{"title":"Analog Mixers","description":null,"products":[{"product_id":"drawmer-la12-line-distribution-amp","title":"Drawmer LA12 Line Distribution Amp","description":"\u003cp\u003eThe \u003cstrong\u003eDrawmer LA12\u003c\/strong\u003e Line Distribution Amplifier is a low noise, low crosstalk distribution amplifier with high bandwidth specification, developed specifically for 'real time' cassette duplication.  As more and more facilities invest in this form of tape copying, the LA12 offers the efficient solution to interfacing multiples of 'real time' cassette decks.\u003c\/p\u003e\n\u003cp\u003eOne stereo input with master gain and balance controls.  Twelve stereo outputs each with individual output level controls.  An auxiliary stereo output which follows the input gain and balance controls can be linked to the input of a second LA12 if more than twelve stereo outputs are required.\u003c\/p\u003e\n\u003cp\u003eThe unit will operate at system levels in the range - 20dB to + 10dB.\u003c\/p\u003e\n\u003cp\u003eA maximum gain of + 20dB is available through the unit which allows a wide range of 'source' and 'destination' equipment to be interfaced.\u003c\/p\u003e\n\u003cp\u003eAll audio connections are on professional quality phono (RCA) connectors for ease of installation.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":44449264697447,"sku":"3060","price":990.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/drawmer_la12.jpg?v=1787088364"},{"product_id":"alesis-multimix-12r","title":"Alesis Multimix 12R","description":"\u003cspan class=\"h4\" style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\"\u003e\u003c\/span\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAlesis MultiMix 12R\u003c\/span\u003e has a 2-band, fixed frequency EQ on each channel, 1 pre-fader aux send and 1 post-fader aux send per channel, and 60mm linear potentiometers (faders) for master level of each channel. The master section features an external stereo aux return level, stereo LED bar graph meters, stereo master L\/R buss 60mm fader, and a separate phones\/monitor level. A 12-input, 2-buss analog rack mixer featuring 8 mic preamps with 2 stereo line channels, all in a compact, 3-U rack mount configuration.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c!-- Demo Text --\u003e\u003c!-- Used Text --\u003e\u003c!-- BStock Text --\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449276723303,"sku":"6507","price":309.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis_multimix12r_1.jpg?v=1787088406"},{"product_id":"little-labs-redcloud-8810u8ers-attenuator-pack","title":"Little Labs Redcloud 8810U8ERS 8-Channel Balanced Attenuator","description":"\u003cp\u003eBorn out of necessity for recording engineer Don Smith, aka Redcloud (Rolling Stones, Tom Petty, Stevie Nicks), who liked lots of gain on his mic pre amps but needed a simple, flexible way to attenuate the post mic pre line level signals. Plug the \u003cstrong\u003eLittle Labs Redcloud 8810U8ERS Attenuator Pack\u003c\/strong\u003e into your DB25 modular patch bay and patch it in anywhere you need high-quality passive attenuation (more places than you might initially think). The Redcloud 8810U8ERS will be a must-have accessory in any engineer's toolbox!\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449306280039,"sku":"10392","price":390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-redcloud_10392_1.jpg?v=1787088486"},{"product_id":"mackie-402-vlz3","title":"Mackie 402-VLZ3","description":"\u003cp\u003eUntil now, mixers built for low-input, two-mic or one-mic-and-a-guitar applications really skimped on quality. With their flimsy construction and dismal sound, they resembled and performed like children’s toys. So we created the \u003cstrong\u003e402-VLZ3\u003c\/strong\u003e, the perfect ultra-compact mixer for applications that require few inputs, but demand full-on professional sound.\u003cbr\u003e \u003cbr\u003e The four-channel 402-VLZ3 delivers pure VLZ3 quality in our smallest form factor ever, making it ideal when your input counts are low, or when space is at a premium. In a sleek, small package, you get the signature VLZ3 high headroom, low noise design, complete with two XDR2 preamps, premium EQ, and modern mix bus architecture, for the best-sounding, mini-est pro mixer on the planet. And the price is mini, too—in fact, it’s our lowest price in recorded history for a VLZ3 mixer. At last, you no longer need to buy more mixer than you need just to get the quality you deserve.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eXDR2 preamps\u003c\/span\u003e\u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eExtended Dynamic Range=Extended Sonic Possibilities\u003c\/span\u003e\u003cbr\u003e XDR2Among the features that have earned the VLZ3 mixers their stellar reputation are the XDR2 “Extended Dynamic Range” mic preamps. That’s because serious amounts of time and energy went into their design, and the result is phenomenal. You simply won’t find preamps this good on any other mixer in this price range. The XDR2 preamps deliver pure, clean, studio-grade sound—the kind of quality you’d expect to find in pricey boutique mic pres. They have an incredibly wide frequency range, especially in the low end, and even at extremely high gain settings. They offer incredibly low noise, amazing RFI rejection, and with 60dB of available gain per channel, the 402-VLZ3 can handle inputs ranging from a whisper to a scream. With the superior sound of the 402-VLZ3’s two XDR2 preamps, rest assured you will always get optimum performance out of your professional ribbon, dynamic, and condenser mics. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMusical EQ for Your Tweaking Pleasure\u003c\/span\u003e\u003cbr\u003e EQ Knobs The 402-VLZ3’s ultra-musical two-band Active EQ provides just the right amount of sound shaping flexibility. We invested tremendous resources into optimizing the center frequencies of our EQs, and improved the interaction of the separate EQ bands, so your tracks can be molded and tweaked for the perfect result. The 402-VLZ3’s low shelving at 80Hz and high shelving at 12kHz mean you can quickly and effectively sculpt your tone for the ultimate in punch and brilliance—and with up to 15dB boost\/cut capability per band, you get loads of latitude. There’s also a 100Hz low cut\/high pass switch for each mic input, so you can keep the ultra-low frequency muddiness out of your sound—and give your bass that extra punch if used in conjunction with the Low EQ. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSmall Yet Powerfully Flexible\u003c\/span\u003e\u003cbr\u003e Though small in stature, the 402-VLZ3 provides an incredible abundance of professional features and mission-critical tools to enhance your mixing experience—and your creativity. In addition to essential features like phantom power for your condenser mics, you get a variety of user options that make the 402-VLZ3 a surprisingly versatile mixing machine. Two switchable Hi-Z instrument inputs allow you to plug instruments like electric guitar or bass in direct—no external gear required—or, disengage the switch to connect line level sources such as keyboards, or CD or mp3 players. Use the high pass filters on channels 1 and 2 to cut the rumble with the touch of a button. Connect line level stereo gear like DJ decks using the assignable stereo RCA input, and either route to your phones for queuing up, or to your main mix for overdubbing while monitoring back from your computer on phones. Flexibly monitor and record mono and stereo sources using the stereo pan function—when the switch is out, a mono source will be split between the left and right of the main mix equally, and when the switch is in, channels 1 and 2 are hard-panned left and right (perfect for recording stereo mics). Keep an eye on your levels with the bright eight-segment stereo meters, as well as the responsive overload LEDs that warn you when you’re overdoing it with the gain and\/or EQ. No matter how you use it, the 402-VLZ3 supplies everything you need to get the job done.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eUltra-compact, sleek, rugged chassis\u003c\/span\u003e\u003cbr\u003e ProfileNow you can have your pro mixer, and take it with you, too. The 402-VLZ3 features a tight, low-profile design that fits the most modest—or congested—areas perfectly, including your backpack or laptop case. Like all VLZ3 mixers, the 402-VLZ3 is built like a tank, too. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors’ flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs ‘ride’ just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. And not only is the 402-VLZ3 tough, but it can be flexibly positioned, thanks to a bottom panel that lets you easily mount an optional mic stand adapter with just a few screws. Attach your 402-VLZ3 to a mic stand, and you can adjust its height and angle to suit your unique—or weird—work style.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eApplications A-Plenty\u003c\/span\u003e\u003cbr\u003e With its professional features and ultra-compact footprint, the 402-VLZ3 is ideal for a variety of applications, including home studio and on-the-go recording, multimedia projects, field mixing, broadcast use, and post-production work. (Check out our hookup guide to see how you can put it all together.) And the included Tracktion 3 Basic Bundle music production software makes it that much easier to get right to work, and get inspired. Boot up T3, connect the 402-VLZ3 to your computer’s sound card, and start recording your masterpiece.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eLess Really Is More\u003c\/span\u003e\u003cbr\u003e The best-sounding, most professional ultra-compact in its class, the 402-VLZ3 gives new meaning to the old adage, less is more. While there are other ultra-compact mixers out in the world these days, none provide the performance or sound quality of the 402-VLZ3. Thanks to its ultra-flexible, super-versatile, professional design, you get the low input count you want, the extra space you need, and the quality you deserve—all at an unbelievably low price. Put simply, the 402-VLZ3 is the go-anywhere, fit-anywhere professional mixer, delivering superior sound quality—and unbeatable value. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-compact four-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design\u003c\/li\u003e\n\u003cli\u003eTwo studio-grade XDR2™ Extended Dynamic Range mic preamps with:\u003cbr\u003e - Ultra-wide 60dB gain range\u003cbr\u003e - 130dB dynamic range\u003cbr\u003e - +22dBu line input handling\u003cbr\u003e - Extended low frequency response\u003cbr\u003e - Distortion under 0.0007% (20Hz - 20kHz)\u003cbr\u003e - Phantom power for studio condenser mics\u003c\/li\u003e\n\u003cli\u003eFour high-headroom line inputs\u003c\/li\u003e\n\u003cli\u003eTwo selectable Instrument inputs – no DI box needed\u003c\/li\u003e\n\u003cli\u003eTwo-band active EQ (80Hz, 12kHz) and lo-cut filter on mic channels\u003c\/li\u003e\n\u003cli\u003ePhantom power for studio condenser mics\u003c\/li\u003e\n\u003cli\u003eDedicated stereo line input and tape input channels\u003c\/li\u003e\n\u003cli\u003eHigh-resolution eight-segment stereo meters\u003c\/li\u003e\n\u003cli\u003eSealed rotary controls to resist dust and grime\u003c\/li\u003e\n\u003cli\u003eSleek, rugged steel chassis\u003c\/li\u003e\n\u003cli\u003eIncludes Tracktion 3 Basic Bundle for Mac\/PC (download required) \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333543015,"sku":"14490","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_402vlz3.jpg?v=1787088593"},{"product_id":"mackie-802-vlz3","title":"Mackie 802-VLZ3","description":"\u003cp\u003eWe have the mixer for you—the eight-channel\u003cstrong\u003e 802-VLZ3\u003c\/strong\u003e. A professional compact mixer designed just to fit your needs, as well as your workspace, the 802-VLZ3 packs renowned VLZ3 quality into a tight, sleek package. Don’t let the small size fool you—the 802-VLZ3 is all pro, and all VLZ3. It boasts the same signature VLZ3 high headroom \/ low noise design that makes others in the series prized in studios and stages worldwide, including premium XDR2 preamps, an ultra-musical EQ and modern summing bus architecture. Ideal for home studio and on-the-go applications, the 802-VLZ3 makes premium mixing capabilities available for setups where space, and money, are tight. It’s all the mixer you need, in a footprint that fits just about anywhere, at a price that fits your budget.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eXDR2 preamps\u003c\/span\u003e\u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eExtended Dynamic Range=Extended Sonic Possibilities\u003c\/span\u003e\u003cbr\u003e XDR2 Among the features that have earned the VLZ3 mixers their stellar reputation are the XDR2 “Extended Dynamic Range” mic preamps. That’s because serious amounts of time and energy went into their design, and the result is phenomenal. You simply won’t find preamps this good on any other mixer in this price range. The XDR2 preamps deliver pure, clean studio-grade sound—the kind of quality you’d expect to find in pricey boutique mic pres. They have an incredibly wide frequency range, especially in the low end, and even at extremely high gain settings. They offer incredibly low noise, amazing RFI rejection, and with 60dB of available gain per channel, the 802-VLZ3 can handle inputs ranging from a whisper to a scream. With the superior sound of the 802-VLZ3’s three XDR2 preamps, rest assured you will always get optimum performance out of your professional ribbon, dynamic, and condenser mics. Read more.