{"title":"Gear Wishlist","description":null,"products":[{"product_id":"vintage-king-audio-large-badge-u47-tube-condenser-microphone","title":"Vintage King Large Badge U47 Tube Condenser Microphone with Case","description":"\u003cp\u003eThe \u003cstrong\u003eVintage King Large Badge U47\u003c\/strong\u003e tube condenser microphone is the world's first replica of the rare \"large badge\" Neumann U47 tube mics made from 1949 to 1950. Featuring the iconic large nickel badge and painstakingly sourced components, the Vintage King Large Badge U47 faithfully recreates the look and sound of the earliest U47 microphones. The first couple hundred U47s ever produced differed from the later models in two key ways; they featured a distinctive large diamond-shaped badge and the mic used a different transformer which was a carry over from the earlier CMV-5 bottle mic, called the GN107.\u003c\/p\u003e\n\u003cp\u003eThese early examples of the legendary U47 tube mics are the most highly coveted produced. Revered by engineers and artists alike, the early \"large badge\" Neumann U47s offered a unique sonic signature that captured vocals and instruments with stunning presence and three-dimensionality. The Vintage King Large Badge U47 was designed in collaboration with Andreas Grosser's Elektronik Service and based on original Neumann schematics. This U47 features a VF14ER tube developed by Andreas Grosser, a Siegfried Thiersch Mylar M7 capsule, and a custom HAUFE GN107 transformer. The package comes complete with a custom Calton hardshell case with a red velvet interior.\u003c\/p\u003e\n\u003cp\u003eMeticulously handmade in Germany, this microphone represents the pinnacle of precision German engineering!\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCLASSIC LARGE NICKEL BADGE\u003c\/h3\u003e\n\u003cp\u003eThe earliest Neumann U47 microphones featured a distinctive \"large badge\" on the front of the body. This nickel diamond-shaped emblem, which displayed the Neumann logo and serial number, became a hallmark of these early models. However, fewer than several hundred U47's were made with this large badge before it was replaced by the more common version we all know using the BV-08 transformer and sporting a smaller sculpted badge. The Vintage King Large Badge U47 pays homage to this iconic detail by proudly featuring its own large nickel diamond-shaped badge, a nod to the early Neumann U47s. It not only captures the spirit of those models but also celebrates the craftsmanship and history that have made the U47 a legend in the world of professional audio.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eSIEGFRIED THIERSCH MYLAR M7 CAPSULE\u003c\/h3\u003e\n\u003cp\u003eThe early Neumann U47 \"large badge\" models were equipped with M7 capsules featuring a PVC membrane, a design that set it apart from the later K47 capsule, using a Mylar diaphragm. The transition by Neumann to Mylar from PVC was prophetic, as PVC membranes later proved prone to aging issues—losing tension, developing cracks, and falling out of spec easily over time. With longevity in mind, we equipped the Vintage King Large Badge U47 with a glued edge Mylar-skinned version of the early M7 backplate recreated by renowned capsule expert Siegfried Thiersch. Thiersch's capsule mirrors the sonic traits of the early M7 while eliminating the degradation issues that plagued PVC, ensuring consistent, maintenance free performance for years to come.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eVF14ER TUBE DEVELOPED BY ANDREAS GROSSER\u003c\/h3\u003e\n\u003cp\u003eThe original Neumann U47s were famously equipped with the VF14 tube, a crucial component that played a major role in shaping the microphone's signature sound. However, due to the limited production and eventual discontinuation of the VF14, these tubes have become almost impossible to find. Andreas Grosser's VF14ER tube delivers a thoughtfully engineered solution for those seeking to capture the iconic sound of the original Neumann U47 microphone. Built with acute attention to detail, the VF14ER replicates the tonal characteristics that made the U47 a studio legend—rich lows, detailed mids, and a smooth, velvety high end.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eCUSTOM HAUFE GN107 TRANSFORMER\u003c\/h3\u003e\n\u003cp\u003eThe early \"large badge\" Neumann U47 microphones used the GN107 transformer, a carry over from the earlier CMV-5 bottle mic which in its time was a revolutionary design. In contrast, the later \"small badge\" models featured the BV-08 transformer, which, while still highly regarded, offered a slightly different tonal character. For the Vintage King Large Badge U47, a custom HAUFE GN107 transformer has been meticulously crafted to be an exact replica of the original. This ensures that the rich, vintage tone of the early U47s is faithfully preserved, providing the same depth and sonic detail that defined countless classic recordings.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eHOW DOES THE VINTAGE KING LARGE BADGE U47 SOUND?\u003c\/h3\u003e\n\u003cp\u003eThe Vintage King Large Badge U47 delivers all of the sonic traits that made the original U47s legendary, but with a distinct presence of its own. Compared to vintage \"small badge\" U47s, our Large Badge U47 adds extra color and richness in the low-mid range, giving instruments and vocals more weight and presence. Its especially clear upper-mid range really makes vocals come alive in the mix. Watch below to hear how the Vintage King Large Badge U47 compares to a vintage Large Badge mic.\u003c\/p\u003e","brand":"Vintage King Audio","offers":[{"title":"Default Title","offer_id":44451158425703,"sku":"523289","price":7995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vk-large-badge-u47_457704_1_1_30611867-053c-45a8-8321-8fd22c6e27fc.jpg?v=1787096066"},{"product_id":"expressive-e-osmose-61-ce-midi-controller","title":"Expressive E Osmose 61 CE 61-Key MIDI Controller","description":"\u003cp\u003eFor decades, MIDI controllers have helped musicians trigger notes, control software, and shape increasingly sophisticated studio workflows. But they have not necessarily become better at capturing musical expression. The \u003cstrong\u003eExpressive E Osmose 61 CE\u003c\/strong\u003e redefines the rules. Built around the exact same keybed technology as the acclaimed Osmose synthesizer, Osmose CE introduces a more physical, nuanced, and expressive way to play. With MPE (MIDI Polyphonic Expression), it unlocks true per-note expression. But just as importantly, it is designed to make expressive playing far more accessible, bringing a new level of nuance and playability to many of the plug-ins, software instruments, and hardware that musicians already use every day. Combined with Ctrl-e, Expressive E’s free companion software, Osmose CE becomes more than a controller: it becomes a tightly integrated expressive music ecosystem, designed to make expressive playing immediate, musical, and easy to integrate into modern studio workflows.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eA KEYBOARD UNLIKE ANY OTHER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAt the heart of Osmose CE is the exact same expressive keybed technology used in the award-winning Osmose synthesizer. This is not a simplified version. It is the same core playing technology. What makes Osmose CE unique is not only its expressive depth, but the fact that it still feels familiar from the very first note. It plays like a keyboard musicians already know, while opening up new layers of articulation and control under the fingers. Players can bend a single note inside a chord, add vibrato directly with their fingers, and shape phrases with the kind of nuance usually associated with acoustic or expressive instruments. Osmose CE responds not only to where a note is played, but to how it is pressed, bent, and released, turning each gesture into part of the musical performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCTRL-E: THE SOUND ECOSYSTEM BUILT FOR OSMOSE CE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE works hand in hand with Ctrl-e, the free companion software developed by Expressive E to make expressive music immediate, musical, and inspiring. Ctrl-e is not an add-on. It is a core part of the Osmose CE experience. A highly expressive keyboard only becomes truly meaningful when the sound is designed to respond with the same depth and nuance. Ctrl-e was created to complete that experience. From the first note, it gives musicians access to a rich world of expressive sounds designed to respond naturally to the Osmose keybed. Instead of navigating plug-in-by-plug-in MPE setup, technical routing, and inconsistent compatibility, musicians can simply connect, play, and explore an expressive world that is ready from the start.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncluded with Osmose CE:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e900+ expressive presets\u003c\/li\u003e\r\n\u003cli\u003eDynamic preset browsing with intuitive filtering\u003c\/li\u003e\r\n\u003cli\u003e8 pre-mapped macros per preset\u003c\/li\u003e\r\n\u003cli\u003eDeep hardware\/software integration\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eEach preset is designed by Expressive E’s sound designers to respond naturally to pressure, pitch, and gestures, offering a broad and inspiring palette ranging from keys, mallets, and acoustic-inspired instruments to pads, basses, leads, textures, and cinematic sounds. Everything is designed to feel ready to play from the start:\r\nno generic mappings, no technical setup, just sound and response that is ready to be explored.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003ePOWERED BY LEADING SOUND ENGINES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCtrl-e brings together Expressive E’s own sound technologies and a curated selection of partner instruments into a unified expressive environment.\r\nThe ecosystem includes sound engines and technologies from:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSynapse Audio\u003c\/li\u003e\r\n\u003cli\u003eAAS\u003c\/li\u003e\r\n\u003cli\u003eKilohearts\u003c\/li\u003e\r\n\u003cli\u003eGForce\u003c\/li\u003e\r\n\u003cli\u003eDawesome\u003c\/li\u003e\r\n\u003cli\u003eVital\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eTogether, they cover a wide range of synthesis approaches, including physical modeling, wavetable, analog-modeling, hybrid, and digital synthesis, all optimized for expressive performance. Ctrl-e is also designed as an evolving platform, with additional supported instruments, deeper editing access, and expanded sound libraries over time. Compatible plug-in licenses already owned by the user can be detected automatically, unlocking deeper integration where supported.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eBRING MORE EXPRESSION TO THE INSTRUMENTS YOU ALREADY USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE is designed to work naturally in both MPE and traditional MIDI environments. With MPE-compatible instruments, full per-note expression is unlocked. But it is also designed to bring a new level of nuance and playability to many of the plug-ins, software instruments, and hardware musicians already know and use.\r\nThrough preset-based configurations and flexible MIDI setups, Osmose CE makes expressive playing far more accessible across existing workflows, without requiring musicians to start over, rebuild their studio around a new system, or wrestle with the kind of setup complexity that has often held expressive MIDI back. The result is a more immediate and rewarding way to bring expression into everyday music creation.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eEXPRESSIVE PERFORMANCE TOOLS BUILT INTO OSMOSE CE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE also includes advanced performance tools that expand what can be done directly from the keyboard. MPE Arpeggiator is a uniquely expressive arpeggiator where every note remains independent and responsive in real time, in both MPE and standard MIDI workflows. Press Glide is a unique performance feature that allows players to glide naturally between notes using pressure, rather than relying on fixed portamento times. Together, these tools open up a more fluid and expressive way of shaping phrases, movement, and articulation directly from the keyboard.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eSMART DAW INTEGRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE also includes thoughtfully integrated DAW controls designed to keep musicians immersed in the creative moment, without constantly reaching for a mouse or a secondary controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported functions include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTransport controls\u003c\/li\u003e\r\n\u003cli\u003eTrack and device navigation\u003c\/li\u003e\r\n\u003cli\u003eMixer control\u003c\/li\u003e\r\n\u003cli\u003eMacro access\u003c\/li\u003e\r\n\u003cli\u003eAutomatic DAW detection\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCompatible DAWs currently include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLive 12+\u003c\/li\u003e\r\n\u003cli\u003eCubase 15+ \u003c\/li\u003e\r\n\u003cli\u003eBitwig 5+\u003c\/li\u003e\r\n\u003cli\u003eLogic Pro 12+\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eBUILT FOR SERIOUS CREATORS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith its white aluminum top and carefully engineered construction, Osmose CE is designed for musicians who expect both precision and durability from the tools they use every day. Production and design are handled in Europe by the Expressive E team, ensuring close control over build quality and long-term consistency.\r\nThis is not just another studio accessory. It is a serious, creative, and expressive instrument.\u003c\/p\u003e","brand":"Expressive E","offers":[{"title":"Default Title","offer_id":44451311845479,"sku":"488166","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/expressive-e-osmose-61-ce_488166_1_653a0245-c82f-40c4-8bf8-1d2c17cafd44.jpg?v=1787096738"},{"product_id":"expressive-e-osmose-49-ce-midi-controller","title":"Expressive E Osmose 49 CE 49-Key MIDI Controller","description":"\u003cp\u003eFor decades, MIDI controllers have helped musicians trigger notes, control software, and shape increasingly sophisticated studio workflows. But they have not necessarily become better at capturing musical expression. The \u003cstrong\u003eExpressive E Osmose 49 CE\u003c\/strong\u003e redefines the rules. Built around the exact same keybed technology as the acclaimed Osmose synthesizer, Osmose CE introduces a more physical, nuanced, and expressive way to play. With MPE (MIDI Polyphonic Expression), it unlocks true per-note expression. But just as importantly, it is designed to make expressive playing far more accessible, bringing a new level of nuance and playability to many of the plug-ins, software instruments, and hardware that musicians already use every day. Combined with Ctrl-e, Expressive E’s free companion software, Osmose CE becomes more than a controller: it becomes a tightly integrated expressive music ecosystem, designed to make expressive playing immediate, musical, and easy to integrate into modern studio workflows.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eA KEYBOARD UNLIKE ANY OTHER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAt the heart of Osmose CE is the exact same expressive keybed technology used in the award-winning Osmose synthesizer. This is not a simplified version. It is the same core playing technology. What makes Osmose CE unique is not only its expressive depth, but the fact that it still feels familiar from the very first note. It plays like a keyboard musicians already know, while opening up new layers of articulation and control under the fingers. Players can bend a single note inside a chord, add vibrato directly with their fingers, and shape phrases with the kind of nuance usually associated with acoustic or expressive instruments. Osmose CE responds not only to where a note is played, but to how it is pressed, bent, and released, turning each gesture into part of the musical performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCTRL-E: THE SOUND ECOSYSTEM BUILT FOR OSMOSE CE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE works hand in hand with Ctrl-e, the free companion software developed by Expressive E to make expressive music immediate, musical, and inspiring. Ctrl-e is not an add-on. It is a core part of the Osmose CE experience. A highly expressive keyboard only becomes truly meaningful when the sound is designed to respond with the same depth and nuance. Ctrl-e was created to complete that experience. From the first note, it gives musicians access to a rich world of expressive sounds designed to respond naturally to the Osmose keybed. Instead of navigating plug-in-by-plug-in MPE setup, technical routing, and inconsistent compatibility, musicians can simply connect, play, and explore an expressive world that is ready from the start.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncluded with Osmose CE:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e900+ expressive presets\u003c\/li\u003e\r\n\u003cli\u003eDynamic preset browsing with intuitive filtering\u003c\/li\u003e\r\n\u003cli\u003e8 pre-mapped macros per preset\u003c\/li\u003e\r\n\u003cli\u003eDeep hardware\/software integration\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eEach preset is designed by Expressive E’s sound designers to respond naturally to pressure, pitch, and gestures, offering a broad and inspiring palette ranging from keys, mallets, and acoustic-inspired instruments to pads, basses, leads, textures, and cinematic sounds. Everything is designed to feel ready to play from the start:\r\nno generic mappings, no technical setup, just sound and response that is ready to be explored.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003ePOWERED BY LEADING SOUND ENGINES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCtrl-e brings together Expressive E’s own sound technologies and a curated selection of partner instruments into a unified expressive environment.\r\nThe ecosystem includes sound engines and technologies from:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSynapse Audio\u003c\/li\u003e\r\n\u003cli\u003eAAS\u003c\/li\u003e\r\n\u003cli\u003eKilohearts\u003c\/li\u003e\r\n\u003cli\u003eGForce\u003c\/li\u003e\r\n\u003cli\u003eDawesome\u003c\/li\u003e\r\n\u003cli\u003eVital\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eTogether, they cover a wide range of synthesis approaches, including physical modeling, wavetable, analog-modeling, hybrid, and digital synthesis, all optimized for expressive performance. Ctrl-e is also designed as an evolving platform, with additional supported instruments, deeper editing access, and expanded sound libraries over time. Compatible plug-in licenses already owned by the user can be detected automatically, unlocking deeper integration where supported.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eBRING MORE EXPRESSION TO THE INSTRUMENTS YOU ALREADY USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE is designed to work naturally in both MPE and traditional MIDI environments. With MPE-compatible instruments, full per-note expression is unlocked. But it is also designed to bring a new level of nuance and playability to many of the plug-ins, software instruments, and hardware musicians already know and use.\r\nThrough preset-based configurations and flexible MIDI setups, Osmose CE makes expressive playing far more accessible across existing workflows, without requiring musicians to start over, rebuild their studio around a new system, or wrestle with the kind of setup complexity that has often held expressive MIDI back. The result is a more immediate and rewarding way to bring expression into everyday music creation.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eEXPRESSIVE PERFORMANCE TOOLS BUILT INTO OSMOSE CE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE also includes advanced performance tools that expand what can be done directly from the keyboard. MPE Arpeggiator is a uniquely expressive arpeggiator where every note remains independent and responsive in real time, in both MPE and standard MIDI workflows. Press Glide is a unique performance feature that allows players to glide naturally between notes using pressure, rather than relying on fixed portamento times. Together, these tools open up a more fluid and expressive way of shaping phrases, movement, and articulation directly from the keyboard.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eSMART DAW INTEGRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOsmose CE also includes thoughtfully integrated DAW controls designed to keep musicians immersed in the creative moment, without constantly reaching for a mouse or a secondary controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported functions include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTransport controls\u003c\/li\u003e\r\n\u003cli\u003eTrack and device navigation\u003c\/li\u003e\r\n\u003cli\u003eMixer control\u003c\/li\u003e\r\n\u003cli\u003eMacro access\u003c\/li\u003e\r\n\u003cli\u003eAutomatic DAW detection\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCompatible DAWs currently include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLive 12+\u003c\/li\u003e\r\n\u003cli\u003eCubase 15+ \u003c\/li\u003e\r\n\u003cli\u003eBitwig 5+\u003c\/li\u003e\r\n\u003cli\u003eLogic Pro 12+\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eBUILT FOR SERIOUS CREATORS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith its white aluminum top and carefully engineered construction, Osmose CE is designed for musicians who expect both precision and durability from the tools they use every day. Production and design are handled in Europe by the Expressive E team, ensuring close control over build quality and long-term consistency.