{"title":"Cranborne Audio","description":null,"products":[{"product_id":"cranborne-audio-camden-500","title":"Cranborne Audio Camden 500 Series Microphone Preamp","description":"\u003cp\u003ePut simply, the \u003cstrong\u003eCranborne Audio Camden 500\u003c\/strong\u003e is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e\r\n\u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e\r\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCLEAN, PRECISE, AND NATURAL\u003c\/h3\u003e\r\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eVINTAGE, WARM, AND COLORED\u003c\/h3\u003e\r\n\u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eTHUMP\u003c\/h3\u003e\r\n\u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100 Hz to 20 Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCREAM\u003c\/h3\u003e\r\n\u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450350465127,"sku":"110126","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-camden-500_110126_1_1dfd073b-ec9b-42db-92f6-914b865f0aa8.jpg?v=1787092700"},{"product_id":"cranborne-audio-500r8-8-slot-500-series-rack-interface","title":"Cranborne Audio 500R8 8-Slot 500 Series Rack\/Interface","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500R8\u003c\/strong\u003e is the centerpiece to the modern studio. It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio.\u003c\/p\u003e\r\n\u003cp\u003e500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analog summing mixer, comprehensive monitor controller with talkback facility, 16-in\/16-out ADAT interface, as well as a zero-latency analog artist mixer with reference-quality, high-powered headphone outputs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eThe Best of Analog Character\u003c\/h3\u003e\r\n\u003cp\u003eBy capitalizing on the vast and ever-growing 500 series market, you can configure your 500R8 to suit your tastes of analog flavour. By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e\r\n\u003cp\u003eFill 500R8 full of vintage preamps for recording drums. Fill 500R8 full of clean and pristine preamps for recording strings. Fill 500R8 full of Preamp, EQ, and Compressor modules to create your own custom analog channel strips. The possibilities are endless and every 500R8 is unique to your sound.\u003c\/p\u003e\r\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send USB channels from your DAW, into 500R8, through the 8 installed 500 series modules, and back into your DAW for recording (with that analog ‘mojo’ applied). Think of 500R8 as a bank of 8 external analog plug-ins.\u003c\/p\u003e\r\n\u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500R8 also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using dedicated USB inputs 9\/10.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDigital Precision\u003c\/h3\u003e\r\n\u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500R8 features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500R8’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter.\u003c\/p\u003e\r\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artifacts from the conversion process and with a wide dynamic range thanks to 500R8's high-headroom analog design and low noise floor.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eUSB Audio Interface\u003c\/h3\u003e\r\n\u003cp\u003eCranborne Audio's USB 2.0 audio interface provides high channel-count and low-latency performance while being accepted by all PC\/macOS devices with unparalleled stability and longevity. 500R8 is core audio compliant for macOS or features a lightweight control panel for Windows machines that absorbs as little CPU resources as possible to leave you with more power for plug-ins within your DAW session.\u003c\/p\u003e\r\n\u003cp\u003ePlug 500R8 into your PC\/macOS device and your DAW will see a full 28-in, 30-out USB audio interface. 500R8 also includes a full complement of 5-pin MIDI I\/O, ADAT I\/O, Word Clock I\/O via BNC, and S\/PDIF I\/O to ensure that all of your digital studio connectivity is covered.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eMonitor Controller\u003c\/h3\u003e\r\n\u003cp\u003e500R8 features a comprehensive monitor controller with connectivity for two sets of studio monitors. As well as seamless speaker switching between both sets of studio monitors, there’s a Mono button that sums L-R channels to check for mono compatibility, a DIM switch that drops the speaker volume by 12dB for relaxed discussions during recordings, and a speaker mute switch for tracking with headphones.\u003c\/p\u003e\r\n\u003cp\u003e500R8 also features a comprehensive Talkback section with XLR input, 48v phantom power, push-to-talk operation, and automatic signal routing to all C.A.S.T. and headphones outputs connected to the system.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eSumming Mixer\u003c\/h3\u003e\r\n\u003cp\u003eAnalogue summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500R8's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500R8’s dedicated analog level and pan controls beneath each module. 500R8's summing mixer also has a dedicated converter which can be used to record your stereo mix into your DAW on USB inputs 9\/10 with a massive +24dBu of headroom.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eZero-Latency Artist Mixer\u003c\/h3\u003e\r\n\u003cp\u003e500R8 moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with discrete USB playback paths and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eC.A.S.T. Equipped\u003c\/h3\u003e\r\n\u003cp\u003eC.A.S.T. stands for Cat 5 Analogue Snake Transport and enables cost effective and organized cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 Networking cables to transport 4 channels of balanced analog audio over a single cable.\u003c\/p\u003e\r\n\u003cp\u003e500R8 has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500R8 and relocate analog I\/O wherever it is needed around the studio.\u003c\/p\u003e\r\n\u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500R8. At the same time, the analog mix created on 500R8 is sent through the same cable and into the connected breakout box. This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e\r\n\u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multi core would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eDesigned and Engineered in the UK\u003c\/h3\u003e\r\n\u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, every 500R8 is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450350563431,"sku":"110127","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500r8-21_110127_1_b6686def-4d4b-4920-b86d-056a0ab70d4c.jpg?v=1787092700"},{"product_id":"cranborne-audio-500adat","title":"Cranborne Audio 500ADAT 8-Slot 500 Series Rack\/ADAT Expander","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500ADAT\u003c\/strong\u003e is the perfect tool to increase the I\/O count of any ADAT-equipped audio interface. It's an 8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces. 500ADAT features analog essentials that unite digital and analog production workflows such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission to enable operation at sample rates up to 192 kHz\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE BEST OF ANALOG CHARACTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBy capitalizing on the vast and ever-growing 500 series market, you can configure your 500ADAT to suit your tastes of analog flavor. By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW. Fill 500ADAT full of vintage preamps for recording drums. Fill 500ADAT full of clean and pristine preamps for recording strings. Fill 500ADAT full of Preamp, EQ, and Compressor modules to create your own custom, analog channel strips. The possibilities are endless and every 500ADAT is unique to your sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send ADAT outputs from your audio interface, into 500ADAT, through the 8 installed 500 series modules, and back into your audio interface for recording (with that analog ‘mojo’ applied). Think of 500ADAT as a bank of 8 external analog plug-ins.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500ADAT also features an 8-into-2 high-headroom analog summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using the dedicated 1\/4” mix output jacks on the rear panel.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDIGITAL PRECISION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500ADAT features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500ADAT’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter. You can also slave your audio interface’s clock from 500ADAT’s internal clock to benefit from 500ADAT’s low-jitter design. The combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analog character is captured with the utmost detail - free of unwanted digital artefacts from the conversion process and with a wide dynamic range thanks to 500ADAT's high-headroom analog design and low noise floor.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003e8-IN\/8-OUT ADAT INTERFACE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eADAT is tried, tested, and still one of the most widely available interfacing protocols in the audio industry, however it often remains unused and under-utilized by many audio engineers and producers. Almost all major audio interfaces on the market feature a pair of ADAT lightpipe ports - simply connect 500ADAT to those ports and you can enhance and expand the possibilities of your studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy containing its own converters and using ADAT to transport audio to and from the 500 series format, 500ADAT removes analog cabling spaghetti between your rack and interface while eliminating the worry of mismatched analog operating levels between interface inputs and 500 series module outputs. 500ADAT is compatible with any session running from 44.1kHz to 192kHz and can achieve 8 channels of I\/O expansion at 44.1kHz to 96kHz or 4 channels of I\/O expansion at 176.4\/192kHz.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSUMMING MIXER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eanalog summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500ADAT's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500ADAT’s dedicated analog level and pan controls beneath each module. 500ADAT's summing mixer also has a dedicated line output which can be used to send your stereo mix into your audio interface for recording.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eZERO-LATENCY ARTIST MIXER\u003c\/h3\u003e\r\n\r\n\u003cp\u003e500ADAT moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with the Aux Input and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eCAST EQUIPPED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eC.A.S.T. stands for Cat 5 analog Snake Transport and enables cost-effective and organized cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 networking cables to transport 4 channels of balanced analog audio over a single cable. 500ADAT has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500ADAT and relocate analog I\/O wherever it is needed around the studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500ADAT. At the same time, the analog mix created on 500ADAT is sent through the same cable and into the connected breakout box. This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e\r\n\r\n\u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multicore would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eDESIGNED AND ENGINEERED IN THE UK\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, every 500ADAT is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450350596199,"sku":"110128","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500adat-21_110128_1_11baf2fb-b64e-4824-9977-616b1b83a0cc.jpg?v=1787092701"},{"product_id":"cranborne-audio-ec2-preamp","title":"Cranborne Audio EC2 2-Channel Microphone Preamp","description":"\u003cp\u003eThe ultimate studio front-end, \u003cstrong\u003eCranborne Audio Camden EC2 \u003c\/strong\u003ecombines award-winning mic\/line\/hi-z preamps with Cranborne Audio’s acclaimed Mojo analog saturation circuits and two reference-quality headphone amplifiers with discrete line mixers.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eAward-Winning Pedigree\u003c\/h3\u003e\r\n\u003cp\u003eBased on the award-winning Camden 500 Preamp and Signal Processor for the 500 series lunchbox format, Camden EC2 combines the sonic capabilities of one of the markets cleanest and most transparent preamps with the flexibility of a standalone, 1u, 19” chassis that can integrate into any recording setup with or without 500 series connectivity.\u003c\/p\u003e\r\n\u003cp\u003eFeaturing two discrete instances of Cranborne Audio’s ‘Camden’ preamp topology, Camden EC2 achieves unprecedented low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings.\u003c\/p\u003e\r\n\u003cp\u003eUse Camden EC2 to capture your audio sources with complete transparency; boost low-sensitivity microphones without adding noise and colouration; and capture instant and coherent transients without phase shift that cause summing abnormalities. Camden EC2’s preamps exhibit performance specifications that rival (and in most cases, exceed) the most revered ‘transparent’ preamps on the market.\u003c\/p\u003e\r\n\u003cp\u003eThe 12-way rotary Gain switches for each preamp provide perfect stereo matching for stereo miking setups and its dedicated mic, line, and hi-z input modes allows Camden EC2 to not only become your go-to mic preamp, but also a line-level saturator and dual-channel DI thanks to dedicated ¼” jack Link outputs for each channel.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eVintage Persona\u003c\/h3\u003e\r\n\u003cp\u003eUsing its Mojo analog saturation controls, both of Camden EC2’s preamps transform from extraordinarily clean, natural, and precise sounding, into thick, gooey, and vintage-sounding preamps at the turn of a dial.\u003c\/p\u003e\r\n\u003cp\u003eWith two discrete Mojo styles per channel, Camden EC2 takes on the persona of vintage transformer-based preamps using its Thump Mojo or gooey tube-based preamps using its Cream Mojo.\u003c\/p\u003e\r\n\u003cp\u003eUnlike transformer or valve-based preamps, Mojo’s saturation is completely variable allowing you to dial-in the amount of saturation you need for each source. Keep it at 3-4 for authentic preamp saturation or crank it up to 11 for a more exaggerated effect!\u003c\/p\u003e\r\n\u003cp\u003ePerhaps most crucially and unlike transformer-based preamps, when you need something clean and transparent for a particular session\/source, Mojo can be completely bypassed and removed from the signal using the pots’ built-in, true-bypass switch to reveal the true clarity of the Camden preamp design.\u003c\/p\u003e\r\n\u003cp\u003eRecord through Mojo to apply instant analog colouration during tracking or send line-level sources through the Mojo to add vintage colouration to your DAW tracks or stereo bus during the mix phase.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eAdvanced Tracking And Reamping Tool\u003c\/h3\u003e\r\n\u003cp\u003eTwo reference-quality headphone amplifiers with independent line mixers allow for direct monitoring of both Camden preamps using headphones connected directly to Camden EC2’s front panel.\u003c\/p\u003e\r\n\u003cp\u003eMonitor the preamp signals directly using headphones during mic placement to find the sweet spot of the instrument\/source or create zero-latency artist mixes by combining the preamps with external playback from the Aux Input jacks on Camden EC2’s rear panel.\u003c\/p\u003e\r\n\u003cp\u003eWith its extraordinary hi-z circuit and dedicated ¼” jack Link outputs for each channel, Camden EC2 is the perfect tool for reamping bass and electric guitars.\u003c\/p\u003e\r\n\u003cp\u003eSimply connect your instrument to one preamp using its hi-z input, connect the ¼” Link output of that preamp to your amplifier\/effects pedals and capture that signal using the second preamp. With both the dry DI and wet amplified signals recorded simultaneously using both preamps on Camden EC2, you can process the affected signal further or reamp the dry DI signal at a later date.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eC.A.S.T. Enabled\u003c\/h3\u003e\r\n\u003cp\u003eCamden EC2 also utilizes Cranborne Audio’s unique C.A.S.T. system for distributing audio around the studio or stage using affordable Cat 5e, Cat 6, or Cat 7 cabling whilst achieving the highest sonic results.