{"title":"Aurora Audio","description":null,"products":[{"product_id":"aurora-audio-gt4-8-8-ch-4-band-eq-used","title":"Aurora Audio GT4-8 8 Ch 4 band EQ (Used)","description":"8 channel EQ expander for the GTP-8; can also be used independently with any line level application.","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449692811367,"sku":"41634","price":4750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gt4-8_8_ch_4_band_eq__used__4301729.jpg?v=1787090011"},{"product_id":"aurora-audio-gtc2-used","title":"Aurora Audio GTC2 (Used)","description":"Aurora Audio GTC2","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449692975207,"sku":"41632","price":2095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gtc2__used__4025578_e8f92d80-a6cf-4e1c-ac99-524cb39b6883.jpg?v=1787090012"},{"product_id":"aurora-audio-gt4-8trs-equalizer","title":"Aurora Audio GT4-8TRS 8-Channel Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GT4-8trs\u003c\/strong\u003e is an 8 channel version of the GT4-2 EQ. Originally designed to be paired with the GTP8 8 channel preamp perfectly, the GT4-8trs can be used in any line level application. The GT4-8trs can be used with your favorite pre, compressor, or effect with unbelievable results.\u003cbr\u003e\u003cbr\u003eThe GT4-8trs EQ features 30 selectable frequencies ranging from 33Hz to 15K. The GT4-8trs is Class A discrete and features balanced transformer input and output. The transformers are made in the United Kingdom to Geoff Tanner’s exacting specifications by the old Marinar crew. Each of the GT4-8trs’ channels is fortified with it’s own set of transformers. It is an iron lovers dream come true.\u003cbr\u003e\u003cbr\u003eGeoff Tanner’s design takes that classic British EQ sound that we all know and love and expands its usability by adding some of his own touches. Let’s look at the high and low end shelving. There are two gain modes to choose from. The low gain mode gives that feel of classic EQ shelving, 8dB of boost and cut. The high gain mode gives the user 18dB for grand adjustments that you may need to do. Your ribbon microphone just a little too dark? Open up the top end at shelving starting at 3.3K! Love that mid-range of your kick drum but it doesn’t have enough low end for you? Using the high gain mode to boost the lows, you will be in bass heaven in no time at all.\u003cbr\u003e\u003cbr\u003eThe mid-range is where any EQ can show its true power. The mid-range frequencies feature THREE selectable bandwidth options to choose from. The widest curve gives you the most vintage style sound, while the narrower options enable you to get more surgical. For example, the narrow curves can help you zone in on a snare drum while not highlighting the hi hat that may be bleeding into the microphone.\u003cbr\u003e\u003cbr\u003eThe high and low pass filters are incredibly useful and musical. The LPF ranges from 3.9K to 18K and can be used for taming high frequencies or to dull something out completely. The HPF can help clean up low rumbles ranging from 22Hz to 270Hz.\u003cbr\u003e\u003cbr\u003eThe GT4-8trs is a powerhouse EQ that combines the best of Geoff Tanner’s designs and Class A discrete technology. The result is a sound that sets it apart from any four band equalizer that has come before it. It is suitable for any single source and it’s also at home for making adjustments for an entire mix. Try one for yourself and understand what sets the GT4-8trs above the rest.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789050983,"sku":"52694","price":12860.4,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gt4-8_front_1_30e25420-37a2-4173-91b1-466abdd4f4c1.jpg?v=1787090420"},{"product_id":"aurora-audio-gt4-8-equalizer","title":"Aurora Audio GT4-8 8-Channel 4-Band Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GT4-8\u003c\/strong\u003e is the 8-channel version of the GT4-2 EQ. It is specifically designed to be paired with the GTP8 8 channel preamp. One thing you should know is that the GT4-8 does NOT have transformers! But do not worry. When you connect the GT4-8 with the GTP8 with standard TRS cables, this accesses the acclaimed Aurora Audio transformers. This enables the GT4-8 EQ to work in perfect harmony at line and mic level. Not only does this create one of the most powerful recording channels on the market, but when you combine it with the GTM822-2GN, a tracking and mixing wonderland is at your disposal.\u003cbr\u003e\u003cbr\u003eThe GT4-8 EQ features 30 selectable frequencies ranging from 33Hz to 15K. Of course the GT4-8 EQ is Class A discrete.\u003cbr\u003e\u003cbr\u003eGeoff Tanner’s design takes that classic British EQ sound that we all know and love and expands its usability by adding some of his own touches. Let’s look at the high and low end shelving. There are two gain modes to choose from. The low gain mode gives that feel of classic EQ shelving, 8dB of boost and cut. The high gain mode gives the user 18dB for grand adjustments that you may need to do. Your ribbon microphone just a little too dark? Open up the top end at shelving starting at 3.3K! Love that mid-range of your kick drum but it doesn’t have enough low end for you? Using the high gain mode to boost the lows, you will be in bass heaven in no time at all.\u003cbr\u003e\u003cbr\u003eThe mid-range is where any EQ can show its true power. The mid-range frequencies feature THREE selectable bandwidth options to choose from. The widest curve gives you the most vintage style sound, while the narrower options enable you to get more surgical. For example, the narrow curves can help you zone in on a snare drum while not highlighting the hi hat that may be bleeding into the microphone.\u003cbr\u003e\u003cbr\u003eThe high and low pass filters are incredibly useful and musical. The LPF ranges from 3.9K to 18K and can be used for taming high frequencies or to dull something out completely. The HPF can help clean up low rumbles ranging from 22Hz to 270Hz.\u003cbr\u003e\u003cbr\u003eThe GT4-8 is a powerhouse EQ that combines the best of Geoff Tanner’s designs and Class A discrete technology. The result is a sound that sets it apart from any four band equalizer that has come before it. It is suitable for any single source and it’s also at home for making adjustments for an entire mix. Try one for yourself and understand what sets the GT4-8 above the rest.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789083751,"sku":"37642","price":10650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gt4-8_front_6e51cc02-d747-4dd1-8199-23c1f155ae5d.jpg?v=1787090419"},{"product_id":"aurora-audio-gt4-2-equalizer","title":"Aurora Audio GT4-2 4-Band Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GT4-2 4-Band Equalizer\u003c\/strong\u003e features 30 selectable frequencies ranging from 33Hz to 15K. As expected, the GT4-2 is Class A discrete and features balanced transformer input and output. The transformers are made in the United Kingdom to Geoff Tanner’s exacting specifications by the old Marinar crew.\u003cbr\u003e\u003cbr\u003eGeoff’s design takes that classic British EQ sound that we all know and love and expands its usability by adding some of his own touches. Let’s look at the high and low end shelving. There are two gain modes to choose from. The low gain mode gives that feel of classic EQ shelving, 8dB of boost and cut. The high gain mode gives the user 18dB for grand adjustments that you may need to do. Your ribbon microphone just a little too dark? Open up the top end at shelving starting at 3.3K! Love that mid-range of your kick drum but it doesn’t have enough low end for you? Using the high gain mode to boost the lows, you will be in bass heaven in no time at all.