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSuper-Musical EQ for Super Tweaking Latitude\u003c\/span\u003e\u003cbr\u003e EQ KnobsThe 802-VLZ3’s ultra-musical three-band Active EQ provides precise control over the full frequency spectrum, giving you ultimate sound shaping latitude. We invested tremendous resources into optimizing the center frequencies of our EQs, and improved the interaction of the separate EQ bands, so your tracks can be molded and tweaked for just the right result. Low shelving at 80Hz, mid peaking at 2.5kHz and high shelving at 12kHz mean you can quickly and effectively sculpt your tone for the ultimate in punch, fullness, and brilliance—and with up to 15dB boost\/cut capability per band, you get loads of room to move…and experiment. There’s also a 100Hz low cut\/high pass switch for each mic input, so you can keep the muddiness out of your sound—and give lows that extra punch if used in conjunction with the Low EQ. Read more\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFully pro, fully featured\u003c\/span\u003e\u003cbr\u003e A completely pro mini-desk, the 802-VLZ3 delivers a comprehensive set of mission-critical mixing tools. Five full channel strips let you easily get your hands on your mix, while bright 12-segment stereo meters allow for ultra-accurate metering. The dedicated Stereo Return channel lets you connect external components, such as effects units or mp3 players, so you can incorporate your favorite sounds or prerecorded material into your tracks. You also get Hi Z inputs on channels 1 and 2 for recording instruments such as electric guitar and basses direct—no external gear required—and phantom power is provided for your studio condenser mics. The PFL solo function lets you easily set your gain to perfect levels, and high pass filters allow you to cut low frequency rumble—100Hz and below—on channels 1 to 3. The 802-VLZ3 also gives you essential engineering features including separate control room volume and phones knobs. And thanks to our clever engineers, the “mute” button actually serves a dual purpose— signals from muted channels are secretly routed to the Alt 3-4 outputs and also into the Control Room section, ideal for creating submixes, previewing channels, or creating a “mix minus” for broadcast applications.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eUltra-compact, sleek, rugged chassis\u003c\/span\u003e\u003cbr\u003e 802VLZ3 ProfileNow you can have your pro mixer, and fit it in your workspace, too. The 802-VLZ3 features a tight, low-profile design that fits the most modest—or congested—of areas perfectly. Like all VLZ3 mixers, the 802-VLZ3 is built like a tank, too. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors’ flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs ‘ride’ just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. And not only is the 802-VLZ3 tough, but it can be flexibly positioned, thanks to a bottom panel that lets you easily mount an optional mic stand adapter with just a few screws. Attach your 802-VLZ3 to a mic stand, and you can adjust its height and angle to suit your unique—or weird—work style.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe “V” stands for Versatility\u003c\/span\u003e\u003cbr\u003e Okay, not really, but the 802-VLZ3 is just that—versatile. With its pro features and small footprint, it’s ideal for a variety of applications, including home and project studio recording, sound reinforcement, multimedia projects, field mixing, broadcast use, and post-production work. (Wanna see how you can put it all together? Check out our hookup guide.) And the included Tracktion 3 Basic Bundle music production software makes it that much easier to get right to work, and get inspired. Boot up T3, connect the VLZ3 to your computer’s sound card, and start recording straight away with a host of creativity-inducing loops, samples, and plug-ins.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eLess Really Is More\u003c\/span\u003e\u003cbr\u003e The 802-VLZ3 gives new meaning to the old adage, less is more. While there are other under-12-channel mixers out in the world these days, none provide the performance or sound quality of the 802-VLZ3. Thanks to its ultra-compact, pro design, you get the low input count you want, the extra space you need, and the quality you deserve—all at an unbelievably low price. Put simply, the 802-VLZ3 is the go-anywhere, fit-anywhere professional mixer, delivering superior sound quality—and unbeatable value.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-compact eight-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design\u003c\/li\u003e\n\u003cli\u003eThree studio-grade XDR2™ Extended Dynamic Range mic preamps with:\u003cbr\u003e - Ultra-wide 60dB gain range\u003cbr\u003e - 130dB dynamic range\u003cbr\u003e - +22dBu line input handling\u003cbr\u003e - Extended low frequency response\u003cbr\u003e - Distortion under 0.0007% (20Hz - 20kHz)\u003cbr\u003e - Phantom power for studio condenser mics\u003c\/li\u003e\n\u003cli\u003eEight high-headroom line inputs\u003c\/li\u003e\n\u003cli\u003eAdvanced DC pulse transformer RF rejection\u003c\/li\u003e\n\u003cli\u003eAux send, level, pan and PFL solo on each channel\u003c\/li\u003e\n\u003cli\u003eSelectable Instrument inputs on first two channels – no DI box needed\u003c\/li\u003e\n\u003cli\u003eStereo return for connecting effects processor or other stereo source\u003c\/li\u003e\n\u003cli\u003eThree-band active EQ (80Hz, 2.5kHz, 12kHz)\u003c\/li\u003e\n\u003cli\u003e18dB\/oct. 100Hz Lo-Cut filter on Mic input channels\u003c\/li\u003e\n\u003cli\u003eALT 3\/4 stereo bus for added versatility\u003c\/li\u003e\n\u003cli\u003eControl room\/phones source matrix\u003c\/li\u003e\n\u003cli\u003eHigh-resolution 12-segment stereo meters\u003c\/li\u003e\n\u003cli\u003eSealed rotary controls to resist dust and grime\u003c\/li\u003e\n\u003cli\u003eSleek, rugged steel chassis\u003c\/li\u003e\n\u003cli\u003eIncludes Tracktion 3 Basic Bundle, music production software for Mac\/PC \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333575783,"sku":"14491","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_802vlz3.jpg?v=1787088593"},{"product_id":"mackie-1402-vlz3","title":"Mackie 1402-VLZ3","description":"\u003cp\u003eJust slightly larger than our 1202-VLZ3, the \u003cspan style=\"font-weight: bold;\"\u003eMackie 1402-VLZ3\u003c\/span\u003e offers everything its little brother has—plus two additional mic\/line channels, faders instead of knobs, and a few extra Master Section features. Ideal for home and project studios, the 1402-VLZ3 is equally at home on the road, on the stage, or in the recording studio. With its new look, ergonomic carry handle, and upgraded electronics, the new 1402-VLZ3 just might redefine the term “perfection.”\u003cbr\u003e\u003cbr\u003eWhile keeping all the features and functionality of its predecessor, the new Mackie 1402-VLZ3 offers even greater headroom. We could have stopped right then and there, but we’re obsessed with perfection. So we redesigned the Mix Bus, tweaked the EQs, and created a mixer with a highly intuitive, musical feel.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eVastly Superior XDR2™ Mic Peamps\u003c\/span\u003e\u003cbr\u003e Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eEqualization\u003c\/span\u003e\u003cbr\u003eWe invested tremendous resources optimizing the center frequencies of our three-band Active EQs. By selecting 80Hz, 2.5kHz and 12kHz, for the Lows, Mids and Highs, respectively, we created an even more musical EQ than on previous VLZs. With up to 15dB boost\/cut capability per band, VLZ3’s Active EQ provides more tone-sculpting latitude than any other mixer in its class.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eProfessional Features\u003c\/span\u003e\u003cbr\u003eThe Mackie 1402-VLZ3 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room\/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eNeed Even More Flexibility?\u003c\/span\u003e\u003cbr\u003eGreg Mackie's mind was working overtime when he originally came up with this—instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1402-VLZ3, the signal is indeed muted—but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an ideal way to create additional Aux Sends and mixes for cry rooms, green rooms, or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output—which means ALT 3-4 can act very much like a \"mixer within a mixer.\" For instance, you could assign the backup vocals to the ALT 3-4 bus and then use the CTL ROOM\/SUBMIX fader to add them back into the main mix. Now one fader controls the level of those channels as a single unit.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e1402-VLZ3 VERSUS 1202-VLZ3 \u003c\/span\u003e\u003cbr\u003eAt 12.9\" x 14\" x 3.2\", the 1402-VLZ3 is just slightly larger than the 1202. It features two more mic\/line channels, and for those of you who prefer sliding to twisting, 60mm, long-wearing, log-taper faders versus the 1202's rotary pots. And that’s just the obvious stuff. Under the hood the 1402-VLZ3 has an assignable Solo AFL\/PFL switch, independent Left and Right Main output faders, and a Level Set LED.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBuilt Mackie Tough\u003c\/span\u003e\u003cbr\u003eAll VLZ3 mixers are built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs 'ride' just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They’ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eVersatility\u003c\/span\u003e\u003cbr\u003eYou'll find Mackie mixers everywhere you go—from video post-production facilities, to major artist tour buses, to duty as field mixers for news departments of all the major networks. Drummers and keyboardists use them to send submixes to front of house and monitor consoles. VLZ3 compact mixers are the ideal choice for any situation requiring superior audio mixing, especially where space and\/or budget constraints are an issue.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew ultra-low noise VLZ3 design with highest possible headroom\u003c\/li\u003e\n\u003cli\u003eSix studio-grade XDR2™ Extended Dynamic Range mic preamps with:\u003cbr\u003e \n\u003cul\u003e\n\u003cli\u003eUltra-wide 60dB gain range\u003c\/li\u003e\n\u003cli\u003e130dB dynamic range\u003c\/li\u003e\n\u003cli\u003e+22dBu line input handling\u003c\/li\u003e\n\u003cli\u003eExtended low frequency response\u003c\/li\u003e\n\u003cli\u003eDistortion under 0.0007% (20Hz - 20kHz)\u003c\/li\u003e\n\u003cli\u003ePhantom power for studio condenser mics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e12 high-headroom line inputs \u003c\/li\u003e\n\u003cli\u003eAdvanced DC pulse transformer RF rejection \u003c\/li\u003e\n\u003cli\u003eTwo aux sends, level, pan and PFL solo on each channel \u003c\/li\u003e\n\u003cli\u003eTwo stereo aux returns + EFX to Monitor \u003c\/li\u003e\n\u003cli\u003eThree-band active EQ (80Hz, 2.5kHz, 12kHz) \u003c\/li\u003e\n\u003cli\u003e18dB\/oct. 75Hz lo-cut filter on Mic input channels \u003c\/li\u003e\n\u003cli\u003eALT 3\/4 stereo bus for added versatility \u003c\/li\u003e\n\u003cli\u003eControl room\/phones source matrix \u003c\/li\u003e\n\u003cli\u003eRack-mountable design using optional rack ears\u003c\/li\u003e\n\u003cli\u003eSealed rotary controls to resist dust and grime \u003c\/li\u003e\n\u003cli\u003eNew multi-voltage power supply for worldwide use\u003c\/li\u003e\n\u003cli\u003eRugged steel chassis \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333608551,"sku":"14492","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_1402vlz3.jpg?v=1787088593"},{"product_id":"mackie-1642-vlz3","title":"Mackie 1642-VLZ3","description":"\u003cp\u003eWith its sleek new look, upgraded preamps and EQ circuitry, the new \u003cspan style=\"font-weight: bold;\"\u003eMackie 1642-VLZ3\u003c\/span\u003e redefines perfection. With the same features and functionality of its predecessor, the re-engineered Mackie 1642-VLZ3 has even greater headroom than the original. We could have stopped right then and there, but since we’re obsessed with perfection, we redesigned the Mix Bus and made significant enhancements to the EQs, giving the 1642-VLZ3 a more intuitive and musical feel.\u003cbr\u003e\u003cbr\u003eThe 1642-VLZ3’s three unique channel strip formats allow you to input and shape any kind of signal, including mic, line, and stereo instruments. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1642-VLZ3. You’ll think it’s perfect, too.