\u003c\/p\u003e\r\n\u003cp\u003eConnect Camden EC2’s C.A.S.T. OUT port to Cranborne Audio’s 500R8 or 500ADAT, and you can send Camden EC2’s preamps directly to the interface's inputs ready for further processing and recording. At the same time through the same cable, 500R8\/500ADAT transmit their built-in monitor mix directly to Camden EC2’s headphone mixer for monitoring.\u003c\/p\u003e\r\n\u003cp\u003eThis allows 500R8\/500ADAT users to relocate their Camden EC2’s preamps and headphone amps into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500 series slots in 500R8\/500ADAT for more EQ and Compressor modules and extra processing before hitting 500R8\/500ADAT’s converters.\u003c\/p\u003e\r\n\u003cp\u003eConnect Camden EC2’s C.A.S.T. IN port to Cranborne Audio’s N22 or N22H and you have a cost-effective analog snake - use N22 or N22H to easily relocate Camden EC2’s preamp inputs to a remote location such as a vocal booth, live room, hallway, or reverb chamber using Cat 5e as cheap, high-quality, analog multicore.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eMeticulously Designed and Engineered In The UK\u003c\/h3\u003e\r\n\u003cp\u003eWith an abundance of I\/O available, Camden EC2 facilitates the maximum amount of flexibility with all 3rd party audio interfaces and recorders by including dedicated XLR outputs, Impedance balanced 1\/4” jack outputs, and Link outputs when using Camden EC2 as a DI.\u003c\/p\u003e\r\n\u003cp\u003eSo much more than two Camden 500’s in a metal box, Camden EC2 is another Cranborne Audio product engineered and designed under the team’s watchful eyes. Camden EC2 features elite audio specifications and application-based features that defies its price tag and is accessible for professional, project, and home studio engineers.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450382872679,"sku":"114397","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-ec2-21_114397_1.jpg?v=1787092835"},{"product_id":"cranborne-audio-camden-500-demo-deal","title":"Cranborne Audio Camden 500 (Demo Deal)","description":"\u003cp\u003ePut simply, the \u003cstrong\u003eCranborne Audio Camden 500\u003c\/strong\u003e is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e\r\n\u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e\r\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\r\n\u003ch3\u003eClean, Precise, and Natural\u003c\/h3\u003e\r\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\r\n\u003ch3\u003eVintage, Warm, and Colored\u003c\/h3\u003e\r\n\u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. 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It's an 8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces. 500ADAT features analog essentials that unite digital and analog production workflows such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission to enable operation at sample rates up to 192 kHz\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTHE BEST OF ANALOG CHARACTER\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy capitalizing on the vast and ever growing 500 series market, you can configure your 500ADAT to suit your tastes of analog flavor. By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFill 500ADAT full of vintage preamps for recording drums. Fill 500ADAT full of clean and pristine preamps for recording strings. Fill 500ADAT full of Preamp, EQ, and Compressor modules to create your own custom, analog channel strips. The possibilities are endless and every 500ADAT is unique to your sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send ADAT outputs from your audio interface, into 500ADAT, through the 8 installed 500 series modules, and back into your audio interface for recording (with that analog ‘mojo’ applied). Think of 500ADAT as a bank of 8 external analog plug-ins.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500ADAT also features an 8-into-2 high-headroom analog summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using the dedicated 1\/4” mix output jacks on the rear panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDIGITAL PRECISION\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500ADAT features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500ADAT’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter. You can also slave your audio interface’s clock from 500ADAT’s internal clock to benefit from 500ADAT’s low-jitter design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analog character is captured with the utmost detail - free of unwanted digital artefacts from the conversion process and with a wide dynamic range thanks to 500ADAT's high-headroom analog design and low noise floor.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e8-IN\/8-OUT ADAT INTERFACE\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eADAT is tried, tested, and still one of the most widely available interfacing protocols in the audio industry, however it often remains unused and under-utilized by many audio engineers and producers. Almost all major audio interfaces on the market feature a pair of ADAT lightpipe ports - simply connect 500ADAT to those ports and you can enhance and expand the possibilities of your studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy containing its own converters and using ADAT to transport audio to and from the 500 series format, 500ADAT removes analog cabling spaghetti between your rack and interface while eliminating the worry of mismatched analog operating levels between interface inputs and 500 series module outputs. 500ADAT is compatible with any session running from 44.1 kHz to 192 kHz and can achieve 8 channels of I\/O expansion at 44.1\r\nkHz to 96 kHz or 4 channels of I\/O expansion at 176.4\/192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSUMMING MIXER\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500ADAT's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500ADAT’s dedicated analog level and pan controls beneath each module. 500ADAT's summing mixer also has a dedicated line output which can be used to send your stereo mix into your audio interface for recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZERO-LATENCY ARTIST MIXER\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e500ADAT moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with the Aux Input and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCAST EQUIPPED\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eC.A.S.T. stands for Cat 5 analog Snake Transport and enables cost effective and organised cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 networking cables to transport 4 channels of balanced analog audio over a single cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e500ADAT has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500ADAT and relocate analog I\/O wherever it is needed around the studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500ADAT. At the same time, the analog mix created on 500ADAT is sent through the same cable and into the connected breakout box. This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e\r\n\r\n\u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multi core would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e\r\n\r\n\u003cp\u003e**MANUFACTURED IN THE UK\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, all 500ADAT's are manufactured in the UK under the company's watchful eye. 500ADAT is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e8-in\/8-out ADAT expander\u003c\/li\u003e\r\n\u003cli\u003eHigh-performance A\/D conversion\u003c\/li\u003e\r\n\u003cli\u003eHigh-performance D\/A conversion\u003c\/li\u003e\r\n\u003cli\u003eMaster reference-quality internal clock\u003c\/li\u003e\r\n\u003cli\u003eAnalog summing mixer\u003c\/li\u003e\r\n\u003cli\u003eZero-latency artist mixer\u003c\/li\u003e\r\n\u003cli\u003eReference-quality headphone outputs\u003c\/li\u003e\r\n\u003cli\u003eHigh-current 8-slot 500 series rack\u003c\/li\u003e\r\n\u003cli\u003eC.A.S.T. compatibility\u003c\/li\u003e\r\n\u003cli\u003e24v, 5 amp external locking power supply\u003c\/li\u003e\r\n\u003cli\u003eDesigned, engineered, and manufactured in the UK\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCamden 500\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePut simply, the Cranborne Audio Camden 500 is the most astoundingly clean, linear, and transparent preamp you’ve ever heard. Camden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analogue saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCLEAN, PRECISE, AND NATURAL\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVINTAGE, WARM, AND COLORED\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTHUMP\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100 Hz to 20 Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCREAM\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFully-discrete, transformerless design featuring custom ‘Camden’ preamp topology designed by Cranbourne Director of Engineering, Edward Holmes\u003c\/li\u003e\r\n\u003cli\u003ePerforms at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings\u003c\/li\u003e\r\n\u003cli\u003eOptimized input Impedance and input headroom for Mic, Line, and Hi-z sources\u003c\/li\u003e\r\n\u003cli\u003eCustom ‘Mojo’ analog saturation circuit with variable control, true bypass, and 2 discrete styles - Thump and Cream\u003c\/li\u003e\r\n\u003cli\u003eGold Flashing on backplane contacts for increase conductivity and durability\u003c\/li\u003e\r\n\u003cli\u003eDesigned, engineered and manufactured in the United Kingdom\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450512076903,"sku":"130114","price":2197.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500adat-2-camden-500_130114_1_bd8091b8-574c-46e7-b3d8-448bc6122945.jpg?v=1787093361"},{"product_id":"cranborne-audio-n22h-headphone-amp-cat-5-snake-breakout-box","title":"Cranborne Audio N22H Headphone Amp\/Cat 5 Snake\/Breakout Box","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio N22H\u003c\/strong\u003e is the ultimate tool for engineers and musicians looking to upgrade their headphone monitoring with a high-quality, reference-grade headphone amplifier capable of letting any pair of headphones shine.\u003c\/p\u003e\r\n\u003cp\u003eN22H is a standalone, reference-quality headphone amplifier that you can use during mixing or mastering, but with its rugged steel enclosure and compact form factor, it’s also the ideal portable headphone amplifier that can be positioned next to the performer at the end a single shielded Cat 5e, Cat 6, or Cat 7 cable using Cranborne Audio’s unique C.A.S.T. system.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eReference-Quality Headphone Amplifier \u003c\/h3\u003e\r\n\u003cp\u003eBased on the same custom design found in Cranborne Audio’s renowned 500R8 interface, N22H’s headphone amplifier achieves a flat Frequency Response from 0.8 Hz to above 250 kHz and ultra-low distortion (0.0009% THD+N, 100 kOhm load) allowing it to power headphones with clean, transparent power during critical listening, mixing, and mastering. There’s also enough power (up to 950mW per-ear) to drive headphones at high-volumes during tracking - perfect for loud drummers!\u003c\/p\u003e\r\n\u003cp\u003eWith carefully calibrated High and Low Power Modes, N22H can be quickly optimized for maximum performance with high-impedance over-ear headphones or low-impedance in-ears at a flick of a switch. A custom logarithmic Headphone Level control also allows for precise control of the headphone output without big shifts in volume during small adjustments.\u003c\/p\u003e\r\n\u003cp\u003eN22H can be powered using the included 9V DC power supply as well as any 3rd party 9V DC (centre negative) guitar pedal power supply. 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With a range of 330ft\/100m, N22H and C.A.S.T. is the ideal solution for convenient headphones distribution as well as a connectivity hub for mic\/line sources as an all-analogue, Cat 5e snake.\u003c\/p\u003e\r\n\u003cp\u003eCranborne Audio’s C.A.S.T. system (Cat 5 Analogue Snake Transport) distributes analogue audio (including 48V phantom power) around studios and stages using affordable shielded Cat 5e, Cat 6, and Cat 7 cabling - achieving the highest sonic results with the lowest cost.\u003c\/p\u003e\r\n\u003cp\u003eConnect N22H to Cranborne Audio’s passive N22 using a single shielded Cat 5e, Cat 6, or Cat 7 cable and you can send a headphone mix directly into N22H's headphone amplifier over a distance of 330ft\/100m. You can then connect mic\/line signals directly to N22H’s combi-jack inputs and they will travel through the same C.A.S.T. connection and arrive at N22’s XLR outputs ready to be connected to your audio interface for recording.\u003c\/p\u003e\r\n\u003cp\u003eIf your studio is already built around a Cranborne Audio C.A.S.T. enabled device, N22H can connect directly into their C.A.S.T. inputs or outputs and send\/receive audio directly with the device without the need for other hardware or complex analogue multicores.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eA Palm-Sized Headphone Powerhouse\u003c\/h3\u003e\r\n\u003cp\u003eN22H is the perfect tool for those already building their studio around Cranborne Audio products and looking to create an unmatched audio distribution system in their studio, but it’s also the perfect way to get a bit of Cranborne Audio’s renowned sound into any studio in the form of a portable and powerful reference-grade headphone amplifier.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450536882279,"sku":"134392","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n22h-21_134392_1_7ba2a93d-005c-46b3-82e4-a71749f2b915.jpg?v=1787093467"},{"product_id":"cranborne-audio-n22-standalone-cat-5-snake-c-a-s-t-breakout-box","title":"Cranborne Audio N22 Standalone Cat 5 Snake\/C.A.S.T. 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Use N22 in the studio to connect the live room to the I\/O of your audio interface, in a live rig to connect your mixing console to your power amps, or even at home to connect your surround speakers to your home cinema system.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eLess Cable Clutter\u003c\/h3\u003e\r\n\u003cp\u003eUsing a shielded Cat 5e, Cat 6, Cat 7 cable instead of 4 XLRs allows you to not only reduce cable spaghetti in your studio but also distribute audio around studios or stages using affordable network cabling whilst achieving the highest sonic results due to shielded Cat 5e, Cat 6, and Cat 7 cable’s low-crosstalk design. Perhaps best of all, N22 is completely passive and requires no external power in order to transport audio at the highest quality level over the longest distances.\u003c\/p\u003e\r\n\u003cp\u003eEach C.A.S.T. connection on a Cranborne Audio product features unique optimisation to ensure that the maximum signal integrity is transmitted over shielded Cat 5 cables for distances of up to 100m without high-end roll-off and with low-crosstalk.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eAdvanced Connectivity With 500R8 and 500ADAT Interfaces\u003c\/h3\u003e\r\n\u003cp\u003eIf your studio is already built around a Cranborne Audio interface such as a 500R8 or 500ADAT, you can connect multiple N22’s into their C.A.S.T. Input connectors and then receive balanced input sources plugged into N22’s combi inputs directly at the audio interface's inputs ready for processing and recording. That same cat 5 C.A.S.T. connection also transmits a stereo monitor mix generated by the 500R8\/500ADAT back down the C.A.S.T. connection and directly into N22’s balanced XLR and 1\/4” Jack outputs for monitoring or reamping.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eA Palm-Sized Connectivity Powerhouse\u003c\/h3\u003e\r\n\u003cp\u003eN22 represents Cranborne Audio’s most cost-effective C.A.S.T. breakout box and it is the perfect compliment for those looking to build their studio around a Cranborne Audio product but with its capability to be used standalone, it is also an ingenious little tool for those looking to reduce cable clutter in their setups whilst increasing signal integrity, flexibility, and deployment convenience.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450536915047,"sku":"134391","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n22-21_134391_1_10ca7de9-fc3a-4458-9fb9-7dd4050a05bc.jpg?v=1787093466"},{"product_id":"cranborne-audio-camden-ec1-preamp-signal-processor-headphone-mixer","title":"Cranborne Audio Camden EC1 Preamp\/Signal Processor\/Headphone Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Camden EC1\u003c\/strong\u003e combines the multi award winning Camden preamp technology with a reference-grade headphone amplifier to elevate your audio interface’s front-end to a professional level.