the floor” being set 1 pattern 0.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePRIME (knob) - The PRIME knob selects the pattern set that is output. The PRIME knob acts as a scalar for the PRIME CV. The current patch is displayed on the LEDs near the center top. A key to the patterns is included later in the manual.\u003c\/li\u003e \u003cli\u003eFACTOR 1-3 (knob, input CV) - The FACTOR knobs control the variation factor applied to the PRODUCT outputs. The rhythm variation is a based on the angle of the prime knob. This angle selects the product (these are the numbers listed on the panel) which is multiplied by the PRIME pattern to produce the PRODUCT rhythm. FACTOR 2 and 3 additionally modify the rhythm by performing a binary-and between the prime rhythm and the values 0x0F0F and 0xF003 respectively before the multiplication variation.\u003c\/li\u003e \u003cli\u003eSET - The SET switch selects which bank of patterns to use. The status of the BANK switch is indicated by the orange LED.\u003c\/li\u003e \u003cli\u003eBEAT - The BEAT input is a clock input that advances the time on the rising edge and returns any active gates to zero on the falling edge.\u003c\/li\u003e \u003cli\u003eMEASURE - The MEASURE input resets the beat to the start of the measure on a rising edge.\u003c\/li\u003e \u003cli\u003eRST - The RST button will pause the advancement of time while depressed and when released reset the time back to the start of the measure.\u003c\/li\u003e \u003cli\u003ePRIME (output) - PRIME outputs a 6v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003cli\u003ePRODUCT 1-3 (output) - PRODUCT outputs a 6v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450356133991,"sku":"111322","price":177.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-numeric-repetitor-1_1_c9efee35-a7d8-4f69-aa16-56e1d10eb89c.jpg?v=1787092722"},{"product_id":"noise-engineering-integra-funkitus-demo-deal","title":"Noise Engineering Integra Funkitus (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Integra Funkitus\u003c\/strong\u003e takes up to four input rhythms and combines and modifies them into rhythm outputs.There are three modes: two based on probability and one on generalized logic combinations.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eFeed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs. Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePart Input 1-4 - These are the four gate input channels. Any gate over 2 v will trigger the input.\u003c\/li\u003e \u003cli\u003ePart Output 1-4 - These are the four gate output channels. They output 6 v gates.\u003c\/li\u003e \u003cli\u003eMode Switch - Selects the mode by which the inputs will be combined. Mode options include Trigger, Gate, or Logic. How each function affects output is described below.\u003c\/li\u003e \u003cli\u003eTrigger Mode (T) Modification Knob 1-4 - In Trigger Mode, the knobs determine the probability that an input gate will pass through to the output channel. Any time a rising edge is detected a random test with probability based on the position of the knob is performed possibly letting the rising edge through. The falling edge will always be emitted.\u003c\/li\u003e \u003cli\u003eGate Mode (G) Modification Knob 1-4 - In Gate Mode, the knobs select the probability that an edge will pass through; the die is rolled for both rising and falling edges. This produces much longer-lasting gate pulses than Trigger Mode as falling edges can be “consumed,” leaving the gate high until a subsequent falling edge passes the probability test.\u003c\/li\u003e \u003cli\u003eLogic Mode (L) Modification Knob 1-4 - In Logic Mode, the knobs choose which input channels are combined into the similarly numbered output channel. When the knob is fully CCW, the output channel will match the input channel. As the knob is turned the other parts are combined into the output channel. When fully CW, the knob acts as a channel mute.\u003c\/li\u003e \u003cli\u003eRhythm Modification 1-4 Jack - These are CV inputs for the modification knobs. When patched, the knobs act to attenuate the signal.\u003c\/li\u003e \u003cli\u003eBurn Switch \/ Jack - Burn combines all inputs into all outputs, creating a sort of instant fill.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450356166759,"sku":"111321","price":177.