\r\nThis is not just another studio accessory. It is a serious, creative, and expressive instrument.\u003c\/p\u003e","brand":"Expressive E","offers":[{"title":"Default Title","offer_id":44451311812711,"sku":"488165","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/expressive-e-osmose-49-ce_488165_1.jpg?v=1787096737"},{"product_id":"nordic-audio-labs-nu-24k-large-diaphragm-condenser-microphone","title":"Nordic Audio Labs NU-24K Large Diaphragm Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eNordic Audio Labs NU-24K\u003c\/strong\u003e is a large diaphragm condenser microphone unlike any other, voiced for a BIG, gorgeous modern vocal sound. The NU-24K is a truly great choice for a one stop ‘will sound great on anyone’ vocal microphone. Or indeed that ‘one great sounding microphone for anything’ to elevate a project studio, delivering absolute top tier tones on literally anything you put in front of it.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eD100K CAPSULE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe microphone is based around the D100K, Nordic's proprietary 30mm edge-terminated large diaphragm capsule. It offers excellent off axis phase response, super realistic transient response and very smooth top end. This makes for beautifully lifelike capture without harshness. The resulting recordings are also more accepting of processing than ones using most any other condenser microphone. Not that you will want to process much.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eFLOFET CIRCUITRY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt uses neither tubes nor transformers, yet by way of the innovative FloFET circuitry provides a tone far away from what you might expect from a transformerless solid state microphone. Friendly smooth and flattering like a great tube microphone, precision and lifelike detail like a transformerless microphone. It is a NU sound.\u003c\/p\u003e","brand":"Nordic Audio","offers":[{"title":"Default Title","offer_id":44451325739111,"sku":"494756","price":1895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/nordic-audio-labs-nu-24k_494756_1_7a31bb5c-bd25-4d99-ba27-3565304b5de0.jpg?v=1787096796"},{"product_id":"rupert-neve-designs-optofet-dual-stage-compressor","title":"Rupert Neve Designs OptoFET Dual Stage Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs OptoFET\u003c\/strong\u003e is a one-of-a-kind dual compressor and waveshaper that artfully combines the precision and punch of FET compression with the smooth, musical nature of optical compression in a streamlined single-channel unit. Use the two compressors in series for total dynamics control, process low and high frequencies separately, or introduce harmonic richness with the Bloom and Grit modes. Both circuits feature fully variable Attack, Release, Threshold, Gain, and Blend controls, plus thoughtfully selected ratio options and sidechain filters. A central set of controls allows you to toggle between routing modes, flip the order of processing, and set a crossover anywhere between 50 and 500 Hz. Incredibly flexible for a 1U compressor, the RND OptoFET is an excellent all-purpose tool for shaping dynamics and adding analog harmonics to any track.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eNEWLY DESIGNED FET COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe FET compressor section provides fast attack and precise transient control, ideal for adding punch to any source or extreme envelope shaping. Variable Attack, Release, Threshold, and Gain controls make it easy to dial in gain reduction, while the Ratio switch gives you the option of moderate compression (4:1) or limiting (8:1). Grit mode introduces harmonic saturation for subtle enhancement or aggressive bite, while the Blend control gives you access to instant parallel compression.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eOPTIMIZED OPTO-COMPRESSOR DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Opto section delivers program-dependent optical compression with a gentler touch and slightly slower action that's perfect for transparent vocal smoothing or adding sustain to instruments like bass and guitar. The Attack, Release, Threshold, Gain, and Blend controls are identical to the FET stage, while the Ratio switch offers 2:1 and 5:1 settings for ultra-transparent leveling or stronger envelope-shaping. The Bloom control adds even-order harmonics that make any track pop, whether you want a touch of analog saturation or a bolder sound.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eDUAL STAGE MODE FOR SERIAL COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOf the OptoFET's two primary compression modes, the default setting routes signals through the FET and Opto circuits in series, giving you the best of both worlds. Dial in a tight, punchy sound with the FET compressor, then run it through the Opto stage for extra \"glue.\" For an alternative sound, hit the Flip switch to use the Opto compression circuit first, then use the FET stage for peak limiting. Serial compression provides maximum dynamic control, gives you multiple gain stages to work with, and lets you quickly A\/B different mixing techniques.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eDUAL BAND MODE FOR MULTI-BAND COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe X-OVER IN switch splits the signal into low and high frequency bands, which are then processed independently through the FET and Opto compressors and recombined at the output. The variable frequency selection control lets you adjust the crossover anywhere between 50-500 Hz, and the Flip switch swaps which compressor is used for the lower and upper frequency ranges. Try using the Opto stage on the lower frequency band for gentle compression while the FET stage adds upper harmonics, or swap them at any time for a different sound. You'll quickly see how flexible a dual-band compressor can be!\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eALL-NEW GRIT AND BLOOM MODES FOR ADDING HARMONICS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Grit button on the FET side and Bloom on the Opto side add harmonic enhancement to the signal. Depending on how hard you hit the compressor, Grit can add a subtle edge or significant bite to your sound, while Bloom brings out musical harmonics reminiscent of vintage opto-compressors. Use the makeup gain and parallel blend controls to thicken vocals, add sheen to guitars, or crush a drum bus without losing its natural dynamics.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eCOMPREHENSIVE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFor such a versatile unit, the OptoFET is remarkably easy to use. Each compressor section offers variable controls for Attack, Release, Threshold, Ratio, and Gain; while the center section offers global controls for flipping the order of processing, adjusting the crossover, and bypassing the unit. Input and output trim controls on either side of the unit allow you to tweak the incoming signal level and add just the right amount of make-up gain after processing.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44451339731047,"sku":"498110","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-optofet_498110_1_ced4ca6c-c580-4e72-b87a-ccb32c668ca5.jpg?v=1787096856"},{"product_id":"ssl-origin-evo-32","title":"Solid State Logic ORIGIN EVO 32 32-Channel Recording Console","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic ORIGIN EVO 32\u003c\/strong\u003e is a 32-channel analog recording and mixing console that combines classic SSL sonics and forward-thinking features built for modern studio workflows. Each ORIGIN EVO channel strip sports a PureDrive preamp with VHD technology, alongside the classic SSL \"Black Knob\" 242 EQ and E-Series dynamics. A new and improved bus compressor delivers SSL's distinctive compression characteristics with added functionality, while advanced bus routing streamlines mixing and monitoring workflows. To top it all off, seamless integration with the SSL UF8 DAW Controller makes the ORIGIN EVO 32 a versatile choice for hybrid studios.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePUREDRIVE PREAMPS WITH VHD TECHNOLOGY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe front end of the SSL ORIGIN EVO 32 features PureDrive mic\/line preamps with Variable Harmonic Drive (VHD) technology, enabling a range of tonal flavors from clean and transparent to gritty and saturated. In normal operation, the preamps provide up to 70 dB of gain for mic signals and 55 dB for line-level signals. Pressing the Drive button engages the VHD circuit, introducing real analog saturation that adds harmonics according to the amount of gain. From crystal-clear DI signals to subtle warmth and breakup, all the way to aggressive harmonic distortion, the SSL ORIGIN EVO's PureDrive preamps do it all.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCLASSIC 'BLACK KNOB' E SERIES EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL ORIGIN EVO 32 features the classic \"Black Knob\" 242 EQ on every channel, pulled straight from the iconic SSL E-Series consoles. This versatile four-band EQ features two fully parametric midrange bands, low- and high-frequency bands with switchable bell and shelf curves, and the option to flip the EQ from the Large Fader path to the Small Fader path. The ORIGIN EVO 32's EQ section features generous frequency overlap between bands, allowing you to create sophisticated EQ curves that aren't possible on other consoles.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eE SERIES DYNAMICS ON EVERY CHANNEL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEach channel includes an E Series dynamics section for classic SSL compression, expansion, and gating. Powered by a Class A VCA chip, the compressor offers a wide range of compression ratios, hard and soft knee curves, logarithmic or linear release options, optional fast attack mode, and a true RMS sidechain detector. The dual-function gate\/expander stage makes it possible to isolate individual drum hits with tight gating or alter dynamics with subtle expansion. Flexible controls allow you to bypass the SSL ORIGIN EVO's dynamics section, flip between Large and Small Fader paths, and use the link function to pair adjacent channels for true stereo operation.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eUPGRADED HIGH- AND LOW-PASS FILTERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUpgraded high- and low-pass filters on the SSL ORIGIN EVO 32 make it easier than ever to eliminate unwanted low-end rumble and high-end harshness. The sweepable 18 dB\/octave high-pass filter is ideal for tightening up low-end without losing fullness, while the new 12 dB\/octave low-pass filter is useful for cutting out treble and hiss on bass and kick drum tracks. The ORIGIN EVO 32's upgraded filters offer more versatile channel processing than ever, allowing you to get the right sound at the source without additional post-processing.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eENHANCED BUS COMPRESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL ORIGIN EVO 32 console sports a new and improved stereo bus compressor that faithfully recreates the legendary G Series \"glue\" compressor with a built-in sidechain filter for enhanced flexibility. Featuring classic Threshold, Attack, Ratio, and Makeup controls, the SSL bus compressor enhances any mix with its signature VCA sound. Use moderate compression settings for smooth and subtle dynamic control, crank it up for a punchier sound, or engage the sidechain filter to avoid unwanted \"pumping\" from bass-heavy content.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eSIGNATURE SSL MIX BUS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe signature SSL mix bus at the center of the ORIGIN EVO 32 provides the classic analog summing that made SSL consoles famous. Routing channels to the console's mix bus adds subtle cohesion that DAW summing can never replicate without external processing. Accessed via routing-assign switches on each channel, the ORIGIN EVO 32's mix bus works hand in hand with the console's bus compressor to deliver authentic Solid State Logic sound on every mix.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eADVANCED BUS ROUTING TO SPEED UP YOUR WORKFLOW\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL ORIGIN EVO 32 features advanced bus routing and a compact bus matrix with ±10 dB trim pots and simple two-button operation for each of the 16 buses. Assign channels to subgroups, create foldback mixes, or route stereo returns with minimal menu diving; just select the bus and the track, and the blue indicator confirms the link. Four stereo returns with independent trim and foldback A\/B sends make cue mixes easy, reducing session setup time and keeping the focus on the music.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_7\"\u003eSEAMLESSLY INTEGRATES WITH SSL UF8 DAW CONTROLLER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned for hybrid studios, the SSL ORIGIN EVO 32 console integrates seamlessly with the SSL UF8 DAW controller via the UF-8 Retrofit Kit, which allows the UF8 to be fitted into the fader tray and repositions stereo group faders into the center section. This provides tactile DAW control alongside the console’s analog signal path, enabling hands-on automation. The SSL ORIGIN EVO's combination of motorized DAW control and analog summing gives you the best of both worlds: precise automation and the sonic benefits of an analog SSL console.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_8\"\u003eSOLID STATE LOGIC ORIGIN EVO 32 FEATURES:\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e32-CHANNEL IN-LINE CONSOLE\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUp to 88 inputs at mixdown\u003c\/li\u003e\r\n\u003cli\u003eSmall + Large faders\u003c\/li\u003e\r\n\u003cli\u003e2 × Stereo Cue\u003c\/li\u003e\r\n\u003cli\u003e4 × Mono Buses\u003c\/li\u003e\r\n\u003cli\u003e16 Track Buses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003ePUREDRIVE MIC PRES\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e+70 dB of clean gain\u003c\/li\u003e\r\n\u003cli\u003eSwitch from ultra-clean to warm, driven tones\u003c\/li\u003e\r\n\u003cli\u003eDiscrete transistor design\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eE SERIES DYNAMICS PROCESSING – EVOLVED\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCompressor\/Limiter + Expander\/Gate\u003c\/li\u003e\r\n\u003cli\u003eTrue RMS converter in sidechain\u003c\/li\u003e\r\n\u003cli\u003eAuthentic Class-A VCA chip\u003c\/li\u003e\r\n\u003cli\u003eThree distinct characters\u003c\/li\u003e\r\n\u003cli\u003eSwitch between classic and logarithmic release\u003c\/li\u003e\r\n\u003cli\u003eSidechain channel link\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSSL HIGH-PASS AND LOW-PASS FILTERS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e18 dB\/octave high-pass filter\u003c\/li\u003e\r\n\u003cli\u003e12 dB\/octave low-pass filter\u003c\/li\u003e\r\n\u003cli\u003ePath routing via SF\/LF\u003c\/li\u003e\r\n\u003cli\u003eFilter to dynamics sidechain\u003c\/li\u003e\r\n\u003cli\u003eFlip Filter \u0026gt; EQ or EQ \u0026gt; Filter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSSL E SERIES EQ\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIconic ‘242’ Black Knob design\u003c\/li\u003e\r\n\u003cli\u003eDeveloped in collaboration with Sir George Martin\u003c\/li\u003e\r\n\u003cli\u003eFour-band parametric EQ\u003c\/li\u003e\r\n\u003cli\u003eHF\/LF bell\/shelf switch\u003c\/li\u003e\r\n\u003cli\u003eDedicated HMF and LMF Q controls\u003c\/li\u003e\r\n\u003cli\u003eIN\/OUT for true circuit bypass\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eENHANCED SSL BUS COMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLegendary ‘glue \u0026amp; punch’\u003c\/li\u003e\r\n\u003cli\u003eNew compression ratios\u003c\/li\u003e\r\n\u003cli\u003eSidechain HPF\u003c\/li\u003e\r\n\u003cli\u003eInsert Return\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCLASSIC SSL CONSOLE, LATEST HYBRID WORKFLOWS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e0 dB fader bypass\u003c\/li\u003e\r\n\u003cli\u003eDirect channel outputs\u003c\/li\u003e\r\n\u003cli\u003eInsert point on every path\u003c\/li\u003e\r\n\u003cli\u003eRelocate the Stereo Groups and center Tile\u003c\/li\u003e\r\n\u003cli\u003eSeamlessly integrate DAW control with UF8 or UF1\u003c\/li\u003e\r\n\u003cli\u003eAdd additional analog processing\u003c\/li\u003e\r\n\u003cli\u003eMovable meter bridge\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451341238375,"sku":"499624","price":74999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-origin-evo-32_499624_1.jpg?v=1787096863"},{"product_id":"ssl-evo-8-channel-upgrade-kit","title":"Solid State Logic Origin EVO 8-Channel Upgrade Kit","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic ORIGIN EVO 8-Channel Upgrade Kit\u003c\/strong\u003e is an upgrade kit for the SSL ORIGIN console. With this kit the ORIGIN EVO’s innovative channel strip design can be retrofitted to existing ORIGIN consoles. This retrofit is available here as an 8-channel upgrade kit, making the upgrade process manageable through cost-effective stages.\u003c\/p\u003e\r\n\u003cp\u003eORIGIN EVO completes the classic ‘4000 E’ channel strip by integrating an authentic, full recreation of the renowned E Series dynamics processing on every channel - combined with flexible PureDrive mic preamps, the iconic ‘Black Knob’ 242 EQ, and SSL’s High-pass and Low-pass Filters.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451341271143,"sku":"499625","price":10995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/solid-state-logic-origin-evo-8-channel-upgrade_499625_1.jpg?v=1787096863"},{"product_id":"ssl-origin-evo-16","title":"Solid State Logic ORIGIN EVO 16 16-Channel Recording Console","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic ORIGIN EVO\u003c\/strong\u003e builds on the very foundations of Solid State Logic, carrying forward the legacy of the iconic 4000 Series console while integrating the latest hybrid features and workflows. ORIGIN reignites the 4K lineage; ORIGIN EVO takes it even further, delivering an in-line console with the unmistakable SSL sound engineers know and love – thanks to flexible PureDrive mic preamps, an authentic E Series dynamics section, and the iconic ‘Black Knob’ 242 EQ with LP\/HP filters. ORIGIN EVO’s high-headroom mix bus, paired with the enhanced Bus Compressor and forward-thinking routing capabilities, delivers mixes with analog warmth, creative edge, and the renowned SSL glue and punch.\u003c\/p\u003e  \u003cp\u003eThe expanded modular center section of ORIGIN EVO provides true hands-on control and ergonomic freedom for hybrid workflows. It seamlessly integrates a UF8 DAW controller or 19\" processors, ensuring the workstation and outboard processors sit exactly where you need them. With advanced bus routing, a power-friendly design, and an intuitive ‘freelance-friendly’ in-line workflow, ORIGIN EVO faithfully recreates the character that defined the E Series – and evolves it.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003ePURE DRIVE MIC PRE\u003c\/h3\u003e  \u003cp\u003eORIGIN EVO’s PureDrive Mic Pre offers engineers a complete sonic palette, from high-resolution, ultra-clean capture to rich, driven tones. Its discrete transistor design delivers pristine, low-noise transparency; engage DRIVE – an evolution of SSL’s VHD technology – to introduce warm, harmonically rich color when the track demands it. Whether you’re tracking, printing stems, or shaping tones through channel processing, PureDrive provides the flexibility to choose between pure transparency and characterful saturation – one preamp, two distinct personalities, unmistakably SSL.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eE SERIES EQ\u003c\/h3\u003e  \u003cp\u003eEvery channel strip on ORIGIN EVO features the most sought-after EQ design from the 4000 Series consoles: the iconic E Series 242 ‘Black Knob’. Originally developed in collaboration with Sir George Martin for the SL 4000 E, this EQ has been the choice of professionals for shaping exceptional mixes for more than four decades.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eE SERIES DYNAMICS\u003c\/h3\u003e  \u003cp\u003eORIGIN EVO brings SSL’s E Series dynamics to every channel – one of the defining elements of the classic ’80s SSL sound. Expect punchy, aggressive compression and ultra-fast gating, faithfully recreated with original-spec circuitry and components to deliver the authentic 4000 E character. Each compressor includes a LINK function, feeding the sidechain signal to the adjacent channels, allowing multiple consecutive channels to be linked together. ORIGIN EVO’s dynamics section features a true RMS sidechain detector and an all-discrete gain-reduction stage, identical to the Class-A VCA chip used in the original console. Flexible controls let you bypass the soft-knee curve, engage fast attack, and select logarithmic or linear release – providing three distinctive compression characteristics that have shaped countless classic records.