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eAward Winning Pedigree\u003c\/h3\u003e\r\n\u003cp\u003eCamden EC1 introduces one of the cleanest and most transparent preamps on the market into a standalone, desktop-friendly chassis that can integrate with any audio interface.\u003c\/p\u003e\r\n\u003cp\u003eDesigned to compete with the very best, the Camden preamp itself achieves unprecedented low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings.\u003c\/p\u003e\r\n\u003cp\u003eCapture your source with complete transparency; boost low-sensitivity microphones without adding noise and coloration; and capture instant and coherent transients without phase shift that cause summing abnormalities. Camden EC1 exhibits performance specifications that exceed the most revered ‘transparent’ preamps on the market.\u003c\/p\u003e\r\n\u003cp\u003eIt’s 12-way rotary Gain switch enables easy recallability of preamp gain whilst its dedicated mic, line, and hi-z input modes allows Camden EC1 to not only become your go-to mic preamp, but also a line-level saturator and instrument DI thanks to dedicated ¼” jack Link outputs for each channel.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eVintage Persona\u003c\/h3\u003e\r\n\u003cp\u003eUsing its Mojo analog saturation control, Camden EC1’s transforms from extraordinarily clean, natural, and precise sounding, into thick, gooey, and vintage-sounding at the turn of a dial.\u003c\/p\u003e\r\n\u003cp\u003eWith two discrete Mojo styles; Thump and Cream, Camden EC1 can perfectly imitate vintage transformer or valve-based preamps at the turn of a dial.\u003c\/p\u003e\r\n\u003cp\u003eMojo’s saturation is completely variable, allowing you to dial-in the amount of saturation you need for each source. Keep it at 3-4 for authentic preamp saturation or crank it up to 11 for a more exaggerated effect!\u003c\/p\u003e\r\n\u003cp\u003ePerhaps most crucially and unlike transformer-based preamps, when you need something clean and transparent for a particular session\/source, Mojo can be completely bypassed and removed from the signal using the pots’ built-in, true-bypass switch to reveal the true clarity of the Camden preamp design.\u003c\/p\u003e\r\n\u003cp\u003eRecord through Mojo to apply instant analog coloration during tracking or send line-level sources through the Mojo to add vintage coloration to your DAW tracks or stereo bus during the mix phase.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eAdvanced Tracking And Reamping Tool\u003c\/h3\u003e\r\n\u003cp\u003eThe Camden EC1’s reference-quality headphone amplifier and independent, 4-channel line mixer allows for direct, zero-latency monitoring of the Camden preamp using headphones connected directly to Camden EC1’s front panel. Monitor the preamp directly using headphones during mic placement to find the sweet spot of the instrument\/source, or create a zero-latency, analog headphone mix by mixing the preamp with external playback from dedicated Stereo Aux and Mono Ext Line Inputs.\u003c\/p\u003e\r\n\u003cp\u003eCamden EC1 features an extraordinary Hi-Z instrument D.I. circuit with a dedicated ¼” jack Link output - the combination makes Camden EC1 the perfect tool for reamping bass and electric guitars on studio or stage. Simply connect your instrument to its Hi-Z input for unparalleled DI performance, and connect the ¼” Link output of the preamp to your amplifier\/effects pedals for wet\/dry recording and reamping.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eC.A.S.T. 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At the same time through the same cable, 500R8\/500ADAT transmit their built-in monitor mix directly to Camden EC1’s headphone mixer for monitoring.\u003c\/p\u003e\r\n\u003cp\u003eThis allows 500R8\/500ADAT users to relocate their Camden EC1’s preamp and headphone amplifier into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500 series slots in 500R8\/500ADAT for more EQ and Compressor modules and extra processing before hitting 500R8\/500ADAT’s converters.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eMeticulously Designed and Engineered In The UK\u003c\/h3\u003e\r\n\u003cp\u003eWith an abundance of I\/O available, Camden EC1 facilitates the maximum amount of flexibility with all 3rd party audio interfaces and recorders by including dedicated XLR outputs, Impedance balanced 1\/4” jack outputs with 10 dB PAD, and a Link output when using Camden EC1 as a DI.\u003c\/p\u003e\r\n\u003cp\u003eCamden EC1 is another Cranborne Audio product engineered and designed under the team’s watchful eyes. 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It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio.\u003c\/p\u003e\r\n\u003cp\u003e500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analog summing mixer, comprehensive monitor controller with talkback facility, 16-in\/16-out ADAT interface, as well as a zero-latency analog artist mixer with reference-quality, high-powered headphone outputs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eThe Best of Analog Character\u003c\/h3\u003e\r\n\u003cp\u003eBy capitalizing on the vast and ever-growing 500 series market, you can configure your 500R8 to suit your tastes of analog flavour. 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Think of 500R8 as a bank of 8 external analog plug-ins.\u003c\/p\u003e\r\n\u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500R8 also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using dedicated USB inputs 9\/10.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDigital Precision\u003c\/h3\u003e\r\n\u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500R8 features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500R8’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter.\u003c\/p\u003e\r\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artifacts from the conversion process and with a wide dynamic range thanks to 500R8's high-headroom analog design and low noise floor.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eUSB Audio Interface\u003c\/h3\u003e\r\n\u003cp\u003eCranborne Audio's USB 2.0 audio interface provides high channel-count and low-latency performance while being accepted by all PC\/macOS devices with unparalleled stability and longevity. 500R8 is core audio compliant for macOS or features a lightweight control panel for Windows machines that absorbs as little CPU resources as possible to leave you with more power for plug-ins within your DAW session.\u003c\/p\u003e\r\n\u003cp\u003ePlug 500R8 into your PC\/macOS device and your DAW will see a full 28-in, 30-out USB audio interface. 500R8 also includes a full complement of 5-pin MIDI I\/O, ADAT I\/O, Word Clock I\/O via BNC, and S\/PDIF I\/O to ensure that all of your digital studio connectivity is covered.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eMonitor Controller\u003c\/h3\u003e\r\n\u003cp\u003e500R8 features a comprehensive monitor controller with connectivity for two sets of studio monitors. As well as seamless speaker switching between both sets of studio monitors, there’s a Mono button that sums L-R channels to check for mono compatibility, a DIM switch that drops the speaker volume by 12dB for relaxed discussions during recordings, and a speaker mute switch for tracking with headphones.\u003c\/p\u003e\r\n\u003cp\u003e500R8 also features a comprehensive Talkback section with XLR input, 48v phantom power, push-to-talk operation, and automatic signal routing to all C.A.S.T. and headphones outputs connected to the system.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eSumming Mixer\u003c\/h3\u003e\r\n\u003cp\u003eAnalogue summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500R8's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500R8’s dedicated analog level and pan controls beneath each module. 500R8's summing mixer also has a dedicated converter which can be used to record your stereo mix into your DAW on USB inputs 9\/10 with a massive +24dBu of headroom.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eZero-Latency Artist Mixer\u003c\/h3\u003e\r\n\u003cp\u003e500R8 moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with discrete USB playback paths and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eC.A.S.T. 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Camden EC2’s preamps exhibit performance specifications that rival (and in most cases, exceed) the most revered ‘transparent’ preamps on the market.\u003c\/p\u003e\r\n\u003cp\u003eThe 12-way rotary Gain switches for each preamp provide perfect stereo matching for stereo miking setups and its dedicated mic, line, and hi-z input modes allows Camden EC2 to not only become your go-to mic preamp, but also a line-level saturator and dual-channel DI thanks to dedicated ¼” jack Link outputs for each channel.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eVintage Persona\u003c\/h3\u003e\r\n\u003cp\u003eUsing its Mojo analog saturation controls, both of Camden EC2’s preamps transform from extraordinarily clean, natural, and precise sounding, into thick, gooey, and vintage-sounding preamps at the turn of a dial.\u003c\/p\u003e\r\n\u003cp\u003eWith two discrete Mojo styles per channel, Camden EC2 takes on the persona of vintage transformer-based preamps using its Thump Mojo or gooey tube-based preamps using its Cream Mojo.\u003c\/p\u003e\r\n\u003cp\u003eUnlike transformer or valve-based preamps, Mojo’s saturation is completely variable allowing you to dial-in the amount of saturation you need for each source. Keep it at 3-4 for authentic preamp saturation or crank it up to 11 for a more exaggerated effect!\u003c\/p\u003e\r\n\u003cp\u003ePerhaps most crucially and unlike transformer-based preamps, when you need something clean and transparent for a particular session\/source, Mojo can be completely bypassed and removed from the signal using the pots’ built-in, true-bypass switch to reveal the true clarity of the Camden preamp design.\u003c\/p\u003e\r\n\u003cp\u003eRecord through Mojo to apply instant analog colouration during tracking or send line-level sources through the Mojo to add vintage colouration to your DAW tracks or stereo bus during the mix phase.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eAdvanced Tracking And Reamping Tool\u003c\/h3\u003e\r\n\u003cp\u003eTwo reference-quality headphone amplifiers with independent line mixers allow for direct monitoring of both Camden preamps using headphones connected directly to Camden EC2’s front panel.\u003c\/p\u003e\r\n\u003cp\u003eMonitor the preamp signals directly using headphones during mic placement to find the sweet spot of the instrument\/source or create zero-latency artist mixes by combining the preamps with external playback from the Aux Input jacks on Camden EC2’s rear panel.\u003c\/p\u003e\r\n\u003cp\u003eWith its extraordinary hi-z circuit and dedicated ¼” jack Link outputs for each channel, Camden EC2 is the perfect tool for reamping bass and electric guitars.\u003c\/p\u003e\r\n\u003cp\u003eSimply connect your instrument to one preamp using its hi-z input, connect the ¼” Link output of that preamp to your amplifier\/effects pedals and capture that signal using the second preamp. With both the dry DI and wet amplified signals recorded simultaneously using both preamps on Camden EC2, you can process the affected signal further or reamp the dry DI signal at a later date.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eC.A.S.T. Enabled\u003c\/h3\u003e\r\n\u003cp\u003eCamden EC2 also utilizes Cranborne Audio’s unique C.A.S.T. system for distributing audio around the studio or stage using affordable Cat 5e, Cat 6, or Cat 7 cabling whilst achieving the highest sonic results.\u003c\/p\u003e\r\n\u003cp\u003eConnect Camden EC2’s C.A.S.T. OUT port to Cranborne Audio’s 500R8 or 500ADAT, and you can send Camden EC2’s preamps directly to the interface's inputs ready for further processing and recording. At the same time through the same cable, 500R8\/500ADAT transmit their built-in monitor mix directly to Camden EC2’s headphone mixer for monitoring.\u003c\/p\u003e\r\n\u003cp\u003eThis allows 500R8\/500ADAT users to relocate their Camden EC2’s preamps and headphone amps into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500 series slots in 500R8\/500ADAT for more EQ and Compressor modules and extra processing before hitting 500R8\/500ADAT’s converters.\u003c\/p\u003e\r\n\u003cp\u003eConnect Camden EC2’s C.A.S.T. 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By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e\r\n\u003cp\u003eFill 500ADAT full of vintage preamps for recording drums. Fill 500ADAT full of clean and pristine preamps for recording strings. Fill 500ADAT full of Preamp, EQ, and Compressor modules to create your own custom, analog channel strips. The possibilities are endless and every 500ADAT is unique to your sound.\u003c\/p\u003e\r\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send ADAT outputs from your audio interface, into 500ADAT, through the 8 installed 500 series modules, and back into your audio interface for recording (with that analog ‘mojo’ applied). Think of 500ADAT as a bank of 8 external analog plug-ins.\u003c\/p\u003e\r\n\u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500ADAT also features an 8-into-2 high-headroom analog summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using the dedicated 1\/4” mix output jacks on the rear panel.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDigital Precision\u003c\/h3\u003e\r\n\u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500ADAT features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500ADAT’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter. You can also slave your audio interface’s clock from 500ADAT’s internal clock to benefit from 500ADAT’s low-jitter design.\u003c\/p\u003e\r\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analog character is captured with the utmost detail - free of unwanted digital artefacts from the conversion process and with a wide dynamic range thanks to 500ADAT's high-headroom analog design and low noise floor.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003e8-in\/8-out ADAT Interface\u003c\/h3\u003e\r\n\u003cp\u003eADAT is tried, tested, and still one of the most widely available interfacing protocols in the audio industry, however it often remains unused and under-utilized by many audio engineers and producers. Almost all major audio interfaces on the market feature a pair of ADAT lightpipe ports - simply connect 500ADAT to those ports and you can enhance and expand the possibilities of your studio.\u003c\/p\u003e\r\n\u003cp\u003eBy containing its own converters and using ADAT to transport audio to and from the 500 series format, 500ADAT removes analog cabling spaghetti between your rack and interface while eliminating the worry of mismatched analog operating levels between interface inputs and 500 series module outputs. 500ADAT is compatible with any session running from 44.1kHz to 192kHz and can achieve 8 channels of I\/O expansion at 44.1kHz to 96kHz or 4 channels of I\/O expansion at 176.4\/192kHz.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eSumming Mixer\u003c\/h3\u003e\r\n\u003cp\u003eanalog summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500ADAT's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500ADAT’s dedicated analog level and pan controls beneath each module. 500ADAT's summing mixer also has a dedicated line output which can be used to send your stereo mix into your audio interface for recording.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eZero-Latency Artist Mixer\u003c\/h3\u003e\r\n\u003cp\u003e500ADAT moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with the Aux Input and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eCAST Equipped\u003c\/h3\u003e\r\n\u003cp\u003eC.A.S.T. stands for Cat 5 analog Snake Transport and enables cost-effective and organised cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 networking cables to transport 4 channels of balanced analog audio over a single cable.\u003c\/p\u003e\r\n\u003cp\u003e500ADAT has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500ADAT and relocate analog I\/O wherever it is needed around the studio.