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eVastly Superior XDR2™ Mic Peamps\u003c\/span\u003e\u003cbr\u003eOur new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1642-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThree Kinds of Channel Strips\u003c\/span\u003e\u003cbr\u003e1. Channels 1–8 are essentially the same as those on our 1604-VLZ3, with mono line-level input and our ultra-high-quality XDR2 mic preamps. These VLZ (Very Low Impedance) mic pres offer superior sound quality and the best RFI rejection of any compact mixer on the market.\u003cbr\u003e\u003cbr\u003e2. Channels 9\/10 and 11\/12 (two physical channel strips) each provide a stereo pair of line-level inputs and a mono XDR2 mic preamp.\u003cbr\u003e\u003cbr\u003e3. Channels 13\/14 and 15\/16 (also in two physical channel strips) each provide a stereo pair of line-level inputs only, with fixed 4-band equalization at points that are specifically designed for line-level inputs, such as keyboards, sound modules, etc.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333641319,"sku":"14493","price":699.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_1642vlz3.jpg?v=1787088594"},{"product_id":"mackie-onyx-820i","title":"Mackie Onyx 820i","description":"\u003cp\u003eThe feature-packed and performance-optimizing \u003cspan style=\"font-weight: bold;\"\u003eMackie Onyx 820i\u003c\/span\u003e is the most compact and desk-friendly version of the Onyx-i Series. With eight channels, three Onyx mic preamps, two aux sends, talkback, flexible control room routing and a variety of Perkins EQ configurations, there is plenty of analog goodness to go around. Plus, FireWire I\/O lets you route all channels, auxes and the master L\/R to nearly any DAW for recording and return a stereo signal to the control room or into a channel for mix integration. The 820i packs a big punch in a very small package.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDAW-Friendly Doesn't Even Begin To Cover It\u003c\/span\u003e\u003cbr\u003eMackie-designed gear is more often than not, the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools® M-Powered™ 8*, Logic©, SONAR™, Cubase© and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world’s most popular DAW. And Pro Tools® M-Powered™ 8 users now have a variety of new, and different, tools to use with their favorite DAW. It’s a win-win situation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDeep Firewire Integration\u003c\/span\u003e\u003cbr\u003eThe Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-style: italic; font-weight: bold;\"\u003eWet or Dry? — \u003c\/span\u003eEvery channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not.\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003eStudio Quality Effects — \u003c\/span\u003eAll aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003ePreserve Your Mix —\u003c\/span\u003e Master L\/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003eMix Integration — \u003c\/span\u003eStereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.\u003cbr\u003e\u003cspan style=\"font-style: italic; font-weight: bold;\"\u003eLatency-Free Overdubs —\u003c\/span\u003e Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.\u003cbr\u003e\u003cbr\u003eThe flexibility offered by the 820i allows you to work faster and more intuitively than ever before. Imagine a world where your recording sessions run smoothly, every single time. Dream of a live sound mix that is both archived for history and simultaneously recorded multi-track for later mixing. No need to dream, the 820i is here.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePREMIUM Analog Mixer\u003c\/span\u003e\u003cbr\u003eWhen it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer. The 820i has a plethora of analog features that are sure to please. First off, there are three Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Two mono mic\/line channels feature three-band Perkins EQ with a sweepable mid, the stereo line channels have three-band EQ and (talk about flexibility) a unique hybrid channel features four-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre\/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSmacks Of Quality\u003c\/span\u003e\u003cbr\u003eThe Onyx 820i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.\u003cbr\u003e\u003cbr\u003eAny audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 820i offers the quality demanded by industry professionals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight-channel premium analog mixer with integrated 24-bit\/96kHz FireWire I\/O\u003c\/li\u003e\n\u003cli\u003eQualified by Mackie for use with all major DAWs, including:\u003c\/li\u003e\n\u003cli\u003e- Pro Tools® M-Powered™ 8\u003c\/li\u003e\n\u003cli\u003e(Requires $49.99 USD driver upgrade at www.mackie.com)\u003cbr\u003e- Logic®\u003cbr\u003e- SONAR™\u003cbr\u003e- Cubase®\u003cbr\u003e- Ableton® Live\u003cbr\u003e- Final Cut Pro®\u003c\/li\u003e\n\u003cli\u003eThree Onyx boutique-quality mic preamps\u003c\/li\u003e\n\u003cli\u003eThree-band Perkins EQ with sweepable mids on mic\/line channels\u003c\/li\u003e\n\u003cli\u003eThree-band Perkins EQ on stereo line channels\u003c\/li\u003e\n\u003cli\u003eHybrid mono\/stereo channel with four-band Perkins EQ\u003c\/li\u003e\n\u003cli\u003e8x2 FireWire routing, including aux sends and pre\/post EQ assignment for all channels\u003c\/li\u003e\n\u003cli\u003eStereo playback from DAW, returned to control room or into channel for integration into mix\u003c\/li\u003e\n\u003cli\u003eBuilt-in DI on first two channels for direct connection of guitars, bass, etc.\u003c\/li\u003e\n\u003cli\u003eIndividual 48V phantom power switches on all mic inputs\u003c\/li\u003e\n\u003cli\u003eTalkback section with built in mic and flexible routing\u003c\/li\u003e\n\u003cli\u003e“Planet Earth” switching power supply for worldwide use\u003c\/li\u003e\n\u003cli\u003eOptional rack kit available \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333674087,"sku":"14494","price":449.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_onyx_820i.jpg?v=1787088594"},{"product_id":"mackie-onyx-1220i","title":"Mackie Onyx 1220i","description":"\u003cp\u003eThe 12-channel \u003cstrong\u003eOnyx 1220i\u003c\/strong\u003e delivers stunning performance in a size that is decidedly desk-friendly. Premium analog features like boutique-quality Onyx mic pres, smooth 60 mm channel faders and the proven tone-sculpting capability of Perkins EQ allows for performance that is unmatched in this category. The 16x2 built-in FireWire interface will simultaneously deliver all 12 channels, all auxes and the master L\/R signal straight to your favorite DAW with zero routing. How easy is that? You can even return a couple of channels from the DAW right back into a channel strip for mix integration. It’s easy, it’s professional…it’s the Onyx 1220i.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDAW-Friendly Doesn't Even Begin To Cover It\u003c\/span\u003e\u003cbr\u003eMackie-designed gear is more often than not, the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools® M-Powered™ 8*, Logic©, SONAR™, Cubase© and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world’s most popular DAW. And Pro Tools® M-Powered™ 8 users now have a variety of new, and different, tools to use with their favorite DAW. It’s a win-win situation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDeep Firewire Intergration\u003c\/span\u003e\u003cbr\u003eThe Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-style: italic; font-weight: bold;\"\u003eWet or Dry?\u003c\/span\u003e — Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not. Studio Quality Effects—All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.\u003cbr\u003e\u003cspan style=\"font-style: italic; font-weight: bold;\"\u003ePreserve Your Mix\u003c\/span\u003e — Master L\/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003eMix Integration — \u003c\/span\u003eStereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration. \u003cbr\u003e\u003cspan style=\"font-style: italic; font-weight: bold;\"\u003eLatency-Free Overdubs —\u003c\/span\u003e Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.\u003cbr\u003e\u003cbr\u003eThe 1220i delivers seamless, routing-free FireWire connection to your favorite DAW. All channels, auxes and (of course) the master L\/R are simultaneously available to your DAW, with zero routing. The Onyx-i FireWire connection has amazing bandwidth, and the 1220i takes full advantage.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePremium Analog Mixer\u003c\/span\u003e\u003cbr\u003eWhen it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.\u003cbr\u003e\u003cbr\u003eThe 1220i has a plethora of analog features that are sure to please. First off, there are four Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Four mono mic\/line channels feature three-band Perkins EQ with a sweepable mid and the additional stereo line channels have three-band EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre\/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSmacks Of Quality\u003c\/span\u003e\u003cbr\u003eThe Onyx 1220i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.\u003cbr\u003e\u003cbr\u003eAny audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 1220i offers the quality demanded by industry professionals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12-channel premium analog mixer with integrated 24-bit\/96kHz FireWire I\/O\u003c\/li\u003e\n\u003cli\u003eQualified by Mackie for use with all major DAWs, including: \u003cbr\u003e-Pro Tools® M-Powered™ 8\u003cbr\u003e(Requires $49.99 USD driver upgrade at www.mackie.com)\u003cbr\u003e- Logic®\u003cbr\u003e- SONAR™\u003cbr\u003e- Cubase®\u003cbr\u003e- Ableton® Live\u003cbr\u003e- Final Cut Pro®\u003c\/li\u003e\n\u003cli\u003eFour Onyx boutique-quality mic preamps\u003c\/li\u003e\n\u003cli\u003eThree-band Perkins EQ with sweepable mids on mic\/line channels\u003c\/li\u003e\n\u003cli\u003eThree-band Perkins EQ on stereo line channels\u003c\/li\u003e\n\u003cli\u003e16x2 FireWire routing for simultaneous streaming of aux sends and pre\/post EQ assignment for all channels\u003c\/li\u003e\n\u003cli\u003eStereo playback from DAW, returned to control room or into channel for integration into mix\u003c\/li\u003e\n\u003cli\u003eBuilt-in DI on first two channels for direct connection of guitars, bass, etc.\u003c\/li\u003e\n\u003cli\u003eIndividual 48V phantom power switches on all mic inputs\u003c\/li\u003e\n\u003cli\u003eTalkback section with built in mic and flexible routing\u003c\/li\u003e\n\u003cli\u003e“Planet Earth” switching power supply for worldwide use\u003c\/li\u003e\n\u003cli\u003eOptional rack kit available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333706855,"sku":"14495","price":649.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_onyx_1220i.jpg?v=1787088594"},{"product_id":"mackie-onyx-1620i","title":"Mackie Onyx 1620i","description":"\u003cp\u003eEight full channels of mic pres and four stereo channels means there are few sessions that the \u003cspan style=\"font-weight: bold;\"\u003eMackie Onyx 1620i\u003c\/span\u003e cannot handle. Each mic channel features 4-band Perkins EQ with dual sweepable mids, providing truly professional tone-shaping. Band-friendly features like the dedicated talkback section with built-in mic allow you to easily communicate with the talent, whether behind the glass or in front of stage monitors. Deep FireWire integration, along with complete platform support allows you to easily record in the studio, or at the gig. The matter is settled then…the 1620i is a true band workhorse.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDAW-Friendly Doesn't Even Begin To Cover It\u003c\/span\u003e\u003cbr\u003eMackie-designed gear is more often than not, the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools® M-Powered™ 8*, Logic©, SONAR™, Cubase© and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world’s most popular DAW. And Pro Tools® M-Powered™ 8 users now have a variety of new, and different, tools to use with their favorite DAW. It’s a win-win situation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDEEP Firewire Intergration\u003c\/span\u003e\u003cbr\u003eThe Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-style: italic; font-weight: bold;\"\u003eWet or Dry? —\u003c\/span\u003e Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not.\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003eStudio Quality Effects —\u003c\/span\u003e Aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003ePreserve Your Mix — \u003c\/span\u003eMaster L\/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003eMix Integration — \u003c\/span\u003eStereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.\u003cbr\u003e\u003cspan style=\"font-weight: bold; font-style: italic;\"\u003eLatency-Free Overdubs — \u003c\/span\u003eHaving a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.\u003cbr\u003e\u003cbr\u003eThe 1620i delivers hassle-free FireWire connection to your favorite DAW. All channels, auxes and (of course) the master L\/R are available to your DAW. And since you can return your DAW outputs straight into a channel strip, mix integration is easier than ever.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePremium Analog Mixer\u003c\/span\u003e\u003cbr\u003eWhen it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.