\u003cbr\u003e\u003cbr\u003eThe mid-range is where any EQ can show its true power. The mid-range frequencies feature THREE selectable bandwidth options to choose from. The widest curve gives you the most vintage style sound, while the narrower options enable you to get more surgical. For example, the narrow curves can help you zone in on a snare drum while not highlighting the hi hat that may be bleeding into the microphone.\u003cbr\u003e\u003cbr\u003eThe high and low pass filters are incredibly useful and musical. The LPF ranges from 3.8K to 18K and can be used for taming high frequencies or to dull something out completely. The HPF can help clean up low rumbles ranging from 22Hz to 270Hz.\u003cbr\u003e\u003cbr\u003eThe GT4-2 is a powerhouse EQ that combines the best of Geoff Tanner’s designs and Class A discrete technology. The result is a sound that sets it apart from any four band equalizer that has come before it. It is suitable for any single source and it’s also at home for making adjustments for an entire mix. Try one for yourself and understand what sets the GT4-2 above the rest.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789116519,"sku":"38985","price":3900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gt4-2_front_223dcc74-d79c-4a2a-aa6b-451fa470bd38.jpg?v=1787090419"},{"product_id":"aurora-audio-gtp8-8-channel-mic-preamp","title":"Aurora Audio GTP8 8-Channel Mic Preamp\/DI","description":"\u003cp\u003eWhen the Aurora Audio GTQ2 started to be hailed as a modern classic, the requests started coming in for an 8 channel version. In 2008, Geoff Tanner met this challenge by introducing the GTP8 to the world. 8 channels of the legendary Class A discrete sound in a convenient 2U package!\u003cbr\u003e\u003cbr\u003eSince Geoff insisted that no corner could be cut in keeping the GTQ2 sound in an 8 channel edition, clearly the same iron would have to be used as well. Balanced transformer in and out is featured here once again. Having the same transformers that were specified by Geoff and built by the old Marinair crew had to be included in the GTP8 without question. The result is 8 channels of massive tone that is suitable for any sound you might throw at it.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eAurora Audio GTP8\u003c\/strong\u003e has the same intuitive design as the GTQ2 as well. Dial in your level easily and accurately with discrete 10dB steps. Then fine-tune your selection with the trim pot that gives you 5 more decibels of boost or cut. This way, you can optimize your clean and pristine source to tape or DAW, but you can also use the trim to add some dirt and drive to your signal as well.\u003cbr\u003e\u003cbr\u003eNot to be left out, also featured on the GTP8 is the awesome Aurora Audio DI. Listen to your direct signal come alive in ways you never thought possible until now! Plus, there are EIGHT of them. More is always more, right? In the past you may have avoided to go direct, but with the Aurora Audio DI and the GTP8, you will be looking for excuses to use direct injection.\u003cbr\u003e\u003cbr\u003eWith this one unit, you will take your studio to the next level. Feel the power of having 8 channels of classic Class A discrete, British inspired tone within arm’s reach. For example, the GTP8 is perfectly suited for use as your drum sound. Why? Everyone knows that mixing preamps when tracking drums can be a dangerous proposition. With a mixed bag of mic pres all reacting at different times electronically and in different ways, this will affect the phase relationships of the signals and may result in a less than ideal sound. With 8 channels of the GTP8 working together in perfect harmony on your drums, you will experience more punch and clarity that only matched preamps can provide.\u003cbr\u003e\u003cbr\u003eThink about it: All of those classic recordings that we all grew up on were tracked on consoles with matched preamps that gave the album an overall sound and signature. Give yourself the opportunity to record the way the greats always intended you to do. Make your next classic recording today with the GTP8.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789149287,"sku":"16390","price":6237.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gtp8_front_25a3561f-6f2e-4fa1-91d9-44e027acdbef.jpg?v=1787090421"},{"product_id":"aurora-audio-gtc2-dual-channel-compressor","title":"Aurora Audio GTC2 Dual Channel Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GTC2\u003c\/strong\u003e is a Class A discrete dual-channel compressor that features balanced input and output transformers. These are the same transformers featured in the Aurora GTQ2 and are made in the United Kingdom to Geoff Tanner's exacting specifications by the old Marinair crew.\u003cbr\u003e\u003cbr\u003eWhat makes the GTC2 unique is that it features two separate and selectable compression circuits. The GTC2 features a FET circuit, a classic Opto circuit, and the ability to combine both in something we call “COMB” mode. The FET circuit is the slightly more aggressive of the two, but still incredibly musical. It has a harder knee that makes it suitable for more audible compression. The Opto circuit can be set to be extremely transparent, or the user can set it to get more of the classic pumping Opto sounds. The COMB mode chains the two together to get more compression and gives you the best of both worlds. Many experienced engineers know the magic of double compression, and you can get it here without having to purchase the unit you don’t have.\u003cbr\u003e\u003cbr\u003eLike most stereo compressors, you can stereo link the channels so they react the same. One major difference found in the GTC2 is that the stereo link does not make one side the master. Both channels follow one another. If the right is getting more compression, the left follows, and if the left is getting more compression, the right follows. As a result, your stereo image holds steady and your low end sits rock solid. This is very helpful when using the GTC2 on the stereo buss.\u003cbr\u003e\u003cbr\u003eOne more thing you will find on the GTC2 is an AUTO mode that is actually useable! The AUTO mode on the GTC2 follows your program source, smoothing things out along way. The AUTO mode can reveal some amazing results when used on background vocals, guitars, keyboards, and the stereo buss.\u003cbr\u003e\u003cbr\u003eJust remember, the GTC2 is not an “Emulator” or “Distortion Generator.” It is a classic compressor that retains your low end, warms up your signal, and helps get you that classic punch while still sounding absolutely contemporary.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789182055,"sku":"44793","price":3797.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-gtc2_44793_1_6685ee8e-a14c-4fb1-b259-da1095248360.jpg?v=1787090420"},{"product_id":"aurora-audio-gtq2-dual-channel-preamp-eq","title":"Aurora Audio GTQ2 Dual-Channel Microphone Preamp\/EQ","description":"\u003cp\u003eGeoff Tanner’s design incorporates balanced transformer input and output. Aurora's transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide. The adjustable input impedance coupled with 80 dB of available gain makes the \u003cstrong\u003eAurora Audio GTQ2\u003c\/strong\u003e dual-channel microphone preamp\/EQ ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe equalizer section is made to be engineer and musician friendly. This 3-band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80 Hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400 Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789214823,"sku":"11456","price":3418.