\u003c\/p\u003e\r\n\u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500ADAT. At the same time, the analog mix created on 500ADAT is sent through the same cable and into the connected breakout box. This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e\r\n\u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multicore would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eDesigned and Engineered in the UK\u003c\/h3\u003e\r\n\u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, every 500ADAT is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450704326759,"sku":"156749","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500adat-21_110128_1_1_91ec0551-6971-4563-ab12-98e6db7822c6.jpg?v=1787094167"},{"product_id":"cranborne-audio-n22h-headphone-amp-cat-5-snake-breakout-box-demo-deal","title":"Cranborne Audio N22H Headphone Amp\/Cat 5 Snake\/Breakout Box (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio N22H\u003c\/strong\u003e is the ultimate tool for engineers and musicians looking to upgrade their headphone monitoring with a high-quality, reference-grade headphone amplifier capable of letting any pair of headphones shine.\u003c\/p\u003e\r\n\u003cp\u003eN22H is a standalone, reference-quality headphone amplifier that you can use during mixing or mastering, but with its rugged steel enclosure and compact form factor, it’s also the ideal portable headphone amplifier that can be positioned next to the performer at the end a single shielded Cat 5e, Cat 6, or Cat 7 cable using Cranborne Audio’s unique C.A.S.T. system.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eReference-Quality Headphone Amplifier \u003c\/h3\u003e\r\n\u003cp\u003eBased on the same custom design found in Cranborne Audio’s renowned 500R8 interface, N22H’s headphone amplifier achieves a flat Frequency Response from 0.8 Hz to above 250 kHz and ultra-low distortion (0.0009% THD+N, 100 kOhm load) allowing it to power headphones with clean, transparent power during critical listening, mixing, and mastering. There’s also enough power (up to 950mW per-ear) to drive headphones at high-volumes during tracking - perfect for loud drummers!\u003c\/p\u003e\r\n\u003cp\u003eWith carefully calibrated High and Low Power Modes, N22H can be quickly optimized for maximum performance with high-impedance over-ear headphones or low-impedance in-ears at a flick of a switch. A custom logarithmic Headphone Level control also allows for precise control of the headphone output without big shifts in volume during small adjustments.\u003c\/p\u003e\r\n\u003cp\u003eN22H can be powered using the included 9V DC power supply as well as any 3rd party 9V DC (centre negative) guitar pedal power supply. It can also be powered using a 9V battery for up to 10 hours of headphone amplification in Low Power Mode during tracking and location recording where power isn’t available nearby.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eAdvanced Connectivity With C.A.S.T.\u003c\/h3\u003e\r\n\u003cp\u003eUsing Cranborne Audio’s C.A.S.T. system, N22H can be effortlessly positioned where it is needed using a single shielded Cat 5e, Cat 6, or Cat 7 cable. With a range of 330ft\/100m, N22H and C.A.S.T. is the ideal solution for convenient headphones distribution as well as a connectivity hub for mic\/line sources as an all-analogue, Cat 5e snake.\u003c\/p\u003e\r\n\u003cp\u003eCranborne Audio’s C.A.S.T. system (Cat 5 Analogue Snake Transport) distributes analogue audio (including 48V phantom power) around studios and stages using affordable shielded Cat 5e, Cat 6, and Cat 7 cabling - achieving the highest sonic results with the lowest cost.\u003c\/p\u003e\r\n\u003cp\u003eConnect N22H to Cranborne Audio’s passive N22 using a single shielded Cat 5e, Cat 6, or Cat 7 cable and you can send a headphone mix directly into N22H's headphone amplifier over a distance of 330ft\/100m. You can then connect mic\/line signals directly to N22H’s combi-jack inputs and they will travel through the same C.A.S.T. connection and arrive at N22’s XLR outputs ready to be connected to your audio interface for recording.\u003c\/p\u003e\r\n\u003cp\u003eIf your studio is already built around a Cranborne Audio C.A.S.T. enabled device, N22H can connect directly into their C.A.S.T. inputs or outputs and send\/receive audio directly with the device without the need for other hardware or complex analogue multicores.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eA Palm-Sized Headphone Powerhouse\u003c\/h3\u003e\r\n\u003cp\u003eN22H is the perfect tool for those already building their studio around Cranborne Audio products and looking to create an unmatched audio distribution system in their studio, but it’s also the perfect way to get a bit of Cranborne Audio’s renowned sound into any studio in the form of a portable and powerful reference-grade headphone amplifier.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450707046503,"sku":"156952","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n22h-21_134392_1_1_0f69f176-4429-4527-8ba0-1a208943e0a3.jpg?v=1787094180"},{"product_id":"cranborne-vintage-wallpaper-blank-panel-pair","title":"Cranborne Audio Vintage Wallpaper Blank Panel - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Vintage Wallpaper Blank Panel Pair\u003c\/strong\u003e includes two 500 series blanking plates in one package, ready for papering across empty slots on any 500 series rack.\u003c\/p\u003e\r\n\u003cp\u003eInspired by Victorian \u0026amp; Edwardian wallpaper commonly found in British living rooms for decades - each plate features the Cranborne Audio crest aligned to form a pattern across all blanking plates to create a large wallpaper-style image across empty slots on any 500 series racks.\u003c\/p\u003e\r\n\u003cp\u003eThere’s more to the crest than meets the eye too. 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Use N22 in the studio to connect the live room to the I\/O of your audio interface, in a live rig to connect your mixing console to your power amps, or even at home to connect your surround speakers to your home cinema system.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eLess Cable Clutter\u003c\/h3\u003e\n\u003cp\u003eUsing a shielded Cat 5e, Cat 6, Cat 7 cable instead of 4 XLRs allows you to not only reduce cable spaghetti in your studio but also distribute audio around studios or stages using affordable network cabling whilst achieving the highest sonic results due to shielded Cat 5e, Cat 6, and Cat 7 cable’s low-crosstalk design. Perhaps best of all, N22 is completely passive and requires no external power in order to transport audio at the highest quality level over the longest distances.\u003c\/p\u003e\n\u003cp\u003eEach C.A.S.T. connection on a Cranborne Audio product features unique optimisation to ensure that the maximum signal integrity is transmitted over shielded Cat 5 cables for distances of up to 100m without high-end roll-off and with low-crosstalk.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eAdvanced Connectivity With 500R8 and 500ADAT Interfaces\u003c\/h3\u003e\n\u003cp\u003eIf your studio is already built around a Cranborne Audio interface such as a 500R8 or 500ADAT, you can connect multiple N22’s into their C.A.S.T. Input connectors and then receive balanced input sources plugged into N22’s combi inputs directly at the audio interface's inputs ready for processing and recording. That same cat 5 C.A.S.T. connection also transmits a stereo monitor mix generated by the 500R8\/500ADAT back down the C.A.S.T. connection and directly into N22’s balanced XLR and 1\/4” Jack outputs for monitoring or reamping.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eA Palm-Sized Connectivity Powerhouse\u003c\/h3\u003e\n\u003cp\u003eN22 represents Cranborne Audio’s most cost-effective C.A.S.T. breakout box and it is the perfect compliment for those looking to build their studio around a Cranborne Audio product but with its capability to be used standalone, it is also an ingenious little tool for those looking to reduce cable clutter in their setups whilst increasing signal integrity, flexibility, and deployment convenience.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450759114855,"sku":"165193","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n22-21_134391_1_28dd9343-ab65-4527-ac9c-f7c4c9f90b8c.jpg?v=1787094412"},{"product_id":"cranborne-audio-n8-c-a-s-t-distribution-hub-and-audio-over-cat-5-system","title":"Cranborne Audio N8 C.A.S.T. 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Featuring Input and Output connectors on DB25, N8 converts 8 analog inputs and 8 analog outputs to Cranborne Audio’s proprietary C.A.S.T. system and creates ingenious, plug-and-play signal routing with any other C.A.S.T.-enabled product.\u003c\/p\u003e\r\n\u003cp\u003eWith 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\r\n\u003cp\u003eAs each C.A.S.T. port is bi-directional, 2 inputs and 2 outputs are sent\/received through each C.A.S.T. connector and cable to allow for dual recording and monitoring capabilities. Connect a Cranborne Audio N22H (sold separately) to an N8 and you can put a performer, vocal mic, and headphones in one room, whilst receiving the vocal mic signal and sending a headphone mix from a completely different room - all with just one Network cable! Or use N8 with 4x N22H’s to send headphone mixer to musicians located around the live room or next door. As C.A.S.T. works at distances up to 100m\/330ft, you can be connected anywhere at home or on the road.\u003c\/p\u003e\r\n\u003cp\u003eWith dedicated C.A.S.T. output routing switches on the front panel, each C.A.S.T. connection on N8 can send the same stereo signal from inputs 1-2 to all connected C.A.S.T. devices or separate stereo signals to each if performers need to hear their own mix.\u003c\/p\u003e\r\n\u003cp\u003eC.A.S.T. is a high-quality and plug-and-play method of transporting audio from A to B with the least amount of cabling mess. It also supports 48v phantom power in all directions for active DI boxes and condenser microphones. 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Rather than worry about multiple XLR cables and trailing ends to the XLR leads, C.A.S.T. can replace 4 XLR cables with a single network cable for neater cable management, consistent sound quality, and easier deployment during mobile recording.\u003c\/p\u003e\r\n\u003cp\u003eFeaturing Input and Output connectors on DB25, the included N8 converts 8 analog inputs and 8 analog outputs to Cranborne Audio’s proprietary C.A.S.T. system and creates ingenious, plug-and-play signal routing with any other C.A.S.T.-enabled product. With 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\r\n\u003cp\u003eThe included N22H is a C.A.S.T. breakout box and reference-grade headphone amplifier that is perfect for creating an instant vocal booth. 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It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e\r\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCLEAN, PRECISE, AND NATURAL\u003c\/h3\u003e\r\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. 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Limited to only 125 stereo pairs worldwide, the Legacy Edition Carnaby 500 brings a vintage aesthetic to the innovative and modern Carnaby 500 Harmonic EQ circuit. \u003cbr\u003e\u003cbr\u003eThe Legacy Edition comes with two visually retro modules, featuring consecutive serial numbers, presented in a custom flight-case ready for years of use!\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: 18px; font-weight: 600;\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eCarnaby 500 features 3 interactive bands of Harmonic EQ™ with each band having 10dB of boost\/cut and its own sweepable and overlapping frequency controls. 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Carnaby 500 is the world’s first Harmonic EQ - an analog EQ that uses harmonic saturation to boost and cut frequency content. It enhances your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/h3\u003e\n\u003cp\u003eCarnaby 500 features 3 interactive bands of Harmonic EQ with each band having 10 dB of boost\/cut and its own sweepable and overlapping frequency controls. Each band of Carnaby 500 has a unique blend of harmonic content suited to its frequency band to achieve maximum musicality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHI BAND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe HI band has a frequency range from 5kHz all the way to 25kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID BAND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200 Hz up to 6.2 kHz. 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An Input and Output level control on each band allows for ±20 dB of level adjustment, enabling you to drive Carnaby 500 harder with the input control for more saturation and distortion effects, or back it off for a cleaner EQ when needed.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eSTEREO-LINK VIA OPTOSYNC\u003c\/h3\u003e\n\u003cp\u003eCarnaby 500 not only features a world-first EQ circuit, but it also has an innovative stereo-linking feature called OPTOSYNC which enables two Carnaby 500 units to work as a perfect stereo pair for mixes and stereo sources.\u003c\/p\u003e\n\u003cp\u003eUsing OPTOSYNC, all controls are synchronized from the left unit to the right without cables or internal fixings. Switch OPTOSYNC for all slave units to ON and their control’s all synchronize to the master unit wirelessly using LED and optical communication. You can also use OPTOSYNC to link together multiple units for applying the same sonic footprint across entire summing mixers or multi-channel surround mixes.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450971811943,"sku":"203086","price":439.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-carnaby_185784_1_b7a87c6a-759d-4b66-b30c-75a47ad245a9.jpg?v=1787095314"},{"product_id":"cranborne-audio-n8-c-a-s-t-distribution-hub-and-audio-over-cat-5-system-demo-deal-open-box","title":"Cranborne Audio N8 C.A.S.T. 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Featuring Input and Output connectors on DB25, N8 converts 8 analog inputs and 8 analog outputs to Cranborne Audio’s proprietary C.A.S.T. system and creates ingenious, plug-and-play signal routing with any other C.A.S.T.-enabled product.\u003c\/p\u003e\n\u003cp\u003eWith 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\n\u003cp\u003eAs each C.A.S.T. port is bi-directional, 2 inputs and 2 outputs are sent\/received through each C.A.S.T. connector and cable to allow for dual recording and monitoring capabilities. Connect a Cranborne Audio N22H (sold separately) to an N8 and you can put a performer, vocal mic, and headphones in one room, whilst receiving the vocal mic signal and sending a headphone mix from a completely different room - all with just one Network cable! Or use N8 with 4x N22H’s to send headphone mixer to musicians located around the live room or next door. As C.A.S.T. works at distances up to 100m\/330ft, you can be connected anywhere at home or on the road.\u003c\/p\u003e\n\u003cp\u003eWith dedicated C.A.S.T. output routing switches on the front panel, each C.A.S.T. connection on N8 can send the same stereo signal from inputs 1-2 to all connected C.A.S.T. devices or separate stereo signals to each if performers need to hear their own mix.\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. is a high-quality and plug-and-play method of transporting audio from A to B with the least amount of cabling mess. It also supports 48v phantom power in all directions for active DI boxes and condenser microphones. Best of all, as networking cable is common-place in people’s homes, a whole studio re-wire with Cat 5e, Cat 6, Cat 7, and C.A.S.T. is cheaper than equivalent XLR looms and copper snakes.\u003c\/p\u003e\n\u003cp\u003eWith a completely passive design, no power is required for full operation and C.A.S.T connectivity. N8 is rugged enough for the stage, small enough to hide in the rack, or rack-mountable with the optional Half-Rack Kit and it’s a cabling solution designed to transform your open space into a studio.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450972139623,"sku":"204146","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n8_173579_1_04b7030b-efd0-49a2-a69b-8293f4175f1a.jpg?v=1787095316"},{"product_id":"cranborne-audio-c-a-s-t-introduction-bundle-with-n22h","title":"Cranborne Audio C.A.S.T. 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Rather than worry about multiple XLR cables and trailing ends to the XLR leads, C.A.S.T. can replace 4 XLR cables with a single network cable for neater cable management, consistent sound quality, and easier deployment during mobile recording.