\u003cbr\u003e\u003cbr\u003eThe 1620i has a plethora of analog features that are sure to please. First off, there are eight Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Eight mono mic\/line channels feature four-band Perkins EQ with dual sweepable mids, the additional four stereo line channels have three-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include four aux sends with pre\/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSmacks of Quality\u003c\/span\u003e\u003cbr\u003eThe Onyx 1620i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.\u003cbr\u003e\u003cbr\u003eAny audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 1620i offers the quality demanded by industry professionals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel premium analog mixer with integrated 24 bit\/96kHz FireWire I\/O\u003c\/li\u003e\n\u003cli\u003eQualified by Mackie for use with all major DAWs, including:\u003cbr\u003e- Pro Tools® M-Powered™ 8\u003cbr\u003e(Requires $49.99 USD driver upgrade at www.mackie.com)\u003cbr\u003e- Logic®\u003cbr\u003e- SONAR™\u003cbr\u003e- Cubase®\u003cbr\u003e- Ableton® Live\u003cbr\u003e- Final Cut Pro®\u003c\/li\u003e\n\u003cli\u003eEight Onyx boutique-quality mic preamps\u003c\/li\u003e\n\u003cli\u003eFour-band Perkins EQ with sweepable mids on mic\/line channels\u003c\/li\u003e\n\u003cli\u003eThree-band Perkins EQ on stereo line channels\u003c\/li\u003e\n\u003cli\u003e16x2 FireWire routing, including aux sends and pre\/post EQ assignment for all channels\u003c\/li\u003e\n\u003cli\u003eFour aux sends with pre\/post assignment\u003c\/li\u003e\n\u003cli\u003eSmooth 60mm channel and master faders\u003c\/li\u003e\n\u003cli\u003eBuilt-in DI on first two channels for direct connection of guitars, bass, etc.\u003c\/li\u003e\n\u003cli\u003eIndividual 48V phantom power switches on all mic inputs\u003c\/li\u003e\n\u003cli\u003eTalkback section with built in mic and flexible routing\u003c\/li\u003e\n\u003cli\u003e“Planet Earth” switching power supply for worldwide use\u003c\/li\u003e\n\u003cli\u003eOptional rack kit available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333739623,"sku":"14496","price":949.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_onyx_1620i_8a8843d2-abf6-44af-a995-b599026613e3.jpg?v=1787088594"},{"product_id":"mackie-profx8","title":"Mackie PROFX8","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMackie ProFX8\u003c\/span\u003e offers a complete and truly professional feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag. There’s even USB I\/O for recording the set. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.\u003cbr\u003e\u003cbr\u003eThe ProFX8 is fully stocked, featuring four Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated effects, precision 7-band GEQ and more. All of these great features are housed in a rugged enclosure, in true Mackie “Built-Like-A-Tank” tradition. The ProFX8 has the right set of great-sounding tools to make your gig sound better and run smoother.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eLive Sound Toolbox\u003c\/span\u003e\u003cbr\u003eYour job is to make things sound good. Maybe you’re a solo performer playing covers at a Vegas hotel bar. Perhaps you have the honor of being the “engineer” of your band and not only do you play bass, you’re also in control of the mix. No matter what the situation is, you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. The ProFX8 comes with all these features—it is truly the perfect live sound toolbox.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e“Gig-Ready” RMFX™ Effects\u003c\/span\u003e\u003cbr\u003eThe all-new RMFX™ (Running Man FX) 32 bit effects processor brings “Gig Ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability. Small, medium and large room reverbs with a mix of a warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRecord and Stream via USB\u003c\/span\u003e\u003cbr\u003eWith all the right tools for the job, the ProFX8 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I\/O takes the pain out of recording. Just connect the ProFX8 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX8 to playback some tunes during the next BBQ. Unless you’re a vegetarian…not that there’s anything wrong with that.\u003cbr\u003e\u003cbr\u003eThe innovative “USB Thru” switch allows for an impressive live\/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX8. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eLegendary Mackie Durability\u003c\/span\u003e\u003cbr\u003eMackie is known for building mixers that are “Built-Like-A-Tank” and the ProFX8 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant side pieces are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePA Made Painless\u003c\/span\u003e\u003cbr\u003eMackie Precision Passive and Mackie Active LogosSimple is better. A utility mixer like the ProFX8 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eActive — \u003c\/span\u003eJust add Mackie SR, SA, SRM Series Active Loudspeakers or SWA Series Active Subwoofers\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePassive — \u003c\/span\u003eAdd a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers\u003cbr\u003e\u003cbr\u003eThe legendary quality of Mackie loudspeakers combined with the utility of the ProFX8 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBudget Friendly\u003c\/span\u003e\u003cbr\u003eThe ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional eight-channel Compact Mixer with onboard effects and USB I\/O\u003c\/li\u003e\n\u003cli\u003eFour low-noise, high-headroom Mackie mic preamps with easy LED metering\u003c\/li\u003e\n\u003cli\u003e32 bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays\u003c\/li\u003e\n\u003cli\u003ePrecision 7-band graphic EQ for tuning Mains or Monitors\u003c\/li\u003e\n\u003cli\u003eUSB I\/O for recording shows and music playback via Mac or PC\u003c\/li\u003e\n\u003cli\u003eThree full stereo channels plus extra stereo return for keyboards, external effects or stereo playback devices\u003c\/li\u003e\n\u003cli\u003e60mm faders for input channels, returns and Main\/Monitor masters\u003c\/li\u003e\n\u003cli\u003eThree-band active EQ (80Hz, 2.5kHz and 12kHz) on all channels\u003c\/li\u003e\n\u003cli\u003eHi-Z input for direct connection of guitar, bass and other instruments \u003c\/li\u003e\n\u003cli\u003eInsert, 100Hz low cut filter, and 48V phantom power on all mic channels\u003c\/li\u003e\n\u003cli\u003eStereo RCA tape I\/O with input level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with separate rotary level control\u003c\/li\u003e\n\u003cli\u003eBalanced XLR and balanced\/unbalanced ¼\" main outputs\u003c\/li\u003e\n\u003cli\u003eFX mute with remote control via footswitch\u003c\/li\u003e\n\u003cli\u003eBreak switch mutes all channels for music playback between sets\u003c\/li\u003e\n\u003cli\u003eBuilt-like-a-tank steel chassis with rugged, yet stylish ABS sidecheeks\u003c\/li\u003e\n\u003cli\u003e\"Planet Earth\" switching power supply for worldwide use\u003c\/li\u003e\n\u003cli\u003eIncludes Tracktion 3 Music Production Software for Mac or PC \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333772391,"sku":"14497","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_profx8.jpg?v=1787088594"},{"product_id":"mackie-profx12","title":"Mackie PROFX12","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMackie ProFX12\u003c\/span\u003e is the perfect choice for smaller performing acts, solo performers or for small venues that don’t have the budget or space for a ton of outboard gear. The ProFX12 has everything needed to make your gig sound great and is really easy to operate. Plus, USB I\/O lets you record the show or stream music straight from a laptop. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.\u003cbr\u003e\u003cbr\u003eThe ProFX12 is loaded with six Mackie high-headroom, low-noise mic preamps, three-band EQ, a built-in DI for direct connection of a guitar or bass, integrated “Gig-Ready” effects, precision seven-band GEQ and more. The ProFX12 has all the right tools, each and every one designed to sound great. Plus, everything is housed in an ultra-tough enclosure with additional impact-resistant sidecheeks, protecting your investment from the rigors of the road.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eLive Sound Toolbox\u003c\/span\u003e\u003cbr\u003eClick for larger view of the EqualizerSmaller performing acts typically play in places that may not have an engineer on hand. In fact, someone from the band might have double-duty as “The Sound Guy” for the group. If you are reading this, chances are that’s you. Let us pander to your obviously higher intellect… you are a professional and you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. Sounds good, right? The ProFX12 comes with all these features—it is truly the perfect live sound toolbox.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e“Gig-Ready” RMFX™ Effects\u003c\/span\u003e\u003cbr\u003eClick for larger view of RMFXThe all-new RMFX™ (Running Man FX) 32 bit effects processor brings “Gig Ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability. Small, medium and large room reverbs with a mix of warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRecord and Stream via USB\u003c\/span\u003e\u003cbr\u003eWith all the right tools for the job, the ProFX12 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I\/O takes the pain out of recording. Just connect the ProFX12 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX12 to playback some tunes during your next party. Unless you’re anti-social, don’t have the right kind of place for a party or are just sick of buying food and beverages for everyone. In that case, you can play back whatever talk-radio show you listen to when alone.\u003cbr\u003e\u003cbr\u003eNot only that, the innovative “USB Thru” switch allows for an impressive live\/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX12. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eLegendary Mackie Durability\u003c\/span\u003e\u003cbr\u003eMackie is known for building mixers that are “Built-Like-A-Tank”, and the ProFX12 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant sidecheeks are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePA Made Painless\u003c\/span\u003e\u003cbr\u003eMackie Active and Mackie Precision Passive LogosSimple is better. A utility mixer like the ProFX12 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eActive -\u003c\/span\u003e Just add Mackie SR, SA, SRMv2 Series Active Loudspeakers or SWA Series Active Subwoofers\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePassive -\u003c\/span\u003e Add a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers\u003cbr\u003e\u003cbr\u003eThe legendary quality of Mackie loudspeakers combined with the utility of the ProFX12 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBudget Friendly\u003c\/span\u003e\u003cbr\u003ePiggy BankThe ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for, and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional 12-channel Compact Mixer with onboard effects and USB I\/O\u003c\/li\u003e\n\u003cli\u003eSix low-noise, high-headroom Mackie mic preamps with easy LED metering\u003c\/li\u003e\n\u003cli\u003e32 bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays \u003c\/li\u003e\n\u003cli\u003ePrecision 7-band graphic EQ for tuning Mains or Monitors\u003c\/li\u003e\n\u003cli\u003eUSB I\/O for recording shows and music playback via Mac or PC\u003c\/li\u003e\n\u003cli\u003eFour full stereo channels plus extra stereo return for keyboards, external effects or stereo playback devices\u003c\/li\u003e\n\u003cli\u003e60mm faders for input channels, returns and Main\/Monitor masters\u003c\/li\u003e\n\u003cli\u003eThree-band active EQ (80Hz, 2.5kHz and 12kHz) on all channels\u003c\/li\u003e\n\u003cli\u003eHi-Z input for direct connection of guitar, bass and other instruments\u003c\/li\u003e\n\u003cli\u003eInsert, 100Hz low cut filter, and 48V phantom power on all mic channels\u003c\/li\u003e\n\u003cli\u003eStereo RCA tape I\/O with input level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with separate rotary level control\u003c\/li\u003e\n\u003cli\u003eBalanced XLR and balanced\/unbalanced ¼-inch Main outputs\u003c\/li\u003e\n\u003cli\u003eFX mute with remote control via footswitch\u003c\/li\u003e\n\u003cli\u003eBreak switch mutes all channels for music playback between sets\u003c\/li\u003e\n\u003cli\u003eBuilt-like-a-tank steel chassis with rugged, yet stylish ABS sidecheeks\u003c\/li\u003e\n\u003cli\u003e\"Planet Earth\" switching power supply for worldwide use\u003c\/li\u003e\n\u003cli\u003eIncludes Tracktion 3 Music Production Software for Mac or PC \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333805159,"sku":"14498","price":279.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_profx12.jpg?v=1787088594"},{"product_id":"mackie-onyx-24-4","title":"Mackie Onyx 24.4","description":"\u003cp\u003eFrom \u003cstrong\u003eMackie\u003c\/strong\u003e, the \u003cstrong\u003eOnyx 24.4\u003c\/strong\u003e is a 24-channel, four bus live sound mixer for use in mid-size venues. Much like the preceding SR series mixers, the Onyx 24.4 is designed to deliver optimum, professional quality in a compact, portable frame. 