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-integra-funkitus-1_1_26aa0af6-6919-4a9a-a100-bf6c932694a3.jpg?v=1787092722"},{"product_id":"noise-engineering-tonnetz-sequent-demo-deal","title":"Noise Engineering Tonnetz Sequent (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Tonnetz Sequent\u003c\/strong\u003e is a triad generator that maps gate inputs to the triadic transforms of the Eularian Tonnetz allowing one to move through triadic space with rhythm. It outputs three - 1 v\/8 va control voltages to control the pitch of oscillators. It has three gate inputs for the standard Tonnetz transforms: Parallel, Leading, and Relative. There are also inputs to reset the triad to a reference triad, perform semitone transpose and change which triad types form the transform domain (major\/minor, augmented\/major, diminished\/minor).\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003ePick three oscillators. Connect each pitch out (Root, third, Fithh) of Tonnetz Sequent to one pitch input of each oscillator. Depress the TUNE button and use the pitch controls on the oscillators to adjust their pitches to unison. Turn the Group knob fully CCW.\u003c\/p\u003e  \u003cp\u003eUse the PLR buttons to explore the Eulerian Tonnetz. Each time you hit a button it will change the triad to a musically related triad.\u003c\/p\u003e  \u003cp\u003eGates can be input to control the transforms. Connecting three rhythm outputs, perhaps from a Zularic Repetitor, to the PLR jacks will generate a triadic sequence.\u003c\/p\u003e  \u003cp\u003eTo reset the sequence to the reference triad, hit the H button or trigger the H input.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eRoot (pitch output 1 v\/8 va) - Outputs the pitch of the root note of the triad.\u003c\/li\u003e \u003cli\u003eThird (pitch output 1 v\/8 va) - Outputs the pitch of the middle note of the triad, typically a third above the root.\u003c\/li\u003e \u003cli\u003eFifth (pitch output 1 v\/8 va) - Outputs the pitch of the top note of the triad, typically a fifth above the root.\u003c\/li\u003e \u003cli\u003eP (button, gate input) - Parallel Transform. When in the major mode. P moves the third down a semitone; when in minor P moves the third up a semitone.\u003c\/li\u003e \u003cli\u003eL (button, gate input) - Tone Exchange Transform. When in the major mode, L moves\u003c\/li\u003e \u003cli\u003eR (button, gate input) - Relative Transform. When in the major mode, R moves the fifth up a tone; When in minor, R moves the root down a tone.\u003c\/li\u003e \u003cli\u003eM (button, gate input) - Mode transform; changes which pair of triad sets that the transforms act upon. It switches between minor\/major, major\/augmented, augmented\/major, major\/minor, minor\/diminished, diminished\/minor and then back to the start.\u003c\/li\u003e \u003cli\u003eH (button, gate input) - Home transform; changes the current triad back to the reference triad for the current Mode pair.\u003c\/li\u003e \u003cli\u003eT (button, gate input) - Transpose transform. Transforms all notes of the triad one semitone up.\u003c\/li\u003e \u003cli\u003eGroup (knob, cv jack input 0-8 v) - The group control changes the structure of the transforms by adding a dihedral rotation to P, L and R. The knob and cv input sum together. 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Three different probability curves can be selected to control the behavior of the crossfader. Per-part switch mutes are included with live performance in mind.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eConnect up to four rhythm outputs to each of the two sets of inputs (for example, Numeric Repetitor or Zularic Repetitor). Connect the outputs to modules that take triggers. Drums that take triggers such as Basimilus Iteritas are perhaps the easiest.\u003c\/p\u003e  \u003cp\u003eToggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Center light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.\u003c\/p\u003e  \u003cp\u003eBetween these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInputs 1-4 Left - These are gate inputs that feed into the crossfader core. They represent the rhythm that will have 100% probability when the crossfader is fully left.\u003c\/li\u003e \u003cli\u003eInputs 1-4 Right - These are gate inputs that feed into the crossfader core. They represent the rhythm that will have 100% probability when the crossfader is fully right.\u003c\/li\u003e \u003cli\u003eOutputs 1-4 - Where the combined rhythm emerges. 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