\u003c\/p\u003e\r\n\u003cp\u003eFeaturing Input and Output connectors on DB25, the included N8 converts 8 analog inputs and 8 analog outputs to Cranborne Audio’s proprietary C.A.S.T. system and creates ingenious, plug-and-play signal routing with any other C.A.S.T.-enabled product. With 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\r\n\u003cp\u003eThe included N22H is a C.A.S.T. breakout box and reference-grade headphone amplifier that is perfect for creating an instant vocal booth. Connect N22H to N8 via C.A.S.T. and you can put a performer, vocal mic, and headphones in one room, whilst receiving the vocal mic signal and sending a headphone mix from a completely different room - all with just one Network cable!\u003c\/p\u003e\r\n\u003cp\u003eThe included N22 is a completely passive stagebox that can be connected to N8 and positioned in the live room, hallway, or vocal booth to connect microphones and speakers to and from your control room up to 100m\/330ft away.\u003c\/p\u003e\r\n\u003cp\u003eC.A.S.T. is a high-quality and plug-and-play method of transporting audio from A to B with the least amount of cabling mess. It also supports 48v phantom power in all directions for active DI boxes and condenser microphones. 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With 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCompletely passive operation\u003c\/li\u003e\r\n\u003cli\u003eFully-balanced, high-quality audio paths\u003c\/li\u003e\r\n\u003cli\u003e8 Inputs and 8 outputs over DB25 (Tascam wiring) (sold separately)\u003c\/li\u003e\r\n\u003cli\u003eC.A.S.T. 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N22H is a standalone, reference-quality headphone amplifier that you can use during mixing or mastering, but with its rugged steel enclosure and compact form factor, it’s also the ideal portable headphone amplifier that can be positioned next to the performer at the end a single shielded Cat 5e, Cat 6, or Cat 7 cable using Cranborne Audio’s unique C.A.S.T. system.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo combi jack inputs\u003c\/li\u003e\r\n\u003cli\u003eTwo 1\/4” jack outputs\u003c\/li\u003e\r\n\u003cli\u003e1\/4” \u0026amp; 1\/8” headphone outputs\u003c\/li\u003e\r\n\u003cli\u003eReference-quality, high power headphone amp with level control\u003c\/li\u003e\r\n\u003cli\u003eHeadphone amplifier \"Source\" switch for C.A.S.T or standalone operation\u003c\/li\u003e\r\n\u003cli\u003eMono\/Stereo width switch for headphone output\u003c\/li\u003e\r\n\u003cli\u003e9V battery compartment\u003c\/li\u003e\r\n\u003cli\u003eC.A.S.T IN RRTT Port\u003c\/li\u003e\r\n\u003cli\u003eC.A.S.T OUT TTRR Port\u003c\/li\u003e\r\n\u003cli\u003eAdvanced connectivity with 500R8, 500ADAT, and Camden EC2\u003c\/li\u003e\r\n\u003cli\u003eCat5 snake connectivity with an N22 or a second N22H\u003c\/li\u003e\r\n\u003cli\u003eStandard 9v DC pedalboard-style power supply input (not included)\u003c\/li\u003e\r\n\u003cli\u003eCompletely passive operation when headphone amp not required\u003c\/li\u003e\r\n\u003cli\u003eCompatible with any shielded Cat5 cable with distances up to 100 m\u003c\/li\u003e\r\n\u003cli\u003eImproved crosstalk performance with Cat 6e and Cat7\u003c\/li\u003e\r\n\u003cli\u003eRuggedized metal enclosure\u003c\/li\u003e\r\n\u003cli\u003eFixing holes for permanent installation\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44450992291943,"sku":"207093","price":328.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n8-n22h-bundle_207093_1_7800e378-151d-4682-9244-51f55556c345.jpg?v=1787095399"},{"product_id":"cranborne-audio-n8-c-a-s-t-distribution-hub-with-free-n22-breakout-box-demo-deal","title":"Cranborne Audio N8 C.A.S.T. 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Featuring Input and Output connectors on DB25, N8 converts 8 analog inputs and 8 analog outputs to Cranborne Audio’s proprietary C.A.S.T. system and creates ingenious, plug-and-play signal routing with any other C.A.S.T.-enabled product.\u003c\/p\u003e\n\u003cp\u003eWith 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\n\u003cp\u003eAs each C.A.S.T. port is bi-directional, 2 inputs and 2 outputs are sent\/received through each C.A.S.T. connector and cable to allow for dual recording and monitoring capabilities. Connect a Cranborne Audio N22H (sold separately) to an N8 and you can put a performer, vocal mic, and headphones in one room, whilst receiving the vocal mic signal and sending a headphone mix from a completely different room - all with just one Network cable! Or use N8 with 4x N22H’s to send headphone mixer to musicians located around the live room or next door. As C.A.S.T. works at distances up to 100m\/330ft, you can be connected anywhere at home or on the road.\u003c\/p\u003e\n\u003cp\u003eWith dedicated C.A.S.T. output routing switches on the front panel, each C.A.S.T. connection on N8 can send the same stereo signal from inputs 1-2 to all connected C.A.S.T. devices or separate stereo signals to each if performers need to hear their own mix.\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. is a high-quality and plug-and-play method of transporting audio from A to B with the least amount of cabling mess. It also supports 48v phantom power in all directions for active DI boxes and condenser microphones. Best of all, as networking cable is common-place in people’s homes, a whole studio re-wire with Cat 5e, Cat 6, Cat 7, and C.A.S.T. is cheaper than equivalent XLR looms and copper snakes.\u003c\/p\u003e\n\u003cp\u003eWith a completely passive design, no power is required for full operation and C.A.S.T connectivity. N8 is rugged enough for the stage, small enough to hide in the rack, or rack-mountable with the optional Half-Rack Kit and it’s a cabling solution designed to transform your open space into a studio.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451012935783,"sku":"211998","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n8_173579_1_e0000de5-dee9-4617-a6cc-b76a47d3286b.jpg?v=1787095492"},{"product_id":"cranborne-audio-500r8-tracking-bundle","title":"Cranborne Audio 500R8 Tracking Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500R8 Tracking Bundle\u003c\/strong\u003e gives you the chance to bundle and save. Get one 500R8 8-Slot 500 Series Rack\/Interface with two Camden 500 series preamps bundled together and save $198!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCRANBORNE AUDIO 500R8 TRACKING BUNDLE INCLUDES:\u003c\/h3\u003e\r\n\u003chr\u003e\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.mom\/cranborne-audio-500r8-8-slot-500-series-rack-interface\"\u003eCRANBORNE AUDIO 500R8 8-SLOT 500 SERIES RACK\/INTERFACE\u003c\/a\u003e (QTY: 1)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Cranborne Audio 500R8 is the centerpiece to the modern studio. It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio. 500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analog summing mixer, comprehensive monitor controller with talkback facility, 16-in\/16-out ADAT interface, as well as a zero-latency analog artist mixer with reference-quality, high-powered headphone outputs.\u003c\/p\u003e\r\n\u003chr\u003e\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.mom\/cranborne-audio-camden-500\"\u003eCRANBORNE AUDIO CAMDEN 500 SERIES MICROPHONE PREAMP\u003c\/a\u003e (QTY: 2)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePut simply, the Cranborne Audio Camden 500 is the most astoundingly clean, linear, and transparent preamp you’ve ever heard. Camden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz. For moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451013394535,"sku":"212181","price":2497.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500r8-tracking-bundle_212181_1_4d5a9fed-f1af-4e1f-8507-3e630c4b8e28.jpg?v=1787095495"},{"product_id":"cranborne-audio-500adat-tracking-bundle","title":"Cranborne Audio 500ADAT Tracking Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500ADAT Tracking Bundle\u003c\/strong\u003e gives you the chance to bundle and save. Get one 500ADAT 500 Series Rack\/ADAT Expander with two Camden 500 series preamps bundled together and save $198!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCRANBORNE AUDIO 500ADAT TRACKING BUNDLE INCLUDES:\u003c\/h3\u003e\r\n\u003chr\u003e\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.mom\/focal-shape-65-compact-powered-monitor-single\"\u003eCRANBORNE AUDIO 500ADAT 8-SLOT 500 SERIES RACK\/ADAT EXPANDER\u003c\/a\u003e (QTY: 1)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Cranborne Audio 500ADAT is the perfect tool to increase the I\/O count of any ADAT-equipped audio interface. It's an 8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces. 500ADAT features analog essentials that unite digital and analog production workflows such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission to enable operation at sample rates up to 192 kHz.\u003c\/p\u003e\r\n\u003chr\u003e\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.mom\/cranborne-audio-camden-500\"\u003eCRANBORNE AUDIO CAMDEN 500 SERIES MICROPHONE PREAMP\u003c\/a\u003e (QTY: 2)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePut simply, the Cranborne Audio Camden 500 is the most astoundingly clean, linear, and transparent preamp you’ve ever heard. Camden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz. For moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. 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Like its predecessor, the Carnaby HE2 utilizes harmonic saturation to boost and cut frequencies to make for a musical EQ with a unique blend of analog warmth and presence. While Cranborne Audio’s Carnaby 500 shines as a compact 500 series unit, the Carnaby HE2 incorporates the look and feel of traditional analog EQ units. But behind the vintage aesthetic is a modern feature set including stereo, Mid\/Side, and dual-mono support, remote control, and preset recall. From shaping a single vocal to complex mastering techniques, the Carnaby HE2 is a versatile and user-friendly tool like no other.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC HARMONIC EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCranborne Audio’s Carnaby HE2 features three bypassable and interactive Harmonic EQ bands for each channel, allowing for a wide array of possible harmonic blends and saturation styles at your disposal. The HI band spans from 5kHz up to 25kHz and adds a present, smooth brightness to your audio, while the LO band covers 20Hz to 420 Hz and uses hard-clipping saturation to extend sub-harmonic frequencies. The MID band, meanwhile, is a fixed Q with a sweepable 200Hz to 6.2kHz frequency range and plenty of rich saturation on tap. Finally, there are also HF and LF cut controls to further shape your sound with ease and precision.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eINTUITIVE ONBOARD AND REMOTE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Carnaby HE2’s user-friendly design features dimmable LED rings and digital encoders so that you’re confidently in control at all times. Plus, with the help of the included VST\/AU\/AAX plug-in, you can fully control the Carnaby HE2 remotely via USB or an Ethernet network and your DAW of choice. The plug-in even lets you recall previous settings, making for an easy and streamlined user experience in any setup.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eVERSATILE OPERATION FOR ANY MIX\u003c\/h3\u003e\r\n\r\n\u003cp\u003eNot only does the Carnaby HE2 support stereo and dual-mono configurations, but the unit also accommodates Mid\/Side processing for mastering and sound design applications—all with no additional equipment required. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eFLEXIBLE OUTBOARD INTEGRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBoth channels on the Carnaby HE2 feature a bypassable TRS insert, which allows you to connect and place outboard gear before the unit in your signal chain. Doing so allows you to seamlessly integrate the Harmonic EQ sound into your setup and uncover even more sonic possibilities. So why wait? Check out this revolutionary Harmonic EQ unit for yourself today. \u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451024699495,"sku":"213095","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-audio-carnaby-he2_213095_1_c2b53636-636b-4237-ac4f-eadfe32661f9.jpg?v=1787095521"},{"product_id":"cranborne-audio-carnaby-he2-legacy-edition","title":"Cranborne Audio Carnaby HE2 2-Channel HarmonicEQ - Legacy Edition","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Carnaby HE2 HarmonicEQ\u003c\/strong\u003e is a 2U 19-inch rack-mount, 2-channel 3-band parametric EQ, an evolution of the Carnaby 500. The Carnaby HE2 utilizes the same unique and revolutionary EQ concept found in Carnaby 500, using harmonic saturation to boost and cut frequency content. Enhance your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer. However, the concept is taken even further with Carnaby HE2. The Legacy version features a special \"Legacy\" industrial design. Units are hand-built by the team in the UK individually numbered and signed in a very special wood rack case. Only 100 HE2 Legacy Edition units are available globally\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/h3\u003e\r\n\u003cp\u003eWhether being used for Stereo, Dual Mono or Mid-Side processing, Carnaby HE2 features 3 bypassable, interactive bands of HarmonicEQ per channel. Each band has 10 dB of boost\/cut and its own sweepable and overlapping frequency controls. As with Carnaby 500, each of Carnaby HE2s bands has a unique blend of harmonic content suited to its frequency band to achieve maximum musicality.\u003c\/p\u003e\r\n\u003cp\u003eThe HI band has a frequency range from 5 kHz all the way to 25 kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\u003c\/p\u003e\r\n\u003cp\u003eThe LO band has a frequency range of 420 Hz down to 20 Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end - perfect for subtle low-end warming or extreme sub-harmonic saturation.\u003c\/p\u003e\r\n\u003cp\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200Hz up to 6.2kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range.\u003c\/p\u003e\r\n\u003cp\u003eUnlike other EQs, Carnaby HE2 has a dynamic response and increases in total boost\/cut and harmonics as the circuits are driven harder. An Input and Output level control on each band allows for ±20 dB of level adjustment, enabling you to drive Carnaby HE2 harder with the input control for more saturation and distortion effects, or back it off for a cleaner EQ when needed.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eFULLY DIGITALLY-CONTROLLED WITH USB AND NETWORK OPTIONS\u003c\/h3\u003e\r\n\u003cp\u003eCarnaby HE2 takes control to a whole new level allowing all buttons and controls of the unit to be controlled remotely via USB or an Ethernet network. The VST\/AU\/AAX control plug-in seamlessly integrates with the Carnaby HE2 hardware via the USB or NET ports, allowing for convenient real-time control and recall from within your DAW. It also facilitates the independent saving and loading of presets.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003ePER-BAND BYPASS\u003c\/h3\u003e\r\n\u003cp\u003eAchieve precise tonal sculpting by independently bypassing each of the 3 frequency bands, allowing you to audition and fine-tune your settings.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eEXTENDED HF \u0026amp; LF SHAPING\u003c\/h3\u003e\r\n\u003cp\u003eFacilitating further sound-sculpting, precise HF and LF cut controls with individual bypass controls help further tame and shape your audio.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eMID\/SIDE PROCESSING\u003c\/h3\u003e\r\n\u003cp\u003eEspecially valuable for mastering, mixing, and sound design applications, Carnaby HE2 allows for Mid\/Side processing, allowing you to apply HarmonicEQ to the separate mid (center) and side (stereo width) components of your stereo signal. No additional hardware is needed, Carnaby HE2 takes care of all the necessary encoding and decoding.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eINSERTS FOR OUTBOARD HARDWARE\u003c\/h3\u003e\r\n\u003cp\u003eCarnaby HE2 features a bypassable TRS Insert on each of its two channels. The inserts are post M\/S encoding and pre M\/S decoding allowing you to use each of these Inserts to connect outboard hardware before your signal hits the HarmonicEQ processing.