24 input channels feature 1\/4\" phone line level connectors and Mackie's famed Onyx microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe Onyx microphone preamps boast an impressive 123dB total dynamic range, -129.5 dBm Equivalent Input Noise (EIN) and 0.0007% Total Harmonic Distortion (THD) for an overall sound that rivals expensive \"boutique\" mic preamps. The Onyx four-bus mixers feature an internal compressor \/ limiter for complete control over dynamics, transients and level fluctuation.\u003c\/p\u003e\n\u003cp\u003eEach channel features Mackie's patented four-band Perkins EQ for high quality \"British\" EQ style signal contouring. There is no shortage of routing options with its 6 x 2 matrix providing sufficient monitor sends, four-bus group outputs for routing channel signal to recorders and direct outputs on DB-25 connectors. The Onyx 4-bus live sound consoles are full featured, portable work-horse mixers for touring, small venue, house-of-worship, schools, halls and more.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24-channel \/ four-bus premium analog mixer designed for live sound\u003c\/li\u003e\n\u003cli\u003eOnyx microphone preamps with class-leading fidelity and dynamic range on every channel\u003c\/li\u003e\n\u003cli\u003efour-band Perkins EQ on every channel for warm, musical sound\u003c\/li\u003e\n\u003cli\u003e6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc.\u003c\/li\u003e\n\u003cli\u003eBuilt-in assignable stereo compressor\/limiter designed by THAT® corporation\u003c\/li\u003e\n\u003cli\u003eGiant 12-segment LED ladders for Main output and compressor\/limiter \u003c\/li\u003e\n\u003cli\u003eSix Aux sends with Pre\/Post switches\u003c\/li\u003e\n\u003cli\u003eTwo dedicated stereo channels\u003c\/li\u003e\n\u003cli\u003e100mm Panasonic™ faders on all channels, groups and mains\u003c\/li\u003e\n\u003cli\u003eSame physical size as the popular SR24•4 mixing console \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333837927,"sku":"14502","price":1599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_onyx24.4.jpg?v=1787088594"},{"product_id":"mackie-onyx-32-4","title":"Mackie Onyx 32.4","description":"\u003cp\u003eFrom \u003cstrong\u003eMackie\u003c\/strong\u003e, the \u003cstrong\u003eOnyx 32.4\u003c\/strong\u003e is a 32 channel, 4 bus live sound mixer for use in mid-size venues. Much like the preceding SR series mixers, the Onyx 32.4 is designed to deliver optimum, professional quality in a compact, portable frame. 32 input channels feature 1\/4\" phone line level connectors and Mackie's famed Onyx microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe Onyx microphone preamps boast an impressive 123dB total dynamic range, -129.5 dBm Equivalent Input Noise (EIN) and 0.0007% Total Harmonic Distortion (THD) for an overall sound that rivals expensive \"boutique\" mic preamps. The Onyx 4-bus mixers feature an internal compressor \/ limiter for complete control over dynamics, transients and level fluctuation.\u003c\/p\u003e\n\u003cp\u003eEach channel features Mackie's patented four-band Perkins EQ for high quality \"British\" EQ style signal contouring. There is no shortage of routing options with its 6 x 2 matrix providing sufficient monitor sends, four-bus group outputs for routing channel signal to recorders and direct outputs on DB-25 connectors. The Onyx four-bus live sound consoles are full featured, portable work-horse mixers for touring, small venue, house-of-worship, schools, halls and more.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e32-channel \/ four-bus premium analog mixer designed for live sound\u003c\/li\u003e\n\u003cli\u003eOnyx microphone preamps with class-leading fidelity and dynamic range on every channel\u003c\/li\u003e\n\u003cli\u003eFour-band Perkins EQ on every channel for warm, musical sound\u003c\/li\u003e\n\u003cli\u003e6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc.\u003c\/li\u003e\n\u003cli\u003eBuilt-in assignable stereo compressor\/limiter designed by THAT® corporation\u003c\/li\u003e\n\u003cli\u003eGiant 12-segment LED ladders for Main output and compressor\/limiter\u003c\/li\u003e\n\u003cli\u003eSix Aux sends with Pre\/Post switches\u003c\/li\u003e\n\u003cli\u003eTwo dedicated stereo channels\u003c\/li\u003e\n\u003cli\u003e100mm Panasonic™ faders on all channels, Groups and Mains\u003c\/li\u003e\n\u003cli\u003eSame physical size as the popular SR32•4 mixing console\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333870695,"sku":"14503","price":2099.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_onyx32.4.jpg?v=1787088594"},{"product_id":"mackie-ppm608","title":"Mackie PPM608","description":"\u003cp\u003eThe \u003cstrong\u003eMackie PPM608 8-Channel Professional Powered Mixer\u003c\/strong\u003e features two built-in amplifiers that deliver a powerful 1000W (peak) to passive loud speakers. The mixer is a perfect match with Mackie passive loud speakers such as the C300 or S215 models.\u003c\/p\u003e\r\n\u003cp\u003eA total of eight channels are comprised of four mono line, two line \/ DI switchable, and two stereo channels. All eight channels feature XLR microphone inputs with phantom power, and channels 5 and 6 feature DI instrument inputs for direct connection of guitars.\u003c\/p\u003e\r\n\u003cp\u003eBuilt-in compression dials are featured on channels 1 through 4 for easy on-touch compression setting. The Running Man 32 bit effects processor delivers \"gig ready\" usable effects presets that include plate reverb, room reverb presets, chorus settings and delays.\u003c\/p\u003e\r\n\u003cp\u003eA full three-band EQ section with mid-range sweep is featured on all mono inputs and two nine-band graphic EQ sections provide additional frequency contouring on output. The PPM608 is designed for rigorous road use with built-in handles, rounded front chassis and ABS construction. The PPM608 offers the routing, features, sound quality, power and ruggedness expected for sound reinforcement on-the-go.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-featured eight-channel, 1000W, ultra-light professional powered mixer with onboard 32 bit digital RMFX+™ processor\u003c\/li\u003e\r\n\u003cli\u003e500W + 500W Mackie designed Class-D, Fast Recovery™ power amplifiers\u003c\/li\u003e\r\n\u003cli\u003e32 bit RMFX+™ processor featuring 24 “Gig Ready” reverbs, choruses, and tap delay for live applications\u003c\/li\u003e\r\n\u003cli\u003eEight premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)\u003c\/li\u003e\r\n\u003cli\u003eNew Dedicated In-line Compression provides increased presence and punch for vocals and instruments\u003c\/li\u003e\r\n\u003cli\u003etwo stereo inputs with dual RCA and dual 1\/4\" line inputs for flexible connectivity\u003c\/li\u003e\r\n\u003cli\u003eMackie's three-band active channel EQ (80hz, 2.5kHz, 12kHz)\u003c\/li\u003e\r\n\u003cli\u003eTwo built-in DI boxes for direct instrument connections\u003c\/li\u003e\r\n\u003cli\u003eSeparate Monitor and FX auxiliary sends\u003c\/li\u003e\r\n\u003cli\u003eDual seven-band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes\u003c\/li\u003e\r\n\u003cli\u003eThree-mode amplifier for ultra-flexible routing, switchable as Mains Stereo L\/R, Mono Mains\/Monitor 1, or Mon 1 \u0026amp; Mon 2 \u003c\/li\u003e\r\n\u003cli\u003ePrecision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers\u003c\/li\u003e\r\n\u003cli\u003eRugged metal handles built into the sides of the mixer case for easy transport from gig to gig.\u003c\/li\u003e\r\n\u003cli\u003eBuilt like a tank and armored in poly carbonate ABS, the PPM608 features classic Mackie rounded front chassis design. So if the PPM rolls on its face during transport the controls are recessed and protected\u003c\/li\u003e\r\n\u003cli\u003eUltra-Lightweight and portable (20lbs\/ 9kg) \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333903463,"sku":"14504","price":799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_ppm608_0cdd25af-28c6-48fd-87fe-244b79d2881b.jpg?v=1787088595"},{"product_id":"mackie-ppm1008","title":"Mackie PPM1008","description":"\u003cp\u003eThe \u003cstrong\u003eMackie PPM1008 8-Channel Professional Powered Mixer\u003c\/strong\u003e features two built-in amplifiers that deliver a powerful 1600W (peak) to passive loud speakers. The mixer is a perfect match with Mackie passive loud speakers such as the C300 or S215 models.\u003c\/p\u003e\r\n\u003cp\u003eA total of eight channels is comprised of four mono line, two line \/ DI switchable, and two stereo channels. The first four channels feature XLR microphone inputs with phantom power, and channels 5 and 6 feature DI instrument inputs for direct connection of guitars.\u003c\/p\u003e\r\n\u003cp\u003eBuilt-in compression dials are featured on channels 1 through 4 for easy on-touch compression setting. The Running Man 32 bit effects processor delivers \"gig ready\" usable effects presets that include plate reverb, room reverb presets, chorus settings and delays.\u003c\/p\u003e\r\n\u003cp\u003eA full three-band EQ section with mid-range sweep is featured on all mono inputs and two nine-band graphic EQ sections provide additional frequency contouring on output. The PPM1008 is designed for rigorous road use with built-in handles, rounded front chassis and ABS construction. The PPM1008 features the routing, features, sound quality, power and ruggedness expected for sound reinforcement on-the-go.\u003c\/p\u003e\r\n\u003cdiv class=\"sectionHeaders\"\u003e\u003cdl\u003e\u003cdt\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\n\u003c\/dt\u003e\u003c\/dl\u003e\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-featured eight-channel, 1600W, ultra-light professional powered mixer with onboard 32 bit digital RMFX+™ processor\u003c\/li\u003e\r\n\u003cli\u003e800W + 800W Mackie designed Class-D, Fast Recovery™ power amplifiers\u003c\/li\u003e\r\n\u003cli\u003e32 bit RMFX+™ processor featuring 24 “gig ready”, useable reverbs, choruses, and tap delay for live applications\u003c\/li\u003e\r\n\u003cli\u003eEight premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)\u003c\/li\u003e\r\n\u003cli\u003eNew Dedicated In-line Compression provides increased presence and punch for vocals and instruments\u003c\/li\u003e\r\n\u003cli\u003eTwo stereo inputs with dual RCA and dual 1\/4-inch line inputs for flexible connectivity\u003c\/li\u003e\r\n\u003cli\u003eMackie's three-band active channel EQ with a mid sweep (100Hz-8kHz) on mono channels\u003c\/li\u003e\r\n\u003cli\u003eTwo built-in DI boxes for direct instrument connections\u003c\/li\u003e\r\n\u003cli\u003eSeparate Monitor and FX auxiliary sends\u003c\/li\u003e\r\n\u003cli\u003eDual 9-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes\u003c\/li\u003e\r\n\u003cli\u003eThree-mode amplifier for ultra-flexible routing, switchable as mains stereo L\/R, mono mains\/monitor 1, or mon 1 \u0026amp; mon 2\u003c\/li\u003e\r\n\u003cli\u003ePrecision passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers\u003c\/li\u003e\r\n\u003cli\u003eRugged metal handles built into the sides of the mixer case for easy transport from gig to gig\u003c\/li\u003e\r\n\u003cli\u003eBuilt like a tank and armored in poly carbonate ABS, the PPM1008 features classic Mackie rounded front chassis design. So if the PPM rolls on its face during transport the controls are recessed and protected.\u003c\/li\u003e\r\n\u003cli\u003eUltra-lightweight and portable (20 lbs\/ 9 kg) \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449333936231,"sku":"14505","price":999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_ppm1008.jpg?v=1787088595"},{"product_id":"mackie-ppm1012","title":"Mackie PPM1012","description":"\u003cp\u003eThe \u003cstrong\u003eMackie PPM1012 12-Channel Professional Powered Mixer\u003c\/strong\u003e features two built-in amplifiers that deliver a powerful 1600W (peak) to passive loud speakers. The mixer is a perfect match with Mackie passive loud speakers such as the C300 or S215 models.\u003c\/p\u003e\r\n\u003cp\u003eA total of 12-channels are comprised of 6 mono line, 2 line \/ DI switchable, and 2 stereo channels. The first 8 channels feature XLR microphone inputs with phantom power, and channels 7 and 8 also feature DI instrument inputs for direct connection of guitars.\u003c\/p\u003e\r\n\u003cp\u003eBuilt-in compression dials are featured on channels 1 through 6 for easy on-touch compression setting. The Running Man 32 bit effects processor delivers \"gig ready\" usable effects presets that include plate reverb, room reverb presets, chorus settings and delays.\u003c\/p\u003e\r\n\u003cp\u003eA full three-band EQ section with mid-range sweep is featured on all mono inputs and two 9-band graphic EQ sections provide additional frequency contouring on output. The PPM1008 is designed for rigorous road use with built-in handles, rounded front chassis and ABS construction. The PPM1008 features the routing, features, sound quality, power and ruggedness expected for sound reinforcement on-the-go.