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq2_11456_1.jpg?v=1787090420"},{"product_id":"aurora-audio-gtqc-channel-strip","title":"Aurora Audio GTQC Channel Strip","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GTQC\u003c\/strong\u003e is quite literally one channel of the GTQ2 Preamp and one channel of the GTC2 Compressor. It all conveniently fits into a one rack space package that gives you Class A discrete amplification, 3 band eq, DI, and compression (opto circuit, FET circuit, and COMB mode are all featured).\u003cbr\u003e\u003cbr\u003eAll of the features of the GTQ2 and GTQC are here in the GTQC as well. One feature unique to the GTQC is the ability to independently use the preamp or the compressor. Balanced XLR in and out allows the user to patch in the pre or compressor on different sources if needed. To use the GTQC as an “all in one” channel strip, all you need to do is press one button. This enables the signal to go in through the preamp and come out the compressor. This makes the compressor output gain your final control for volume and lets you use the VU meter (in output mode) to make sure you have optimum levels.\u003cbr\u003e\u003cbr\u003eIf you have a pair of GTQC channel strips at your disposal, the user has access to some pretty serious power in stereo. Ideal for any stereo recording and compression, you can link the compressors with ease. All you need is a single TRS cable. Just like the GTC2, the stereo link follows which ever unit is compressing more. If you are looking to beef up your entire mix by having a stereo channel strip on the insert, look no further!\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44449789247591,"sku":"15506","price":3090.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtqc-24_15506_1_a92b11e7-1d8c-4261-b704-274d1d55ada5.jpg?v=1787090420"},{"product_id":"aurora-audio-stinger-microphone-preamp-eq","title":"Aurora Audio Stinger Microphone Preamp\/EQ","description":"\u003cp\u003eThe Aurora Audio Stinger has the same Class A discrete preamp, three band equalizer (featuring selectable midrange) and DI found in the legendary Aurora GTQ2. From there, a 100 millimeter RS fader (optional P\u0026amp;G fader also available) is at your disposal to control the final output level. The 20 segment LED meter allows for easy monitoring of levels along with the pre and post fader switch to look at the input and output of Stinger.\u003cbr\u003e\u003cbr\u003eGeoff Tanner felt that just giving you the best Class A discrete analog preamp with one of the most acclaimed DI units in the business wasn’t enough. Adding to the preamp section is Geoff’s take on a more modern DI sound. With enough output gain to record with optimum levels to your DAW or tape, Stinger has a virtual second channel! We are still not done here. Not only does this DI sound amazing with any instrument you choose, but Geoff’s switchable overdrive circuit adds everything from additional warmth all the way to crunchy tones suitable for any application.\u003cbr\u003e\u003cbr\u003eStinger is unparalleled in its flexibility and routing. Of course both of the DIs have parallel outputs, but Stinger also has unbalanced and balanced outputs. For example, you can send an EQed signal to an amplifier with the unbalanced output as well as your recorder using the traditional balanced output. You can send an overdriven signal from the Instrument DI BACK into the mic pre, get all that warm EQ and transformer love before you send it to the recorder, PA, or amplifier. You want to eq tracks already recorded? Done. Fuzz out your bass? Done. Got a gig? Use the best preamp in the world for your vocal and the DI for your guitar or keys. Send it out to the PA for all the world to hear. The combinations are only limited by your imagination. The versatility of Stinger is unmatched for a single channel preamp in the analog domain.\u003cbr\u003e\u003cbr\u003eThe Aurora Audio Stinger preamp is the ideal tool for today’s professional on the go. At home, in the studio, or at the gig. 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Each channel of the Aurora Sidecar features Aurora Audio’s renowned DI input, individual analog VU metering, direct channel output connectivity, bus assign switching with pan, and top of the line Penny+Giles (P\u0026amp;G) faders.\u003cbr\u003e\u003cbr\u003eEach Aurora Sidecar console is built with a heavy gauge steel frame designed for years of use and abuse. Every channel features steel guide rails and heavy-duty thumbscrews, keeping all ten channels firmly in place creating an ideal connection between module and frame, making module insertion and removal easy.\u003cbr\u003e\u003cbr\u003eWhile being built like a Centurion tank, the Aurora Sidecar also features hand crafted wood cheeks and a hand tooled padded leather armrest, providing the extra touch of prestige and craftsmanship that only Aurora Audio can provide.\u003cbr\u003e\u003cbr\u003eThe classic 4 Band EQ allows you to mold sound in ways you didn’t think were possible. The 24 transformers that are living inside the Aurora Sidecar are designed and built to Geoff’s specifications, giving you the clarity and punch that so many chase and now you will attain with ease. The faders and bus path were designed to not only keep your sound pure and intact, but once it hits those busses, you will be in a Class A discrete paradise that until now, only the select few have been to before.\u003cbr\u003e\u003cbr\u003eThe way Geoff designed the layout and the Aurora Audio team executes the build of the Aurora Sidecar makes basic maintenance a breeze. And while you should have a qualified technician help you do any serious work on the Aurora Sidecar, Aurora Audio offers the option of purchasing an extra channel module that can be swapped out easily so you never lose valuable studio time on your project.\u003cbr\u003e\u003cbr\u003eExperience the ultimate with the Aurora Sidecar. The ultimate in construction. The ultimate in quality. The ultimate in reliability. 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The Low end shelving at 80 Hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400 Hz, 1.6k, and 3.2k can help you get rid of mud and get tracks to cut though your dense mix.\u003c\/p\u003e  \u003cp\u003eWhen is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.\u003c\/p\u003e  \u003cp\u003eThe GTQ2 is truly an all-purpose mic pre. 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Selectable input impedance on rear panel\u003c\/li\u003e \u003cli\u003eThree band EQ: + 15 dB adjustment 80 Hz (Bass), 12 kHz (Treble) mid frequencies of 400 Hz, 1,600 Hz and 3,200 Hz\u003c\/li\u003e \u003cli\u003e80 Hz 18 dB\/octave High Pass Filter\u003c\/li\u003e \u003cli\u003eInternal power supply\u003c\/li\u003e \u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450067841127,"sku":"71766","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq2-dual-mic-pre3-band-eq-1000179-used-7223998.jpg?v=1787091556"},{"product_id":"aurora-audio-gt4-2-equalizer-demo-deal","title":"Aurora Audio GT4-2 Equalizer (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GT4-2 4-Band Equalizer\u003c\/strong\u003e features 30 selectable frequencies ranging from 33Hz to 15K. As expected, the GT4-2 is Class A discrete and features balanced transformer input and output. The transformers are made in the United Kingdom to Geoff Tanner’s exacting specifications by the old Marinar crew.