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451028762727,"sku":"213096","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-audio-carnaby-he2-legacy_213096_1_f995edec-9b14-4b5a-afa7-d82732e0406c.jpg?v=1787095540"},{"product_id":"cranborne-audio-carnaby-500-series-harmonic-eq-stereo-pair","title":"Cranborne Audio Carnaby 500 Series Harmonic EQ - Stereo Pair","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Carnaby 500\u003c\/strong\u003e is a 3-band parametric EQ for the 500 series format with a unique and revolutionary EQ concept conceived and created by Cranborne Audio. Carnaby 500 is the world’s first Harmonic EQ - an analog EQ that uses harmonic saturation to boost and cut frequency content. It enhances your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/h3\u003e \u003cp\u003eCarnaby 500 features 3 interactive bands of Harmonic EQ with each band having 10 dB of boost\/cut and its own sweepable and overlapping frequency controls. Each band of Carnaby 500 has a unique blend of harmonic content suited to its frequency band to achieve maximum musicality.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHI BAND\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe HI band has a frequency range from 5kHz all the way to 25kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMID BAND\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200 Hz up to 6.2 kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLO BAND\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe LO band has a frequency range of 420 Hz down to 20 Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end - perfect for subtle low-end warming or extreme sub-harmonic saturation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDYNAMIC RESPONSE\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUnlike other EQs, Carnaby 500 has a dynamic response and increases in total boost\/cut and harmonics as the circuits are driven harder. An Input and Output level control on each band allows for ±20 dB of level adjustment, enabling you to drive Carnaby 500 harder with the input control for more saturation and distortion effects, or back it off for a cleaner EQ when needed.\u003c\/p\u003e \u003ch3 id=\"toc_1\"\u003eSTEREO-LINK VIA OPTOSYNC\u003c\/h3\u003e \u003cp\u003eCarnaby 500 not only features a world-first EQ circuit, but it also has an innovative stereo-linking feature called OPTOSYNC which enables two Carnaby 500 units to work as a perfect stereo pair for mixes and stereo sources.\u003c\/p\u003e \u003cp\u003eUsing OPTOSYNC, all controls are synchronized from the left unit to the right without cables or internal fixings. Switch OPTOSYNC for all slave units to ON and their control’s all synchronize to the master unit wirelessly using LED and optical communication. You can also use OPTOSYNC to link together multiple units for applying the same sonic footprint across entire summing mixers or multi-channel surround mixes.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451033022567,"sku":"214204","price":998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-carnaby-stereo-pair_214204_1_d33840a5-4442-4aec-8540-9b0965179f4c.jpg?v=1787095559"},{"product_id":"cranborne-audio-500r8-with-8x-camden-500","title":"Cranborne Audio 500R8 with 8 Camden 500 Preamps","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500R8\u003c\/strong\u003e is the centerpiece to the modern studio. 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By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e  \u003cp\u003eFill 500R8 full of vintage preamps for recording drums. Fill 500R8 full of clean and pristine preamps for recording strings. Fill 500R8 full of Preamp, EQ, and Compressor modules to create your own custom analog channel strips. The possibilities are endless and every 500R8 is unique to your sound.\u003c\/p\u003e  \u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send USB channels from your DAW, into 500R8, through the 8 installed 500 series modules, and back into your DAW for recording (with that analog ‘mojo’ applied). Think of 500R8 as a bank of 8 external analog plug-ins.\u003c\/p\u003e  \u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500R8 also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using dedicated USB inputs 9\/10.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDIGITAL PRECISION\u003c\/h3\u003e  \u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500R8 features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500R8’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter.\u003c\/p\u003e  \u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artifacts from the conversion process and with a wide dynamic range thanks to 500R8's high-headroom analog design and low noise floor.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eUSB AUDIO INTERFACE\u003c\/h3\u003e  \u003cp\u003eCranborne Audio's USB 2.0 audio interface provides high channel-count and low-latency performance while being accepted by all PC\/macOS devices with unparalleled stability and longevity. 500R8 is core audio compliant for macOS or features a lightweight control panel for Windows machines that absorbs as little CPU resources as possible to leave you with more power for plug-ins within your DAW session.\u003c\/p\u003e  \u003cp\u003ePlug 500R8 into your PC\/macOS device and your DAW will see a full 28-in, 30-out USB audio interface. 500R8 also includes a full complement of 5-pin MIDI I\/O, ADAT I\/O, Word Clock I\/O via BNC, and S\/PDIF I\/O to ensure that all of your digital studio connectivity is covered.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eMONITOR CONTROLLER\u003c\/h3\u003e  \u003cp\u003e500R8 features a comprehensive monitor controller with connectivity for two sets of studio monitors. 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What makes 500R8's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500R8’s dedicated analog level and pan controls beneath each module. 500R8's summing mixer also has a dedicated converter which can be used to record your stereo mix into your DAW on USB inputs 9\/10 with a massive +24dBu of headroom.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eZERO-LATENCY ARTIST MIXER\u003c\/h3\u003e  \u003cp\u003e500R8 moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with discrete USB playback paths and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eC.A.S.T. 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This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e  \u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multi core would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eDESIGNED AND ENGINEERED IN THE UK\u003c\/h3\u003e  \u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, every 500R8 is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451033088103,"sku":"214205","price":4591.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500r8-camden_214205_1_6c94efcd-412e-44be-9eeb-d6ed4bc2f042.jpg?v=1787095559"},{"product_id":"cranborne-audio-500adat-with-8x-camden-500","title":"Cranborne Audio 500ADAT with 8 Camden 500 Preamps","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500ADAT\u003c\/strong\u003e is the perfect tool to increase the I\/O count of any ADAT-equipped audio interface. It's an 8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces.\u003c\/p\u003e  \u003cp\u003e500ADAT features analog essentials that unite digital and analog production workflows such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission to enable operation at sample rates up to 192 kHz\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE BEST OF ANALOG CHARACTER\u003c\/h3\u003e  \u003cp\u003eBy capitalizing on the vast and ever-growing 500 series market, you can configure your 500ADAT to suit your tastes of analog flavor. By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e  \u003cp\u003eFill 500ADAT full of vintage preamps for recording drums. Fill 500ADAT full of clean and pristine preamps for recording strings. Fill 500ADAT full of Preamp, EQ, and Compressor modules to create your own custom, analog channel strips. The possibilities are endless and every 500ADAT is unique to your sound.\u003c\/p\u003e  \u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send ADAT outputs from your audio interface, into 500ADAT, through the 8 installed 500 series modules, and back into your audio interface for recording (with that analog ‘mojo’ applied). Think of 500ADAT as a bank of 8 external analog plug-ins.\u003c\/p\u003e  \u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500ADAT also features an 8-into-2 high-headroom analog summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using the dedicated 1\/4” mix output jacks on the rear panel.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDIGITAL PRECISION\u003c\/h3\u003e  \u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500ADAT features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500ADAT’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter. You can also slave your audio interface’s clock from 500ADAT’s internal clock to benefit from 500ADAT’s low-jitter design.\u003c\/p\u003e  \u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analog character is captured with the utmost detail - free of unwanted digital artefacts from the conversion process and with a wide dynamic range thanks to 500ADAT's high-headroom analog design and low noise floor.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003e8-IN\/8-OUT ADAT INTERFACE\u003c\/h3\u003e  \u003cp\u003eADAT is tried, tested, and still one of the most widely available interfacing protocols in the audio industry, however it often remains unused and under-utilized by many audio engineers and producers. Almost all major audio interfaces on the market feature a pair of ADAT lightpipe ports - simply connect 500ADAT to those ports and you can enhance and expand the possibilities of your studio.\u003c\/p\u003e  \u003cp\u003eBy containing its own converters and using ADAT to transport audio to and from the 500 series format, 500ADAT removes analog cabling spaghetti between your rack and interface while eliminating the worry of mismatched analog operating levels between interface inputs and 500 series module outputs. 500ADAT is compatible with any session running from 44.1kHz to 192kHz and can achieve 8 channels of I\/O expansion at 44.1kHz to 96kHz or 4 channels of I\/O expansion at 176.4\/192kHz.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eSUMMING MIXER\u003c\/h3\u003e  \u003cp\u003eanalog summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500ADAT's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500ADAT’s dedicated analog level and pan controls beneath each module. 500ADAT's summing mixer also has a dedicated line output which can be used to send your stereo mix into your audio interface for recording.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eZERO-LATENCY ARTIST MIXER\u003c\/h3\u003e  \u003cp\u003e500ADAT moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with the Aux Input and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCAST EQUIPPED\u003c\/h3\u003e  \u003cp\u003eC.A.S.T. stands for Cat 5 analog Snake Transport and enables cost-effective and organised cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 networking cables to transport 4 channels of balanced analog audio over a single cable.\u003c\/p\u003e  \u003cp\u003e500ADAT has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500ADAT and relocate analog I\/O wherever it is needed around the studio.\u003c\/p\u003e  \u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500ADAT. At the same time, the analog mix created on 500ADAT is sent through the same cable and into the connected breakout box. This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e  \u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multicore would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eDESIGNED AND ENGINEERED IN THE UK\u003c\/h3\u003e  \u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, every 500ADAT is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451033153639,"sku":"214206","price":4291.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500adat-camden_214206_1_ee3ca0ad-4c07-40d3-947c-3940508da4ab.jpg?v=1787095560"},{"product_id":"cranborne-audio-500r8-channel-strip-bundle-with-camden-and-carnaby","title":"Cranborne Audio 500R8 Channel Strip Bundle with Camden and Carnaby Modules","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500R8\u003c\/strong\u003e is the centerpiece to the modern studio. It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003e500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analog summing mixer, comprehensive monitor controller with talkback facility, 16-in\/16-out ADAT interface, as well as a zero-latency analog artist mixer with reference-quality, high-powered headphone outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE BEST OF ANALOG CHARACTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBy capitalizing on the vast and ever-growing 500 series market, you can configure your 500R8 to suit your tastes of analog flavor. By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFill 500R8 full of vintage preamps for recording drums. Fill 500R8 full of clean and pristine preamps for recording strings. Fill 500R8 full of Preamp, EQ, and Compressor modules to create your own custom analog channel strips. The possibilities are endless and every 500R8 is unique to your sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send USB channels from your DAW, into 500R8, through the 8 installed 500 series modules, and back into your DAW for recording (with that analog ‘mojo’ applied). Think of 500R8 as a bank of 8 external analog plug-ins.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500R8 also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using dedicated USB inputs 9\/10.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDIGITAL PRECISION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500R8 features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500R8’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artifacts from the conversion process and with a wide dynamic range thanks to 500R8's high-headroom analog design and low noise floor.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eUSB AUDIO INTERFACE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCranborne Audio's USB 2.0 audio interface provides high channel-count and low-latency performance while being accepted by all PC\/macOS devices with unparalleled stability and longevity. 500R8 is core audio compliant for macOS or features a lightweight control panel for Windows machines that absorbs as little CPU resources as possible to leave you with more power for plug-ins within your DAW session.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlug 500R8 into your PC\/macOS device and your DAW will see a full 28-in, 30-out USB audio interface. 500R8 also includes a full complement of 5-pin MIDI I\/O, ADAT I\/O, Word Clock I\/O via BNC, and S\/PDIF I\/O to ensure that all of your digital studio connectivity is covered.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eMONITOR CONTROLLER\u003c\/h3\u003e\r\n\r\n\u003cp\u003e500R8 features a comprehensive monitor controller with connectivity for two sets of studio monitors. As well as seamless speaker switching between both sets of studio monitors, there’s a Mono button that sums L-R channels to check for mono compatibility, a DIM switch that drops the speaker volume by 12dB for relaxed discussions during recordings, and a speaker mute switch for tracking with headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e500R8 also features a comprehensive Talkback section with XLR input, 48v phantom power, push-to-talk operation, and automatic signal routing to all C.A.S.T. and headphones outputs connected to the system.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eSUMMING MIXER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAnalogue summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500R8's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500R8’s dedicated analog level and pan controls beneath each module. 500R8's summing mixer also has a dedicated converter which can be used to record your stereo mix into your DAW on USB inputs 9\/10 with a massive +24dBu of headroom.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eZERO-LATENCY ARTIST MIXER\u003c\/h3\u003e\r\n\r\n\u003cp\u003e500R8 moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with discrete USB playback paths and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eC.A.S.T. 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The Half Rack Kit can be used to mount a single unit into a 19” 1U rack space, double-rack two units into a single 19” 1U rack space, or mount a single unit into a half-width, 1U rack space.