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eHIGH- AND LOW-PASS FILTERS\u003c\/h3\u003e  \u003cp\u003eHigh-pass and low-pass filters are integral to the ORIGIN EVO channel strip, with the typical routing flexibility expected from an SSL in-line analog console. ORIGIN EVO adds a 12dB\/octave low-pass filter to ORIGIN’s existing 18dB\/octave high-pass filter, providing enhanced tonal shaping options. Both filters can be switched to the dynamics sidechain, allowing precise control over frequency response – ideal for gating drums or triggering the compressor with a tighter focus for tasks such as de-essing.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eHYBRID PRODUCTION WORKFLOWS\u003c\/h3\u003e  \u003cp\u003eOne of the key design principles behind ORIGIN EVO is authentic E Series sonics, delivered through hybrid production workflows and ergonomics. At its core is a 19-inch, rack-based modular center section that adapts to different control priorities and adds space for custom outboard processing, keeping the engineer in the sweet spot with workstation control and processing within arm’s reach. Seamlessly integrate a UF8 DAW controller, while the Stereo Group fader tile can be moved up the center section to place the UF8 in the lower bay, directly in front of the engineer. The 3U center meter panel can be repositioned to bring a workstation monitor closer without obscuring the main meters. Beyond the adaptable layout, each channel strip is optimized for hybrid work with a 0 dB fader bypass for printing stems and insert points on both the large and small faders for easy integration of additional processing.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eTHE BUS COMPRESSOR – ENHANCED\u003c\/h3\u003e  \u003cp\u003eFew pieces of studio production equipment have earned the legendary status of the SSL Bus Compressor. For decades, it has been the secret weapon behind countless hit records – trusted by producers and engineers for its ability to deliver the ‘glue’ that brings a mix together. In ORIGIN EVO, this heritage lives on through the authentic circuit and design, built true to original specifications. Its signature mix bus cohesion adds power, drive, and clarity, creating the polished sound professionals demand. The Bus Compressor in ORIGIN EVO adds new compression ratios, an insert return for external processing, and a built-in sidechain filter – delivering the classic SSL punch with modern flexibility.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eTHE SSL MIX BUS\u003c\/h3\u003e  \u003cp\u003eA defining element of SSL consoles is their mix bus, and ORIGIN EVO is no different. ORIGIN and ORIGIN EVO take a new approach compared to other SSL large-format consoles to deliver excellent noise performance and very low distortion via a new ‘all-analog’ design. Part of the magic of SSL consoles is their ability to effortlessly sum sounds together with detail and separation, while creating an extremely wide stereo image for the engineer to use creatively.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eADVANCED BUS ROUTING\u003c\/h3\u003e  \u003cp\u003eORIGIN EVO’s electronic routing overcomes several ergonomic and reliability issues associated with traditional routing switches at the top of the channel. The new routing approach avoids the need for the user to repeatedly reach to the top of the strip and improves console reliability, with electronic switching removing components that are often located in the hottest part of the channel strip and therefore prone to cleaning or replacement. A single ROUTE select switch allows each channel to address the centrally located bus assignments, and with intelligent multi-select finger presses, setting up a session is far simpler and less prone to issues than traditional switch-based routing.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eSOLID STATE LOGIC ORIGIN EVO 16 FEATURES:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003ePUREDRIVE MIC PRES\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e+70 dB of clean gain\u003c\/li\u003e \u003cli\u003eSwitch from ultra-clean to warm, driven tones\u003c\/li\u003e \u003cli\u003eDiscrete transistor design \u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eE SERIES DYNAMICS PROCESSING – EVOLVED\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCompressor\/Limiter + Expander\/Gate\u003c\/li\u003e \u003cli\u003eTrue RMS converter in sidechain\u003c\/li\u003e \u003cli\u003eAuthentic Class-A VCA chip\u003c\/li\u003e \u003cli\u003eThree distinct characters\u003c\/li\u003e \u003cli\u003eSwitch between classic and logarithmic release\u003c\/li\u003e \u003cli\u003eSidechain channel link\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eSSL HIGH-PASS AND LOW-PASS FILTERS\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e18 dB\/octave high-pass filter\u003c\/li\u003e \u003cli\u003e12 dB\/octave low-pass filter\u003c\/li\u003e \u003cli\u003ePath routing via SF\/LF\u003c\/li\u003e \u003cli\u003eFilter to dynamics sidechain\u003c\/li\u003e \u003cli\u003eFlip Filter \u0026gt; EQ or EQ \u0026gt; Filter\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eSSL E SERIES EQ\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIconic ‘242’ Black Knob design\u003c\/li\u003e \u003cli\u003eDeveloped in collaboration with Sir George Martin\u003c\/li\u003e \u003cli\u003eFour-band parametric EQ\u003c\/li\u003e \u003cli\u003eHF\/LF bell\/shelf switch\u003c\/li\u003e \u003cli\u003eDedicated HMF and LMF Q controls\u003c\/li\u003e \u003cli\u003eIN\/OUT for true circuit bypass\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eENHANCED SSL BUS COMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eLegendary ‘glue \u0026amp; punch’ \u003c\/li\u003e \u003cli\u003eNew compression ratios\u003c\/li\u003e \u003cli\u003eSidechain HPF\u003c\/li\u003e \u003cli\u003eInsert Return\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eCLASSIC SSL CONSOLE, LATEST HYBRID WORKFLOWS\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e0 dB fader bypass\u003c\/li\u003e \u003cli\u003eDirect channel outputs\u003c\/li\u003e \u003cli\u003eInsert point on every path\u003c\/li\u003e \u003cli\u003eRelocate the Stereo Groups and center Tile\u003c\/li\u003e \u003cli\u003eSeamlessly integrate DAW control with UF8 or UF1\u003c\/li\u003e \u003cli\u003eAdd additional analog processing\u003c\/li\u003e \u003cli\u003eMovable meter bridge\u003c\/li\u003e \u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451341336679,"sku":"499623","price":49999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-origin-evo-16_499623_1.jpg?v=1787096863"},{"product_id":"asm-leviasynth-16-voice-keyboard-synthesizer","title":"ASM Leviasynth 16-Voice Keyboard Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003eASM Leviasynth 16-Voice Keyboard Synthesizer\u003c\/strong\u003e is a hybrid algorithmic synthesizer from ASM. Offering 16 voices with 8 oscillators per voice and a combination of analog and digital filters, the Leviasynth is truly a sound designer's dream synthesizer. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePOLYPHONIC AFTERTOUCH\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 61-note Polytouch polyphonic aftertouch keybed together with the 4-octave ribbon controller offers an unsurpassed playing experience, and the Leviasynth is also MPE-compatible. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCOLOR TOUCH SCREEN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe multi-color touch screen and intuitive user interface make patch programming a breeze. The oscillators can be arranged in groups known as algorithms, which define how they affect each other. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eENDLESS SOUND DESIGN POSSIBILITIES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThere are 144 preset algorithms available, and one additional algorithm can also be customized per patch. In addition, algorithm morph offers a nearly unlimited number of configurations for the oscillators. There are over 300 waveforms available for each oscillator, and 7 independent oscillator modes for maximum timbral diversity. The 3-track sequencer records both note and macro automation, and the arpeggiator features a new Entropy function for advanced realtime note manipulation. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eVOICE MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSingle mode allows for all 16 voices to be active per patch, and Multi mode allocates the voices into two parts of 8 voices each, where layers or splits are easily set up. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003ePATCHES FROM WORLD-CLASS SOUND DESIGNERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe free ASM Patch Manager for Mac and PC enables easy firmware updating and patch management. 512 Single mode and 256 Multi mode patches are included in the factory presets, all created by world-class sound designers. A total of 1024 patch locations for Single mode and 640 patch locations for Multi mode are available. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eOSCILLATOR TYPES AND MODULATION MATRIX\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOscillator configurations include Phase Modulation, Frequency Modulation, Pulse Width Modulation, HTE Sync, and three types of Phase Distortion. Each of the 8 oscillators has its own volume envelope, in addition to the shared 5 envelopes and 5 LFOs, all freely routable in the powerful 32-slot modulation matrix. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eANALOG AND DIGITAL FILTER DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe digital Hydrasynth-style multimode filter and the analog low-pass filter, featuring both pre-drive saturation and self-oscillation, together with two insert effects and two master effects, make for near-infinite tone-shaping possibilities.\u003c\/p\u003e","brand":"ASM","offers":[{"title":"Default Title","offer_id":44451341664359,"sku":"492667","price":2499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/asm-leviasynth-16-voice-keyboard-synthesizer_492667_1_2150e600-2c59-413c-b85c-457f99cf0c38.jpg?v=1787096864"},{"product_id":"electro-harmonix-effects-interface-hardware-plug-in","title":"Electro-Harmonix Effects Interface Hardware Plug-in","description":"\u003cp\u003eThe \u003cstrong\u003eElectro-Harmonix Effects Interface Hardware Plug-in\u003c\/strong\u003e is a first-of-its-kind piece of equipment purpose-built for making use of pedals and other physical guitar equipment with your DAW easy and seamless. Additionally, the Effects Interface breaks your favorite plug-ins out of your computer for use in your full guitar rig. No need for special converters or direct boxes, the Effects Interface handles your signal and delivers it with care between your hardware and software via a simple USB-C connection.\u003c\/p\u003e","brand":"Electro-Harmonix","offers":[{"title":"Default Title","offer_id":44451342876775,"sku":"500876","price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ehx-effects-interface-hardware-plug-in_500876_1.jpg?v=1787096870"},{"product_id":"empirical-labs-el-8-xxx-distressor-30th-anniversary-edition","title":"Empirical Labs EL8-XXX Distressor 30th Anniversary Edition","description":"\u003cp\u003eThe \u003cstrong\u003eEmpirical Labs EL8-XXX Distressor\u003c\/strong\u003e is a limited edition 30th anniversary edition of the famous EL8 Distressor. It includes all of the upgraded features found on the EL8X (Stereo Image Link, Brit Mode), now coupled with the famous Triad HS-56 transformer at the input stage, known for its ability to add clarity and \"size\" to sub content. In addition to saturation and color, this transformer also greatly reduces input impedance to 600 ohms. These changes, plus some new discrete parts, allow for the XXX model to saturate and color earlier than the classic EL8 - it'll make a mix's low-end sparkle like no other!\u003c\/p\u003e\r\n\u003cp\u003eThe EL8X Distressor is a modern analog compressor that delivers legendary dynamic control and tonal shaping. With unique compression curves, three distinct distortion settings, British Mode, and stereo image linking, this versatile compressor has earned its place in the racks of top studios worldwide. Whether used subtly to enhance warmth or pushed to its aggressive limits, this improved version of the classic Empirical Labs EL8 distressor compressor offers unmatched flexibility for tracking, mixing, and mastering.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUNIQUE COMPRESSION CURVES\u003c\/h3\u003e\r\n\u003cp\u003eThe Empirical Labs EL8X compressor features eight selectable compression curves, each designed to offer a distinct sonic character. From transparent leveling to extreme peak limiting, these eight unique curves alter the behavior of the detector path, allowing engineers to shape dynamics with precision. The 10:1 opto compressor setting uses separate detector circuitry to emulate vintage light-controlled optical compressors, delivering smooth musical response. On the other side of the spectrum, Empirical Labs' signature Nuke mode provides explosive limiting for high-energy drum processing. The unique curves of the Empirical Labs EL8X make it possible to emulate the dynamic response of countless classic compressors.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHREE DISTORTION MODES\u003c\/h3\u003e\r\n\u003cp\u003eFor added harmonic coloration, the Empirical Labs EL8X compressor offers an advanced distortion circuit with three unique distortion profiles: Distort 1, Distort 2, and Distort 3. Distort 1 introduces subtle harmonic enhancement without altering the dynamics or frequency response too much, Distort 2 mimics the warmth of Class A tube saturation, and Distort 3 replicates the character of magnetic tape saturation. Empirical Labs' unique control settings make it easy to add vintage-style coloration while maintaining clarity and punch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eBRITISH MODE\u003c\/h3\u003e\r\n\u003cp\u003eInspired by the famous \"all-buttons-in\" trick of the 1176 limiter, the Empirical Labs EL8X's British Mode delivers fast, aggressive compression with a distinct knee and envelope shape. British mode enhances transients and adds energy to drums, vocals, and instruments, making it ideal for achieving a punchy, in-your-face sound. With unique compression characteristics and a nearly brick wall limiting curve, the Empirical Labs EL8 X compressor's British Mode is the perfect tool for smashing tracks into oblivion or blending with the dry signal for tasteful parallel compression.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eIMAGE LINKING FOR STEREO PAIRS\u003c\/h3\u003e\r\n\u003cp\u003eDesigned for stereo applications, the Empirical Labs EL8-X's stereo image link function ensures seamless compression across both channels while maintaining an accurate stereo image. Unlike traditional stereo linking, this compressor's proprietary approach preserves depth and detail in the soundstage, making it perfect for drum busses, mastering chains, and other stereo processing. This unique stereo link mode excels with a matched stereo pair of Empirical Labs EL8-X Distressors.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":44451343269991,"sku":"501182","price":1996.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empirical-labs-el8-xxx_501182_1.jpg?v=1787096871"},{"product_id":"neve-88r-lbeq-500-series-88rs-console-eq-module","title":"Neve 88R LBEQ 500 Series 88RS Console EQ Module","description":"\u003cp\u003eDesigned for modern hybrid studios who want classic console tone in a compact footprint, the \u003cstrong\u003eNeve 88R LBEQ\u003c\/strong\u003e delivers signature Neve EQ for tracking, mixing, and mastering. Four fully parametric bands of console-style EQ with overlapping frequencies, ±20 dB of gain, and continuously variable Q give you incredible flexibility for subtle tonal shaping, creative sound sculpting, or anything in between. Inspired by the brand's flagship 88RS console, this parametric equalizer is built for precise control and minimal phase shift. For even more classic British flavor, pair the Neve 88R LBEQ with the 88RLB preamp or 88R LBC compressor.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e88RS CONSOLE EQ REIMAGINED FOR 500 SERIES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBased on the EQ circuit in the Neve 88RS console and optimized for the 500 Series format, this premium EQ module preserves the key elements that made the 88RS a staple in major studios: colorful frequency response, coherent phase, and ample headroom for high dynamic range signals. The Neve 88R LBEQ offers over +27 dBu of headroom and ultra-low distortion, keeping transients and stereo image intact even with heavy processing. For engineers who want a genuine Neve parametric equalizer in a compact package, the Neve 88R LBEQ 500 Series EQ delivers.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eLOW BAND: FOUNDATION, WEIGHT, AND IMPACT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Low Band on the 88R LBEQ 500 Series EQ is built for powerful low-frequency shaping with a musical response. Use the low band to add weight to kick and bass with broad curves or use narrow bell curves to surgically remove low-mid buildup. With up to ±20 dB of gain and extensive frequency overlap with the low-midrange band, you can use it almost like a high-pass filter to create resonant shelves while retaining dynamic range.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eLOW-MID BAND: WARMTH, BODY, AND DEPTH\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Low-Mid Band covers the critical frequencies where the \"body\" of many sounds lives, making it ideal for taming muddiness or adding warmth to guitars, drums, and vocals. This fully parametric band offers a wide range of frequencies and smoothly adjustable Q to cleanly carve space or bolster your sound. Thanks to the Neve 88R LBEQ's extensive frequency overlap and minimal phase shift, your low-mid EQ adjustments will play nicely with neighboring EQ bands instead of interfering with them.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eHIGH-MID BAND: PRESENCE, CLARITY, AND EXPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe equalizer's High-Mid section is the go-to control for clarity, attack, and sharpness. Whether you need to help a vocal poke through the mix, mellow out harsh cymbals, or add bite to guitars, the high mid band’s precise control and narrow bell options let you get as gentle or surgical as you want. The musical response of the 88R LBEQ 500 Series EQ preserves stereo imaging and transient detail even when making aggressive cuts or boosts.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eHIGH BAND: AIR, SHINE, AND HIGH-END PRECISION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe High Band on the Neve 88R LBEQ allows you to shape presence, add \"air,\" and round off harshness in the treble range. With a wide, sweepable range and smoothly adjustable Q, this parametric equalizer is perfect for both gentle lifts and eliminating high-end sibilance and noise. Low phase shift ensures that high-frequency EQ boosts remain natural and transients retain clarity without sounding brittle or introducing comb filtering.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eTHE 88R LB SERIES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 88R LBEQ equalizer is part of the Neve 88R LB Series, which includes the 88R LBC compressor and 88RLB preamp for a complete 500 Series signal chain with classic Neve sound. Record with the 88RLB preamp for bold front-end tone, control dynamics, and add excitement with the 88R LBC, and use the 88R LBEQ to polish your tracks or surgically remove problem frequencies. Featuring genuine Neve topology in a modular format, these 500 series modules deliver the consistent, world-class studio tone that makes Neve a go-to for major studios and flagship desk applications.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44451343466599,"sku":"501291","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-88r-lbeq_501291_1.jpg?v=1787096872"},{"product_id":"neve-1073dpx-d-dual-microphone-preamp-eq-with-usb-dante-interface","title":"Neve 1073DPX-D Dual Microphone Preamp\/EQ with USB\/Dante Interface","description":"\u003cp\u003eThe \u003cstrong\u003eNeve 1073DPX-D\u003c\/strong\u003e is a powerful evolution of the top-selling 1073DPX. Combining two complete 1073 channel strips with a premium 10-in\/12-out USB\/ADAT audio interface, the 1073DPX-D brings the unmistakable character of the world’s most famous microphone preamp directly into modern DAW-based production. Designed and hand-built in England, it offers a fully discrete class-A signal path, transformer-coupled tone shaping, inductor EQ, and seamless digital integration, all within a robust 2U rack-mount chassis. With dual mono and stereo tracking, digital re-amping, hardware insert capability, advanced monitoring, and scalable ADAT expansion, the 1073DPX-D is engineered to become the centerpiece of professional, project, and mobile studios alike.