\u003c\/p\u003e\r\n\u003cdiv class=\"sectionHeaders\"\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003ePlenty of Power\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eTwo built-in amplifiers deliver a powerful 1600W (peak) to passive loud speakers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003eFlexible Input Channels\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eA total of 12-channels are comprised of 6 mono line, 2 line \/ DI switchable, and 2 stereo channels. The first 8 channels feature XLR microphone inputs with phantom power, and channels 7 and 8 also feature DI instrument inputs for direct connection of guitars.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003eRunning Man Effects Processor\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe Running Man 32 bit effects processor delivers \"gig ready\" usable effects presets that include plate reverb, room reverb presets, chorus settings and delays.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003eFlexible EQ\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eA full 3-band EQ section with mid-range sweep is featured on all mono inputs and two 9-band graphic EQ sections provide additional frequency contouring on output.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003eBuilt-In Compressors\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eBuilt-in compression dials are featured on channels 1 through 4 for easy on-touch compression setting.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-featured 12-channel, 1600W powered desktop mixer with 4-segment LEDs and solo PFL on every channel\u003c\/li\u003e\r\n\u003cli\u003e800W + 800W Mackie designed Class-D, Fast Recovery™ power amplifiers\u003c\/li\u003e\r\n\u003cli\u003e32 bit dual RMFX+™ processor featuring 24 “gig ready”, useable reverbs, choruses, and tap delay for live applications\u003c\/li\u003e\r\n\u003cli\u003eEight mic\/line mono inputs and 2 stereo line inputs for flexible connectivity\u003c\/li\u003e\r\n\u003cli\u003eMackie high-headroom, low-noise mic preamps with RF rejection for pristine signal\u003c\/li\u003e\r\n\u003cli\u003eNew dedicated in-line compression provides increased presence and punch for vocals and instruments\u003c\/li\u003e\r\n\u003cli\u003eMackie’s three-band active channel EQ with a mid sweep (100Hz-8kHz) on mono channels \u0026amp; four-band active EQ on stereo line channels 7 \u0026amp; 8\u003c\/li\u003e\r\n\u003cli\u003eTwo built-in DI boxes for direct instrument connections on channels 7 \u0026amp; 8\u003c\/li\u003e\r\n\u003cli\u003eFour Aux sends—2 FX \u0026amp; 2 Mon\u003c\/li\u003e\r\n\u003cli\u003eDual nine-band graphic EQ on the mains and monitor outputs for tuning rooms and monitor mixes\u003c\/li\u003e\r\n\u003cli\u003eMono output with level control \u0026amp; low pass filter selectable from 75Hz-100Hz\u003c\/li\u003e\r\n\u003cli\u003eThree-mode amplifier for ultra-flexible routing, switchable as mains stereo L\/R, mono mains\/monitor 1, or mon 1 \u0026amp; mon 2\u003c\/li\u003e\r\n\u003cli\u003ePrecision passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers\u003c\/li\u003e\r\n\u003cli\u003e48v phantom power available for all mic inputs\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\r\n\u003cli\u003e12v BNC lamp jack\u003c\/li\u003e\r\n\u003cli\u003eBuilt-like-a-tank metal chassis with a handle built into the front of the mixer for easy transport\u003c\/li\u003e\r\n\u003cli\u003eRack ears included\u003c\/li\u003e\r\n\u003cli\u003eLightweight and portable (29lbs\/ 13kg) \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449334001767,"sku":"14506","price":1199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_ppm1012.jpg?v=1787088595"},{"product_id":"alesis-imultimix-9r","title":"Alesis iMultiMix 9R","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAlesis iMultiMix 9R\u003c\/span\u003e is a one-of-a-kind, rack-mounted tool for mixing and playback directly from an iPod.  Video output equips the iMultMix 9R for use in nearly any venue as the ideal audio and video playback device.\u003cbr\u003e\u003cbr\u003eThis sturdy, compact, all-in-one rack-mounted mixer with integrated iPod player features five mic\/line inputs with inserts to allow for easy external processing of incoming signals. In addition, two stereo line inputs are included, one of which can be switched between line and iPod playback.\u003cbr\u003e\u003cbr\u003eThe iMultiMix 9R also features two-band per channel EQ, Mic\/Line inputs and iPod playback in a single, intuitive package. The iMultiMix 9R can playback music from the iPod and mix your live performances instantly with iPod (Classic and 5th generation) or iPod nano (2nd and 3rd generation). This makes the iMultiMix 9R perfect for using the iPod as a backing track for solo or band performances, while mixing sound sources all in one compact, convenient place.\u003cbr\u003e\u003cbr\u003eThe easy-to-read 60mm faders ensure clear indication of audio level every time. For ultra–clean mixing of any performance, including home studios, musicians, small or large venues, and houses of worship, the iMultiMix 9R is an ideal solution.\u003cbr\u003e\u003cbr\u003eiPod, iTunes, and Mac are trademarks of Apple Inc., registered in the U.S. and other countries.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449338556519,"sku":"15007","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis_imultimix9r_1_1.jpg?v=1787088613"},{"product_id":"alesis-multimix-16-usb-2-0","title":"Alesis MultiMix 16 USB 2.0","description":"\u003cp\u003eThe \u003cstrong\u003eAlesis MultiMix 16 USB 2.0\u003c\/strong\u003e mixer provides USB 2.0 technology for ultra–fast, low–latency, 24 bit\/44.1–96kHz (with high–end A\/D and D\/A conversion) multi–channel audio recording straight to your computer.\u003cbr\u003e \u003cbr\u003e Designed with low–noise analog electronics, the MultiMix 16 USB 2.0 mixer lets users take advantage of 100 studio–grade 28 bit digital effects.  Whether used for mobile or studio recording, the MultiMix 16 USB 2.0 mixer makes recording high–quality audio to your computer fast and easy.\u003cbr\u003e \u003cbr\u003e The MultiMix 16 USB 2.0 mixer is also bundled with award–winning Cubase LE software for instant creativity right out of the box.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449338654823,"sku":"15013","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis_multimix16usb2_0_1.jpg?v=1787088614"},{"product_id":"alesis-multimix-8-line","title":"Alesis MultiMix 8 Line","description":"\u003cp\u003e\u003cstrong\u003eAlesis MultiMix 8 Line\u003c\/strong\u003e is an ideal mixer for the stage, studio, boardrooms, conference rooms, health clubs, restaurants, houses of worship, and more. MultiMix 8 Line is also a great fit for any band's live rig, especially for keyboard players and multi-instrumentalists who need to mix or sub-mix multiple sources. MultiMix 8 Line features eight stereo channels with a mic\/line input on channel one and stereo effects send and return. When a mono signal is present on any input or stereo send, the left signal is automatically summed to mono for mono or stereo compatibility. Connect two MultiMix 8 Line mixers with inexpensive, common TRS cables, and they share the same mix bus for 16 stereo input channels. There is also an effects bus so you can share the same reverb, compressor, or other effects chain between two linked mixers. Keep an eye on your mix with simple, intuitive signal clip and overload LEDs for each input and a five-stage LED level indicator at the main output. This generously featured 1RU line mixer is at home or on stage as it is in a machine room, and it's half the price of the competition. Whether you're a professional musician, an audio contractor, or an A\/V consultant, MultiMix 8 Line is the tool to get the job done. \u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449338720359,"sku":"15016","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis_multimix8line_1_1.jpg?v=1787088614"},{"product_id":"alesis-multimix-4-usb","title":"Alesis MultiMix 4 USB","description":"\u003cp\u003eThe \u003cstrong\u003eMultiMix 4 USB\u003c\/strong\u003e is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups, video editing and production studios and portable podcasting setups because it outputs not only line-level analog audio, but also stereo 16 bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection. The MultiMix 4 USB mixer has four input channels, all of which can accept a 1\/4\" line input. You can can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three and four are configured as a stereo pair at the level and pan controls. The MultiMix 4 USB has a two-channel, five stage, multicolor LED meter for visual monitoring the main output level. A stereo, 1\/4\" headphone output has its own level control.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449338753127,"sku":"15014","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis_multimix4usb_1.jpg?v=1787088614"},{"product_id":"alesis-multimix-8-usb-2-0","title":"Alesis MultiMix 8 USB 2.0","description":"\u003cp\u003eThe \u003cstrong\u003eAlesis MultiMix 8 USB 2.0\u003c\/strong\u003e mixer provides USB 2.0 technology for ultra–fast, low–latency, 24 bit\/44.1–96kHz (with high–end A\/D and D\/A conversion) multi–channel audio recording straight to your computer.\u003cbr\u003e \u003cbr\u003e Designed with low–noise analog electronics, the MultiMix 8 USB 2.0 mixer lets users take advantage of 100 studio–grade 28 bit digital effects.  Whether used for mobile or studio recording, the MultiMix 8 USB 2.0 mixer makes recording high–quality audio to your computer fast and easy.\u003cbr\u003e \u003cbr\u003e The MultiMix 8 USB 2.0 mixer is also bundled with award–winning Cubase LE software for instant creativity right out of the box.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449338785895,"sku":"15018","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis_multimix8usb2_0_1.jpg?v=1787088614"},{"product_id":"allen-heath-gl2400-16","title":"Allen \u0026 Heath GL2400-16","description":"Developed from the hugely successful GL2200, the 4 group, 6 aux \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2400\u003c\/span\u003e offers uncompromised dual functionality for mixing FOH, stage monitors or both. It adds a host of new features including a 7x4 matrix with innovative mic cross-patching to create ambient enhanced additional mixes such as mono or stereo IEM and recording feeds, a mono fader assignable as LR sum, engineers wedge monitor control or even aux fed sub\/C mix, the two stereo channels accepting 2 stereo line plus a mic each, and many thoughtful new touches such as the plug-able option jumpers, XLR lamp sockets and Sys-Link V2 expandability. Performance is taken to a new level with the latest extended headroom preamp design, responsive EQ and a new ultra-quiet mix head amp.\u003cbr\u003e\u003cbr\u003eThe stylish new design is built using individual, nutted pot cards into a rugged, all-steel small footprint chassis ideal for flight-casing or the space conscious venue. The GL2400 is available in frame sizes ranging from 16-40 channels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e16, 24, 32, 40 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main outputs\u003c\/li\u003e\n\u003cli\u003e4 Audio groups with pan control\u003c\/li\u003e\n\u003cli\u003e6 Auxiliary sends with per-channel pre\/post fader switching\u003c\/li\u003e\n\u003cli\u003e2 stereo channels, each with mic and dual stereo line inputs\u003c\/li\u003e\n\u003cli\u003e7x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH and\/or Monitor mixing\u003c\/li\u003e\n\u003cli\u003eM can be configured as LR sum, Wedge, or Aux-Fed Sub or C master\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel line inputs can be independently routed to LR\u003c\/li\u003e\n\u003cli\u003eStereo channel mic input breakpoints for cross patching into matrix\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eDedicated channel, master and stereo monitor meters\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for pre\/post-EQ aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes, meters and AFL on all fader masters\u003c\/li\u003e\n\u003cli\u003eAssignable talkback\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator and pink noise generator\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003eHeadphones and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eInternal power supply with socket for MPS12 backup supply (16ch to 32ch models)\u003c\/li\u003e\n\u003cli\u003eExternal RPS11 power supply and socket for backup supply (40ch model only)\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eMetal jacks, gold-plated XLRs, sealed pots and switches\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets Ð Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358053479,"sku":"17154","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2400_1.jpg?v=1787088693"},{"product_id":"allen-heath-gl3800m-824a","title":"Allen \u0026 Heath GL3800M-824A","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358086247,"sku":"17162","price":5899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1.jpg?v=1787088693"},{"product_id":"allen-heath-gl3800m-824b","title":"Allen \u0026 Heath