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451046948967,"sku":"218000","price":37.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-half-rack-kit_148084_1_65da81ed-d38b-4a49-9127-80af3027f64b.jpg?v=1787095620"},{"product_id":"cranborne-audio-500r8-8-slot-500-series-rack-interface-5rb001343-used","title":"Cranborne Audio 500R8 8-Slot 500 Series Rack\/Interface #5RB001343 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio 500R8\u003c\/strong\u003e is the centerpiece to the modern studio. It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio.\u003c\/p\u003e \u003cp\u003e500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analog summing mixer, comprehensive monitor controller with talkback facility, 16-in\/16-out ADAT interface, as well as a zero-latency analog artist mixer with reference-quality, high-powered headphone outputs.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eThe Best of Analog Character\u003c\/h3\u003e \u003cp\u003eBy capitalizing on the vast and ever-growing 500 series market, you can configure your 500R8 to suit your tastes of analog flavour. By installing your favorite 500 series modules into the 8 available 500 series slots, you can create your ultimate analog front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e \u003cp\u003eFill 500R8 full of vintage preamps for recording drums. Fill 500R8 full of clean and pristine preamps for recording strings. Fill 500R8 full of Preamp, EQ, and Compressor modules to create your own custom analog channel strips. The possibilities are endless and every 500R8 is unique to your sound.\u003c\/p\u003e \u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send USB channels from your DAW, into 500R8, through the 8 installed 500 series modules, and back into your DAW for recording (with that analog ‘mojo’ applied). Think of 500R8 as a bank of 8 external analog plug-ins.\u003c\/p\u003e \u003cp\u003eFor a more hands-on, all-analog approach to mixing, 500R8 also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analog mix before recording it back into your DAW using dedicated USB inputs 9\/10.\u003c\/p\u003e \u003ch3 id=\"toc_1\"\u003eDigital Precision\u003c\/h3\u003e \u003cp\u003eIn order to capture every subtle nuance of your analog signal, 500R8 features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500R8’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter.\u003c\/p\u003e \u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artifacts from the conversion process and with a wide dynamic range thanks to 500R8's high-headroom analog design and low noise floor.\u003c\/p\u003e \u003ch3 id=\"toc_2\"\u003eUSB Audio Interface\u003c\/h3\u003e \u003cp\u003eCranborne Audio's USB 2.0 audio interface provides high channel-count and low-latency performance while being accepted by all PC\/macOS devices with unparalleled stability and longevity. 500R8 is core audio compliant for macOS or features a lightweight control panel for Windows machines that absorbs as little CPU resources as possible to leave you with more power for plug-ins within your DAW session.\u003c\/p\u003e \u003cp\u003ePlug 500R8 into your PC\/macOS device and your DAW will see a full 28-in, 30-out USB audio interface. 500R8 also includes a full complement of 5-pin MIDI I\/O, ADAT I\/O, Word Clock I\/O via BNC, and S\/PDIF I\/O to ensure that all of your digital studio connectivity is covered.\u003c\/p\u003e \u003ch3 id=\"toc_3\"\u003eMonitor Controller\u003c\/h3\u003e \u003cp\u003e500R8 features a comprehensive monitor controller with connectivity for two sets of studio monitors. As well as seamless speaker switching between both sets of studio monitors, there’s a Mono button that sums L-R channels to check for mono compatibility, a DIM switch that drops the speaker volume by 12dB for relaxed discussions during recordings, and a speaker mute switch for tracking with headphones.\u003c\/p\u003e \u003cp\u003e500R8 also features a comprehensive Talkback section with XLR input, 48v phantom power, push-to-talk operation, and automatic signal routing to all C.A.S.T. and headphones outputs connected to the system.\u003c\/p\u003e \u003ch3 id=\"toc_4\"\u003eSumming Mixer\u003c\/h3\u003e \u003cp\u003eAnalogue summing can give your mix the final bit of analog character required to achieve professional and polished sonic results. What makes 500R8's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500R8’s dedicated analog level and pan controls beneath each module. 500R8's summing mixer also has a dedicated converter which can be used to record your stereo mix into your DAW on USB inputs 9\/10 with a massive +24dBu of headroom.\u003c\/p\u003e \u003ch3 id=\"toc_5\"\u003eZero-Latency Artist Mixer\u003c\/h3\u003e \u003cp\u003e500R8 moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analog summing mixer, you can create zero-latency, all-analog mixes of live sources that can be blended with discrete USB playback paths and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e \u003ch3 id=\"toc_6\"\u003eC.A.S.T. Equipped\u003c\/h3\u003e \u003cp\u003eC.A.S.T. stands for Cat 5 Analogue Snake Transport and enables cost effective and organized cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 Networking cables to transport 4 channels of balanced analog audio over a single cable.\u003c\/p\u003e \u003cp\u003e500R8 has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500R8 and relocate analog I\/O wherever it is needed around the studio.\u003c\/p\u003e \u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500R8. At the same time, the analog mix created on 500R8 is sent through the same cable and into the connected breakout box. This allows for seamless analog audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e \u003cp\u003eC.A.S.T. is 100% analog and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analog multi core would cost. No setup. No latency. No fuss. 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Camden EC1 exhibits performance specifications that exceed the most revered ‘transparent’ preamps on the market.\u003c\/p\u003e\r\n\u003cp\u003eIt’s 12-way rotary Gain switch enables easy recallability of preamp gain whilst its dedicated mic, line, and hi-z input modes allows Camden EC1 to not only become your go-to mic preamp, but also a line-level saturator and instrument DI thanks to dedicated ¼” jack Link outputs for each channel.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eVintage Persona\u003c\/h3\u003e\r\n\u003cp\u003eUsing its Mojo analog saturation control, Camden EC1’s transforms from extraordinarily clean, natural, and precise sounding, into thick, gooey, and vintage-sounding at the turn of a dial.\u003c\/p\u003e\r\n\u003cp\u003eWith two discrete Mojo styles; Thump and Cream, Camden EC1 can perfectly imitate vintage transformer or valve-based preamps at the turn of a dial.\u003c\/p\u003e\r\n\u003cp\u003eMojo’s saturation is completely variable, allowing you to dial-in the amount of saturation you need for each source. Keep it at 3-4 for authentic preamp saturation or crank it up to 11 for a more exaggerated effect!\u003c\/p\u003e\r\n\u003cp\u003ePerhaps most crucially and unlike transformer-based preamps, when you need something clean and transparent for a particular session\/source, Mojo can be completely bypassed and removed from the signal using the pots’ built-in, true-bypass switch to reveal the true clarity of the Camden preamp design.\u003c\/p\u003e\r\n\u003cp\u003eRecord through Mojo to apply instant analog coloration during tracking or send line-level sources through the Mojo to add vintage coloration to your DAW tracks or stereo bus during the mix phase.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eAdvanced Tracking And Reamping Tool\u003c\/h3\u003e\r\n\u003cp\u003eThe Camden EC1’s reference-quality headphone amplifier and independent, 4-channel line mixer allows for direct, zero-latency monitoring of the Camden preamp using headphones connected directly to Camden EC1’s front panel. Monitor the preamp directly using headphones during mic placement to find the sweet spot of the instrument\/source, or create a zero-latency, analog headphone mix by mixing the preamp with external playback from dedicated Stereo Aux and Mono Ext Line Inputs.\u003c\/p\u003e\r\n\u003cp\u003eCamden EC1 features an extraordinary Hi-Z instrument D.I. circuit with a dedicated ¼” jack Link output - the combination makes Camden EC1 the perfect tool for reamping bass and electric guitars on studio or stage. Simply connect your instrument to its Hi-Z input for unparalleled DI performance, and connect the ¼” Link output of the preamp to your amplifier\/effects pedals for wet\/dry recording and reamping.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eC.A.S.T. Enabled\u003c\/h3\u003e\r\n\u003cp\u003eCamden EC1 also utilizes Cranborne Audio’s unique C.A.S.T. system for distributing audio around the studio or stage using affordable Cat 5e, Cat 6, or Cat 7 cabling whilst achieving the highest sonic results.\u003c\/p\u003e\r\n\u003cp\u003eConnect Camden EC1’s C.A.S.T. OUT port to Cranborne Audio’s 500R8 or 500ADAT, and you can send Camden EC1’s preamp directly to the interface's input ready for further processing and recording. At the same time through the same cable, 500R8\/500ADAT transmit their built-in monitor mix directly to Camden EC1’s headphone mixer for monitoring.\u003c\/p\u003e\r\n\u003cp\u003eThis allows 500R8\/500ADAT users to relocate their Camden EC1’s preamp and headphone amplifier into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500 series slots in 500R8\/500ADAT for more EQ and Compressor modules and extra processing before hitting 500R8\/500ADAT’s converters.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eMeticulously Designed and Engineered In The UK\u003c\/h3\u003e\r\n\u003cp\u003eWith an abundance of I\/O available, Camden EC1 facilitates the maximum amount of flexibility with all 3rd party audio interfaces and recorders by including dedicated XLR outputs, Impedance balanced 1\/4” jack outputs with 10 dB PAD, and a Link output when using Camden EC1 as a DI.\u003c\/p\u003e\r\n\u003cp\u003eCamden EC1 is another Cranborne Audio product engineered and designed under the team’s watchful eyes. Camden EC1 features elite audio specifications and application-based features that defies its price tag and is accessible for professional, project, and home studio engineers.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451108847719,"sku":"456490","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-camden-ec1_144903_1.jpg?v=1787095872"},{"product_id":"cranborne-audio-500adat-with-carnaby-500","title":"Cranborne Audio 500ADAT with Carnaby 500 Harmonic EQ Bundle","description":"\u003ch3 id=\"toc_0\"\u003e500ADAT 8-SLOT 500 SERIES RACK\/ADAT EXPANDER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Cranborne Audio 500ADAT is the perfect tool to increase the I\/O count of any ADAT-equipped audio interface. It's an 8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces. 500ADAT features analog essentials that unite digital and analog production workflows such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission to enable operation at sample rates up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e8-in\/8-out ADAT expander\u003c\/li\u003e\r\n\u003cli\u003eHigh-performance A\/D conversion\u003c\/li\u003e\r\n\u003cli\u003eHigh-performance D\/A conversion\u003c\/li\u003e\r\n\u003cli\u003eMaster reference-quality internal clock\u003c\/li\u003e\r\n\u003cli\u003eAnalog summing mixer\u003c\/li\u003e\r\n\u003cli\u003eZero-latency artist mixer\u003c\/li\u003e\r\n\u003cli\u003eReference-quality headphone outputs\u003c\/li\u003e\r\n\u003cli\u003eHigh-current 8-slot 500 series rack\u003c\/li\u003e\r\n\u003cli\u003eC.A.S.T. compatibility\u003c\/li\u003e\r\n\u003cli\u003e24v, 5 amp external locking power supply\u003c\/li\u003e\r\n\u003cli\u003eDesigned and engineered in the UK\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCARNABY 500 SERIES HARMONIC EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Cranborne Audio Carnaby 500 is a 3-band parametric EQ for the 500 series format with a unique and revolutionary EQ concept conceived and created by Cranborne Audio. Carnaby 500 is the world’s first Harmonic EQ - an analog EQ that uses harmonic saturation to boost and cut frequency content. It enhances your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e3-band, 500 Series Harmonic EQTM meticulously developed by the Cranborne Audio team in the UK\u003c\/li\u003e\r\n\u003cli\u003eParametric LO and HI shelving bands with ±10 dB of cut\/boost and harmonic saturation\u003c\/li\u003e\r\n\u003cli\u003eParametric peaking MID band with ±10 dB of cut\/boost, fixed Q and harmonic saturation\u003c\/li\u003e\r\n\u003cli\u003eLO, MID, and HI LED indicators to display saturation level\u003c\/li\u003e\r\n\u003cli\u003e±20 dB Input and Output Level for dense harmonic saturation or clean EQ effects\u003c\/li\u003e\r\n\u003cli\u003eOptoSync wireless communication between modules for linked controls during stereo operation\u003c\/li\u003e\r\n\u003cli\u003e⅛” TRS socket for linking non-adjacent modules\u003c\/li\u003e\r\n\u003cli\u003eCircuit auto-calibration for perfect stereo matching between all modules\u003c\/li\u003e\r\n\u003cli\u003eTrue-bypass IN\/OUT switching with complete or post input trim modes available on DIP switch\u003c\/li\u003e\r\n\u003cli\u003eStepped, front-panel controls for quick recall and precise feel\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451110617191,"sku":"456755","price":1998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-500adat-carnaby-500_456755_1_af2e2dbc-6fd3-486e-921d-017e0ebfc738.jpg?v=1787095879"},{"product_id":"cranborne-audio-carnaby-he2-2-channel-harmoniceq-demo-deal","title":"Cranborne Audio Carnaby HE2 2-Channel HarmonicEQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Carnaby HE2\u003c\/strong\u003e two-channel Harmonic EQ is a full-rack take on the groundbreaking harmonic EQ technique introduced in the Carnaby 500. Like its predecessor, the Carnaby HE2 utilizes harmonic saturation to boost and cut frequencies to make for a musical EQ with a unique blend of analog warmth and presence. While Cranborne Audio’s Carnaby 500 shines as a compact 500 series unit, the Carnaby HE2 incorporates the look and feel of traditional analog EQ units. But behind the vintage aesthetic is a modern feature set including stereo, Mid\/Side, and dual-mono support, remote control, and preset recall. From shaping a single vocal to complex mastering techniques, the Carnaby HE2 is a versatile and user-friendly tool like no other.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC HARMONIC EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCranborne Audio’s Carnaby HE2 features three bypassable and interactive Harmonic EQ bands for each channel, allowing for a wide array of possible harmonic blends and saturation styles at your disposal. The HI band spans from 5kHz up to 25kHz and adds a present, smooth brightness to your audio, while the LO band covers 20Hz to 420 Hz and uses hard-clipping saturation to extend sub-harmonic frequencies. The MID band, meanwhile, is a fixed Q with a sweepable 200Hz to 6.2kHz frequency range and plenty of rich saturation on tap. Finally, there are also HF and LF cut controls to further shape your sound with ease and precision.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eINTUITIVE ONBOARD AND REMOTE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Carnaby HE2’s user-friendly design features dimmable LED rings and digital encoders so that you’re confidently in control at all times. Plus, with the help of the included VST\/AU\/AAX plug-in, you can fully control the Carnaby HE2 remotely via USB or an Ethernet network and your DAW of choice. The plug-in even lets you recall previous settings, making for an easy and streamlined user experience in any setup.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eVERSATILE OPERATION FOR ANY MIX\u003c\/h3\u003e\r\n\r\n\u003cp\u003eNot only does the Carnaby HE2 support stereo and dual-mono configurations, but the unit also accommodates Mid\/Side processing for mastering and sound design applications—all with no additional equipment required. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eFLEXIBLE OUTBOARD INTEGRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBoth channels on the Carnaby HE2 feature a bypassable TRS insert, which allows you to connect and place outboard gear before the unit in your signal chain. Doing so allows you to seamlessly integrate the Harmonic EQ sound into your setup and uncover even more sonic possibilities. So why wait? Check out this revolutionary Harmonic EQ unit for yourself today. \u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451118284903,"sku":"457201","price":1619.