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCLASSIC ANALOG MEETS MODERN DIGITAL WORKFLOW\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 1073DPX-D extends the original 1073DPX into the digital domain without sacrificing the warmth, saturation, and musicality that define the 1073. Each channel feeds directly into high-performance AD\/DA conversion, enabling immediate recording, processing, and monitoring via USB or ADAT. This hybrid design combines classic analog tone with the flexibility, convenience, and recall of a modern digital workflow - no additional interface required.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003e10×12 USB\/ADAT INTERFACE: A STUDIO HUB IN A SINGLE UNIT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith ten inputs and twelve outputs, the 1073DPX-D becomes the central connection point for your entire studio. Its dual analog signal paths handle mic, line, and DI sources, while ADAT expansion allows for larger multi-mic sessions. Four analog outputs support monitoring and outboard routing, and eight ADAT outputs provide multi-channel playback. Whether tracking at home or building a full hybrid rig, the 1073DPX-D scales effortlessly and integrates seamlessly with units such as the 1073OPX or a second 1073DPX-D.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003ePLUG-IN AND RECORD, ANYWHERE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRequiring no drivers, the 1073DPX-D connects instantly to macOS and Windows. A single USB cable provides full bidirectional 10×12 audio routing, direct access to both 1073 channels, and digital return paths for monitoring and inserts. This simplicity makes it ideal for studio, live, and mobile recording environments where reliability and speed matter.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eFLEXIBLE ADAT EXPANSION MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 1073DPX-D offers two ADAT operating modes. In USB\/ADAT Hub Mode, it acts as the central interface, expanding effortlessly with additional Neve preamps or external converters. In ADAT Audio Expander Mode, it becomes a dedicated analog front end for an existing interface, delivering full 1073 preamp, EQ, and conversion over a single optical cable. This flexibility ensures compatibility with virtually any production setup.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eTRUE ANALOG PROCESSING INSIDE YOUR DAW\u003c\/h3\u003e\r\n\r\n\u003cp\u003eActing as a dual-channel hardware insert, the 1073DPX-D lets users route vocals, instruments, stems, or buses through its class-A preamps, Marinair transformers, and inductor EQ, then return signals digitally via USB or ADAT. This brings genuine 1073 analog color and dynamics into a fully digital workflow - without patch bays or complex routing.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eMONITORING COMMAND CENTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned to be a monitoring hub for smaller studios, the 1073DPX-D features independent loudspeaker control via the classic Neve red knob, direct blend between DAW playback and live inputs, zero-latency hardware monitoring, and a dedicated headphone output with independent control. This makes it equally suited for tracking, cue mixes, and critical listening.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eTRUE CLASS A DISCRETE DESIGN WITH HAND-WOUND TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 1073DPX-D retains the original 1970s class-A architecture and exclusive hand-wound Marinair transformers that define the iconic 1073 sound. With enormous headroom (\u0026gt;+26 dBu), smooth transient response, and consistent analog warmth, it delivers the unmistakable character engineers expect - while modern SMT and through-hole construction ensure long-term reliability.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_7\"\u003eLEGENDARY 1073 GAIN STRUCTURE AND INDUCTOR EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA stepped 5 dB Elma switch ensures accurate gain recall, while automatic input-stage selection and three transistor-based gain stages provide clean headroom or musical saturation across mic, line, and DI sources. The inductor EQ offers three musical bands with carefully chosen frequencies, smooth ±16 dB shelves, ±18 dB mid peaking, and a selectable high-pass filter, delivering bold, musical tone shaping on any source.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_8\"\u003eFLEXIBLE ANALOG I\/O FOR REAL STUDIO INTEGRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFront and rear mic\/line inputs, front DI access, pre\/post EQ insert loops, switchable phantom power, impedance, pad, and phase, plus dedicated output faders feeding balanced XLR outputs, make the 1073DPX-D suitable for everything from vocal tracking and stereo recording to reamping, live production, and broadcast work.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_9\"\u003eA COMPLETE HYBRID STUDIO SOLUTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBy combining legendary analog circuitry with modern digital integration and flexible routing, the 1073DPX-D stands as a complete recording and production system. It delivers the unmistakable character of the world’s most iconic preamp directly into today’s workflows—making it the ideal centerpiece for any modern hybrid studio.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44451343532135,"sku":"501290","price":4450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-1073dpx-d_501290_1.jpg?v=1787096872"},{"product_id":"chandler-limited-redd-mixing-system","title":"Chandler Limited REDD Mixing System 16-Channel Solid State Configuration","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited REDD Mixing System\u003c\/strong\u003e is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 16-channel configuration available from Vintage King includes:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e16 TG MKIV Input Cassettes\u003c\/li\u003e\r\n\u003cli\u003e1 TG Buss Cassette\u003c\/li\u003e\r\n\u003cli\u003e1 Control Room Monitoring Cassette\u003c\/li\u003e\r\n\u003cli\u003e2 Solid State PSUs\u003c\/li\u003e\r\n\u003cli\u003e5 4-pin PSU cables\u003c\/li\u003e\r\n\u003cli\u003e14 4-in PSU mini jumpers\u003c\/li\u003e\r\n\u003cli\u003e15 D-Sub jumper cables\u003c\/li\u003e\r\n\u003cli\u003e1 JamRacks Mastering Desk\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCONFIGURATION DETAILS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis 16-channel configuration of the Chandler Limited REDD Mixing System includes 16 TG MKIV Input Cassettes for classic solid-state tone, a matching TG Series Buss Cassette, a versatile Control Room Monitoring Cassette, two power supply units, a full complement of power and audio cables to connect it all, and a JamRacks Mastering Desk to mount everything in. Pairing transformer-balanced Class A circuitry with flexible bussing, discrete monitoring, and vintage style, this is the ultimate recording and mixing console for studios that want timeless sound with the flexibility to grow and adapt to changing workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTG MKIV INPUT CASSETTE\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe TG MKIV Input Cassette is a Class A solid-state input module for the Chandler Limited REDD Mixing System, combining a Class A TG2-style preamp with a four-band Curve Bender EQ. The transformer-balanced input stage provides a high-headroom mic preamp with coarse and fine gain controls for dialing in just the right tone, while the Curve Bender EQ offers four bands of versatile tone-shaping. The signature EMI-style curved fader features LED illumination for a modern touch, plus a toggleable pan control, four sends, and an illuminated mute button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTG BUSS CASSETTE\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe TG Buss Cassette for the REDD Mixing System provides stereo summing and master bus processing with a Class A TG2-style bus gain structure. This module offers fine and coarse gain controls, a six-position EQ with preset NAB\/IEC curves, and stereo send masters with switchable insert points and polarity. Two EMI-style curved faders with backlighting offer smooth level control, plus wet\/dry blend per channel, toggleable inserts, and illuminated mute buttons. Real analog VU meters in the classic stacked layout help you keep an eye on your bus levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCONTROL ROOM MONITORING CASSETTE\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn essential piece of the REDD Mixing System is the Control Room Monitoring Cassette: a dedicated monitoring center with a discrete op-amp design for ultra-clean monitoring and flexible source selection. It supports selectable monitoring for up to seven user-configurable sources, speaker selection for three monitor sets, and talkback routing to busses, sends, all channels, or audio out. Monitoring functions include Mono, Dim, Mute, Mute L, Mute R, and Pole R (phase reverse), enabling quick checks for phase, balance, and mono compatibility. This module streamlines any session by centralizing critical monitoring and cueing without the need for external monitor controllers.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eOPTIONAL CASSETTES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eChandler Limited offers a range of additional cassettes to expand your REDD Mixing System with more channels and a wider palette of tonal options. The REDD Tube Input Cassette recreates the older EMI REDD tube circuitry with EF86 tube pre\/EQ topology and switchable Pop and Classic EQ curves, the RS Tube Buss Cassette provides tube-based summing, the 12-Channel Expander Cassette adds twelve Class A TG2-style amplifiers and transformers, and the upcoming MKI TG Cassette blends the warmth of vintage germanium transistors with TG Series clarity. A tube power supply is available for the REDD modules, allowing you to mix and match tube and solid-state topologies in the same Chandler Limited REDD Mixing System.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eEMI CONSOLE LEGACY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Chandler Limited REDD Mixing System unifies REDD, TG, and RS circuit families into a single modular platform developed in collaboration with Abbey Road Studios. Each cassette is handcrafted with transformer-balanced inputs and outputs, hand-soldered PCBs, eyelet wiring, and no surface-mount components, preserving the sonic character that defined recordings by The Beatles, Pink Floyd, and others. The REDD Mixing System's vintage-style faders, transformer-driven dynamics, and Pultec-style NAB\/IEC stereo buss EQ deliver musical tone.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451344220263,"sku":"506098","price":74995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chander-limited-redd-mixing-16-channel-solid-state_506098_1.jpg?v=1787096875"},{"product_id":"neumann-m-50-v-small-diaphragm-omnidirectional-tube-condenser-microphone","title":"Neumann M 50 V Small Diaphragm Omnidirectional Tube Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eNeumann M 50 V\u003c\/strong\u003e is a faithful reissue of the innovative omnidirectional tube microphone that defined the \"hi-fi\" sound of 1950s and '60s orchestral recordings. Painstakingly crafted to vintage specifications using modern materials, the M 50 V is based around a distinctive small-diaphragm omni capsule mounted in an acrylic sphere that subtly shapes its off-axis frequency response. Authentic tube circuitry and a robust output transformer deliver vintage warmth, clarity, and headroom, and the updated NM V power supply provides optimal power delivery and automatically adapts to global mains voltages. Historically used in the classic Decca tree technique, this one-of-a-kind microphone also excels in modern surround and immersive microphone arrays thanks to its unique pickup pattern and natural decorrelation effect. Includes PSU, cable, improved yoke mount, and hard-shell carrying case.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eAUTHENTIC REISSUE MADE TO ORIGINAL SPECIFICATIONS\u003c\/h3\u003e\r\n\u003cp\u003eThe Neumann M 50 V is handcrafted in Germany to the original specifications using archived documentation, ensuring the sonic character of the 1951 classic is preserved. From recreating the unique omni capsule design to sourcing original-spec tubes and transformers, Neumann engineers have managed to reproduce the distinctive sound and characteristics of the original model while improving reliability, ensuring compliance with modern power standards, and shielding the electronics from radio frequency (RF) interference. The result is sonically indistinguishable from the original Neumann M 50, yet more reliable enough for daily studio use.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eUNIQUE OMNIDIRECTIONAL CAPSULE\u003c\/h3\u003e\r\n\u003cp\u003eAt the heart of the Neumann M 50 V is the K 33 Ti capsule, a small-diaphragm omnidirectional transducer crafted with a titanium diaphragm for outstanding transient response and durability. The capsule is mounted flush inside a 40 mm spherical housing, which alters its off-axis frequency response while retaining its omnidirectional behavior at low frequencies, giving it completely different characteristics than any other omni or cardioid mic. The unique polar pattern gives on-axis sources a high-frequency lift that \"highlights\" them in the soundfield, while off-axis sources remain audible yet mellowed. Combining high-frequency directivity, natural midrange, and powerful bass response, the Neumann M 50 V delivers full-range sound and vivid imaging that's well suited to classical music and orchestral recording of all kinds.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLASSIC TUBE MICROPHONE CIRCUIT\u003c\/h3\u003e\r\n\u003cp\u003eThis authentic reissue retains the classic tube electronics that define its signature sound, including the same subminiature tube type and the robust BV11 output transformer used in the original models. The M 50 V's original-spec tube circuit delivers all the harmonic richness, clarity, and transient response you expect from a Neumann tube microphone, with improved headroom and reliability. The electronics are hand-soldered and assembled to ensure stable, consistent performance, and the BV11 transformer provides the necessary impedance for modern preamps and long cable runs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eTHE DEFINITIVE DECCA TREE MICROPHONE\u003c\/h3\u003e\r\n\u003cp\u003eThe Neumann M 50 cemented its place in recording history as the official mic of the Decca Tree, an innovative stereo configuration invented by engineers at Decca Records for capturing orchestras and large ensembles in high fidelity. Consisting of three microphones arranged in a triangular array and suspended above the conductor, the Decca Tree technique yields a well-defined stereo image with excellent mono compatibility. The M 50 V is the ideal microphone for classic Decca Tree recording as well as multi-mic immersive arrays, making it a go-to choice for strings, brass sections, drums, and film score sessions.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eUPDATED POWER SUPPLY\u003c\/h3\u003e\r\n\u003cp\u003eThe Neumann M 50 V ships with the new and improved NM V power supply, a modernized version of the original PSU designed for optimal power delivery, stable operation, and enhanced RF protection. On top of providing stable tube bias and clean output, the NM V automatically detects and adapts to any mains voltage, so you can use it anywhere without worrying about local power standards. An RF-proof connector design resists interference from contemporary wireless devices, and the included 33-foot KC 5 cable gives you plenty of slack for long cable runs. The set also includes the Neumann MZ 49 A yoke-style shock mount with elastic elements for rumble attenuation and a durable travel case for secure transport.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44451344384103,"sku":"501459","price":12499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-m-50-v_501459_1.jpg?v=1787096877"},{"product_id":"nordic-audio-labs-nu-100k-large-diaphragm-multi-pattern-condenser-microphone","title":"Nordic Audio Labs NU-100K Large Diaphragm Multi-Pattern Condenser Microphone","description":"\u003cp\u003eThe original \u003cstrong\u003eNordic Audio Labs NU-100K\u003c\/strong\u003e large diaphragm multi pattern condenser microphone is nNow updated with the groundbreaking FloFET technology, giving it tube microphone qualities for added glow and dimension. Only without using tubes or transformers and powered by 48V phantom power. Voiced to sound great on absolutely anything at all, delivering big realism and a combination of the smoothness and richness you might look for in a ribbon microphone, and the crisp yet classy air of a great condenser microphone. The D100K capsule, FloFET technology, access to 3 polar patterns, and the forgiving frequency response combine to a very hard to beat contender for ‘if I only had one type of microphone for absolutely anything’, always delivering stunning results, whatever you put in front of it.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eD100K CAPSULE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBased around Martin Kantola’s proprietary D100K 30mm edge terminated capsule design, which provides extremely smooth top end superb off axis response, this microphone doesn’t just sound great out of the box on any vocal or instrument from drums to guitar amps to classical orchestras but will take EQ and other processing without sounding EQ'd in an astounding fashion. A true desert island microphone for absolutely any occasion that always delivers stellar, vivid and lifelike recordings that let the emotion of the performances pass through undiminished\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eFLOFET CIRCUITRY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt uses neither tubes nor transformers, yet by way of the innovative FloFET circuitry provides a tone far away from what you might expect from a transformerless solid state microphone. Friendly smooth and flattering like a great tube microphone, precision and lifelike detail like a transformerless microphone. It is a NU sound.\u003c\/p\u003e","brand":"Nordic Audio","offers":[{"title":"Default Title","offer_id":44451344679015,"sku":"500601","price":2875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/nordic-audio-labs-nu-100k_500601_1_7b9bf996-9b5b-4e98-b888-d1975d619136.jpg?v=1787096877"},{"product_id":"hedd-type-20-a-core-3-way-active-studio-monitor-single-right","title":"HEDD TYPE 20 A-CORE 3-Way Active Studio Monitor - Single, Right","description":"\u003cp\u003eThe \u003cstrong\u003eHEDD TYPE 20 A-CORE\u003c\/strong\u003e expands the A-CORE range into a larger three-way format ideal for professional studios, mastering rooms, and discerning listeners. Built with the same premium components as the MK2 monitors and Tower Mains system, it provides extended headroom, greater depth, and outstanding clarity across the full frequency range. Every element is engineered for long-term accuracy, from the handcrafted AMT tweeter to the custom honeycomb composite woofers and amplification. With no DSP or software reliance, the TYPE 20 A-CORE's low latency analog performance delivers a natural signal path that translates truthfully in any environment.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eHIGH QUALIY CONSTRUCTION\u003c\/h3\u003e  \u003cp\u003eHandmade in Berlin using high quality components, the HEDD Air Motion Transformer delivers a precise and wonderfully open sound. Thanks to ultra high frequency extension and remarkable transient response, natural sound reproduction is not distorted in any way. A-CORE monitors feature HEDD's most sophisticated and reliable analog filter board to date, allowing us to tune every speaker to the most natural response and create a flawless, low-latency analog signal path.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDESIGNED FOR EASE OF USE\u003c\/h3\u003e  \u003cp\u003eThe A-CORE range is designed with simplicity in mind with XLR, TRS, and RCA inputs and a built-in EQ to match room acoustics and user taste letting you plug in and get straight to the music. All HEDD products are designed and assembled in Berlin by talented engineers and craftspeople who draw from a rich history in audio reproduction to create products tuned to the key of you.\u003c\/p\u003e","brand":"HEDD","offers":[{"title":"Default Title","offer_id":44451344842855,"sku":"501619","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/hedd-type-20-a-core-right_501619_1.jpg?v=1787096878"},{"product_id":"hedd-type-20-a-core-3-way-active-studio-monitor-single-left","title":"HEDD TYPE 20 A-CORE 3-Way Active Studio Monitor - Single, Left","description":"\u003cp\u003eThe \u003cstrong\u003eHEDD TYPE 20 A-CORE\u003c\/strong\u003e expands the A-CORE range into a larger three-way format ideal for professional studios, mastering rooms, and discerning listeners. Built with the same premium components as the MK2 monitors and Tower Mains system, it provides extended headroom, greater depth, and outstanding clarity across the full frequency range. Every element is engineered for long-term accuracy, from the handcrafted AMT tweeter to the custom honeycomb composite woofers and amplification. With no DSP or software reliance, the TYPE 20 A-CORE's low latency analog performance delivers a natural signal path that translates truthfully in any environment.