\u003cbr\u003e\u003cbr\u003eGeoff’s design takes that classic British EQ sound that we all know and love and expands its usability by adding some of his own touches. Let’s look at the high and low end shelving. There are two gain modes to choose from. The low gain mode gives that feel of classic EQ shelving, 8dB of boost and cut. The high gain mode gives the user 18dB for grand adjustments that you may need to do. Your ribbon microphone just a little too dark? Open up the top end at shelving starting at 3.3K! Love that mid-range of your kick drum but it doesn’t have enough low end for you? Using the high gain mode to boost the lows, you will be in bass heaven in no time at all.\u003cbr\u003e\u003cbr\u003eThe mid-range is where any EQ can show its true power. The mid-range frequencies feature THREE selectable bandwidth options to choose from. The widest curve gives you the most vintage style sound, while the narrower options enable you to get more surgical. For example, the narrow curves can help you zone in on a snare drum while not highlighting the hi hat that may be bleeding into the microphone.\u003cbr\u003e\u003cbr\u003eThe high and low pass filters are incredibly useful and musical. The LPF ranges from 3.8K to 18K and can be used for taming high frequencies or to dull something out completely. The HPF can help clean up low rumbles ranging from 22Hz to 270Hz.\u003cbr\u003e\u003cbr\u003eThe GT4-2 is a powerhouse EQ that combines the best of Geoff Tanner’s designs and Class A discrete technology. The result is a sound that sets it apart from any four band equalizer that has come before it. It is suitable for any single source and it’s also at home for making adjustments for an entire mix. 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The 20 segment LED meter allows for easy monitoring of levels along with the pre and post fader switch to look at the input and output of Stinger.\u003cbr\u003e\u003cbr\u003eGeoff Tanner felt that just giving you the best Class A discrete analog preamp with one of the most acclaimed DI units in the business wasn’t enough. Adding to the preamp section is Geoff’s take on a more modern DI sound. With enough output gain to record with optimum levels to your DAW or tape, Stinger has a virtual second channel! We are still not done here. Not only does this DI sound amazing with any instrument you choose, but Geoff’s switchable overdrive circuit adds everything from additional warmth all the way to crunchy tones suitable for any application.\u003cbr\u003e\u003cbr\u003eStinger is unparalleled in its flexibility and routing. Of course both of the DIs have parallel outputs, but Stinger also has unbalanced and balanced outputs. For example, you can send an EQed signal to an amplifier with the unbalanced output as well as your recorder using the traditional balanced output. You can send an overdriven signal from the Instrument DI BACK into the mic pre, get all that warm EQ and transformer love before you send it to the recorder, PA, or amplifier. You want to eq tracks already recorded? Done. Fuzz out your bass? Done. Got a gig? Use the best preamp in the world for your vocal and the DI for your guitar or keys. Send it out to the PA for all the world to hear. The combinations are only limited by your imagination. The versatility of Stinger is unmatched for a single channel preamp in the analog domain.\u003cbr\u003e\u003cbr\u003eThe Aurora Audio Stinger preamp is the ideal tool for today’s professional on the go. At home, in the studio, or at the gig. 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It is not a clone of anything. It is an Aurora Audio design using their exclusive input and output transformers. The DI is a pair of boot strapped transistors and provides an input impedance of 10 mOhm and an additional 10 dB gain. Guitar pickups will be unloaded and, unlike lower impedance systems, every nuance of the sound will be captured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e The GTP1 can accommodate any signal you care to throw at it, including high-level line inputs. The\r\nsensitivity switch provides gain adjustment in 10 dB steps from +80 dB to –10 dB and the level pot\r\nallows for fine adjustments of level between +6 dB and -6 dB and also turns down to infinity so that the\r\noutput level can be turned down and the input gain turned up to get overdriven guitar sounds!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe D.I. input has 10 Megohm input impedance and around 10dB gain. It can be used (to great effect)\r\nwith musical instrument pickups, but works equally well with high-level signals like a D.A.T. or CD\r\nplayer. If you insert a jack into the front jack socket it will automatically disable the signal from the rear\r\npanel XLR.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe GTP1 has a built in switching power supply, custom made to Aurora's specs, with a massive power headroom and can accommodate input voltages in the range of 85 V to 265 V, 50\/60 Hz. All metalwork is steel, Aurora don’t use aluminum for anything. Steel is stronger and provides EMF shielding as well as being less prone to damage in transit.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedance: 1200 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: \u0026lt;50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eDI Input impedance = 10 mOhm\u003c\/li\u003e\r\n\u003cli\u003eNoise at +80dB gain, terminated 200 ohms and measured 22 Hz to 22 kHz is \u0026lt;-47 dBu giving an EIN of better than -127 dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: -1 dB at 20 Hz and \u0026gt;50 kHz\u003c\/li\u003e\r\n\u003cli\u003eDistortion plus noise at unity gain at 1 kHz is \u0026lt;0.05% measured 22 Hz to 22 kHz\u003c\/li\u003e\r\n\u003cli\u003eMaximum output: +26 dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450311340135,"sku":"104416","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-gtp-1_104416_1_38fe4a8c-b83c-444a-a6a9-68432ae9c26d.jpg?v=1787092543"},{"product_id":"aurora-audio-gt10x8-absolute","title":"Aurora Audio GT10x8 Absolute","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GT10x8 Absolute\u003c\/strong\u003e is an 8-input, 8-output unit that enables the engineer to route line level signal where they need to for their session.  Each channel on the GT10x8 Absolute has it’s own input and output level control and pan, so you can determine the level and position in the stereo field (when you choose to use a send in stereo).  Also included is a pre and post control that enables you to optimally choose if the mixer fader affects the level to the GT10x8 Absolute or not.  Traditionally speaking, you would use the pre mode for a cue mix, while using the post mode for FX sends\/mixing applications.  But we know that special things can happen when using these modes in their non-traditional roles.  To that end, Geoff gave the user 10 dB of additional gain on the input control for maximum flexibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used with the Aurora Audio GT8x2 Absolute, suddenly the engineer has a powerful, linkable, and expandable line level bussing matrix.  This way you can buss your signal around the GTM822-2GN console, creating more FX sends, returns , cue sends, and even the ability to get into more modern mixing techniques like parallel compression.  Even with the smallest 8 channel Aurora mixing setup, you can make your mix sound like you were working on a console multiple times its size.