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-audio-carnaby-he2_213095_1.jpg?v=1787095908"},{"product_id":"cranborne-audio-camden-500-series-microphone-preamp-5cb006948-used","title":"Cranborne Audio Camden 500 Series Microphone Preamp #5CB006948 (Used)","description":"\u003cp\u003ePut simply, the \u003cstrong\u003eCranborne Audio Camden 500 Series Microphone Preamp\u003c\/strong\u003e is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e  \u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8 dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e  \u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCLEAN, PRECISE, AND NATURAL\u003c\/h3\u003e  \u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eVINTAGE, WARM, AND COLORED\u003c\/h3\u003e  \u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHUMP\u003c\/h3\u003e  \u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100 Hz to 20 Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eCREAM\u003c\/h3\u003e  \u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451123724391,"sku":"456958","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-audio-camden-500-series-microphone-preamp-5cb006948-used_456958_1.jpg?v=1787095928"},{"product_id":"cranborne-audio-camden-500-series-microphone-preamp-5cb006947-used","title":"Cranborne Audio Camden 500 Series Microphone Preamp #5CB006947 (Used)","description":"\u003cp\u003ePut simply, the \u003cstrong\u003eCranborne Audio Camden 500 Series Microphone Preamp\u003c\/strong\u003e is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e  \u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8 dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e  \u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCLEAN, PRECISE, AND NATURAL\u003c\/h3\u003e  \u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eVINTAGE, WARM, AND COLORED\u003c\/h3\u003e  \u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHUMP\u003c\/h3\u003e  \u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100 Hz to 20 Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eCREAM\u003c\/h3\u003e  \u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451123855463,"sku":"456957","price":295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-audio-camden-500-series-microphone-preamp-5cb006947-used_456957_1.jpg?v=1787095927"},{"product_id":"cranborne-audio-carnaby-he2-legacy-edition-demo-deal-open-box","title":"Cranborne Audio Carnaby HE2 2-Channel HarmonicEQ - Legacy Edition (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Carnaby HE2 HarmonicEQ\u003c\/strong\u003e is a 2U 19-inch rack-mount, 2-channel 3-band parametric EQ, an evolution of the Carnaby 500. The Carnaby HE2 utilizes the same unique and revolutionary EQ concept found in Carnaby 500, using harmonic saturation to boost and cut frequency content. Enhance your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer. However, the concept is taken even further with Carnaby HE2. The Legacy version features a special \"Legacy\" industrial design. Units are hand-built by the team in the UK individually numbered and signed in a very special wood rack case. Only 100 HE2 Legacy Edition units are available globally\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/h3\u003e\n\u003cp\u003eWhether being used for Stereo, Dual Mono or Mid-Side processing, Carnaby HE2 features 3 bypassable, interactive bands of HarmonicEQ per channel. Each band has 10 dB of boost\/cut and its own sweepable and overlapping frequency controls. As with Carnaby 500, each of Carnaby HE2s bands has a unique blend of harmonic content suited to its frequency band to achieve maximum musicality.\u003c\/p\u003e\n\u003cp\u003eThe HI band has a frequency range from 5 kHz all the way to 25 kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\u003c\/p\u003e\n\u003cp\u003eThe LO band has a frequency range of 420 Hz down to 20 Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end - perfect for subtle low-end warming or extreme sub-harmonic saturation.\u003c\/p\u003e\n\u003cp\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200Hz up to 6.2kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range.\u003c\/p\u003e\n\u003cp\u003eUnlike other EQs, Carnaby HE2 has a dynamic response and increases in total boost\/cut and harmonics as the circuits are driven harder. An Input and Output level control on each band allows for ±20 dB of level adjustment, enabling you to drive Carnaby HE2 harder with the input control for more saturation and distortion effects, or back it off for a cleaner EQ when needed.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eFULLY DIGITALLY-CONTROLLED WITH USB AND NETWORK OPTIONS\u003c\/h3\u003e\n\u003cp\u003eCarnaby HE2 takes control to a whole new level allowing all buttons and controls of the unit to be controlled remotely via USB or an Ethernet network. The VST\/AU\/AAX control plug-in seamlessly integrates with the Carnaby HE2 hardware via the USB or NET ports, allowing for convenient real-time control and recall from within your DAW. It also facilitates the independent saving and loading of presets.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003ePER-BAND BYPASS\u003c\/h3\u003e\n\u003cp\u003eAchieve precise tonal sculpting by independently bypassing each of the 3 frequency bands, allowing you to audition and fine-tune your settings.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eEXTENDED HF \u0026amp; LF SHAPING\u003c\/h3\u003e\n\u003cp\u003eFacilitating further sound-sculpting, precise HF and LF cut controls with individual bypass controls help further tame and shape your audio.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eMID\/SIDE PROCESSING\u003c\/h3\u003e\n\u003cp\u003eEspecially valuable for mastering, mixing, and sound design applications, Carnaby HE2 allows for Mid\/Side processing, allowing you to apply HarmonicEQ to the separate mid (center) and side (stereo width) components of your stereo signal. No additional hardware is needed, Carnaby HE2 takes care of all the necessary encoding and decoding.\u003c\/p\u003e\n\u003ch3 id=\"toc_5\"\u003eINSERTS FOR OUTBOARD HARDWARE\u003c\/h3\u003e\n\u003cp\u003eCarnaby HE2 features a bypassable TRS Insert on each of its two channels. The inserts are post M\/S encoding and pre M\/S decoding allowing you to use each of these Inserts to connect outboard hardware before your signal hits the HarmonicEQ processing.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451138175079,"sku":"460670","price":2124.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-audio-carnaby-he2-legacy_213096_1.jpg?v=1787095986"},{"product_id":"cranborne-audio-n22h-headphone-amp-cat-5-snake-breakout-box-demo-deal-open-box","title":"Cranborne Audio N22H Headphone Amp\/Cat 5 Snake\/Breakout Box (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio N22H\u003c\/strong\u003e is the ultimate tool for engineers and musicians looking to upgrade their headphone monitoring with a high-quality, reference-grade headphone amplifier capable of letting any pair of headphones shine.\u003c\/p\u003e\n\u003cp\u003eN22H is a standalone, reference-quality headphone amplifier that you can use during mixing or mastering, but with its rugged steel enclosure and compact form factor, it’s also the ideal portable headphone amplifier that can be positioned next to the performer at the end a single shielded Cat 5e, Cat 6, or Cat 7 cable using Cranborne Audio’s unique C.A.S.T. system.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eReference-Quality Headphone Amplifier \u003c\/h3\u003e\n\u003cp\u003eBased on the same custom design found in Cranborne Audio’s renowned 500R8 interface, N22H’s headphone amplifier achieves a flat Frequency Response from 0.8 Hz to above 250 kHz and ultra-low distortion (0.0009% THD+N, 100 kOhm load) allowing it to power headphones with clean, transparent power during critical listening, mixing, and mastering. There’s also enough power (up to 950mW per-ear) to drive headphones at high-volumes during tracking - perfect for loud drummers!\u003c\/p\u003e\n\u003cp\u003eWith carefully calibrated High and Low Power Modes, N22H can be quickly optimized for maximum performance with high-impedance over-ear headphones or low-impedance in-ears at a flick of a switch. A custom logarithmic Headphone Level control also allows for precise control of the headphone output without big shifts in volume during small adjustments.\u003c\/p\u003e\n\u003cp\u003eN22H can be powered using the included 9V DC power supply as well as any 3rd party 9V DC (centre negative) guitar pedal power supply. It can also be powered using a 9V battery for up to 10 hours of headphone amplification in Low Power Mode during tracking and location recording where power isn’t available nearby.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eAdvanced Connectivity With C.A.S.T.\u003c\/h3\u003e\n\u003cp\u003eUsing Cranborne Audio’s C.A.S.T. system, N22H can be effortlessly positioned where it is needed using a single shielded Cat 5e, Cat 6, or Cat 7 cable. With a range of 330ft\/100m, N22H and C.A.S.T. is the ideal solution for convenient headphones distribution as well as a connectivity hub for mic\/line sources as an all-analogue, Cat 5e snake.\u003c\/p\u003e\n\u003cp\u003eCranborne Audio’s C.A.S.T. system (Cat 5 Analogue Snake Transport) distributes analogue audio (including 48V phantom power) around studios and stages using affordable shielded Cat 5e, Cat 6, and Cat 7 cabling - achieving the highest sonic results with the lowest cost.\u003c\/p\u003e\n\u003cp\u003eConnect N22H to Cranborne Audio’s passive N22 using a single shielded Cat 5e, Cat 6, or Cat 7 cable and you can send a headphone mix directly into N22H's headphone amplifier over a distance of 330ft\/100m. You can then connect mic\/line signals directly to N22H’s combi-jack inputs and they will travel through the same C.A.S.T. connection and arrive at N22’s XLR outputs ready to be connected to your audio interface for recording.\u003c\/p\u003e\n\u003cp\u003eIf your studio is already built around a Cranborne Audio C.A.S.T. enabled device, N22H can connect directly into their C.A.S.T. inputs or outputs and send\/receive audio directly with the device without the need for other hardware or complex analogue multicores.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eA Palm-Sized Headphone Powerhouse\u003c\/h3\u003e\n\u003cp\u003eN22H is the perfect tool for those already building their studio around Cranborne Audio products and looking to create an unmatched audio distribution system in their studio, but it’s also the perfect way to get a bit of Cranborne Audio’s renowned sound into any studio in the form of a portable and powerful reference-grade headphone amplifier.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":44451147841639,"sku":"462057","price":139.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cranborne-n22h-21_134392_1.jpg?v=1787096024"},{"product_id":"cranborne-audio-carnaby-500-series-harmonic-eq-demo-deal-open-box","title":"Cranborne Audio Carnaby 500 Series Harmonic EQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eCranborne Audio Carnaby 500\u003c\/strong\u003e is a 3-band parametric EQ for the 500 series format with a unique and revolutionary EQ concept conceived and created by Cranborne Audio. Carnaby 500 is the world’s first Harmonic EQ - an analog EQ that uses harmonic saturation to boost and cut frequency content. It enhances your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/h3\u003e\n\u003cp\u003eCarnaby 500 features 3 interactive bands of Harmonic EQ with each band having 10 dB of boost\/cut and its own sweepable and overlapping frequency controls. 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The Carnaby HE2 utilizes the same unique and revolutionary EQ concept found in Carnaby 500, using harmonic saturation to boost and cut frequency content. Enhance your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer. However, the concept is taken even further with Carnaby HE2. The Legacy version features a special \"Legacy\" industrial design. Units are hand-built by the team in the UK individually numbered and signed in a very special wood rack case. Only 100 HE2 Legacy Edition units are available globally.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003chr\u003e\r\n\r\n\u003cp\u003eThe ultimate studio front-end, \u003cstrong\u003eCranborne Audio Camden EC2\u003c\/strong\u003e combines award-winning mic\/line\/hi-z preamps with Cranborne Audio’s acclaimed Mojo analog saturation circuits and two reference-quality headphone amplifiers with discrete line mixers. Based on the award-winning Camden 500 Preamp and Signal Processor for the 500 series lunchbox format, Camden EC2 combines the sonic capabilities of one of the markets cleanest and most transparent preamps with the flexibility of a standalone, 1u, 19” chassis that can integrate into any recording setup with or without 500 series connectivity. Featuring two discrete instances of Cranborne Audio’s ‘Camden’ preamp topology, Camden EC2 achieves unprecedented low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUse Camden EC2 to capture your audio sources with complete transparency; boost low-sensitivity microphones without adding noise and colouration; and capture instant and coherent transients without phase shift that cause summing abnormalities. Camden EC2’s preamps exhibit performance specifications that rival (and in most cases, exceed) the most revered ‘transparent’ preamps on the market. The 12-way rotary Gain switches for each preamp provide perfect stereo matching for stereo miking setups and its dedicated mic, line, and hi-z input modes allows Camden EC2 to not only become your go-to mic preamp, but also a line-level saturator and dual-channel DI thanks to dedicated ¼” jack Link outputs for each channel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo discrete mic\/line\/hi-z preamps featuring the award-winning ‘Camden’ topology from the Camden 500 Preamp and Signal Processor for 500 series\u003c\/li\u003e\r\n\u003cli\u003eAudio performance at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings\u003c\/li\u003e\r\n\u003cli\u003eUnique 48v status LED\u003c\/li\u003e\r\n\u003cli\u003eTwo instances of Mojo analog saturation circuits with variable control, true bypass, and 2 discrete styles - Thump and Cream\u003c\/li\u003e\r\n\u003cli\u003eTwo discrete headphone mixers with independent CH 1, CH 2, and Aux Input level controls\u003c\/li\u003e\r\n\u003cli\u003eTwo reference-quality, high-powered headphone amplifiers\u003c\/li\u003e\r\n\u003cli\u003eBalanced XLR outputs and impedance balanced 1\/4” jack outputs for maximum connectivity into audio interfaces and other downstream equipment\u003c\/li\u003e\r\n\u003cli\u003eDedicated Impedance balanced 1\/4\" jack Link outputs for true instrument DI functionality and splitting instrument inputs to balanced or unbalanced amplifiers and effects\u003c\/li\u003e\r\n\u003cli\u003eC.A.S.T. 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Best of all, as networking cable is common-place in people’s homes, a whole studio re-wire with Cat 5e, Cat 6, Cat 7, and C.A.S.T. is cheaper than equivalent XLR looms and copper snakes.\u003c\/p\u003e\r\n\u003cp\u003eWith a completely passive design, no power is required for full operation and C.A.S.T connectivity. The C.A.S.T. 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The Carnaby HE2 utilizes the same unique and revolutionary EQ concept found in Carnaby 500, using harmonic saturation to boost and cut frequency content. Enhance your sources, stems and mixes with genuine analog harmonic saturation with the feel, familiarity, and control of an equalizer. However, the concept is taken even further with Carnaby HE2. The Legacy version features a special \"Legacy\" industrial design. Units are hand-built by the team in the UK individually numbered and signed in a very special wood rack case. Only 100 HE2 Legacy Edition units are available globally\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3-BAND PARAMETRIC EQ WITH MORE\u003c\/h3\u003e\r\n\u003cp\u003eWhether being used for Stereo, Dual Mono or Mid-Side processing, Carnaby HE2 features 3 bypassable, interactive bands of HarmonicEQ per channel. Each band has 10 dB of boost\/cut and its own sweepable and overlapping frequency controls. 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