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eHIGH QUALIY CONSTRUCTION\u003c\/h3\u003e  \u003cp\u003eHandmade in Berlin using high quality components, the HEDD Air Motion Transformer delivers a precise and wonderfully open sound. Thanks to ultra high frequency extension and remarkable transient response, natural sound reproduction is not distorted in any way. A-CORE monitors feature HEDD's most sophisticated and reliable analog filter board to date, allowing us to tune every speaker to the most natural response and create a flawless, low-latency analog signal path.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDESIGNED FOR EASE OF USE\u003c\/h3\u003e  \u003cp\u003eThe A-CORE range is designed with simplicity in mind with XLR, TRS, and RCA inputs and a built-in EQ to match room acoustics and user taste letting you plug in and get straight to the music. All HEDD products are designed and assembled in Berlin by talented engineers and craftspeople who draw from a rich history in audio reproduction to create products tuned to the key of you.\u003c\/p\u003e","brand":"HEDD","offers":[{"title":"Default Title","offer_id":44451344875623,"sku":"501610","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/hedd-type-20-a-core-left_501610_1.jpg?v=1787096878"},{"product_id":"ex-machina-terra-reference-monitor-pair","title":"Ex Machina Terra 3-Way Active Reference Monitor - Single","description":"\u003cp\u003eEngineered to deliver reference-grade accuracy, imaging, and phase coherency, the \u003cstrong\u003eEx Machina Terra\u003c\/strong\u003e is an ideal choice for mixing, mastering, and post-production engineers. Combining a coaxial mid\/high-frequency driver array with a phase-aligned low-frequency driver and zero‑phase digital crossovers, this three-way active reference monitor delivers point-source performance and excellent spatial imaging.\r\nAn advanced SHARC‑based DSP platform, AKM converters, and Hypex NcoreX amplification provide powerful digital control and a sonically neutral signal path. Easy integration with Ex Machina's Gravity subwoofer extends low-frequency extension and makes the Terra adaptable to both nearfield and larger-room monitoring setups.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHREE-WAY COAXIAL DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Ex Machina Terra monitor pairs coaxial tweeter and midrange drivers with a custom low-frequency driver, preserving transient accuracy and phase response. By ensuring coherence between high, mid, and low frequencies, this design delivers flat frequency response and prevents comb filtering, producing a focused, stable image across the frequency spectrum. Individual driver calibration ensures controlled dispersion, minimal cabinet resonance, and consistent performance between units, making the Ex Machina Terra a solid reference monitor for nearly any project.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSTABLE IMAGING AND WIDE SWEET SPOT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Ex Machina Terra three-way active reference monitor excels at maintaining stable imaging thanks to a wide sweet spot and phase-coherent performance. The cabinet geometry, waveguide design, and driver integration are tuned to produce a point‑source acoustic center and eliminate anomalies like stereo image collapse, off-axis smear, and comb filtering. Precise engineering based on Ex Machina's measurement models delivers tight spatial imaging, even when you’re not sitting exactly in the sweet spot. For mixing and immersive workflows, the result is a more forgiving monitoring environment that still reveals critical details, even in setups where exact placement is not an option.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eZERO-PHASE DIGITAL CROSSOVERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eZero‑phase digital crossovers in the Ex Machina Terra keep the drivers aligned in time rather than relying on phase-compensating EQ, delivering perfect phase coherence. By implementing zero‑phase filters at the DSP level, the Terra active reference monitor preserves the natural timing relationships between drivers so that even the most minute transients remain intact throughout the crossover regions. Thanks to pure monitoring DSP, you can fine-tune the crossover behavior and room correction while maintaining the Terra’s phase coherence, which is essential for accurate stereo imaging.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSEAMLESS SYSTEM INTEGRATION AND CALIBRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSeamless system integration and calibration allow the Ex Machina Terra 3-way active reference monitor to deliver incredible accuracy in a variety of studio environments. The SHARC‑based DSP architecture and ESP32 coprocessor enable networked control, over‑the‑air calibration updates, and precise per‑driver corrections. Plus, AKM converters and Hypex NcoreX amplification keep the signal path transparent so that DSP corrections don't affect the phase accuracy or frequency response. For users, this means fast setup, predictable performance between units, and the flexibility to define a target curve for calibration.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eOPTIONAL GRAVITY SUBWOOFERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOptional Gravity subwoofers from Ex Machina provide a scalable path to extend low-frequency performance for larger rooms or immersive systems. Designed to integrate seamlessly with the Terra’s DSP and calibration framework, the Ex Machina Gravity sub can be time-aligned with Terra studio monitors for smooth low-end extension. This integration preserves transient response and low-frequency detail, enabling accurate bass translation at all listening levels. For studios that require extended low-frequency headroom, Ex Machina Gravity subs let you maintain the Terra’s reference behavior while gaining the sub‑30 Hz \r\nextension needed for modern production and immersive formats.\u003c\/p\u003e","brand":"Ex Machina","offers":[{"title":"Default Title","offer_id":44451344908391,"sku":"501624","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ex-machina-terra-single_501624_1.jpg?v=1787096879"},{"product_id":"ex-machina-selene-reference-monitor-pair","title":"Ex Machina Selene Compact Coaxial Reference Monitor - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEx Machina Selene\u003c\/strong\u003e is Ex Machina Soundworks’ compact monitoring system, engineered for immersive and multi-channel workflows where consistency across every channel matters. A true coaxial design delivers stable imaging and phase coherence across a wide listening area, making Selene ideal for ATMOS and surround applications. Powered by the external EXCore amplifier and DSP, Selene operates as a complete, self-contained system per pair, allowing scalable multi-channel configurations without shared amplification or DSP complexity. Selene delivers professional accuracy in a compact form factor, serving equally well as immersive channels or high-performance stereo nearfield monitors.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHY IT’S DIFFERENT\u003c\/h3\u003e  \u003cp\u003eMost immersive systems rely on compromised satellite speakers for height and surround channels. Selene uses the same coaxial design philosophy, phase coherence, and calibration approach as larger Ex Machina systems, ensuring every channel in an immersive mix behaves consistently. Each Selene pair includes its own amplification and DSP, eliminating shared-system bottlenecks and simplifying scalable multi-channel installations.\u003c\/p\u003e  \u003cp\u003eAs such, Selene is perfect for the following applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eImmersive and ATMOS monitoring\u003c\/li\u003e \u003cli\u003eSurround and height channel applications\u003c\/li\u003e \u003cli\u003eCompact stereo nearfield monitoring\u003c\/li\u003e \u003cli\u003eMobile and traveling mix setups\u003c\/li\u003e \u003cli\u003eMulti-room or scalable studio installations\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eSYSTEM INTEGRATION AND CALIBRATION\u003c\/h3\u003e  \u003cp\u003eSelene is powered by the external EXCore unit, which provides amplification, crossover integration, and system calibration for each speaker pair. Each Selene system is individually measured and calibrated to ensure consistent frequency response and phase behavior across channels. Pure monitoring DSP linearizes the loudspeaker itself rather than compensating for the room, ensuring honest playback and reliable translation. Over-the-air firmware and calibration updates allow Selene systems to improve over time as Ex Machina’s measurement models advance.\u003c\/p\u003e","brand":"Ex Machina","offers":[{"title":"Default Title","offer_id":44451344941159,"sku":"501622","price":3299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ex-machina-selene_501622_1.jpg?v=1787096879"},{"product_id":"ex-machina-poseidon-passive-subwoofer-pair","title":"Ex Machina Poseidon Compact Passive Subwoofer - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEx Machina Poseidon\u003c\/strong\u003e is the dedicated low-frequency extension for Selene monitoring systems. Designed as a passive subwoofer pair powered directly by Selene’s EXCore amplifier and DSP, Poseidon integrates seamlessly without external amplification or bass management. A high-excursion 16cm Epique MMAG driver delivers deep, controlled bass from a compact enclosure, extending Selene into a true 3-way system. Zero-phase LR4 crossover integration preserves phase coherence and transient accuracy, ensuring reliable translation for immersive, stereo, and low-frequency-critical work.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHY IT’S DIFFERENT\u003c\/h3\u003e  \u003cp\u003eMost compact subs rely on aggressive voicing or room compensation to sound bigger than they are. Poseidon takes a different approach—high linear excursion, controlled integration, and system-level calibration through EXCore. The result is accurate, controlled low end that behaves like part of the main monitor, not a separate bass source.\u003c\/p\u003e  \u003cp\u003eAs such, Poseidon is perfect for the following applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eImmersive and ATMOS monitoring systems\u003c\/li\u003e \u003cli\u003eCompact 3-way stereo monitoring\u003c\/li\u003e \u003cli\u003eLow-frequency-critical mixing and sound design\u003c\/li\u003e \u003cli\u003eSpace-constrained control rooms and edit suites\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eSYSTEM INTEGRATION AND CALIBRATION\u003c\/h3\u003e  \u003cp\u003ePoseidon contains no internal amplification or DSP. All power, crossover integration, time alignment, and calibration are handled by Selene’s EXCore unit. When connected, EXCore applies the appropriate crossover and system calibration automatically, ensuring Poseidon integrates as a seamless extension of the Selene monitors. Over-the-air firmware and calibration updates applied to EXCore extend to the complete Selene + Poseidon system.\u003c\/p\u003e","brand":"Ex Machina","offers":[{"title":"Default Title","offer_id":44451344973927,"sku":"501621","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ex-machina-poseidon_501621_1.jpg?v=1787096879"},{"product_id":"ex-machina-gravity-passive-subwoofer-pair","title":"Ex Machina Gravity Passive Subwoofer - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEx Machina Gravity\u003c\/strong\u003e is the low-frequency extension designed specifically for Terra. A passive 26cm subwoofer pair powered directly from Terra’s rear panel amplification, Gravity integrates as a single, unified system—no external amplifiers, no bass management processors, no phase-alignment guesswork. Using a zero-phase LR4 crossover at 80 Hz, Gravity extends Terra’s response to 30 Hz linear (F6 at 20 Hz) while increasing system headroom to 112 dB @1 kHz. The compact, side-firing design enables nearfield placement alongside Terra, preserving stereo bass accuracy and minimizing room-mode excitation. Terra is complete on its own; Gravity is for when deeper extension or higher SPL is required.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHY IT’S DIFFERENT\u003c\/h3\u003e  \u003cp\u003eAdding subs usually means phase alignment headaches, mismatched amplification, and unreliable bass management. Gravity eliminates those problems by design. Powered directly from Terra and integrated through coordinated DSP, Gravity behaves as an extension of the main system—not an add-on fighting for control. As such, Gravity is perfect for the following applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFilm and game audio monitoring\u003c\/li\u003e \u003cli\u003eImmersive and low-frequency–critical content\u003c\/li\u003e \u003cli\u003eLarger control rooms requiring extended headroom\u003c\/li\u003e \u003cli\u003eStereo monitoring where bass accuracy and translation matter\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eSYSTEM INTEGRATION AND CALIBRATION\u003c\/h3\u003e  \u003cp\u003eGravity contains no internal amplification or DSP. All power, crossover integration, time alignment, and calibration are handled by Terra’s rear panel electronics and DSP. This integrated approach eliminates level-matching, phase-alignment, and bass-management challenges common to traditional subwoofer setups. When connected, Terra automatically applies the appropriate crossover and system calibration, ensuring Gravity operates as a seamless extension of the main monitors. Over-the-air firmware and calibration updates applied to Terra extend to the complete Terra + Gravity system.\u003c\/p\u003e","brand":"Ex Machina","offers":[{"title":"Default Title","offer_id":44451345006695,"sku":"501620","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ex-machina-gravity_501620_1.jpg?v=1787096879"},{"product_id":"ex-machina-terra-and-gravity-combo","title":"Ex Machina Terra with Gravity 2.2 Monitoring System","description":"\u003cp\u003eThe \u003cstrong\u003eEx Machina Terra with Gravity 2.2 Monitoring System\u003c\/strong\u003e is a full-range monitoring system, designed as a unified 2.2 solution from the ground up. Three-way Terra monitors pair with dedicated Gravity subwoofers powered directly from Terra’s rear panel amplification, eliminating external amplifiers, bass management processors, and phase-alignment guesswork. Zero-phase LR4 crossovers ensure perfect time alignment across all four drivers, extending system response to 30 Hz linear (F6 at 20 Hz) with up to 112 dB @1 kHz headroom. The result is full-range accuracy, precise stereo bass, and reliable translation for music, film, game audio, and immersive content.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eWHY IT'S DIFFERENT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMost full-range monitoring systems are assembled from separate components that fight each other—subs, amps, and DSP that require constant tuning.  Terra with Gravity is engineered as a single system. Shared amplification, coordinated DSP, and zero-phase crossovers ensure every driver works together, delivering full-range accuracy without integration headaches.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSYSTEM INTEGRATION NAND CALIBRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTerra with Gravity 2.2 Monitoring System operates as a single, unified monitoring system. All amplification, crossover integration, time alignment, and calibration are handled by Terra’s integrated electronics and DSP. Each driver is individually measured and calibrated to ensure perfect phase coherence across the entire frequency range. Zero-phase digital crossovers eliminate time-domain smearing, while pure monitoring DSP linearizes the loudspeaker system itself—not the room. Over-the-air firmware and calibration updates ensure the complete system continues to improve over time.\u003c\/p\u003e","brand":"Ex Machina","offers":[{"title":"Default Title","offer_id":44451345104999,"sku":"501627","price":9998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ex-machina-terra-gravity_501627_1.jpg?v=1787096879"},{"product_id":"ex-machina-selene-and-poseidon-combo","title":"Ex Machina Selene with Poseidon Compact Monitoring System","description":"\u003cp\u003eThe \u003cstrong\u003eEx Machina Selene with Poseidon Compact Monitoring System\u003c\/strong\u003e is a compact full-range monitoring system, designed for immersive, multi-channel, and space-constrained studios. Selene coaxial monitors pair with dedicated Poseidon subwoofers powered directly by the EXCore amplifier and DSP, forming a unified 3-way system without external amplification or bass management complexity. Zero-phase LR4 integration preserves phase coherence and transient accuracy, extending system response to 50 Hz linear (F6 at 35 Hz) while maintaining consistent imaging across all channels. The result is full-range performance from a compact system that scales effortlessly from stereo to immersive workflows.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eWHY IT'S DIFFERENT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMost compact systems rely on compromised satellites and generic subs. Selene with Poseidon is engineered as a unified system, using the same coaxial design philosophy, phase coherence, and calibration approach across every component. Shared amplification and DSP through EXCore ensure the entire system behaves predictably, delivering accurate translation without integration headaches.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSYSTEM INTEGRATION NAND CALIBRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSelene with Poseidon operates as a unified 3-way monitoring system powered entirely by the EXCore amplifier and DSP. All amplification, crossover integration, time alignment, and calibration are handled at the system level, ensuring consistent frequency response and phase behavior across all channels. Each system is individually calibrated, and over-the-air firmware and calibration updates allow long-term performance improvements as Ex Machina’s measurement models evolve.\u003c\/p\u003e","brand":"Ex Machina","offers":[{"title":"Default Title","offer_id":44451345137767,"sku":"501626","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ex-machina-selene-poseidon_501626_1.jpg?v=1787096880"},{"product_id":"chandler-limited-tg-mkiv-input-cassette-for-redd-mixing-system","title":"Chandler Limited TG MKIV Input Cassette for REDD Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited TG MKIV Input Cassette\u003c\/strong\u003e is a solid-state input cassette for the REDD mixing system combining a Class A TG2-style preamp with a four-band Curve Bender EQ. It features all Class A, transformer-balanced circuitry.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE REDD MIXING SYSTEM\u003c\/h3\u003e  \u003cp\u003eThe Chandler Limited REDD Mixing System is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451345170535,"sku":"501629","price":3510.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler-limited-tg-mkiv-cassette_501629_1.jpg?v=1787096880"},{"product_id":"chandler-limited-tg-buss-cassette-for-redd-mixing-system","title":"Chandler Limited TG Buss Cassette for REDD Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited TG Buss Cassette\u003c\/strong\u003e is a solid-state buss cassette for the REDD Mixing System with two aux send amplifiers per buss cassette providing four busses and four sends system-wide. It features extensive gain staging using Coarse Gain, Fine Gain, and output faders making it capable of clean operation or smooth overdrive, similar to Chandler outboard mic preamps. The TG buss cassette uses six Class A TG2 (MKIV) circuits and is fully transformer-balanced. There is a switchable insert point for easy auditioning of stereo buss processing.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE REDD MIXING SYSTEM\u003c\/h3\u003e  \u003cp\u003eThe Chandler Limited REDD Mixing System is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451345203303,"sku":"501630","price":5400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler-limited-tg-buss-cassette_501630_1.jpg?v=1787096880"},{"product_id":"chandler-limited-redd-tube-input-cassette-for-redd-mixing-system","title":"Chandler Limited REDD Tube Input Cassette for REDD Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited REDD Tube Input Cassette\u003c\/strong\u003e for the REDD Mixing System is based on the REDD.47 preamp used in REDD.37 and REDD.51 consoles on classic Beatles recordings. It is an all-tube mic pre\/EQ with switchable Pop and Classic EQ curves. It features a balanced input sensitivity control identical to original REDD desks along with Coarse and Fine gain controls for tone, THD, and clipping behavior. Fine gain allows adjustment from clean, hi-fi tones to early overdrive and harmonic saturation. A transformer-based rumble filter is expanded from the original REDD module design. Authentic DI wired directly to the grid of an EF86 tube is identical to vintage guitar amp designs.