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow for the important bit: Although Geoff Tanner puts the maximum amount of color, vibe, and soul into every Aurora Audio product, the GT10x8 Absolute takes the opposite approach.  Geoff calls this Absolute due to the purity of the signal retained and the LACK of color that permeates the sound.  Bussing and routing shouldn’t be colored by a path whose job it is to go from point A to point B.  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The sensitivity switch provides 100 dB of gain adjustment from +80 dB to –20 dB and the level pot allows for fine adjustments. The level pot has an audio taper and is –20 dB at half rotation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you have to turn the pot below 1⁄2 way, the sensitivity switch must be adjusted at least 2 clicks more to restore the signal level at the expense of input headroom! Operating the unit with the output level at maximum ensures that you keep the headroom in the designed 26 dB region.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DI input overrides the normal input and has 10 Megohm input impedance and around 10 dB gain. It can be used (to great effect) with musical instrument pickups, but works equally well with high-level signals like a DAT or CD player. The same gain structure rules apply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe High Pass Filter is selected by moving its toggle switch to the right and a blue LED will glow to indicate section. 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The sensitivity switch provides 100 dB of gain adjustment from +80 dB to –20 dB and the level pot allows for fine adjustments. The level pot has an audio taper and is –20 dB at half rotation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you have to turn the pot below 1⁄2 way, the sensitivity switch must be adjusted at least 2 clicks more to restore the signal level at the expense of input headroom! Operating the unit with the output level at maximum ensures that you keep the headroom in the designed 26 dB region.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DI input overrides the normal input and has 10 Megohm input impedance and around 10 dB gain. It can be used (to great effect) with musical instrument pickups, but works equally well with high-level signals like a DAT or CD player. The same gain structure rules apply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe High Pass Filter is selected by moving its toggle switch to the right and a blue LED will glow to indicate section. 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Guitar pickups will be unloaded and, unlike lower impedance systems, every nuance of the sound will be captured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e The GTP1 can accommodate any signal you care to throw at it, including high-level line inputs. The\r\nsensitivity switch provides gain adjustment in 10 dB steps from +80 dB to –10 dB and the level pot\r\nallows for fine adjustments of level between +6 dB and -6 dB and also turns down to infinity so that the\r\noutput level can be turned down and the input gain turned up to get overdriven guitar sounds!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe D.I. input has 10 Megohm input impedance and around 10dB gain. It can be used (to great effect)\r\nwith musical instrument pickups, but works equally well with high-level signals like a D.A.T. or CD\r\nplayer. If you insert a jack into the front jack socket it will automatically disable the signal from the rear\r\npanel XLR.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe GTP1 has a built in switching power supply, custom made to Aurora's specs, with a massive power headroom and can accommodate input voltages in the range of 85 V to 265 V, 50\/60 Hz. All metalwork is steel, Aurora don’t use aluminum for anything. Steel is stronger and provides EMF shielding as well as being less prone to damage in transit.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedance: 1200 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: \u0026lt;50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eDI Input impedance = 10 mOhm\u003c\/li\u003e\r\n\u003cli\u003eNoise at +80dB gain, terminated 200 ohms and measured 22 Hz to 22 kHz is \u0026lt;-47 dBu giving an EIN of better than -127 dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: -1 dB at 20 Hz and \u0026gt;50 kHz\u003c\/li\u003e\r\n\u003cli\u003eDistortion plus noise at unity gain at 1 kHz is \u0026lt;0.05% measured 22 Hz to 22 kHz\u003c\/li\u003e\r\n\u003cli\u003eMaximum output: +26 dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450400174183,"sku":"116211","price":1109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-gtp-1_104416_1_1_30e47672-a8b1-4101-971d-a7b14f761807.jpg?v=1787092908"},{"product_id":"aurora-audio-gtq2-dual-channel-preamp-eq-demo-deal","title":"Aurora Audio GTQ2 Dual Channel Preamp\/EQ (Demo Deal)","description":"\u003cp\u003eWith one foot firmly planted in the historic British preamp sound that makes up some of the worlds favorite recordings of all time, the \u003cstrong\u003eAurora Audio GTQ2\u003c\/strong\u003e is also equally capable of capturing the best modern tones of today.\u003cbr\u003e\u003cbr\u003eGeoff Tanner’s design incorporates balanced transformer input and output. Our transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide.\u003cbr\u003e\u003cbr\u003eThe adjustable input impedance coupled with 80dB of available gain makes the GTQ2 ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.\u003cbr\u003e\u003cbr\u003eThe GTQ2 EQ is made to be engineer and musician friendly. This 3 band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.\u003cbr\u003e\u003cbr\u003eWhen is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.\u003cbr\u003e\u003cbr\u003eThe GTQ2 is truly an all-purpose mic pre. Ideal for any instrument, vocal, or sound effect, the GTQ2 is being used around the world by professionals in Music, Film, and TV.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedance = 1,200 ohms or 300 ohms balanced and floating\u003c\/li\u003e\r\n\u003cli\u003eBalanced and floating Output will drive any impedance from 600 ohms upwards\u003c\/li\u003e\r\n\u003cli\u003eD.I. Input impedance = 10Megohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency response \u0026lt;20Hz to\u0026gt;50KHz + 1dB\u003c\/li\u003e\r\n\u003cli\u003eDistortion \u0026lt;0.075% @ 1KHz\u003c\/li\u003e\r\n\u003cli\u003eEIN \u0026lt;-125dB @ 80dB gain\u003c\/li\u003e\r\n\u003cli\u003eTransformer balanced inputs and outputs\u003c\/li\u003e\r\n\u003cli\u003eAll Class A discrete transistor circuitry Stepped adjustable in 5dB steps from –10dB to +80dB\u003c\/li\u003e\r\n\u003cli\u003eRear jacks provide an unbalanced output at the same level as balanced. Selectable input impedance on rear panel\u003c\/li\u003e\r\n\u003cli\u003eThree band EQ: + 15dB adjustment 80Hz (Bass), 12KHz (Treble) mid frequencies of 400Hz, 1,600Hz and 3,200Hz \u003c\/li\u003e\r\n\u003cli\u003e80Hz 18dB\/octave High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eInternal power supply\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450421244007,"sku":"118546","price":2759.