GL3800M-824B","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358217319,"sku":"17163","price":5999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_1.jpg?v=1787088693"},{"product_id":"allen-heath-gl3800m-824c","title":"Allen \u0026 Heath GL3800M-824C","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358250087,"sku":"17164","price":5999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_2.jpg?v=1787088694"},{"product_id":"allen-heath-gl3800m-824d","title":"Allen \u0026 Heath GL3800M-824D","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358282855,"sku":"17165","price":6199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_3.jpg?v=1787088694"},{"product_id":"allen-heath-gl3800m-832a","title":"Allen \u0026 Heath GL3800M-832A","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358315623,"sku":"17166","price":7099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_4.jpg?v=1787088695"},{"product_id":"allen-heath-gl3800m-832b","title":"Allen \u0026 Heath GL3800M-832B","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358348391,"sku":"17167","price":7299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_5_c9d6ba08-9c4e-4bef-a6db-5f057d339372.jpg?v=1787088694"},{"product_id":"allen-heath-gl3800m-832c","title":"Allen \u0026 Heath GL3800M-832C","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358381159,"sku":"17168","price":7299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_6.jpg?v=1787088694"},{"product_id":"allen-heath-gl3800m-832d","title":"Allen \u0026 Heath GL3800M-832D","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358413927,"sku":"17169","price":7499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_7.jpg?v=1787088694"},{"product_id":"allen-heath-gl3800m-840a","title":"Allen \u0026 Heath GL3800M-840A","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358479463,"sku":"17170","price":8299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_8.jpg?v=1787088695"},{"product_id":"allen-heath-gl3800m-840b","title":"Allen \u0026 Heath GL3800M-840B","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358446695,"sku":"17171","price":8499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_9.jpg?v=1787088695"},{"product_id":"allen-heath-gl3800m-840c","title":"Allen \u0026 Heath GL3800M-840C","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358512231,"sku":"17172","price":8499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_10.jpg?v=1787088695"},{"product_id":"allen-heath-gl3800m-840d","title":"Allen \u0026 Heath GL3800M-840D","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358544999,"sku":"17173","price":8699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_11.jpg?v=1787088695"},{"product_id":"allen-heath-gl3800m-848a","title":"Allen \u0026 Heath GL3800M-848A","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358577767,"sku":"17174","price":9299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_12.jpg?v=1787088696"},{"product_id":"allen-heath-gl3800m-848b","title":"Allen \u0026 Heath GL3800M-848B","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358610535,"sku":"17175","price":9399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_13.jpg?v=1787088696"},{"product_id":"allen-heath-gl3800m-848c","title":"Allen \u0026 Heath GL3800M-848C","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358774375,"sku":"17176","price":9399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_14.jpg?v=1787088696"},{"product_id":"allen-heath-gl3800m-848d","title":"Allen \u0026 Heath GL3800M-848D","description":"The Dual function \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL3800\u003c\/span\u003e offers the same top class performance and comprehensive feature set as the more compact GL2800. In addition, it includes a stylish integral meter bridge with 11 LED-illuminated, moving coil VU meters with built-in peak indicators. This provides the best of both VU and peak responding LED metering. The GL3800 uses the same silky smooth, high quality dual rail faders found in top end consoles costing many times the price. It offers a stylish, large format, premium quality option to the lower priced GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer monitor control using the M fader. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and more control. You even get matrix talkback and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option Built-in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40, and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eA,B,C,D mono\/stereo channel options\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send with level and pan controls\u003c\/li\u003e\n\u003cli\u003e2 multi-function stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH, monitor mixing, or both\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for center\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eIntegral meterpod with 11 LED-illuminated, moving coil VU meters\u003c\/li\u003e\n\u003cli\u003eWide angle LED channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eFront panel pre\/post-EQ switches for user preference\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm premium grade dual rail faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance, external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets and Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eMono \/ Stereo Channel Options\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eA = all mono channels\u003c\/li\u003e\n\u003cli\u003eB = 4 stereos to right of masters\u003c\/li\u003e\n\u003cli\u003eC = 4 stereos on far right side\u003c\/li\u003e\n\u003cli\u003eD = 8 stereos on far right side\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358676071,"sku":"17177","price":9599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl3800_1_15.jpg?v=1787088696"},{"product_id":"allen-heath-pa20","title":"Allen \u0026 Heath PA20","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath PA20\u003c\/span\u003e is a robust, compact 20 input (16 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA20 is an essential addition to any band, school, theater, or hire inventory.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e4 Aux sends with mute and LED\u003c\/li\u003e\n\u003cli\u003ePFL with LED\u003c\/li\u003e\n\u003cli\u003e2 Stereo inputs (2 inputs on each channel)\u003c\/li\u003e\n\u003cli\u003eRCA or TRS inputs for stereo inputs\u003c\/li\u003e\n\u003cli\u003eBuilt-in 16 program FX Digital DSP\u003c\/li\u003e\n\u003cli\u003eOn\/Off jack for FX DSP - MIDI for FX editing\u003c\/li\u003e\n\u003cli\u003e2 track output (RCA) for recording\u003c\/li\u003e\n\u003cli\u003eSPDIF 2-track direct digital output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358643303,"sku":"17181","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_pa20_1.jpg?v=1787088697"},{"product_id":"allen-heath-pa12","title":"Allen \u0026 Heath PA12","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath PA12\u003c\/span\u003e is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theater, or hire inventory.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eLine input overrides XLR input\u003c\/li\u003e\n\u003cli\u003e48V phantom power on each channel\u003c\/li\u003e\n\u003cli\u003eSwitched 100hz high pass filter on each channel\u003c\/li\u003e\n\u003cli\u003e4 band EQ\u003c\/li\u003e\n\u003cli\u003e100mm smooth action ALPS faders\u003c\/li\u003e\n\u003cli\u003eInsert point on every channel (TRS)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358708839,"sku":"17180","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_pa12_1.jpg?v=1787088696"},{"product_id":"allen-heath-pa28","title":"Allen \u0026 Heath PA28","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath PA28\u003c\/span\u003e is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA20 is an essential addition to any band, school, theater, or hire inventory.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e4 Aux sends with mute and LED\u003c\/li\u003e\n\u003cli\u003ePFL with LED\u003c\/li\u003e\n\u003cli\u003e2 Stereo inputs (2 inputs on each channel)\u003c\/li\u003e\n\u003cli\u003eRCA or TRS inputs for stereo inputs\u003c\/li\u003e\n\u003cli\u003eBuilt-in 16 program FX Digital DSP\u003c\/li\u003e\n\u003cli\u003eOn\/Off jack for FX DSP - MIDI for FX editing\u003c\/li\u003e\n\u003cli\u003e2 track output (RCA) for recording\u003c\/li\u003e\n\u003cli\u003eSPDIF 2-track direct digital output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358741607,"sku":"17182","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_pa28_1.jpg?v=1787088696"},{"product_id":"allen-heath-zed-14-rk19","title":"Allen \u0026 Heath ZED-14-RK19","description":"Rack-mount kit for ZED-14 and ZED-12FX models","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358807143,"sku":"17192","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen-heath-zed-14-rk19.jpg?v=1787088697"},{"product_id":"allen-heath-gl2400-32","title":"Allen \u0026 Heath GL2400-32","description":"Developed from the hugely successful GL2200, the 4 group, 6 aux \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2400\u003c\/span\u003e offers uncompromised dual functionality for mixing FOH, stage monitors or both. It adds a host of new features including a 7x4 matrix with innovative mic cross-patching to create ambient enhanced additional mixes such as mono or stereo IEM and recording feeds, a mono fader assignable as LR sum, engineers wedge monitor control or even aux fed sub\/C mix, the two stereo channels accepting 2 stereo line plus a mic each, and many thoughtful new touches such as the plug-able option jumpers, XLR lamp sockets and Sys-Link V2 expandability. Performance is taken to a new level with the latest extended headroom preamp design, responsive EQ and a new ultra-quiet mix head amp.\u003cbr\u003e\u003cbr\u003eThe stylish new design is built using individual, nutted pot cards into a rugged, all-steel small footprint chassis ideal for flight-casing or the space conscious venue. The GL2400 is available in frame sizes ranging from 16-40 channels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e16, 24, 32, 40 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main outputs\u003c\/li\u003e\n\u003cli\u003e4 Audio groups with pan control\u003c\/li\u003e\n\u003cli\u003e6 Auxiliary sends with per-channel pre\/post fader switching\u003c\/li\u003e\n\u003cli\u003e2 stereo channels, each with mic and dual stereo line inputs\u003c\/li\u003e\n\u003cli\u003e7x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH and\/or Monitor mixing\u003c\/li\u003e\n\u003cli\u003eM can be configured as LR sum, Wedge, or Aux-Fed Sub or C master\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel line inputs can be independently routed to LR\u003c\/li\u003e\n\u003cli\u003eStereo channel mic input breakpoints for cross patching into matrix\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eDedicated channel, master and stereo monitor meters\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for pre\/post-EQ aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes, meters and AFL on all fader masters\u003c\/li\u003e\n\u003cli\u003eAssignable talkback\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator and pink noise generator\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003eHeadphones and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eInternal power supply with socket for MPS12 backup supply (16ch to 32ch models)\u003c\/li\u003e\n\u003cli\u003eExternal RPS11 power supply and socket for backup supply (40ch model only)\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eMetal jacks, gold-plated XLRs, sealed pots and switches\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358905447,"sku":"17156","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2400_1_2.jpg?v=1787088697"},{"product_id":"allen-heath-gl2800-824","title":"Allen \u0026 Heath GL2800-824","description":"We have taken our pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing with the \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2800\u003c\/span\u003e. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer�s monitor control using the M fader. With up to 48 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. You can create an LCR mix from the LR and M buses, and add 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambiance and 'more me' control.\u003cbr\u003e\u003cbr\u003eYou even get matrix talk-back and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability. Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches. Individual circuit card assembly with nutted pots. Solid copper bus bar grounding. Sys-Link V2 console linking option. Built- in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40 and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send\u003c\/li\u003e\n\u003cli\u003e2 multifunction stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH\/Monitor mixing\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for centre\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eWide angle channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eRecessed pre\/post-EQ aux switching per channel\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with patchable external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358938215,"sku":"17158","price":3999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2800_1.jpg?v=1787088697"},{"product_id":"allen-heath-gl2400-40","title":"Allen \u0026 Heath GL2400-40","description":"Developed from the hugely successful GL2200, the 4 group, 6 aux \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2400\u003c\/span\u003e offers uncompromised dual functionality for mixing FOH, stage monitors or both. It adds a host of new features including a 7x4 matrix with innovative mic cross-patching to create ambient enhanced additional mixes such as mono or stereo IEM and recording feeds, a mono fader assignable as LR sum, engineers wedge monitor control or even aux fed sub\/C mix, the two stereo channels accepting 2 stereo line plus a mic each, and many thoughtful new touches such as the plug-able option jumpers, XLR lamp sockets and Sys-Link V2 expandability. Performance is taken to a new level with the latest extended headroom preamp design, responsive EQ and a new ultra-quiet mix head amp.\u003cbr\u003e\u003cbr\u003eThe stylish new design is built using individual, nutted pot cards into a rugged, all-steel small footprint chassis ideal for flight-casing or the space conscious venue. The GL2400 is available in frame sizes ranging from 16-40 channels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e16, 24, 32, 40 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main outputs\u003c\/li\u003e\n\u003cli\u003e4 Audio groups with pan control\u003c\/li\u003e\n\u003cli\u003e6 Auxiliary sends with per-channel pre\/post fader switching\u003c\/li\u003e\n\u003cli\u003e2 stereo channels, each with mic and dual stereo line inputs\u003c\/li\u003e\n\u003cli\u003e7x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH and\/or Monitor mixing\u003c\/li\u003e\n\u003cli\u003eM can be configured as LR sum, Wedge, or Aux-Fed Sub or C master\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel line inputs can be independently routed to LR\u003c\/li\u003e\n\u003cli\u003eStereo channel mic input breakpoints for cross patching into matrix\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eDedicated channel, master and stereo monitor meters\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for pre\/post-EQ aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes, meters and AFL on all fader masters\u003c\/li\u003e\n\u003cli\u003eAssignable talkback\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator and pink noise generator\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003eHeadphones and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eInternal power supply with socket for MPS12 backup supply (16ch to 32ch models)\u003c\/li\u003e\n\u003cli\u003eExternal RPS11 power supply and socket for backup supply (40ch model only)\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eMetal jacks, gold-plated XLRs, sealed pots and switches\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449358970983,"sku":"17157","price":3599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2400_1_3.jpg?v=1787088697"},{"product_id":"allen-heath-gl2800-832","title":"Allen \u0026 Heath GL2800-832","description":"We have taken our pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing with the \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2800\u003c\/span\u003e. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer�s monitor control using the M fader. With up to 48 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. You can create an LCR mix from the LR and M buses, and add 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambiance and 'more me' control.\u003cbr\u003e\u003cbr\u003eYou even get matrix talk-back and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability. Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches. Individual circuit card assembly with nutted pots. Solid copper bus bar grounding. Sys-Link V2 console linking option. Built- in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40 and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send\u003c\/li\u003e\n\u003cli\u003e2 multifunction stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH\/Monitor mixing\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for centre\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eWide angle channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eRecessed pre\/post-EQ aux switching per channel\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with patchable external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449359003751,"sku":"17159","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2800_1_1.jpg?v=1787088698"},{"product_id":"allen-heath-gl2400-24","title":"Allen \u0026 Heath GL2400-24","description":"Developed from the hugely successful GL2200, the 4 group, 6 aux \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2400\u003c\/span\u003e offers uncompromised dual functionality for mixing FOH, stage monitors or both. It adds a host of new features including a 7x4 matrix with innovative mic cross-patching to create ambient enhanced additional mixes such as mono or stereo IEM and recording feeds, a mono fader assignable as LR sum, engineers wedge monitor control or even aux fed sub\/C mix, the two stereo channels accepting 2 stereo line plus a mic each, and many thoughtful new touches such as the plug-able option jumpers, XLR lamp sockets and Sys-Link V2 expandability. Performance is taken to a new level with the latest extended headroom preamp design, responsive EQ and a new ultra-quiet mix head amp.\u003cbr\u003e\u003cbr\u003eThe stylish new design is built using individual, nutted pot cards into a rugged, all-steel small footprint chassis ideal for flight-casing or the space conscious venue. The GL2400 is available in frame sizes ranging from 16-40 channels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e16, 24, 32, 40 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main outputs\u003c\/li\u003e\n\u003cli\u003e4 Audio groups with pan control\u003c\/li\u003e\n\u003cli\u003e6 Auxiliary sends with per-channel pre\/post fader switching\u003c\/li\u003e\n\u003cli\u003e2 stereo channels, each with mic and dual stereo line inputs\u003c\/li\u003e\n\u003cli\u003e7x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH and\/or Monitor mixing\u003c\/li\u003e\n\u003cli\u003eM can be configured as LR sum, Wedge, or Aux-Fed Sub or C master\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel line inputs can be independently routed to LR\u003c\/li\u003e\n\u003cli\u003eStereo channel mic input breakpoints for cross patching into matrix\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eDedicated channel, master and stereo monitor meters\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for pre\/post-EQ aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes, meters and AFL on all fader masters\u003c\/li\u003e\n\u003cli\u003eAssignable talkback\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator and pink noise generator\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003eHeadphones and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eInternal power supply with socket for MPS12 backup supply (16ch to 32ch models)\u003c\/li\u003e\n\u003cli\u003eExternal RPS11 power supply and socket for backup supply (40ch model only)\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eMetal jacks, gold-plated XLRs, sealed pots and switches\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449359036519,"sku":"17155","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2400_1_1.jpg?v=1787088697"},{"product_id":"allen-heath-gl2800-840","title":"Allen \u0026 Heath GL2800-840","description":"We have taken our pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing with the \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2800\u003c\/span\u003e. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer�s monitor control using the M fader. With up to 48 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. You can create an LCR mix from the LR and M buses, and add 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambiance and �more me� control.\u003cbr\u003e\u003cbr\u003eYou even get matrix talk-back and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability. Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches. Individual circuit card assembly with nutted pots. Solid copper bus bar grounding. Sys-Link V2 console linking option. Built- in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40 and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send\u003c\/li\u003e\n\u003cli\u003e2 multifunction stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH\/Monitor mixing\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for centre\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eWide angle channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eRecessed pre\/post-EQ aux switching per channel\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with patchable external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449359069287,"sku":"17160","price":5599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2800_1_2.jpg?v=1787088697"},{"product_id":"allen-heath-gl2800-848","title":"Allen \u0026 Heath GL2800-848","description":"We have taken our pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing with the \u003cspan style=\"font-weight: bold;\"\u003eAllen \u0026amp; Heath GL2800\u003c\/span\u003e. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer�s monitor control using the M fader. With up to 48 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. You can create an LCR mix from the LR and M buses, and add 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambiance and 'more me' control.\u003cbr\u003e\u003cbr\u003eYou even get matrix talk-back and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability. Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches. Individual circuit card assembly with nutted pots. Solid copper bus bar grounding. Sys-Link V2 console linking option. Built- in oscillator \/ pink noise generator with patchable output, extensive metering and much more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24, 32, 40 and 48 channel frames\u003c\/li\u003e\n\u003cli\u003eLR and M main mixes\u003c\/li\u003e\n\u003cli\u003e8 Audio groups with pan and routing to LR and M\u003c\/li\u003e\n\u003cli\u003e10 Auxes including a dedicated stereo send\u003c\/li\u003e\n\u003cli\u003e2 multifunction stereo channels each with mic and stereo line inputs\u003c\/li\u003e\n\u003cli\u003e2 extra dual stereos provide 4 summed or independent stereo returns\u003c\/li\u003e\n\u003cli\u003eFully featured 12x4 Matrix\u003c\/li\u003e\n\u003cli\u003eProper dual functionality for FoH\/Monitor mixing\u003c\/li\u003e\n\u003cli\u003eRecording capable with channel direct outputs\u003c\/li\u003e\n\u003cli\u003eM can be used for centre\/sub mix, LR mono sum, or engineers wedge\u003c\/li\u003e\n\u003cli\u003eMatrix external inputs with level trims and common input capability\u003c\/li\u003e\n\u003cli\u003eStereo channel mic inputs can cross patch into matrix for ambience feed\u003c\/li\u003e\n\u003cli\u003eResponsive 4 band, 2 sweep EQ\u003c\/li\u003e\n\u003cli\u003e100Hz channel high pass filters\u003c\/li\u003e\n\u003cli\u003eIndividual phantom power and polarity switching\u003c\/li\u003e\n\u003cli\u003eWide angle channel and master meters\u003c\/li\u003e\n\u003cli\u003eDedicated stereo monitor meters\u003c\/li\u003e\n\u003cli\u003ePer channel pre\/post fader aux switching for full flexibility\u003c\/li\u003e\n\u003cli\u003eRecessed pre\/post-EQ aux switching per channel\u003c\/li\u003e\n\u003cli\u003eInternal jumper plugs for aux, direct out and other options\u003c\/li\u003e\n\u003cli\u003eMutes on all fader masters\u003c\/li\u003e\n\u003cli\u003e100mm dust protected faders\u003c\/li\u003e\n\u003cli\u003eAssignable talkback to all outputs, includes a talk switch latch mode\u003c\/li\u003e\n\u003cli\u003e1kHz oscillator \/ pink noise generator with patchable external output\u003c\/li\u003e\n\u003cli\u003e2-track monitoring and replay to LR\u003c\/li\u003e\n\u003cli\u003e3 headphones\/earpiece sockets and local monitor outputs\u003c\/li\u003e\n\u003cli\u003eElectronically balanced XLR outputs with +26dBu drive capability\u003c\/li\u003e\n\u003cli\u003ePreamp 74dB range with +34dBu input capability for mic or line\u003c\/li\u003e\n\u003cli\u003eUltra low noise mix head amp design\u003c\/li\u003e\n\u003cli\u003eUses RPS11 high performance external linear power supply\u003c\/li\u003e\n\u003cli\u003eBuilt-in combiner for redundant backup supply\u003c\/li\u003e\n\u003cli\u003eIndividual circuit card assembly with nutted pots\u003c\/li\u003e\n\u003cli\u003eSys-Link V2 console input\/output linking option\u003c\/li\u003e\n\u003cli\u003e4-pin XLR lamp sockets � Allen \u0026amp; Heath LED lamp available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449359102055,"sku":"17161","price":6999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath_gl2800_1_3.jpg?v=1787088698"}],"url":"https:\/\/vintageking.mom\/collections\/consoles-live-sound-mixers-analog-mixers.oembed","provider":"Vintage King","version":"1.0","type":"link"}