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE REDD MIXING SYSTEM\u003c\/h3\u003e  \u003cp\u003eThe Chandler Limited REDD Mixing System is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451345268839,"sku":"501632","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler-redd-tube-input-cassette_501632_1.jpg?v=1787096880"},{"product_id":"chandler-limited-master-buss-cassette-for-redd-mixing-system","title":"Chandler Limited Master Cassette for REDD Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited Master Cassette\u003c\/strong\u003e is a stereo master cassette output designed for larger REDD Mixing Systems. It features Class A TG2-style circuitry and a Wet\/Dry mix with switchable insert point.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTHE REDD MIXING SYSTEM\u003c\/h3\u003e\r\n\u003cp\u003eThe Chandler Limited REDD Mixing System is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451345301607,"sku":"501633","price":3780.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler-limited-master-cassette-redd_501633_1.jpg?v=1787096880"},{"product_id":"chandler-limited-12-channel-expander-cassette-for-redd-mixing-system","title":"Chandler Limited 12-Channel Expander Cassette for REDD Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited 12-Channel Expander Cassette\u003c\/strong\u003e is an expander cassette for the REDD Mixing system that provides twelve Class A TG2-style MKIV amplifiers. There are twelve transformers per cassette and four busses and four sends per channel. Multiple expanders can be combined for large mix-in-the-mix systems or additional returns\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE REDD MIXING SYSTEM\u003c\/h3\u003e  \u003cp\u003eThe Chandler Limited REDD Mixing System is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451345334375,"sku":"501634","price":5940.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler-limited-expander-cassette_501634_1.jpg?v=1787096880"},{"product_id":"chandler-limited-control-room-monitoring-cassette-for-redd-mixing-system","title":"Chandler Limited Control Room Monitoring Cassette for REDD Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited Control Room Monitoring Cassette\u003c\/strong\u003e is a monitoring cassette for the REDD Mixing System that provides monitor selection with up to seven user-configurable sources and selectable monitoring for busses, sends, master buss, aux, and external inputs. A discrete op-amp design provides ultra-clean monitoring. It features talkback routing to busses, sends, all, or audio out along with Mono, Dim, Mute, Mute L, Mute R, and Pole R (phase reverse) functions.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE REDD MIXING SYSTEM\u003c\/h3\u003e  \u003cp\u003eThe Chandler Limited REDD Mixing System is the first EMI recording console released in over 50 years, bringing the legendary sound of REDD, TG, and RS desks together in one fully modular, modern system. Developed over six years by Chandler Limited in collaboration with Abbey Road Studios, the REDD Mixing System lets you design your ideal console, small or large, tube or solid state, tracking or mixing without compromise. The REDD Mixing System continues the long legacy of revolutionary EMI recording desks. From the REDD.37 introduced in 1958, to the REDD.51 in 1964, and the TG12345 MKI in 1968, EMI consoles have shaped countless timeless recordings. Artists such as The Beatles, Pink Floyd, and The Rolling Stones relied on these desks, as well as iconic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44451345367143,"sku":"501635","price":3510.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler-limited-control-room-cassette_501635_1.jpg?v=1787096881"},{"product_id":"morningstar-engineering-mc4-pro-midi-controller","title":"Morningstar Engineering MC4 PRO MIDI Controller Pedal","description":"\u003cp\u003eFor gigging musicians who need comprehensive MIDI control in a small footprint, the \u003cstrong\u003eMorningstar MC4 PRO\u003c\/strong\u003e provides on-the-fly switching, intuitive programming, and plenty of connectivity for all pedals, synths, and devices. Four sturdy footswitches give you instant access to anything you program, including effects presets, instrument patches, tap tempo, and more, with 128 banks of four pages each.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA bright color display with large text shows you everything at a glance, and the Morningstar Editor app provides deep editing via desktop or mobile thanks to Bluetooth connectivity. A complete set of MIDI I\/O, TRS Omniports, USB-C, and a Relay Port allow you to connect all your equipment to one central hub, including MIDI controllers, synths, computers, expression pedals, and even non-MIDI pedals that accept aux switch control. If you've been searching for a complete MIDI control solution that fits on your pedalboard, look no further.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE MOST COMPACT MC PRO YET\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MC4 PRO is engineered to occupy minimal space while preserving the full functionality of Morningstar Engineering’s PRO series. At only 4.5 inches wide and 2 inches high, it fits almost anywhere a guitar pedal would fit, including cramped pedalboards and small desktop setups.\r\nThe four soft-touch foot switches are spaced generously around a bright color LCD, providing immediate control and visual feedback. Power options include standard 9–12 V DC input or USB bus power, and the unit supports phantom power via the five-pin MIDI Out. Small, powerful, and built to last, the MC4 PRO punches far above its weight.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eVERSATILE CONNECTIVITY OPTIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith a full complement of MIDI, analog, and digital I\/O, the MC4 PRO allows you to connect all your gear to one central hub. The rear panel features a 5-pin DIN MIDI Out for connecting to legacy equipment, while multiple 1\/8\" (3.5mm) MIDI In and Out ports provide additional connectivity in minimal space. Two TRS Omniports (1\/4\" and 1\/8\") support Expression Pedals, foot switches, and additional MIDI devices, and a Relay Port on the side enables control of non-MIDI devices that accept aux switch control, including Strymon, Keeley, and JHS control ports. USB Type-C Host and Device ports allow direct connection to computers, phones, or USB MIDI hosts, supporting even the most complex touring and studio rigs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eBLUETOOTH MIDI\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLow-latency Bluetooth MIDI enables wireless communication with computers and mobile devices for making it easy to control DAWs, plug-ins, and mobile apps remotely. The Morningstar Editor app works wirelessly or via USB for on-the-fly programming, editing, and even DAW control. Whether you're sitting down to program the setlist for your next tour or making a quick adjustment before a show, Bluetooth MIDI provides fast, reliable, and intuitive control wherever you are.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eHIGH-RES DISPLAY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MC4 PRO boasts the largest single display in Morningstar’s controller lineup: a high-res color LCD that consolidates status, preset names, parameter values, and navigation into one dynamic display. Designed to be visible at a glance from several feet away, this unified display shows you everything you need to know and updates in real time as you switch scenes or edit parameters. With adjustable brightness and efficient power use, this high-res display remains readable in dark venues, bright outdoor stages, and studio environments.\u003c\/p\u003e","brand":"Morningstar Engineering","offers":[{"title":"Default Title","offer_id":44451345399911,"sku":"501737","price":309.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/morningstar-engineering-mc4-pro_501737_1_a4e52a7a-bf83-4fc4-832d-8d6f2621908e.jpg?v=1787096881"},{"product_id":"empirical-labs-el8-xxx-distressor-30th-anniversary-edition-pair","title":"Empirical Labs EL8-XXX Distressor 30th Anniversary Edition - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEmpirical Labs EL8-XXX Distressor\u003c\/strong\u003e is a limited edition 30th anniversary edition of the famous EL8 Distressor. It includes all of the upgraded features found on the EL8X (Stereo Image Link, Brit Mode), now coupled with the famous Triad HS-56 transformer at the input stage, known for its ability to add clarity and \"size\" to sub content. In addition to saturation and color, this transformer also greatly reduces input impedance to 600 ohms. These changes, plus some new discrete parts, allow for the XXX model to saturate and color earlier than the classic EL8 - it'll make a mix's low-end sparkle like no other!\u003c\/p\u003e\r\n\u003cp\u003eThe EL8X Distressor is a modern analog compressor that delivers legendary dynamic control and tonal shaping. With unique compression curves, three distinct distortion settings, British Mode, and stereo image linking, this versatile compressor has earned its place in the racks of top studios worldwide. Whether used subtly to enhance warmth or pushed to its aggressive limits, this improved version of the classic Empirical Labs EL8 distressor compressor offers unmatched flexibility for tracking, mixing, and mastering.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUNIQUE COMPRESSION CURVES\u003c\/h3\u003e\r\n\u003cp\u003eThe Empirical Labs EL8X compressor features eight selectable compression curves, each designed to offer a distinct sonic character. From transparent leveling to extreme peak limiting, these eight unique curves alter the behavior of the detector path, allowing engineers to shape dynamics with precision. The 10:1 opto compressor setting uses separate detector circuitry to emulate vintage light-controlled optical compressors, delivering smooth musical response. On the other side of the spectrum, Empirical Labs' signature Nuke mode provides explosive limiting for high-energy drum processing. The unique curves of the Empirical Labs EL8X make it possible to emulate the dynamic response of countless classic compressors.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHREE DISTORTION MODES\u003c\/h3\u003e\r\n\u003cp\u003eFor added harmonic coloration, the Empirical Labs EL8X compressor offers an advanced distortion circuit with three unique distortion profiles: Distort 1, Distort 2, and Distort 3. Distort 1 introduces subtle harmonic enhancement without altering the dynamics or frequency response too much, Distort 2 mimics the warmth of Class A tube saturation, and Distort 3 replicates the character of magnetic tape saturation. Empirical Labs' unique control settings make it easy to add vintage-style coloration while maintaining clarity and punch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eBRITISH MODE\u003c\/h3\u003e\r\n\u003cp\u003eInspired by the famous \"all-buttons-in\" trick of the 1176 limiter, the Empirical Labs EL8X's British Mode delivers fast, aggressive compression with a distinct knee and envelope shape. British mode enhances transients and adds energy to drums, vocals, and instruments, making it ideal for achieving a punchy, in-your-face sound. With unique compression characteristics and a nearly brick wall limiting curve, the Empirical Labs EL8 X compressor's British Mode is the perfect tool for smashing tracks into oblivion or blending with the dry signal for tasteful parallel compression.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eIMAGE LINKING FOR STEREO PAIRS\u003c\/h3\u003e\r\n\u003cp\u003eDesigned for stereo applications, the Empirical Labs EL8-X's stereo image link function ensures seamless compression across both channels while maintaining an accurate stereo image. Unlike traditional stereo linking, this compressor's proprietary approach preserves depth and detail in the soundstage, making it perfect for drum busses, mastering chains, and other stereo processing. This unique stereo link mode excels with a matched stereo pair of Empirical Labs EL8-X Distressors.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":44451348217959,"sku":"502407","price":3992.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empirical-labs-el8-xxx-pair_502407_1.jpg?v=1787096893"},{"product_id":"fryette-valvulator-mini-tube-buffer","title":"Fryette Valvulator Mini Tube Buffer","description":"\u003cp\u003eThe \u003cstrong\u003eFryette Valvulator Mini\u003c\/strong\u003e is a high voltage, vacuum tube–based buffer that is perfect for guitarists who utilize modelers, digital amps and long pedal chains. Designed to preserve and enhance your guitar’s tone by converting the signal from high to low impedance eliminating high-frequency loss and signal degradation caused by cable capacitance, impedance mismatches, phase\/ground loops and the use of effects pedals. The tube buffer also acts as a tone sweetener, cleaning up and enriching your sound while unveiling subtle harmonics, dynamics and the touch sensitivity normally associated with plugging directly into an amp.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePRESERVE YOUR GUITAR'S TONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eHoused in a compact steel chassis, the Valvulator Mini provides an unbalanced low-impedance output, an unbalanced transformer isolated output and a balanced XLR output, making it a versatile solution as a tube direct box for both pedalboards and studio use. It used a JJ 12AX7\/ECC83 vacuum tube and is powered by 120-volt AC and includes an AC adapter. Two impedance switches eliminate high-frequency loss and signal degradation caused by cable capacitance and the use of effects pedals. The phase switch keeps you in phase, ensure full tone. The ground loop switch assists in eliminating hum. It features a 1\/4\" input along with unbalanced low-impedance 1\/4\", unbalanced transformer isolated 1\/4\", and balanced XLR outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE VALULATOR EVOLVED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Valvulator Mini is the long-awaited evolution of one of Fryette's most popular rig solutions, the Valvulator 1 Vacuum Tube Buffer. The Mini features increased headroom and dynamic range, together with significantly lower noise. \"\u003cem\u003eAs always, I wanted a solution for myself that I knew would be a welcome tool for players, especially those who really appreciate the tone and feel of plugging directly into an amp\u003c\/em\u003e,\" commented Steve Fryette.\u003c\/p\u003e","brand":"Fryette","offers":[{"title":"Default Title","offer_id":44451351101543,"sku":"502744","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/fryette-valvulator-mini-tube-buffer_502744_1.jpg?v=1787670797"},{"product_id":"focusrite-isa-c8x-26-in-28-out-usb-c-audio-interface","title":"Focusrite ISA C8X 26-in\/28-out USB-C Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite ISA C8X\u003c\/strong\u003e is a professional USB-C audio interface built around the classic ISA transformer-coupled preamp design Focusrite has produced since 1985. Featuring two ISA transformer mic preamps, six additional remote-controllable Focusrite preamps, and a total of 26x28 analog and digital I\/O, the ISA CX8 delivers legendary analog character along with plenty of flexibility for modern studio workflows. RedNet-derived 24-bit\/192 kHz conversion captures every detail of your tracks with maximum purity, while a full complement of digital I\/O ensures compatibility with any studio setup. With fully recallable gain, tone, and routing settings, the ISA C8X delivers classic console character while keeping up with today's fast-paced workflows. Discover more about the ISA C8X below and learn why it's a top choice for today's recording, mixing, and immersive studios.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTWO ISA PREAMPS WITH DIGITAL CONTROL\u003c\/h3\u003e\n\u003cp\u003eThe standout feature of the ISA CX8 is its two ISA preamps built around the same Lundahl LL1538 transformers that Rupert Neve selected for the ISA 110 module commissioned by Sir George Martin in 1985. Each ISA preamp offers up to 79 dB of gain with stepped and fine gain control, switchable impedance, high-pass filtering, and balanced inserts for patching outboard EQ or dynamics into the channel. Two relay-switched, all-analog circuits offer even more tonal flexibility: Console mode runs the signal through a variable soft-clip circuit for saturation and low-end weight, while 430 Air mode lifts the top-end using an inductor-based high-shelf filter based on the ISA 430 MkII. Since the circuits are digitally controlled, you can easily save and recall specific settings for your most-used microphones and input sources.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eFRONT-PANEL INSTRUMENT INPUTS\u003c\/h3\u003e\n\u003cp\u003eChannels 1 and 2 include front-panel instrument inputs that route guitars, basses, and synths through the same Lundahl LL1538 transformers as the ISA mic inputs. Selectable impedance lets you match the input to the source, tightening or thickening the natural tone of the instrument in the analog domain to achieve the perfect tone before conversion. Both all-analog tone circuits (Console and Air) are available here, so even your DI tracks can be given console-style saturation or added high-end detail at the source.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eSIX REMOTE-CONTROLLABLE MIC PREAMPS\u003c\/h3\u003e\n\u003cp\u003eAlongside the ISA transformer preamps, the ISA C8X provides six ultra-low-noise Focusrite mic preamps, each delivering up to 69 dB of ultra-clean gain. Each adds an analog Air mode for presence and a variable Drive DSP control for harmonic color, giving you tonal choices across all eight preamps rather than just the transformer pair. Auto Gain sets optimal levels across every channel in seconds and is accessible from the front panel, as well as within Focusrite Control 2. For full-band tracking, that means a complete drum kit, amps, and vocals captured on one unit with no outboard preamps required.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eCLASS-LEADING AD\/DA CONVERSION\u003c\/h3\u003e\n\u003cp\u003eConversion is handled by the same 24-bit\/192 kHz AD\/DA converters used in Focusrite's RedNet range, supplying impressive dynamic range up to 125 dB with an equally impressive 0.00022% THD spec. That generous headroom and near-zero distortion ensures the character you add on the front end is exactly what reaches your DAW, with no added noise or conversion artifacts. On playback, the same quality supports confident mixing decisions, so you can trust what you're hearing and focus on the creative side.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eCOMPREHENSIVE ANALOG AND DIGITAL I\/O\u003c\/h3\u003e\n\u003cp\u003eEight fixed-gain balanced line inputs make it easy to integrate your favorite outboard preamps, compressors, EQs, and other equipment without worrying about gain staging thanks to a maximum input level of +24 dB. A set of 12 balanced line outputs lets you hook the ISA C8X up to a 7.1.4 monitor system for immersive mixing or control up to three monitor groups with front panel and remote switching. Two class AB headphone outputs provide ample headroom, independent level control, and 3 Ω output impedance for up to 130 mW of playback with as much as 116 dB of dynamic range. The rear panel hosts ADAT, S\/PDIF, MIDI, and Word Clock I\/O for expanded connectivity.\u003c\/p\u003e\n\u003ch3 id=\"toc_5\"\u003eFOCUSRITE CONTROL 2 SOFTWARE FOR REMOTE-CONTROL RECORDING\u003c\/h3\u003e\n\u003cp\u003eFocusrite Control 2 gives you full control of every preamp, tone circuit, monitor group, and routing path right from your desktop or mobile device. Gain, impedance, filters, mixer settings, and routing can be stored and recalled at any time, speeding up setup and making changeovers between sessions seamless. Low-latency input monitoring lets performers hear themselves without delay, and separate headphone mixes allow everyone to hear exactly what they need to. If you run more than one Focusrite Control 2-ready device, you can switch between interfaces without leaving the app.\u003c\/p\u003e\n\u003ch3 id=\"toc_6\"\u003eINCLUDED HITMAKER EXPANSION AND OXFORD REVERB SOFTWARE BUNDLES\u003c\/h3\u003e\n\u003cp\u003eEvery focusrite ISA C8X ships with Hitmaker Expansion, a collection of 15 studio tools ready to use from the first session. It includes bx_console Focusrite SC by Brainworx, an emulation of the ISA 110 and 130 modules from the original Focusrite Studio Console, plus Celemony Melodyne for pitch and timing correction, Relab LX480 Essentials for classic digital reverb, and Oxford Reverb by Sonnox for bringing even more lushness and depth to your productions. This value-packed software bundle gives you everything you need to produce studio-quality mixes out of the box.\u003c\/p\u003e\n\u003ch3 id=\"toc_7\"\u003eOPTIONAL SONNOX BUNDLE UPGRADES\u003c\/h3\u003e\n\u003cp\u003eLooking to add even more plug-in power to your workflow? Choose between two upgrade bundles. The Sonnox ISA Essentials Bundle adds four Oxford-series plugins covering tone shaping, dynamic control, de-essing, and intelligent drum gating. The Sonnox ISA Elite Bundle expands further into professional EQ, dynamics, and mastering processing. Both are built on plugins that have been trusted in professional studios for more than 20 years, so you can extend the ISA C8X into a complete in-the-box chain.