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq2_11456_1_1_b267c090-d1ad-457f-84ca-93c0e4cc9267.jpg?v=1787092993"},{"product_id":"aurora-audio-gtp2-demo-deal","title":"Aurora Audio GTP2 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GTP2 Preamp\u003c\/strong\u003e is an original Geoff Tanner design, which features the same preamp as GTQ2, minus the EQ. The GTP2 features stepped input gain, variable output trim, +48 V phantom power, instrument DI, and phase reverse. The GTP2 is the first preamp to bring the Aurora Audio quality Class-A preamp design, that is at a competitive price point, putting it easily in reach of home studios.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e80 dB of gain\u003c\/li\u003e\r\n\u003cli\u003eNoise (@ 80 dB gain) is -47 dBu when terminated 200 ohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 22 Hz to 22 kHz (EIN of -127 dB)\u003c\/li\u003e\r\n\u003cli\u003eInstrument DI\u003c\/li\u003e\r\n\u003cli\u003eLED meter\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450439954535,"sku":"121423","price":1929.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-gtp-2_104814_1_1_de812003-7eb4-457a-a88b-2dc8b5ba8c2e.jpg?v=1787093071"},{"product_id":"aurora-audio-gtp8-8-channel-mic-preamp-demo-deal","title":"Aurora Audio GTP8 8 Channel Mic Preamp (Demo Deal)","description":"\u003cp\u003eWhen the Aurora Audio GTQ2 started to be hailed as a modern classic, the requests started coming in for an 8 channel version. In 2008, Geoff Tanner met this challenge by introducing the GTP8 to the world. 8 channels of the legendary Class A discrete sound in a convenient 2U package!\u003cbr\u003e\u003cbr\u003eSince Geoff insisted that no corner could be cut in keeping the GTQ2 sound in an 8 channel edition, clearly the same iron would have to be used as well. Balanced transformer in and out is featured here once again. Having the same transformers that were specified by Geoff and built by the old Marinair crew had to be included in the GTP8 without question. The result is 8 channels of massive tone that is suitable for any sound you might throw at it.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eAurora Audio GTP8\u003c\/strong\u003e has the same intuitive design as the GTQ2 as well. Dial in your level easily and accurately with discrete 10dB steps. Then fine-tune your selection with the trim pot that gives you 5 more decibels of boost or cut. This way, you can optimize your clean and pristine source to tape or DAW, but you can also use the trim to add some dirt and drive to your signal as well.\u003cbr\u003e\u003cbr\u003eNot to be left out, also featured on the GTP8 is the awesome Aurora Audio DI. Listen to your direct signal come alive in ways you never thought possible until now! Plus, there are EIGHT of them. More is always more, right? In the past you may have avoided to go direct, but with the Aurora Audio DI and the GTP8, you will be looking for excuses to use direct injection.\u003cbr\u003e\u003cbr\u003eWith this one unit, you will take your studio to the next level. Feel the power of having 8 channels of classic Class A discrete, British inspired tone within arm’s reach. For example, the GTP8 is perfectly suited for use as your drum sound. Why? Everyone knows that mixing preamps when tracking drums can be a dangerous proposition. With a mixed bag of mic pres all reacting at different times electronically and in different ways, this will affect the phase relationships of the signals and may result in a less than ideal sound. With 8 channels of the GTP8 working together in perfect harmony on your drums, you will experience more punch and clarity that only matched preamps can provide.\u003cbr\u003e\u003cbr\u003eThink about it: All of those classic recordings that we all grew up on were tracked on consoles with matched preamps that gave the album an overall sound and signature. Give yourself the opportunity to record the way the greats always intended you to do. Make your next classic recording today with the GTP8.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedance: 1,200 ohms balanced and floating\u003c\/li\u003e\r\n\u003cli\u003eBalanced and floating output will drive any impedance from 600 ohms upwards\u003c\/li\u003e\r\n\u003cli\u003eDI input impedance: 10Megohms\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 20Hz to \u0026gt;20KHz +\/-1dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion: \u0026lt;0.075% @ 1KHz @ +20dBu\u003c\/li\u003e\r\n\u003cli\u003eE.I.N: \u0026lt;-125dB @ 80dB gain\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 19” x 2U x 11” deep (482.6mm x 88.9mm x 280mm)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 20lbs (9.07Kg)\u003c\/li\u003e\r\n\u003cli\u003eTransformer balanced inputs and outputs\u003c\/li\u003e\r\n\u003cli\u003eAll Class A discrete transistor circuitry\u003c\/li\u003e\r\n\u003cli\u003eStepped gain control in 10dB steps from -10dB to +80dB\u003c\/li\u003e\r\n\u003cli\u003e+\/-5dB trim control, extends range from -15dB to +85dB\u003c\/li\u003e\r\n\u003cli\u003eDI input with 10dB gain and 10Megohm input impedance\u003c\/li\u003e\r\n\u003cli\u003eUnbalanced -10dBu TRS insertion jack socket, connects the GT4-8 and other Aurora products\u003c\/li\u003e\r\n\u003cli\u003eExternal regulated power supply auto-senses the input voltage\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450535866471,"sku":"133428","price":4809.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gtp8_front_1_68146326-1925-410f-8b77-45a37d04edd8.jpg?v=1787093462"},{"product_id":"aurora-audio-gtqc-channel-strip-demo-deal","title":"Aurora Audio GTQC Channel Strip (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GTQC\u003c\/strong\u003e is quite literally one channel of the GTQ2 Preamp and one channel of the GTC2 Compressor. It all conveniently fits into a one rack space package that gives you Class A discrete amplification, 3 band eq, DI, and compression (opto circuit, FET circuit, and COMB mode are all featured).\u003cbr\u003e\u003cbr\u003eAll of the features of the GTQ2 and GTQC are here in the GTQC as well. One feature unique to the GTQC is the ability to independently use the preamp or the compressor. Balanced XLR in and out allows the user to patch in the pre or compressor on different sources if needed. To use the GTQC as an “all in one” channel strip, all you need to do is press one button. This enables the signal to go in through the preamp and come out the compressor. This makes the compressor output gain your final control for volume and lets you use the VU meter (in output mode) to make sure you have optimum levels.\u003cbr\u003e\u003cbr\u003eIf you have a pair of GTQC channel strips at your disposal, the user has access to some pretty serious power in stereo. Ideal for any stereo recording and compression, you can link the compressors with ease. All you need is a single TRS cable. Just like the GTC2, the stereo link follows which ever unit is compressing more. If you are looking to beef up your entire mix by having a stereo channel strip on the insert, look no further!\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450679619687,"sku":"153847","price":2899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gtqc_front_1_ade9ec56-9bfb-40f2-bd41-d6f39bb9cac1.jpg?v=1787094069"},{"product_id":"aurora-audio-gtq2-dual-mic-pre-3-band-eq-1000291-used","title":"Aurora Audio GTQ2 Dual Mic Pre\/3-Band EQ #1000291 (Used)","description":"\u003cp\u003eWith one foot firmly planted in the historic British preamp sound that makes up some of the worlds favorite recordings of all time, the \u003cstrong\u003eAurora Audio GTQ2\u003c\/strong\u003e is also equally capable of capturing the best modern tones of today.\u003c\/p\u003e  \u003cp\u003eGeoff Tanner’s design incorporates balanced transformer input and output. Our transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide.\u003c\/p\u003e  \u003cp\u003eThe adjustable input impedance coupled with 80 dB of available gain makes the GTQ2 ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.\u003c\/p\u003e  \u003cp\u003eThe GTQ2 EQ is made to be engineer and musician friendly. This 3-band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The High end shelving at 12k provides air and sheen while never getting thin or shrill. The Low end shelving at 80 Hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400 Hz, 1.6k, and 3.2k can help you get rid of mud and get tracks to cut though your dense mix.\u003c\/p\u003e  \u003cp\u003eWhen is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.\u003c\/p\u003e  \u003cp\u003eThe GTQ2 is truly an all-purpose mic pre. Ideal for any instrument, vocal, or sound effect, the GTQ2 is being used around the world by professionals in Music, Film, and TV.\u003c\/p\u003e    \u003ch3 id=\"toc_1\"\u003eSPECIFICATIONS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput impedance = 1,200 ohms or 300 ohms balanced and floating\u003c\/li\u003e \u003cli\u003eBalanced and floating Output will drive any impedance from 600 ohms upwards\u003c\/li\u003e \u003cli\u003eD.I. Input impedance = 10 Megohms\u003c\/li\u003e \u003cli\u003eFrequency response \u0026lt;20 Hz to \u0026gt;50 kHz + 1 dB\u003c\/li\u003e \u003cli\u003eDistortion \u0026lt;0.075% @ 1 kHz\u003c\/li\u003e \u003cli\u003eEIN \u0026lt;-125 dB at 80 dB gain\u003c\/li\u003e \u003cli\u003eTransformer balanced inputs and outputs\u003c\/li\u003e \u003cli\u003eAll Class A discrete transistor circuitry Stepped adjustable in 5 dB steps from –10 dB to +80 dB\u003c\/li\u003e \u003cli\u003eRear jacks provide an unbalanced output at the same level as balanced. Selectable input impedance on rear panel\u003c\/li\u003e \u003cli\u003eThree band EQ: + 15 dB adjustment 80 Hz (Bass), 12 kHz (Treble) mid frequencies of 400 Hz, 1,600 Hz and 3,200 Hz\u003c\/li\u003e \u003cli\u003e80 Hz 18 dB\/octave High Pass Filter\u003c\/li\u003e \u003cli\u003eInternal power supply\u003c\/li\u003e \u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450686894183,"sku":"153297","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq2-dual-mic-pre-3-band-eq-1000291-used_153297_1_9bd70941-3aee-4c04-9677-ed919b8acd56.jpg?v=1787094102"},{"product_id":"aurora-audio-gtp1-00022-used","title":"Aurora Audio GTP1 #00022 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GTP1\u003c\/strong\u003e is a single channel preamp using the same circuitry as the GTP8 units and is basically a GTQ2 minus the EQ part. 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It can be used (to great effect) with musical instrument pickups, but works equally well with high-level signals like a D.A.T. or CD player. If you insert a jack into the front jack socket it will automatically disable the signal from the rear panel XLR.\u003c\/p\u003e\u003cp\u003eThe GTP1 has a built in switching power supply, custom made to Aurora's specs, with a massive power headroom and can accommodate input voltages in the range of 85 V to 265 V, 50\/60 Hz. All metalwork is steel, Aurora don’t use aluminum for anything. 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The GTQ2 uses transformers designed and built by ex-Marinair engineers, for an authentic take on the classic transformer used in the 1073.\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44450960736359,"sku":"197622","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq2-dual-mic-pre-3-band-eq-1000577-used_197622_1_0ff258fa-c918-451a-97ae-8e1733ad754b.jpg?v=1787095268"},{"product_id":"aurora-audio-gtq2-dual-channel-preamp-eq-demo-deal-open-box","title":"Aurora Audio GTQ2 Dual-Channel Preamp\/EQ (Demo Deal)","description":"\u003cp\u003eWith one foot firmly planted in the historic British preamp sound that makes up some of the worlds favorite recordings of all time, the \u003cstrong\u003eAurora Audio GTQ2\u003c\/strong\u003e is also equally capable of capturing the best modern tones of today.\u003cbr\u003e\u003cbr\u003eGeoff Tanner’s design incorporates balanced transformer input and output. Our transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide.\u003cbr\u003e\u003cbr\u003eThe adjustable input impedance coupled with 80dB of available gain makes the GTQ2 ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.\u003cbr\u003e\u003cbr\u003eThe GTQ2 EQ is made to be engineer and musician friendly. This 3 band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.\u003cbr\u003e\u003cbr\u003eWhen is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.\u003cbr\u003e\u003cbr\u003eThe GTQ2 is truly an all-purpose mic pre. 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Selectable input impedance on rear panel\u003c\/li\u003e\r\n\u003cli\u003eThree band EQ: + 15dB adjustment 80Hz (Bass), 12KHz (Treble) mid frequencies of 400Hz, 1,600Hz and 3,200Hz \u003c\/li\u003e\r\n\u003cli\u003e80Hz 18dB\/octave High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eInternal power supply\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44451070083175,"sku":"282128","price":2629.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq2_11456_1_1643c788-3188-4642-9e04-32eed3b687fc.jpg?v=1787095715"},{"product_id":"aurora-audio-gt8x2-absolute-demo-deal","title":"Aurora Audio GT8x2 Absolute (Demo Deal)","description":null,"brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44451072114791,"sku":"282730","price":939.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-gt8x2-absolute_61808_1_0050218c-e3b2-4677-b53c-47a1ceec1c84.jpg?v=1787095723"},{"product_id":"aurora-audio-gtq1-microphone-preamp","title":"Aurora Audio GTQ1 Single-Channel Microphone Preamp\/EQ","description":"\u003cp\u003eGeoff Tanner’s design incorporates balanced transformer input and output. Aurora's transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide. The adjustable input impedance coupled with 80 dB of available gain makes the \u003cstrong\u003eAurora Audio GTQ1\u003c\/strong\u003e single-channel microphone preamp\/EQ ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ1 and hear the classic harmonics and overtones that made the Class A British sound so sought after.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe equalizer section is made to be engineer and musician friendly. This 3-band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80 Hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400 Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44451113468007,"sku":"442276","price":2376.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtq1_442276_1_670becbb-7f6a-4772-aa55-d00a13a5a9d6.jpg?v=1787095890"},{"product_id":"aurora-audio-gtp10-ten-channel-microphone-preamp","title":"Aurora Audio GTP10 Ten-Channel Microphone Preamp","description":"\u003cp\u003eWhen the Aurora Audio GTQ2 started to be hailed as a modern classic, the requests started coming in for an 10 channel version. In 2008, Geoff Tanner met this challenge by introducing the GTP8 to the world. 10 channels of the legendary Class A discrete sound in a convenient 2U package!\u003c\/p\u003e\r\n\r\n\u003cp\u003eSince Geoff insisted that no corner could be cut in keeping the GTQ2 sound in an 10 channel edition, clearly the same iron would have to be used as well. Balanced transformer in and out is featured here once again. Having the same transformers that were specified by Geoff and built by the old Marinair crew had to be included in the \u003cstrong\u003eAurora Audio GTP10\u003c\/strong\u003e without question. The result is 10 channels of massive tone that is suitable for any sound you might throw at it.  