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44451375186023,"sku":"509482","price":2299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite-isa-c8x-2_509482_1.jpg?v=1787096989"},{"product_id":"api-vision-plus-recording-console","title":"API Vision+ Analog Recording Console","description":"\u003cp\u003eThe \u003cstrong\u003eAPI Vision+ Analog Recording Console\u003c\/strong\u003e retains the core strengths of the original Vision console while introducing substantial upgrades across the input module, center section, automation system, and frame design. It features a proven analog in-line signal path with 2 100mm Motorized Faders Per Channel and is available in 32, 48, 64, 80, or 96 channel frame sizes. Key highlights include 24 Multitrack Buses, 3 Stereo Buses, 1 Stereo Grand Master Bus, 10 Aux Sends, Stereo\/LCR\/Surround panning on every channel, with High-pass Filter on both signal paths, Optional classic API EQs available on every channel, and Comprehensive Center Section Control with 8 Playback Selections and 3 Surround Monitor Outputs with Individual Solo\/Mute.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditional customizations are available, including an optional 30\" Producer's Desk with monitor mount, as well as an Options Bucket pre-wired for 200 Series and\/or 500 Series modules, allowing clients to perfectly tailor the Vision+ to their specific workflow.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44451381084263,"sku":"api-vision-plus-recording-console","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-vision-plus2.jpg?v=1787097013"},{"product_id":"ssl-ssl1-2x2-channel-usb-interface","title":"Solid State Logic SSL 1 2-in\/2-out USB-C Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic SSL 1\u003c\/strong\u003e is a compact 2-in\/2-out USB-C audio interface that brings 50 years of SSL console heritage to your desktop or mobile studio. It pairs an SSL-designed mic preamp with next-gen 32-bit\/192 kHz converters and Legacy 4K Analogue Enhancement that delivers the signature analog character of SSL's famed 4000-series consoles at the push of a button. Flexible analog I\/O includes an instrument\/line input for direct recording, balanced monitor outputs, and a high-current headphone out compatible with premium studio headphones. Built for musicians, producers, live streamers, and content creators, the Solid State Logic SSL 1 delivers genuine SSL sound in a package that fits anywhere.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCOMPACT FOOTPRINT FOR PORTABLE RECORDING\u003c\/h3\u003e\n\u003cp\u003eThe SSL 1 packs legendary Solid State Logic sound into a compact footprint that goes wherever your music takes you. This USB bus-powered audio interface connects directly to your Mac or PC over USB-C or runs externally from a 5V power bank or phone charger for true portable recording. Class-compliant design means plug-and-play driverless operation with laptops, desktops, and mobile devices, including iOS. From recording guitar and vocals in bedroom studios to content creation in hotel rooms, the SSL 1 USB audio interface helps you capture the magic wherever inspiration strikes.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eSSL-DESIGNED MIC PREAMP\u003c\/h3\u003e\n\u003cp\u003eAn SSL-designed microphone preamp built with premium components delivers the signature sound that has made Solid State Logic a trusted brand in professional studios for decades. The single mic input on channel 1 features an XLR input that delivers clean gain for dynamic and condenser microphones alike. 48V phantom power supports condenser mics and inline mic boosters, while the built-in high-pass filter removes rumble and low-end buildup before it reaches your DAW. Just connect your mic, engage phantom power if needed, dial in your gain with on the onboard LED meters, and the SSL 1 delivers iconic Solid State Logic tone that makes any track come to life.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eLEGACY 4K CIRCUIT FOR CLASSIC SSL SOUND\u003c\/h3\u003e\n\u003cp\u003eSSL's celebrated 4000-series consoles have shaped countless hit records, and the Solid State Logic SSL 1 puts that iconic sound in your project studio. Engaging the Legacy 4K Analogue Enhancement mode takes a single button push and imparts two defining traits of the 4000-series signal chain: a musical high-frequency presence boost that makes vocals and acoustic instruments shine, and a touch of added harmonics that sweeten the signal with real analog character. With Legacy 4K Analogue Enhancement at the touch of a button, the SSL 1 instantly enriches any source you throw at it.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eNEXT-GEN 32-BIT 192 kHz CONVERTERS\u003c\/h3\u003e\n\u003cp\u003eThe Solid State Logic SSL 1 features state-of-the-art 32-bit\/192 kHz converters that deliver studio-grade clarity and fidelity from input to output. Every nuance of your music is captured in maximum resolution, so your recordings will translate accurately from your studio monitors and headphones to consumer playback systems. High-resolution conversion gives this USB-C audio interface the headroom and detail needed for critical mixing work. Whether you're tracking vocals or preparing a final mix, the SSL 1 keeps your audio pristine at every stage.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eINPUTS AND OUTPUTS\u003c\/h3\u003e\n\u003cp\u003eFor a compact USB-C audio interface, the Solid State Logic SSL 1 offers remarkably flexible connectivity. Alongside the mic input, the instrument\/line in works as a DI for guitar, bass, synths, and drum machines without external DI boxes. Balanced monitor outputs feed your speakers cleanly, while the high-current headphone stereo output supports premium studio headphones, and DC-coupled outputs allow you to send CV signals to modular, rack-mounted, and standalone synthesizers directly from your DAW. The Mix button blends low-latency monitoring with computer playback, while the stereo loopback function routes device audio from apps and browsers into your mix for seamless streaming and content creation.\u003c\/p\u003e\n\u003ch3 id=\"toc_5\"\u003eSSL PRODUCTION PACK SOFTWARE BUNDLE\u003c\/h3\u003e\n\u003cp\u003eEvery Solid State Logic SSL 1 includes the SSL Production Pack bundle, curated with leading developers including Harrison Audio, Native Instruments, IK Multimedia, Antares, Loopcloud, AAS, and Slate Digital. SSL's own Vocalstrip 2 and SSL Drumstrip plug-ins deliver powerful compression, transient shaping, and EQ tools for polishing vocals and drums. Mixbus 10 and Ableton Live Lite give you a formidable foundation for recording over USB-C. From virtual instruments to samples and effects, the SSL Production Pack turns this USB-C audio interface into a complete mobile studio.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451388293223,"sku":"506979","price":129.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/solid-state-logic-ssl-1_506979_1.jpg?v=1787097046"},{"product_id":"eventide-h9-harmonizer-gen-2-effects-pedal","title":"Eventide H9 Harmonizer Gen 2 Effects Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eEventide H9 Harmonizer Gen 2 Effects Pedal\u003c\/strong\u003e brings Eventide’s iconic multi-effects pedal into a new era delivering studio-quality sound and creative flexibility in a compact, performance-ready format. Building on everything players loved about H9 Classics (H9 Max, H9 Core, H9 Standard), H9 Harmonizer expands the platform with the full H90 algorithm lineup, modern ARM processing, and a faster, more intuitive workflow for today’s stage and studio rigs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDESIGNED TO GROW\u003c\/h3\u003e\r\n\u003cp\u003eThe H9 Harmonizer is built as a long-term platform. It includes the complete H9 Max library and remains fully compatible with legacy presets. No subscriptions or hidden unlocks. New algorithms will continue to roll out as updates. Integrated with Eventide Control and powered by a modern software foundation, The H9 Harmonizer is designed to evolve alongside the needs of today’s players.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eSIGNATURE SOUND\u003c\/h3\u003e\r\n\u003cp\u003eH9 Gen 2 combines the full legacy of the original H9 with the expanded creative range of the H90. It includes the full 74-algorithm lineup found in the H90, including all 52 original H9 Max algorithms, spanning delay, reverb, pitch, granular, vocal FX, looping, and much more. For longtime H9 users, it’s everything you love, now expanded. For new players, it’s the most direct path into Eventide’s flagship effects platform. Built on the same modern ARM processing as the H90 and H9000, H9 delivers higher-fidelity sound, improved overall performance, and true spillover on preset changes for seamless transitions. Proprietary Spectral Instantaneous Frequency Tracking (SIFT) tech produces pristine polyphonic pitch shifting and powers algorithms such as Polysynth, Polyphony, Polyflex, and Prism Shift.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eBUILT TO PLAY\u003c\/h3\u003e\r\n\u003cp\u003eH9 Harmonizer is designed to make great sounds easier to access. A larger 2.5\" display, updated controls, and a simplified interface make navigation faster and more intuitive than the original H9, while preserving the immediacy players expect from a compact pedal format. Its workflow is built around three core modes: Select Mode, Bank Mode, and Perform Mode. Together, they create a faster, more performance-ready experience for browsing presets, organizing sounds for live use, and controlling effects in real time. With HotSwitch and HotKnob macro control, plus flexible footswitch behavior, H9 feels less like a menu-driven processor and more like an actual instrument.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eMADE FOR MODERN RIGS\u003c\/h3\u003e\r\n\u003cp\u003eH9 supports one algorithm at a time, featuring flexible I\/O and global or preset-specific settings. The various routing options make it easy to slot into pedalboards, amp loops, hybrid rigs, and studio setups. Get connected quickly and easily with Eventide Control, 5-pin MIDI I\/O, stereo audio I\/O, as well as expression and aux control. The next generation of H9 is ready for the demands of stage and studio. It’s compact enough to simplify a board, yet connected enough to anchor a modern rig.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eWHAT’S NEW IN GEN 2:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e74 algorithms, including the full H90 and H9 Max libraries\u003c\/li\u003e\r\n\u003cli\u003eHigh Fidelity Polyphonic Pitch FX using SIFT technology\u003c\/li\u003e\r\n\u003cli\u003e1000+ presets out of the box\u003c\/li\u003e\r\n\u003cli\u003eRedesigned UI with 3 Quick Knobs and button pads\u003c\/li\u003e\r\n\u003cli\u003eFull parameter control directly from the pedal (no app required)\u003c\/li\u003e\r\n\u003cli\u003eUSB-C connection to Eventide Control app\u003c\/li\u003e\r\n\u003cli\u003eDual instrument \u0026amp; line-level I\/O for flexible studio + live use\u003c\/li\u003e\r\n\u003cli\u003e2 programmable footswitches, plus HotKnob and HotSwitch macro control\u003c\/li\u003e\r\n\u003cli\u003eSeamless effects spillover between presets\u003c\/li\u003e\r\n\u003cli\u003eSelect, Bank, and Perform Modes for flexible workflows\u003c\/li\u003e\r\n\u003cli\u003eFlexible routing (Wet\/Dry, Pre\/Post)\u003c\/li\u003e\r\n\u003cli\u003eBluetooth support for Eventide Control on Mac and iPad\u003c\/li\u003e\r\n\u003cli\u003eLarger display with faster, streamlined interface\u003c\/li\u003e\r\n\u003cli\u003eFully compatible with H9 Classic presets\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in tuner\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44451393273959,"sku":"512440","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide-h9-harmonizer-gen-2-effects-pedal_512440_1.jpg?v=1787097068"},{"product_id":"audeze-mm-520-manny-marroquin-signature-series-headphone","title":"Audeze MM-520 Manny Marroquin Signature Series Headphones","description":"\u003cp\u003eThe \u003cstrong\u003eAudeze MM-520\u003c\/strong\u003e is a cutting-edge over-ear headphone system developed with GRAMMY-winning engineer Manny Marroquin for professional recording, mixing, and critical listening. Successor to the MM-500, the Audeze MM-520 headphones pair premium planar magnetic drivers with patented SLAM technology for a stunningly accurate frequency response from 5 Hz to 50 kHz. Featuring Audeze's high-tech driver design and upgraded earpads with memory foam for long-term comfort, these signature headphones reliably deliver professional-grade monitoring for critical mixing and tracking sessions. Check out the features below and see how the Audeze MM-520 headphones can elevate your work.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eDEVELOPED WITH MANNY MARROQUIN\u003c\/h3\u003e\n\u003cp\u003eAudeze developed the MM-520 over four years with 18-time GRAMMY-winning engineer Manny Marroquin, whose credits include A-list artists like Rosalía, Pusha T, and Lizzo. With Marroquin's guidance and real-world testing, Audeze tuned the MM-520 to deliver the low-end extension and tight bass response that's so critical in pop and hip-hop, without sacrificing neutrality in the midrange. Designed for daily use in both tracking and mixing applications, the Audeze MM-520 headphones feature upgraded earpads with memory foam for Manny-approved comfort during long days in the studio.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003ePLANAR MAGNETIC DRIVERS\u003c\/h3\u003e\n\u003cp\u003eWith 90mm planar magnetic drivers built around an Audeze Fluxor magnet array and Uniforce diaphragms, MM-520 headphones deliver ultra-fast transient response and low distortion compared to conventional dynamic headphones. In hard data, that means a 5 Hz to 50 kHz frequency response, total harmonic distortion (THD) under 0.1 percent at 100 dB SPL, and a maximum SPL rating above 130 dB. Fazor waveguides guide air around the diaphragm to keep phase behavior coherent, so imaging stays locked.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eSYMMETRIC LINEAR ACOUSTIC MODULATOR (SLAM) TECHNOLOGY\u003c\/h3\u003e\n\u003cp\u003eThe Audeze MM-520 headphones are the first MM-Series model to feature SLAM acoustic modulator technology, Audeze's patented method of managing air pressure inside the earcup. First implemented in the CRBN2 and LCD-5, SLAM controls how air moves in front of and behind the diaphragm, improving low-end reach, bass accuracy, and spatial detail without giving up the MM-520's midrange neutrality. Kick drums, bass lines, and synths stay distinct instead of blurring together, giving you more clarity and helping bass-heavy mixes translate seamlessly from the studio to the car to the club.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eMEMORY FOAM EARPADS FOR LONG SESSIONS\u003c\/h3\u003e\n\u003cp\u003eThe MM-520 studio headphones include upgraded memory foam earpads that distribute pressure evenly and attach magnetically for easy replacement. But these premium earpads don't just make the headphones comfortable for marathon mixing sessions; they also provide a tight seal, keeping low-frequency energy from escaping and throwing off your mix. The Audeze MM-520 headphones also include a 2.5 m cable, a 3.5 mm to 6.3 mm adapter, a travel case, and a soft carry bag.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eHIGH SENSITIVITY, LOW IMPEDANCE DESIGN\u003c\/h3\u003e\n\u003cp\u003eThe MM-520's 18-ohm impedance rating and 102 dB\/1 mW sensitivity ensure optimal output across various output sources, from audio interfaces to console headphone busses, portable DACs, and even laptop headphone jacks. That flexibility matters when a session moves from the control room to a hotel desk or a tour bus, and few reference headphones are up to the task. Wherever you plug in, the Audeze MM-520 headphones give you the same reference perspective so you can always trust what you're hearing.\u003c\/p\u003e","brand":"Audeze","offers":[{"title":"Default Title","offer_id":44451395993703,"sku":"513476","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audeze-mm-520_513476_1.jpg?v=1787097080"},{"product_id":"aea-snaqbox-v2-2-slot-500-series-rack-clear","title":"AEA Snaqbox V2 2-Slot 500 Series Rack - Clear","description":"\u003cp\u003eThe \u003cstrong\u003eAEA Snaqbox V2\u003c\/strong\u003e is a transparent, two-channel, 500 Series chassis. The unit is powered by an external switching power supply to keep switching noise away from the unit. The acrylic sideplate of the unit comes in either clear or fluorescent orange. The chassis is made of steel and the bottom of the Snaqbox is affixed with durable rubber bumpers. All XLRs on the Snaqbox are Neutrik brand. Five 1⁄4\" flathead 4-40 screws are included with every unit. The Snaqbox features a CASCADE switch. When engaged, the audio output of Channel 1 is internally routed to the input of Channel 2. The cascade switch disconnects the connection from the XLR input of Channel 2, but does not disconnect the output of Channel 1 (thus allowing dry and wet outputs).\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44451396092007,"sku":"513079","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea-snaqbox-v2-clear_513079_1.jpg?v=1787097081"},{"product_id":"aea-snaqbox-v2-2-slot-500-series-rack-orange","title":"AEA Snaqbox V2 2-Slot 500 Series Rack - Orange","description":"\u003cp\u003eThe \u003cstrong\u003eAEA Snaqbox V2\u003c\/strong\u003e is a transparent, two-channel, 500 Series chassis. The unit is powered by an external switching power supply to keep switching noise away from the unit. The acrylic sideplate of the unit comes in either clear or fluorescent orange. The chassis is made of steel and the bottom of the Snaqbox is affixed with durable rubber bumpers. All XLRs on the Snaqbox are Neutrik brand. Five 1⁄4\" flathead 4-40 screws are included with every unit. The Snaqbox features a CASCADE switch. When engaged, the audio output of Channel 1 is internally routed to the input of Channel 2. The cascade switch disconnects the connection from the XLR input of Channel 2, but does not disconnect the output of Channel 1 (thus allowing dry and wet outputs).\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44451396124775,"sku":"513080","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea-snaqbox-v2-orange_513080_1.jpg?v=1787097081"},{"product_id":"harrison-audio-flex-10-usb-adat-audio-interface","title":"Harrison Audio FleX-10 USB\/ADAT Audio Interface","description":"USB \/ ADAT Audio Interface Based On Harrison Technology.","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":44451396157543,"sku":"506980","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-audio-flex-10_506980_1.jpg?v=1787078605"},{"product_id":"barefoot-sound-footprint03-3-way-active-studio-monitor-pair-linear-white","title":"Barefoot Sound Footprint03 3-Way Active Studio Monitor - Pair, Linear White","description":"\u003cp\u003eThe \u003cstrong\u003eBarefoot Footprint03\u003c\/strong\u003e is a professional 3-way active studio monitor built to deliver uncompromising accuracy and performance in a compact footprint with an elegant Linear White finish. Combining newly designed drivers, cutting-edge DSP, patented SPOC technology, and built-in MEME speaker emulation, the Linear White Footprint 03 is ideal for engineers, producers, and immersive studios that demand reference-grade sound in small- to medium-sized rooms. As for the sound, the Linear White Footprint 03 studio monitor delivers transparent frequency response with ultra-low distortion from 45 Hz to 40 kHz, so you can always trust what you hear. Read on to learn how the Linear White Footprint 03 has been updated and reimagined to meet the demands of modern studios while remaining compact and looking better than ever.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eSLEEK LINEAR WHITE FINISH\u003c\/h3\u003e\n\u003cp\u003eThe Linear White Footprint 03 studio monitor combines Barefoot Sound's renowned engineering with a bright, modern finish that looks as clean as it sounds. Studios with lighter decor and an \"open\" feel will find the Linear White Footprint 03 blends in visually while still standing out sonically. Built with the same robust quality as all of Barefoot Sound's products, the Linear White finish holds up well to daily studio use, resisting scratches and hiding smudges. Brighten up your workspace with the stunning and classic feel of the Linear White Footprint 03 and feel inspired every time you walk into the studio.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eCOMPLETELY NEW SPEAKER DESIGN\u003c\/h3\u003e\n\u003cp\u003eJust like the original Footprint03, the Linear White Footprint 03 uses a single front-firing 6.5-inch aluminum cone woofer paired with a side-firing port. The precision-tuned port delivers impressive low-frequency extension, while a highly damped structure reduces audible port noise and \"chuffing\" found on lesser speaker designs. That damping also improves transient response, so kick drums and basslines stay tight, fast, and well defined even at low frequencies. As a result, the Barefoot Sound Linear White Footprint 03 studio monitor punches far above its weight with low-end performance that belies its compact footprint.