The Aurora Audio GTP810 has the same intuitive design as the GTQ2 as well. Dial in your level easily and accurately with discrete 10 dB steps. Then fine-tune your selection with the trim pot that gives you 5 more decibels of boost or cut. This way, you can optimize your clean and pristine source to tape or DAW, but you can also use the trim to add some dirt and drive to your signal as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNot to be left out, also featured on the GTP10 is the awesome Aurora Audio DI. Listen to your direct signal come alive in ways you never thought possible until now! Plus, there are TEN of them. More is always more, right? In the past you may have avoided to go direct, but with the Aurora Audio DI and the GTP10, you will be looking for excuses to use direct injection.  With this one unit, you will take your studio to the next level. Feel the power of having 8 channels of classic Class A discrete, British inspired tone within arm’s reach. For example, the GTP10 is perfectly suited for use as your drum sound. Why? Everyone knows that mixing preamps when tracking drums can be a dangerous proposition. With a mixed bag of mic pres all reacting at different times electronically and in different ways, this will affect the phase relationships of the signals and may result in a less than ideal sound. With 10 channels of the GTP10 working together in perfect harmony on your drums, you will experience more punch and clarity that only matched preamps can provide.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThink about it: All of those classic recordings that we all grew up on were tracked on consoles with matched preamps that gave the album an overall sound and signature. Give yourself the opportunity to record the way the greats always intended you to do. Make your next classic recording today with the GTP10.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44451123003495,"sku":"106793","price":8524.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora-audio-gtp10_106793_1.jpg?v=1787095923"},{"product_id":"aurora-audio-gtp8-8-channel-mic-preamp-demo-deal-open-box","title":"Aurora Audio GTP8 8-Channel Mic Preamp\/DI (Demo Deal)","description":"\u003cp\u003eWhen the Aurora Audio GTQ2 started to be hailed as a modern classic, the requests started coming in for an 8 channel version. In 2008, Geoff Tanner met this challenge by introducing the GTP8 to the world. 8 channels of the legendary Class A discrete sound in a convenient 2U package!\u003cbr\u003e\u003cbr\u003eSince Geoff insisted that no corner could be cut in keeping the GTQ2 sound in an 8 channel edition, clearly the same iron would have to be used as well. Balanced transformer in and out is featured here once again. Having the same transformers that were specified by Geoff and built by the old Marinair crew had to be included in the GTP8 without question. The result is 8 channels of massive tone that is suitable for any sound you might throw at it.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eAurora Audio GTP8\u003c\/strong\u003e has the same intuitive design as the GTQ2 as well. Dial in your level easily and accurately with discrete 10dB steps. Then fine-tune your selection with the trim pot that gives you 5 more decibels of boost or cut. This way, you can optimize your clean and pristine source to tape or DAW, but you can also use the trim to add some dirt and drive to your signal as well.\u003cbr\u003e\u003cbr\u003eNot to be left out, also featured on the GTP8 is the awesome Aurora Audio DI. Listen to your direct signal come alive in ways you never thought possible until now! Plus, there are EIGHT of them. More is always more, right? In the past you may have avoided to go direct, but with the Aurora Audio DI and the GTP8, you will be looking for excuses to use direct injection.\u003cbr\u003e\u003cbr\u003eWith this one unit, you will take your studio to the next level. Feel the power of having 8 channels of classic Class A discrete, British inspired tone within arm’s reach. For example, the GTP8 is perfectly suited for use as your drum sound. Why? Everyone knows that mixing preamps when tracking drums can be a dangerous proposition. With a mixed bag of mic pres all reacting at different times electronically and in different ways, this will affect the phase relationships of the signals and may result in a less than ideal sound. With 8 channels of the GTP8 working together in perfect harmony on your drums, you will experience more punch and clarity that only matched preamps can provide.\u003cbr\u003e\u003cbr\u003eThink about it: All of those classic recordings that we all grew up on were tracked on consoles with matched preamps that gave the album an overall sound and signature. Give yourself the opportunity to record the way the greats always intended you to do. Make your next classic recording today with the GTP8.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":44451153117287,"sku":"463577","price":4619.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aurora_audio_gtp8_front.jpg?v=1787096044"},{"product_id":"aurora-audio-gtqc-channel-strip-demo-deal-open-box","title":"Aurora Audio GTQC Channel Strip (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GTQC\u003c\/strong\u003e is quite literally one channel of the GTQ2 Preamp and one channel of the GTC2 Compressor. It all conveniently fits into a one rack space package that gives you Class A discrete amplification, 3 band eq, DI, and compression (opto circuit, FET circuit, and COMB mode are all featured).\u003cbr\u003e\u003cbr\u003eAll of the features of the GTQ2 and GTQC are here in the GTQC as well. One feature unique to the GTQC is the ability to independently use the preamp or the compressor. Balanced XLR in and out allows the user to patch in the pre or compressor on different sources if needed. To use the GTQC as an “all in one” channel strip, all you need to do is press one button. This enables the signal to go in through the preamp and come out the compressor. This makes the compressor output gain your final control for volume and lets you use the VU meter (in output mode) to make sure you have optimum levels.\u003cbr\u003e\u003cbr\u003eIf you have a pair of GTQC channel strips at your disposal, the user has access to some pretty serious power in stereo. Ideal for any stereo recording and compression, you can link the compressors with ease. All you need is a single TRS cable. Just like the GTC2, the stereo link follows which ever unit is compressing more. 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The level pot has an audio taper and is –20 dB at half rotation.\u003c\/p\u003e\n\n\u003cp\u003eIf you have to turn the pot below 1⁄2 way, the sensitivity switch must be adjusted at least 2 clicks more to restore the signal level at the expense of input headroom! Operating the unit with the output level at maximum ensures that you keep the headroom in the designed 26 dB region.\u003c\/p\u003e\n\n\u003cp\u003eThe DI input overrides the normal input and has 10 Megohm input impedance and around 10 dB gain. It can be used (to great effect) with musical instrument pickups, but works equally well with high-level signals like a DAT or CD player. The same gain structure rules apply.\u003c\/p\u003e\n\n\u003cp\u003eThe High Pass Filter is selected by moving its toggle switch to the right and a blue LED will glow to indicate section. 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