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTRI-AMPLIFIED 3-WAY DESIGN\u003c\/h3\u003e\n\u003cp\u003eThe Linear White Footprint 03's tri-amplified design means that each of its three drivers gets a dedicated amplifier for cleaner performance and more accurate frequency response. A 1\" ring radiator tweeter handles high frequencies with speed and detail, while a 3.5\" aluminum cone midrange driver reproduces vocals and instruments with clarity and a 6.5\" aluminum cone woofer anchors the low-end with deep, controlled bass response. Each driver is tuned for low distortion and powered by extremely low-noise amplification, allowing the Linear White Footprint 03 to maintain an even frequency response at any listening level. Barefoot Sound carefully aligned the tri-amplified high, low, and midrange drivers for optimal phase coherence, so whether you have a stereo pair or a full immersive array, engineers can trust that every frequency and transient reaches your ears at the same time.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eSPECTRALLY OPTIMIZED CONVERSION (SPOC) TECHNOLOGY\u003c\/h3\u003e\n\u003cp\u003eThe Footprint03 is the first Barefoot Sound monitor to feature the company's patented Spectrally Optimized Conversion (SPOC) technology. SPOC uses an analog crossover stage to split incoming audio into separate high- and low-frequency channels for optimal conversion, significantly reducing distortion and preserving frequency response detail that other converters lose. Paired with the Linear White Footprint 03's all-new DSP, SPOC technology gives engineers a level of conversion accuracy and frequency response that was previously unattainable in such a compact format.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eMULTI-EMPHASIS MONITOR EMULATION (MEME) TECHNOLOGY\u003c\/h3\u003e\n\u003cp\u003eEvery Linear White Footprint 03 active monitor includes Barefoot Sound's Multi-Emphasis Monitor Emulation (MEME) technology, eliminating the need for a second set of reference monitors. With MEME technology, engineers can instantly audition mixes as they would sound through common playback systems with different frequency response characteristics, including standard consumer speakers, vintage NS10-style monitors, and classic \"mix cubes.\" Because Barefoot's MEME technology lives inside the monitor itself, switching between reference voicings on the Footprint03 takes only a button press, saving time during critical mix decisions.\u003c\/p\u003e\n\u003ch3 id=\"toc_5\"\u003eCOMPACT, EASY-TO-MOUNT DESIGN\u003c\/h3\u003e\n\u003cp\u003eAs the most compact model in the Barefoot Footprint series, the Linear White Footprint 03 fits effortlessly in small studios, editing suites, and immersive rooms where space is limited. Barefoot Sound built its name on sealed cabinets, but this monitor uses a side-firing ported design in a dense MDF enclosure, where internal damping and a solid aluminum baffle keep resonance and cabinet coloration low. That compact format also makes the pair easy to move between rooms and sessions. Rear VESA mounts (compatible with Triad-Orbit hardware) let engineers place the Linear White Footprint 03 on stands, walls, or ceiling brackets, which matters in immersive setups that require Multiple speakers around the room. The compact footprint and easy mounting of the Linear White Footprint 03 active monitor make it easier than ever to integrate Barefoot monitors into any studio.\u003c\/p\u003e","brand":"Barefoot Sound","offers":[{"title":"Default Title","offer_id":44451396386919,"sku":"506977","price":2495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/barefoot-footprint03-white_506977_1.jpg?v=1787097082"},{"product_id":"akai-professional-mpc-one-gen-2","title":"Akai Professional MPC One Gen 2 Standalone Music Production Controller","description":"\u003cp\u003eThe \u003cstrong\u003eAkai Professional MPC One Gen 2\u003c\/strong\u003e is a next-generation standalone music production center designed for beatmakers and producers who want the classic MPC experience in a compact, powerful desktop form. Inspired by the striking blue colorways of the classic MPC1000 and MPC4000, this new creative tool blends vintage aesthetics with legendary MPC pads and a focused, hands-on layout to enable fast sampling, sequencing, and song creation without the need for a computer.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eMPC3 OS AND G2 8-CORE PROCESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePowered by MPC3 OS and a new G2 8-core processor delivering four times the performance of the previous generation, MPC One G2 supports larger projects, faster load times, expanded audio track counts, and deeper plug-in use entirely in standalone operation. Producers can chop samples, build drum patterns, sequence external instruments, and arrange full songs using MPC3’s modern track-based workflow and Linear Arranger.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eONE-CABLE STUDIO CONNECTIVITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned to adapt seamlessly between standalone and hybrid studios, MPC One G2 includes USB-C connectivity for multichannel audio and expanded MIDI over a single cable. This makes it easy to integrate MPC One G2 into a computer-based workflow when needed, without compromising the speed and focus of hardware-first creation. Compact yet powerful, MPC One G2 delivers the signature MPC workflow with modern performance, flexible connectivity, and the processing headroom to grow with bigger ideas, making it an accessible entry point into the MPC standalone ecosystem.\u003c\/p\u003e","brand":"Akai Professional","offers":[{"title":"Default Title","offer_id":44451396354151,"sku":"512443","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akai-professional-mpc-one-gen-2_512443_1.jpg?v=1787097082"},{"product_id":"akai-professional-mpc-key-37-gen-2-standalone-keyboard-workstation","title":"Akai Professional MPC Key 37 Gen 2 Standalone Keyboard Workstation","description":"\u003cp\u003eBuilt for multi-instrumental producers who want the old-school MPC workflow with the flexibility of a DAW, the \u003cstrong\u003eAkai Professional MPC Key 37 Gen 2\u003c\/strong\u003e combines a powerful standalone production engine, 37-key synth-action keyboard, and 16 classic MPC pads in one instrument. Running MPC3 OS on a G2 8-core processor, the MPC Key 37 G2 gives you all the tools you need to write, play, program, sample, and mix finished songs in a single hands-on system. Take your ideas from inspiration to finished productions without ever touching a computer, or use the MPC Key 37 G2 as an extension of your studio. See for yourself how the Akai Professional MPC Key 37 G2 can elevate your production workflow.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCLASSIC MPC DESIGN MEETS MODERN WORKFLOW\u003c\/h3\u003e\n\u003cp\u003eThe MPC Key 37 G2 delivers the power and flexibility of a modern studio with the old-school aesthetics of the original cream-colored MPCs of the late 1980s. A 37-key synth-action keybed sits alongside a pitch wheel and modulation wheel, so chords, basslines, and lead parts are always under your fingers. Above the keys, 16 legendary MPC pads respond to velocity and pressure for expressive playability and dynamic finger drumming. Dedicated function buttons, Q-Link knobs, and a full-color display keep every parameter visible instead of buried in menus, speeding up your workflow.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eNEXT-GENERATION PROCESSING POWER\u003c\/h3\u003e\n\u003cp\u003eAkai's G2 8-core processor gives the MPC Key 37 G2 four times the performance of the previous generation. That processing power means larger sessions, faster load times, and smoother playback as you stack up tracks, samples, and instrument plug-ins. Browsing sounds and auditioning presets happens immediately, so the standalone MPC keeps pace with your ideas rather than slowing you down. Internal storage, an SD card slot, and a USB-A port offer plenty of storage for the expanded factory library alongside your own material. Whether you're sketching a beat or finishing an arrangement, the MPC Key 37 G2 has what it takes to get the job done.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eFULL SONG PRODUCTION FROM START TO FINISH\u003c\/h3\u003e\n\u003cp\u003eMPC3 OS brings a track-based workflow to the MPC Key 37 G2, with support for up to 16 stereo audio tracks in addition to your programmed parts. Record vocals, guitars, and synths directly into the standalone MPC, then use the Linear Arranger to lay sequences across a timeline for DAW-style song building. A single project can run up to 32 plug-in instruments, so keys, bass, and drums stack into dense arrangements while every element stays live and editable. Sample from a phone, tablet, or other external devices, then chop the results into playable instruments mapped across the pads. From first idea to final arrangement, the MPC Key 37 G2 lets you build complete songs on one desktop-sized workstation.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eCOMPREHENSIVE I\/O FOR QUICK AND EASY CONNECTIVITY\u003c\/h3\u003e\n\u003cp\u003eUSB-C connectivity delivers up to 24 audio tracks and 32-channel expanded MIDI, along with host and device support, so the MPC Key 37 G2 can double as an audio interface, MIDI controller, or sound module. Balanced TRS line inputs and outputs make it easy to connect monitors and record external gear straight into a session. A stereo headphone output lets you work late at night or on the go, while a TRS sustain pedal input, TRS expression pedal input, and TRS footswitch pedal input add hands-on control.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eABLETON LIVE CONTROL MODE\u003c\/h3\u003e\n\u003cp\u003eStandalone isn't the only way to use the MPC Key 37 G2. Ableton Live Control Mode maps the pads, keys, and Q-Link knobs to Ableton Live software, turning the MPC Key 37 G2 into a hands-on control surface for writing, programming, recording, and mixing. Seamless integration with Ableton makes it easy to move from mode to mode, so a sketch started on the standalone MPC can be finished in your DAW, or vice versa. Because the same hardware works as an audio interface over USB-C, tracking into your computer requires no extra gear. Unplug the cable and the Akai Professional MPC Key 37 G2 returns to standalone production instantly.\u003c\/p\u003e","brand":"Akai Professional","offers":[{"title":"Default Title","offer_id":44451396321383,"sku":"512442","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akai-professional-mpc-key-37-gen-2_512442_1.jpg?v=1787097082"},{"product_id":"shadow-hills-industries-mastering-compressor-class-a-vk-edition","title":"Shadow Hills Industries Mastering Compressor - Class A VK Edition","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Mastering Compressor - Class A VK Limited Edition\u003c\/strong\u003e is a limited-edition version of the Shadow Hills Mastering Compressor, featuring a Class A discrete gain-makeup section, Lundahl input transformers, and an exclusive copper faceplate with a matching PSU. Designed for mastering engineers, mix engineers, and tracking studios alike, the Class A VK Limited Edition delivers the sound and flexibility that made the original a modern classic, including separate VCA and optical compressor sections, switchable output transformers, stereo and dual-mono modes, a built-in switchable sidechain filter, and more. Limited to just 10 units worldwide, the Shadow Hills Mastering Compressor - Class A VK Limited Edition is both a collector’s item and a studio workhorse that will serve you for years to come.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCLASS A CIRCUITRY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAside from the heavy-duty solid copper faceplate, the Shadow Hills Mastering Compressor - Class A VK Limited Edition introduces a number of technical upgrades as well. Under the hood, the updated Class A discrete gain makeup section delivers greater clarity and 3D qualities versus the already world-class sonics of the standard edition.  Carefully selected Lundahl input transformers offer improved noise rejection and openness. Plus, each unit has been hand-built with Mogami oxygen-free wire for long-lasting quality.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEXCLUSIVE COPPER FACEPLATE AND PSU\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInspired by the brand’s limited-edition Mono GAMA Hammer Forged preamps, the Shadow Hills Mastering Compressor - Class A VK Limited Edition features a sleek copper faceplate and PSU, giving the unit a distinctive appearance. With a custom-engraved, art deco-inspired design, the Class A VK Limited Edition looks just as inspiring as it sounds.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eDISCRETE AND OPTICAL COMPRESSOR SECTIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Shadow Hills Industries Mastering Compressor - Class A VK Limited Edition features two compression sections, offering both optical and VCA-based gain reduction. Both sections can operate independently on each channel or be used in series. This two-stage design allows for flexible dynamics control, offering transparent leveling, precise adjustment, or a combination of both. Each compressor section includes a hardwire bypass to ensure your signal remains completely neutral when not engaged.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Optical Section focuses on smooth, program-dependent leveling inspired by a classic late-'60s optical compressor. With stepped Threshold and Gain controls, setting optimal levels is quick and easy. The Discrete Section incorporates a responsive VCA circuit with stepped controls for Ratio, Attack, and Release. This provides fast, accurate gain reduction suitable for tightening drum tracks, managing the peaks of percussive acoustic instruments, and refining transients for louder, more polished mixes. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eTHREE SWITCHABLE OUTPUT TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe output stage offers a selection of three switchable transformers, each delivering unique harmonic and tonal characteristics. The front-panel selector makes it easy to quickly audition each option and find the perfect setting for each track.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eNickel Transformer: The nickel transformer offers a balanced tonal profile with a tight punchy low end and a smooth high-frequency response. It adds depth and presence without harshness, making it ideal for lead vocals, acoustic instruments, and clean electric sounds.\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eIron Transformer: The iron transformer excels at delivering clear highs and a slight boost around 110 Hz for added weight. Its Class A output stage introduces musical even-order harmonic distortion, imparting a warm analog feel that helps instruments cut through dense mixes.\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eSteel Transformer: Finally, the steel transformer provides an open, detailed tonal character with a subtle 40 Hz lift, delivering a modern sound with a strong low-end. Its quick response makes it perfect for processing drum buses or enhancing mix buses during mastering.\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eSTEREO AND DUAL-MONO MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith both stereo and dual-mono modes, the Shadow Hills Industries Mastering Compressor - Class A VK Limited Edition seamlessly adapts to tracking, mixing, or mastering workflows. Use dual-mono mode for recording or two-stage compression techniques in your mixes, then switch to stereo mode for processing drums, beefing up your mix bus, or putting the final polish on a master.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eBUILT-IN SIDECHAIN FILTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe onboard sidechain filter rolls off frequencies below 90 Hz in the detector circuit to prevent excessive low-end energy from triggering the compressor. Simply flip the filter switch to reduce pumping artifacts on drum buses and bass-heavy mixes, or control bass tracks without sacrificing too much dynamic range.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44451401695335,"sku":"502902","price":13250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hills-industries-mastering-compressor-class-vk-edition_502902_1.jpg?v=1787097105"},{"product_id":"soyuz-silver-17-large-diaphragm-tube-condenser-microphone","title":"Soyuz Silver 17 Large Diaphragm Tube Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSoyuz Silver 17\u003c\/strong\u003e is a large-diaphragm tube condenser with a refined sense of air, presence, and natural top-end, while retaining the classic, full-bodied character the 017 Series is known for. Built around the S17E, a newly developed edge-terminated version of the original S17 capsule, the Silver 17 adds a musical extension to Soyuz's flagship sound. Vocals sit forward without edge. Acoustic instruments breathe. Transients stay defined, but never rigid.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eWHERE WEIGHT MEETS AIR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Silver 17 is voiced to sound powerful while sitting naturally in a mix. It carries the same larger-than-life lows and rich midrange of its sibling, the 017 TUBE, but with a greater emphasis on the presence and clarity demanded for modern productions. The difference begins to shine in the upper range, where the Silver 17 remains open and expressive. The smooth lift highlights detail without exaggeration, while the controlled articulation helps vocals, guitars, keys, and other sources come through with less need for post-production sculpting.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eINSPIRED BY CLASSICS, BUILT AS AN ORIGINAL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe core of the Silver 17's sound comes from its custom, edge-terminated S17E capsule: a hand-machined, gold-sputtered, 34mm design developed entirely in-house. The original S17 was influenced by K67 geometry, the architecture behind some of the most recorded large-diaphragm condensers in history, and serves as the base of the 017 Series' dense low-end and midrange. For the Silver 17, the engineers at Soyuz built on that foundation, drawing inspiration from mics like the LOMO 19A18, a rare Soviet-era gem often compared to a C12 and prized for its airiness and top-end response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis hybrid approach led to a complete redesign of the capsule with new acoustic resistance, new backplate mechanics, and new diaphragm tensioning. Where the original S17 routes its electrical charge through the center of the capsule, the Silver 17’s S17E applies the charge directly to the diaphragm and routes it through the mounting ring. With no center screw, there is no obstruction to the diaphragm's most sensitive area. The result is a capsule that responds more freely, giving the Silver 17 a smooth balance of color and excitement across the spectrum.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eHANDCRAFTED WITHOUT COMPROMISE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Silver 17, like every other Soyuz microphone, is an original design brought to life by Soyuz's master machinists and engineers. Bodies are hand-turned on the lathe. Capsule backplates are cut, polished, and individually tensioned by hand. Transformers are wound in-house. Every connection is true point-to-point wiring. The military-grade 6ZH1P tube, selected and trusted throughout the 017 lineage, remains at the heart of the circuit.\u003c\/p\u003e","brand":"Soyuz Microphones","offers":[{"title":"Default Title","offer_id":44451401793639,"sku":"510927","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soyuz-silver-17_510927_1.jpg?v=1787097106"},{"product_id":"ssl-odyssey-48-channel-analog-recording-console-with-center-rack-and-2-channel-racks","title":"Solid State Logic Odyssey 48-Channel Recording Console with Center Rack and 2 Channel Racks","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410804839,"sku":"517652","price":456000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-48-channel_517652_1.jpg?v=1787097137"},{"product_id":"ssl-odyssey-32-channel-analog-recording-console-with-center-rack-and-2-channel-racks","title":"Solid State Logic Odyssey 32-Channel Recording Console with Center Rack and 2 Channel Racks","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410870375,"sku":"517551","price":406000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-32-channel-2-channel-rack_517551_1.jpg?v=1787097137"},{"product_id":"ssl-odyssey-32-channel-analog-recording-console-with-center-rack-and-1-channel-rack","title":"Solid State Logic Odyssey 32-Channel Recording Console with Center Rack and 1 Channel Rack","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410837607,"sku":"517550","price":327000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-32-channel-1-channel-rack_517550_1.jpg?v=1787097137"},{"product_id":"ssl-odyssey-24-channel-analog-recording-console-with-center-rack-and-1-channel-rack","title":"Solid State Logic Odyssey 24-Channel Recording Console with Center Rack and 1 Channel Rack","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410903143,"sku":"517549","price":295000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-24-channel_517549_1.jpg?v=1787097138"}],"url":"https:\/\/vintageking.mom\/collections\/features-gear-wishlist.oembed","provider":"Vintage King","version":"1.0","type":"link"}